Emotiva RSP-1 User manual

USER’S GUIDE

Table of Contents
Safety Precautions 4
NEC (National Electrical Code) Standards 6
A Note for the Cable Television (CATV) Installer 6
Antenna Grounding Outside the House 6
Thank You for your RSP-1 Purchase 7
Unpacking the RSP-1 8
Inventory 8
Recording the Serial Number 8
Emotiva RSP-1 Preamplier 9
Audiophile 2 Channel Preamplier Features 9
RSP-1 Front Panel Layout 10
RSP-1 Rear Panel Layout 11
RSP-1 Remote 12
Changing the Battery 12
Stereo or 2.1, What’s the Difference? 13
Traditional Full Range Stereo 13
2.1 Conguration 13
Is it the same as 5.1? 13
Connection Diagrams 14
Connecting Audio Source Units 14
Connection of a CD Player 14
Connection of an External Tuner 15
Connection of a Turntable 16
Connection of a 2 Channel AUX device (DVD-A, SACD, iPod, etc) 17
Connecting I/O Devices 18
Connection of an External Signal Processor 18
Connection of a Recorder (Cassette, DAT, HD, etc.) 19
Connecting Ampliers 20
Connection of a Full Range Amplifier (via XLR) 20
Connection of a Full Range Amplifier (via RCA) 21
Utilizing the Built In Active Filters 22
Connection of High Pass and Low Pass Amplifiers (via XLR) 23
Connection of High Pass and Low Pass Amplifiers (via RCA) 24
Connecting a Powered Subwoofer 25
Additional Connections 26
Trigger Connections 26
I/R Connections 26

Quick Setup of the RSP-1 27
A Note About “Learning” Remotes 27
Speaker Placement Tips 29
Tips Before Beginning 29
The Front Speakers 30
Subwoofer Location (for 2.1 Systems) 30
Troubleshooting Guide 32
No Sound (from one or more full range speakers) 32
No Low Frequency (or poor output) 32
No Tone Control Functions 32
Sound Drops Out with CD or DVD Playback 32
Remote Not Working 32
External Amplifier(s) Shut Down (Often or Prematurely) 33
External Amplifier(s) Do Not Turn Off with RSP-1 33
Check the following: 33
RSP-1 “Locks Up” (No Response) 33
“Hum” Noises 33
Other Probable Causes of Noise 34
Problems with the whole A/V System 34
RSP-1 Technical Specications 35
Licensing and Trademark Disclosures 36
Apple Disclosure 36
Microsoft Disclosure 36
Sirius Satellite Radio Disclosure 36
XM Satellite Radio Disclosure 36
Emotiva Disclosure 36
Limited Warranty 37
Service Assistance for the RSP-1 37

Page 4
Page 5
Safety Precautions
Read this User’s Guide thoroughly before attempting to install and congure the Emotiva RSP-1 Preamplier.
All the safety and operation instructions should be read before any operation of the component(s) begin.
After successful installation and conguration of the Emotiva RSP-1 Preamplier, be sure to retain this
manual in a safe place for any future reference needs.
All warnings on the Emotiva RSP-1 Preamplier and in these operating instructions should be followed.
Safety is a key component to a long lasting and trouble free installation. The vast majority of the subsequent
safety precautions involve simple common sense. If you are not comfortable with the installation of audio/
video entertainment equipment, it will be to your benet to seek the services of a qualied installation
professional.
• The Emotiva RSP-1 Preamplier should NEVER be used near water such as a bathtub, washbowl, kitchen sink,
laundry tub, in a wet basement, or near a swimming pool, etc.
• The Emotiva RSP-1 Preamplier should be situated so that its location or installation position does not interfere
with proper ventilation.
• The Emotiva RSP-1 Preamplier should not be situated on a bed, sofa, rug, or similar surface that may block any
ventilation openings; or placed in a built-in installation such as a bookcase, cabinet, or closed equipment rack
that may impede the ow of air through ventilation openings. If installed in a closed equipment rack for custom
installations, be sure to add forced air ventilation so that it has adequate air circulation.
• The Emotiva RSP-1 Preamplier should be situated away from heat sources such as radiators, or any other
devices which produce heat.
• The Emotiva RSP-1 Preamplier should be connected to a power supply only of the type described in this User’s
Guide and what is labeled on the RSP-1 component. Power supply cords should be routed so that they are not
in high foot trac areas or pinched by items placed upon or against them, paying particular attention to cords
at the wall plugs, convenience receptacles, and the point where they connect into the RSP-1 Preamplier. The
power cord of the RSP-1 Preamplier should be unplugged from the outlet when unused for a long period of
time.
When it’s time for cleaning the Emotiva RSP-1 Preamplier, it should be cleaned only as recommended in
this User’s Guide. Never spray liquids directly into the component’s vent openings. Care should be taken so
that small objects do not fall into the inside of the RSP-1 Preamplier.
The following situations require your Emotiva RSP-1 Amplier is serviced only by qualied service personnel:
1. The power-supply cord or the plug has been damaged; or
2. Objects have fallen, or liquid has spilled into the component; or
3. The RSP-1 has been exposed to rain; or
4. The RSP-1 does not appear to operate normally or exhibits a marked change in performance; or
5. The RSP-1 has been dropped, or its enclosure or chassis is damaged.
The user should not attempt to service the RSP-1 Preamplier beyond the means described in this User’s
Guide. All other servicing should be referred to qualied service personnel.

Page 4
Page 5
To prevent electric shock, do not use this polarized plug with an extension cord, receptacle or other outlet
unless the blades can be fully inserted to prevent blade exposure.
Pour preevenir les chocs electriques ne pas utiliser cette che polarises avec un prolongateur, un prise de courant
ou une autre sortie de courant, sauf si les lames peuvent titre inserees a fond sans laisser aucune parIIIe a
decouvert.
Grounding or Polarization — Precautions should be taken so that the grounding or polarization means of
the component is not defeated.
This apparatus does not exceed the Class A/Class B (whichever is applicable) limits for radio noise emissions
from digital apparatus as set out in the radio interference regulations of the Canadian Department of
Communications.
ATTENTION — Le present appareil numerique n’emet pas de bruits radioelectriques depassant las limites
applicables aux appareils numeriques de class A/de class B (selon le cas) prescrites dans le reglement sur le
brouillage radioelectrique edicts par les ministere des communications du Canada.
For questions regarding service, please contact:
Emotiva
106 Mission Court, Suite 101
Franklin, TN 37067
Tel - [phone] (877) EMO-TECH
Fax - [phone] www.emotiva.com
WARNING – TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO
NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.
CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG
TO WIDE SLOT, FULLY INSERT.
ATTENTION: POUR EVITER LES CHOCS ELECTRIQUES, INTRODUIRE LA
LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE
DE LA PRISE ET POUSSER JUSQU’AU FOND.

Page 6
Page 7
NEC (National Electrical Code) Standards
A Note for the Cable Television (CATV) Installer
This reminder is to call the CATV system installer’s attention to Article 820-40 of the NEC that provides
guidelines for proper grounding and in particular, species that the cable ground shall be connected to the
grounding system of the building as close to the point of cable entry as practical.
Antenna Grounding Outside the House
If an outside antenna is connected to the receiver, be sure the antenna system is grounded so as to provide
some protection against voltage surges and built-up static charges. Article 810 of the National Electrical
Code, ANSI/NFPA 70, provides information with regard to proper grounding of the lead-in wire to an
antenna-discharge unit, connection to grounding electrodes, and requirements for the grounding electrode.
See diagram below.
Always observe proper antenna or satellite dish grounding techniques. When lightning strikes
there is always the possibility that your antenna or dish (mounted high on the roof) can
become a conduit for lightning and electrically damage any equipment to which it’s connected.
Additionally, proper grounding offers safety to the people using the audio/video system in the
event of an electrical problem.

Page 6
Page 7
Thank You for your RSP-1 Purchase
Dear Home Entertainment Enthusiast,
Thank you for purchasing the Emotiva RSP-1 Preamplier. We sincerely believe that it oers you outstanding
performance and value. Emotiva products are engineered and produced with the highest quality materials
and incorporate the latest technology. We think you will nd the Emotiva RSP-1 meets or exceeds your
expectations.
The Emotiva RSP-1 is unlike any two channel home audio preamplier on the market. It has been designed
with the user in mind and in consideration of both past and current technologies. By employing features
that makes sense, yet with a clear focus on the priority of superb sound reproduction, the Emotiva RSP-
1 allows you to spend more time enjoying your music. What’s more, the Emotiva RSP-1 does it all with
exceptionally rened cosmetics and a build quality that will satisfy even the most discriminating tastes.
The Emotiva RSP-1 features an array of leading edge technologies and all the features necessary to perform
the functions expected of a high end stereo preamplier. At Emotiva, we remember that creating home
entertainment products means that they should be easy to use while delivering unparalleled performance.

Page 8
Page 9
Unpacking the RSP-1
The Emotiva RSP-1 Preamplier should reach you in awless condition. If you notice any shipping damage or
other issues upon unpacking the unit, please contact your Emotiva Retailer immediately.
Inventory
Contained in the box should be the RSP-1 unit, the remote control (with CR2032 battery installed), an IEC
standard power cord, and this user’s manual.
Gently lift out the unit and remove all the packing material and accessories. It is important to save all the
packing materials and the box in case your Emotiva RSP-1 ever needs to be moved or shipped back to the
factory for service.
Make sure that you keep your sales receipt. It is the only way for Emotiva to establish the duration of your
Limited Warranty and it may come in useful for insurance purposes.
Please take a moment to ll out and mail the Emotiva Customer Response card.
Recording the Serial Number
Please read the serial number located on the rear panel and record it below. Also record the place where you
purchased this product and the date of purchase.
Model Number
Serial Number
Place of Purchase
Date of Purchase
RSP-1

Page 8
Page 9
Emotiva RSP-1 Preamplier
Audiophile 2 Channel Preamplifier Features
• Precision low noise phono input with moving magnet or moving coil capability
• Five stereo inputs with precision instrumentation grade relay switching
• Microprocessor controlled pure analog signal path
• VFD display for all inputs and functions
• Full remote control operation
• Completely integrated bass manager for 2.1 operation with selectable frequency stereo high pass and mono low
pass outputs
• Independent full range outputs (available simultaneously with 2.1 output)
• Tiany style machined and gold plated discrete RCA connectors for all inputs and outputs
• All outputs, stereo and 2.1, are also available on balanced XLR connectors (standard)
• Tape monitor loop
• External processor loop
• Source Direct bypass
• Stereo / Mono switching
• Treble and bass trim controls
• Large format precision lm volume potentiometer with motorized control
• Headphone output
• Illuminated input indicators
• Panel dimmer
• Milled multi-element oating wing faceplate with indirect cobalt blue illumination.
• Infrared input and output connectors
• 12V trigger output
• High quality machined aluminum remote control with discrete tact switches
• IEC power inlet, 120/230 VAC user congurable

Page 10
Page 11
RSP-1 Front Panel Layout
Soft Touch Power Switch
This switch provides the ON/OFF
control of the RSP-1 from the
front panel. When the unit is o
and in standby mode, the switch
illuminates yellow. Once the unit is
turned on, the switch illuminates
blue. The unit can also be turned
ON and OFF with the supplied
remote control.
Main Volume Knob
This knob provides the main
volume for the system. It is a
motorized potentiometer that also
moves when volume is adjusted
via remote.
Vacuum Fluorescent Display
The cool blue VFD display shows
the source input as well as other
information.
10
5
6
7
2
4
8
9
1
3
4
1
Bass and Treble Adjustments
Push in to release these
adjustment controls for either
Bass or Treble. Once adjusted,
push in again to sit ush with the
aluminum faceplate.
Source Selection Buttons
These buttons provide selection
capability of each source input on
the RSP-1.
5
6
3
7
2
I/R Receiver Window
Point the remote at this window
for operation of the RSP-1 by
remote.
Balance Adjustment
Push in to release this adjustment
controls for Balance. Once
adjusted, push in again to sit ush
with the aluminum faceplate.
10
8
9
11
12
13
11
12
13
Mute Button
Push to mute the RSP-1. The MUTE
LED will illuminate when this
feature is engaged. This feature is
also available via remote.
Direct Button
Push to bypass all of the preamp
functions of the RSP-1 including
the external processor loop and
bass/treble controls. The DIRECT
LED will illuminate when this
feature is engaged. This feature is
also available via remote.
Tape Monitor Button
Push to switch to the TAPE input/
output. When connected to the
TAPE inputs and outputs, this will
enable recording from the current
input selected on RSP-1. The TAPE
LED will illuminate when this
feature is engaged. You can also
listen to what will be recorded.
Mono Button
Push to combine left and right
(L+R) channels of the RSP-1 . The
MONO LED will illuminate when
this feature is engaged. This feature
is also available via remote.
Panel Dim
Push to dim the panel illumination.
There are 3 levels of panel dimming
available: Bright, Medium, Dim.
Pressing the PANEL DIM button
scrolls through these settings.
External Processor Button
Push to switch to the External
Processor input/output. When
connected to the EXT PROC inputs
and outputs, this will enable signal
processing of the current input
selection to pass through the
processor loop. The EXT PROC LED
will illuminate when this feature
is engaged. This feature is also
available via remote.
Activity LEDs
These LEDs illuminate when the
labeled function in engaged. All of
the labeled indicators are available
as remote commands. When
receiving remote commands, the
COM/RECV LED illuminates as well.
14
14 14
Headphone Jack
A standard 1/4” Headphone jack is
provided on the front panel.
15
15

Page 10
Page 11
RSP-1 Rear Panel Layout
Ground Connection Post
This connection is for the ground
reference of a turn table
Analog Source Inputs
This group of ve analog RCA
inputs is intended for any the
inputs to RSP-1. There are no digital
inputs on this preamp for the
purest analog sound reproduction.
Power Receptacle and Switch
IEC standard Class 1 power
receptacle (cord is also included
with RSP-1) and a master power
switch. Leave in the ON position to
switch on via front panel or remote.
Trigger Output
This 1/8” jack is intended for
connection to one or more devices
that need to be turned on with the
RSP-1. Current is limited to 500mA.
MM/MC Switch
Use this switch to select your
cartridge type. MM for Moving
Magnet or MC for Moving Coil
Tape Loop
A Tape loop is provided for
recording 2-channel source material
from a Cassette, DAT, or a Hard Disk
Audio device with analog outputs.
External Processor Loop
An external processor can be added
to RSP-1 for signal enhancement.
This would commonly be an EQ, but
can really be anything that processes
2-channel signal.
Full Range RCA Outputs
These RCA outputs labeled MAIN
are 20Hz-20kHz full range outputs
unaected by the HPF or LPF
switches.
Full Range XLR Outputs
These XLR outputs labeled MAIN
are 20Hz-20kHz full range outputs
unaected by the HPF or LPF
switches.
High Pass RCA Outputs
These RCA outputs labeled HIGH
PASS are controlled by the HPF
switch. They are always high pass
and the lter slope is 12dB/Octave.
Filter frequency point is either 80 or
120Hz
High Pass XLR Outputs
These XLR outputs labeled HIGH
PASS are controlled by the HPF
switch. They are always high
pass and the lter slope is 12dB/
Octave. Filter frequency point is
either 80 or 120Hz
Sub RCA Output
This RCA output labeled SUB
OUTPUT is controlled by the LPF
switch. It is only a low pass if the
switch is in either the 80 or 120Hz
setting. In BYPASS mode it operates
without a low pass lter. The LPF
lter slope is 12dB/Octave.
Sub XLR Output
This XLR output labeled SUB
OUTPUT is controlled by the LPF
switch. It is only a low pass if
the switch is in either the 80 or
120Hz setting. In BYPASS mode it
operates without a low pass lter.
The LPF lter slope is 12dB/Octave.
I/R Input and Output
These 1/8” jacks are intended for use
in custom installation applications
where control of the RSP-1 from
a remote location is desired.
These accept standard I/R control
equipment from companies such
as Xantech. Sensors and connectors
are not included.
10
5
6
7
1
2
3
4
8
9
HPF and LPF Switches
These switches control the
condition of the HIGH PASS outputs
and the SUB OUTPUT on either
RCA or XLR outputs. When the LPF
switch is in the BYPASS position,
the SUB OUTPUT is full range, but
is intended to utilize a built in
crossover in a powered sub to which
it will connect. All other settings are
as labeled (80Hz or 120Hz). Slope is
xed at 12dB/Octave for all lters.
On Board Fuse / Line Switch
T2AL for 120 V use or T1AL for 230 V
use. Switch selects line voltage.
11
12
13
14
15
16
1
10
53 4
8 9 11 12 13 14 15
2
6
7
16
See Connection Diagrams starting at
Page 14 for specic connection details.

Page 12
Page 13
RSP-1 Remote
The RSP-1 remote control is a dedicated remote control that oers many discrete buttons for most of the
critical RSP-1 controls.
As many home entertainment enthusiasts choose, you may elect to program the RSP-1 remote into a
“learning” type remote that is the single (Master) control for all of your home entertainment components. In
doing so, you can choose to include or omit certain functions if you wish so you do not inadvertently enter
into those functions during normal use with the master remote. A master remote can also provide a unied
turn on/o resource for all of the components in the system through the use of a macro program sequence.
Changing the Battery
The RSP-1 remote contains a CR2032 battery that is pre-installed at the factory. If you should ever need to
replace this, simply remove 4 screws holding on the back cover, lift o the cover, and there you will see the
battery. Pay attention to polarity orientation when removing so that you position the new battery correctly.
Power Button
Turns the RSP-1 on and o
Volume UP/DOWN
These buttons control the volume up
and volume down of the RSP-1. The front
panel volume knob will rotate when the
remote is used to control volume.
Source Selection Buttons
These buttons select the various
source inputs of the RSP-1
STEREO/MONO Button
Press to select stereo or mono
Mute Button
Push to mute the RSP-1. The
MUTE LED on the front panel will
illuminate when this feature is
engaged.
Source Direct Button
Push to bypass all of the preamp
functions of the RSP-1 including the
external processor loop and bass/treble
controls. The DIRECT LED will illuminate
when this feature is engaged.
Tape Monitor Button
Push to enable recording from the
current input selected on RSP-1. The TAPE
LED will illuminate when this feature is
engaged.
External Processor Button
Push to switch to the External Processor
input/output. The current input selection
will pass through the processor loop.
The EXT PROC LED will illuminate when
this feature is engaged.

Page 12
Page 13
Stereo or 2.1, What’s the Difference?
The RSP-1 preamplier features stereo outputs, however these can be further considered in two distinct
applications: Full Range Stereo or “2.1”. Of course which applies to you and your own system is determined
upon the conguration your audio system’s discrete amplier channels and your loudspeaker system. Since
home audio system have changed over time , the criteria for which type of speakers you choose has become
a trade o between cosmetics, cost, and performance. What’s more, widespread use of portable media
players such as Apple iPod, Microsoft Zune, etc. change the bandwidth requirements for many systems
because of compression.
Traditional Full Range Stereo
Traditional 2-channel listeners will typically opt to use the full range outputs which are then fed into discrete
ampliers and on to speakers intended to reproduce the full audio spectrum of 20-20KHz. Whether they be
tower speakers, in walls, or other congurations, the application is for speakers that will be 2-way, 3-way,
or higher and will have a robust low frequency driver intended to handle the low frequencies while the
remaining drivers in the speaker handle the higher frequencies.
2.1 Conguration
The trend of many home audio systems is to employ the use of compact, less obvious loudspeaker systems
that sometimes severely limit their low frequency capabilities. Whereas traditional home theater systems
commonly use a dedicated subwoofer with smaller satellite speakers, the 2-channel listening experience
has, until recently, still hinged on the “2 large speakers” paradigm. The satellite/subwoofer speaker system
(aka 2.1 ) architecture is an excellent approach for many listening rooms where furniture or the aesthetics of
less obtrusive speakers often prevail. Consequently, the 2.1 architecture built in to the Emotiva RSP-1 is ideal
for both large full range monitors (as a biamped speaker) as well as component speakers having a smaller
woofer/tweeter combination (even if no subwoofer is used). Of course in either case, a high performance
powered subwoofer creates even more breathtaking eects. Whatever the conguration, utilizing the high
pass/low pass architecture of the RSP-1 requires discrete amplier channels for each output.
Is it the same as 5.1?
The brief answer is NO, but with some qualication . The term “2.1” was not created from an encoding
process such as 5.1, rather the term describes the fact that the RSP-1 oers two high frequency channels
and an independently summed mono low pass channel (what Emotiva engineers deemed the .1 channel).
Of course in an actual .1 channel such as in Dolby Digital or DTS processing, the .1 channel is actually a
processed Low Frequency Eects channel that has both frequency and amplitude controlled information
that is intended for a subwoofer. In an LFE application, the subwoofer output is also able to redirect bass
frequencies that would normally be intended for front speakers but that (due to size and/or processor
congurations) may be unable to reproduce those frequencies. The subwoofer output of the RSP-1 is not
processed in any way other than it utilizes a low pass lter selectable between 80 or 120 Hz. Independently
of the low pass output, the high pass output can also be limited to play down to 120 or 80Hz oering
protection to smaller mid-woofers unable to reproduce low bass.

Page 14
Page 15
Connection Diagrams
Connecting Audio Source Units
Connection of a CD Player
This connection diagram shows a CD player connected to the RSP-1 preamplier via RCA outputs. Although
your CD player may contain digital outputs, all signal processing of this preamplier is done in the analog
domain where music purists agree it is most true to the original content. The D/A converter in the CD player
is the only link between digital content and analog signal.
Analog RCA Audio
This audio connection type is the one you must
connect to the inputs on the RSP-1 labeled “CD” in the
AUDIO INPUTS section of the rear panel. There are no
digital inputs on the RSP-1.

Page 14
Page 15
Connection of an External Tuner
This connection diagram shows an external tuner connected to the RSP-1 preamplier via RCA outputs.
Depending on the type of tuner you choose, direct RCA outputs may not be available (such as with portable
satellite radio tuners intended to go between home and car), so a 1/8” stereo mini jack to RCA adapter may
be necessary to complete the connection.
Analog Audio Connection
Connect to the inputs on the RSP-1 labeled “TUNER”
in the AUDIO INPUTS section of the rear panel. If you
are connecting a portable satellite radio or HD tuner
device, it may require a 1/8” stereo to RCA adapter.

Page 16
Page 17
Connection of a Turntable
This connection diagram shows a turntable connected to the RSP-1 preamplier via RCA outputs. Please also
note the connection of the chassis ground tab between the turntable and preamplier. This is necessary for
audio signal reference so the RSP-1 processes signal from the turntable with minimal unwanted noise.
On the back of the RSP-1 preamplier there is a selector switch labeled MM/MC. This represents “Moving
Magnet” or “Moving Coil” cartridges. Please engage the switch in the correct position based on the type of
cartridge your turntable has.
Please note - for the PHONO connection,
you must select the type of cartridge, either
high output Moving Magnet (MM) or low
output Moving Coil (MC) by moving the
switch to the appropriate position.
If you are not sure which type of cartridge
you have, select MM rst and then if the
noise level is too high, try selecting MC
instead.
Phono Inputs
This audio connection type is the one you must
connect to the inputs on the RSP-1 labeled “PHONO” in
the AUDIO INPUTS section of the rear panel. You must
also connect the ground post.
The PHONO input is not designed for line level sources such as CD players or other devices. Please only
connect turntables with Moving Magnet or Moving Coil needle cartridges to this input to avoid damage.

Page 16
Page 17
Connection of a 2 Channel AUX device (DVD-A, SACD, iPod, etc)
This connection diagram shows an external AUX device connected to the RSP-1 preamplier via RCA
outputs. In this case, the AUX device is a portable compressed media player (such as an iPod) in a docking
station. Depending on the type of media player docking station available, direct RCA outputs may not be
available , so a 1/8” stereo mini jack to RCA adapter may be necessary to complete the connection.
AUX Inputs
This audio connection type is the one you must
connect to the inputs on the RSP-1 labeled “AUX1” or
“AUX2” in the AUDIO INPUTS section of the rear panel.
Repeat this connection for an additional AUX device on
the unused AUX input jacks.

Page 18
Page 19
Connecting I/O Devices
Connection of an External Signal Processor
This connection diagram shows an external signal processor connected to the RSP-1 preamplier via RCA
outputs and inputs. To engage the processor loop, select the EXT PROC button on the front panel or on the
remote control.
Inputs AND Outputs
To enable the preamplier loop you must connect to the
inputs AND outputs on the RSP-1 labeled “EXT PROC” on
the rear panel. To engage the processor loop, select EXT
PROC from the RSP-1 front panel or the remote.
Please note - the external processor loop is
unaffected by the Bass, Treble, and Balance
controls of the RSP-1. Use caution when
boosting any signal processor levels so you
can avoid unnecessary distortion.

Page 18
Page 19
Connection of a Recorder (Cassette, DAT, HD, etc.)
This connection diagram shows an external recording device connected to the RSP-1 preamplier via RCA
outputs and inputs. While this traditionally has been a cassette player or DAT player, this connection could
also be a hard drive based recording device so long as the input and output connections are analog RCA
audio connections.
To engage the recording device, rst press TAPE from the front panel or remote and then it will allow you
to “monitor” the audio that the recording device will record. When you are ready to record, engage the
recording device.
Inputs AND Outputs
To enable the tape monitor loop you must connect to
the inputs AND outputs on the RSP-1 labeled “TAPE” on
the rear panel. To engage the tape monitor loop, select
TAPE from the RSP-1 front panel or the remote.
Please note - the tape loop outputs are
unaffected by the Bass, Treble, and Balance
controls of the RSP-1. These outputs are
also unaffected by any external signal
processing.

Page 20
Page 21
Connecting Ampliers
Connection of a Full Range Amplier (via XLR)
This connection diagram shows a single 2 channel amplier connected to the RSP-1 preamplier via XLR
inputs. If the amplier has XLR inputs, this is the preferred connection.
XLR Outputs
If the amplier has XLR inputs, this is the preferred method of connection from RSP-1.