Kiwi Technics Patch Editor User manual

Patch
Editor

2
Table of Contents
CONCEPTS............................................................................................................................................. 2
Patch Editor Layout................................................................................................................................. 4
Patch editor Control Descriptions....................................................................................................... 4
External Input...................................................................................................................................... 6
Syste Reset...................................................................................................................................... 6
Power require ents............................................................................................................................ 6
Progra Update................................................................................................................................. 6
SYNTH TABLES....................................................................................................................................... 7
Fender Chro a Polaris....................................................................................................................... 7
Cheetah MS6...................................................................................................................................... 8
Kawai K3 .......................................................................................................................................... 8
KiwiTechnics Kiwi-3P Upgrade........................................................................................................... 9
KiwiTechnics KiwiSix Upgrade.......................................................................................................... 10
KiwiTechnics Kiwi-106 Upgrade........................................................................................................11
Organix Midi 3P Upgrade................................................................................................................. 12
Korg DW-6000................................................................................................................................... 13
Korg DW-8000................................................................................................................................... 14
Korg DSS-1....................................................................................................................................... 15
Korg DSM-1....................................................................................................................................... 16
Korg M1............................................................................................................................................. 17
Oberhei Matrix 6............................................................................................................................. 18
Oberhie Matrix 1000....................................................................................................................... 19
Roland Juno-1 Juno-2 and HS-10.................................................................................................... 20
Roland JX-8P..................................................................................................................................... 21
Roland Juno-106 / MKS-7................................................................................................................. 22
Roland MKS-70 / JX-10SE................................................................................................................ 23
Roland JD-990 FX............................................................................................................................. 24
Roland JD-990 Tone......................................................................................................................... 25
Roland MKS-80................................................................................................................................. 26
Studio Electronics ATC..................................................................................................................... 27
Sequential Circuits Six-trak and Max ...............................................................................................28
Waldorf Pulse.................................................................................................................................... 29
Waldorf Q/Q Plus MicroQ................................................................................................................. 30
Waldorf MicroWave 1........................................................................................................................ 31
Unsupported synthesizers................................................................................................................ 32
MIDI IMPLEMENTATION....................................................................................................................... 33
MidiCC Support..................................................................................................................................... 33
© Roland, Korg, Sequential Circuits, Cheetah, Organix, Waldorf, Studio Electronics, Kawai and all other brand na es are owned by their respected
owners.
CONCEPTS
The Patch Editor is a co pact hardware unit designed to co unicate with various synthesizers
and provide control over the synthesizer para eters that can be changed. The Patch Editor concept
was arrived at because of the frustration of the para eter driven editing syste adopted by any
synthesizer anufacturers. This was originally done to save anufacture costs and reduce
synthesizer size as fewer parts are required but this concept akes it difficult to edit para eter
settings quickly, especially in a 'live' situation. The Patch Editor puts you back in control by giving
you back the knobs.
Early on in the design phase it was decided not to include the Roland© PG cable for ats as these
are too achine specific and even vary between the different Roland© odels. A special cable is
required to interface the Patch Editor to the Roland© JX-3P and the PG-800 interface due to the
rather unusual interface for ats but a standard MIDI cable is used for all other synthesizer types.
The Roland© JX-3P and PG-800 cables are easily ade and details are included in the synthesizer
detail tables for the Roland© JX-3P and PG-800.
Each active controller in the Patch Editor is lit by a LED. If a control is unused it will be dark and will
have no effect. This has added to the cost of aking the Patch Editor but it was felt that the visual
feedback was i portant for error free ease of use. Switches can be Red or Green. If a switch has an
off state then this will be nor ally shown as red with active states showing green. Switches that have
a nor al and inverted state will show nor al as green and inverted as red. Switches that have
dyna ic settings will flash slowly for these settings and show steady for the non dyna ic settings.
The axi u value of each control is synthesizer specific and can vary fro 4 ( the axi u noise
level on a Roland© Juno-1) to 256 on a Roland© JX-3P and 4096 on Kiwitechnics Korg Polysix &
Roland Juno-106 Upgrades. These will nor ally be 0-63, 0-100 or 0-127 for ost synthesizers.
The display will always show the control accessed and the level set. This is si ilar to the way the
Roland© PG-1000 operates.
The Patch Editor can be controlled via MidiCC with a MidiCC co and being provided for each
control. This allows full co puter control of the Synthesizer except for the Roland© JX-3P or PG-800
patches. On the JX-3P or PG-800 MIDI note data cannot be sent via the cables but all para eters
can be controlled. Due to the non-MIDI for at of the output for the JX-3P & PG-800 all other
synthesizer types are disabled while the JX-3P or PG-800 is selected. When any other synthesizer
type is selected only the JX-3P and PG-800 are disabled. MidiCC co ands that are invalid or
unused are either ignored or set to the nearest level depending on the control involved.
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MidiCC support in the Patch Editor will allow systems that can only output
MidiCC to control any synth that the Patch Editor supports.
The Patch Editor can have any standard MIDI channel (1-16) set independently for each synthesizer
selected and the MIDI channel for MidiCC control to the Patch Editor can also be set. These are
re e bered when the Patch Editor is switched off. It is possible to send co ands to the Patch
Editor on one idi channel and the Patch Editor will output to the synth on another. This could be
useful if the control codes to the Patch Editor could be interpreted differently by the synth being
controlled.
All inco ing MIDI except for co ands to the Patch Editor are passed through to the MIDI out port.
All output fro the Patch Editor also uses this MIDI port and this output is interlaced with any
inco ing MIDI data. This introduces a 1-3 S delay as the co ands are interpreted and resent.
This ust be done so as the inco ing MIDI can be ixed with the MIDI generated by the Patch
Editor without breaking MIDI strings. The MIDI running status byte needs to be reinserted if the
inco ing string has a running status byte that has been interrupted by the Patch Editor sending out
co ands. MIDI real ti e signals (clocks etc) are put directly to the output for a ini al delay
which is nor ally about 100µS no atter what is happening within the Patch Editor. All inco ing
MIDI is passed to the MIDI through port without delay.
If a ti e critical MIDI unit is part of the chain then this should be run fro the MIDI Through port to
reduce delays.
If the Patch Editor midiCC command set is being used to translate to sysex be
aware the the Patch Editor may need to send much more date than it receives so
it is important that not too much data is sent too quickly or the Patch Editor
buffers will overflow resulting in corrupted midi. his will cause random errors
like stuck notes.
Power require ents are a single 9-12vDC supply at 500 A. 9v is preferred to stop the PE getting
too war . The polarity is arked on the Patch Editor and it is protected against reversed power. It
was decided not to include a power unit with the Patch Editor as these are country specific and
easily purchased throughout the world. A universal voltage power pack can be provided if required
but it has a New Zealand plug for at and will require adapter plugs for use in other countries.
Note: From serial number 001135 and higher the DC Plug polarity has been changed to the
more standard positive tip / negative shell.
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Patch Editor Layout
1. Osc 1 Range Select
2. Osc 1 Wavefor Select
3. Osc 1 Pulse Width
4. Osc 1 Tune
5. Osc 1 LFO Modulation
6. Osc 1 ENV Modulation
7. Osc 1 Mode
8. Osc 1 PWM
9. Osc 1 Level
10. Noise Level
11. LCD Display
12. Menu Button 1
13. Menu Button 2
14. Menu Button 3
15. Osc 2 Range Select
16. Osc 2 Wavefor Select
17. Osc 2 Pulse Width
18. Osc 2 Tune
19. Osc 2 Fine Tune
20. Osc 2 LFO Modulation
21. Osc 2 ENV Modulation
22. Osc 2 Mode
23. Osc 2 PWM
24. Osc 2 XMod
25. Osc 2 Level
26. LFO Wave
27. LFO Delay
28. LFO Rate
29. Chorus/FX Rate
30. Chorus Mode
31. HPF Mode
32. Filter Cutoff
33. Filter Resonance
34. Filter LFO Modulation
35. Filter ENV Modulation
36. Filter Key Follow A ount
37. Filter/EG1 Attack
38. Filter/EG1 Decay
39. Filter/EG1 Sustain
40. Filter/EG1 Release
41. Filter Mode
42. VCA/EG2 Attack
43. VCA/EG2 Decay
44. VCA/EG2 Sustain
45. VCA/EG2 Release
46. VCA Mode
47. VCA Level
48. Ext Level
49. Power
50. MIDI Input
51. MIDI Output
52. MIDI Through
53. External Input
Patch editor Control Descriptions
Osc 1 & 2 Range Select Depending on the synthesizer selected the ranges available with the Range select
buttons (1) (15) will vary. Not all ranges are supported by all synthesizers. For
synthesizers with a single oscillator the Oscillator 2 control will be disabled or used
for other purposes. As an exa ple of this the Osc 2 Range select is used to shift
octaves in the Roland© MKS-80.
Osc 1 & 2 Wavefor Select The Wavefor select buttons (2) (16) with cycle through the available wavefor s
for the synthesizer selected. Depending on the synthesizer type the wavefor s
available will vary. With the Korg DW-6000 & DW-8000 this button will cycle
through all the available wavefor s.
Osc 1 & 2 Pulse Width These controls (3) (17) set the anual width of the Pulse Width wavefor if
selected. Not all synthesizer types support this. The control will re ain dark if
unused.
Osc 1 and 2 Tune and Fine When available these will light and allow Osc 1 and 2 to be tuned within the range
of +/- 12 notes. The fine tune control (19) on oscillator 2 only nor ally will allow a
+/- 50 cent adjust ent. The fine tune control (19) will also act as a detune control
on so e synthesizer types. See the individual synthesizer tables for the exact use
in each synthesizer type.
LFO and ENV Mods The LFO (5) (20) (34) and the ENV (6) (21) (35) set the a ount of Low Frequency
Oscillator odulation and envelope odulation to the oscillators and LP Filter. On
so e synthesizer types the oscillator 1 control will odulate both oscillator 1 and
2. The source for the envelope varies for each synthesizer type. Envelope
Modulation is usually provided by Filter/EG1 if it is used in the synthesizer type
selected or VCA/EG2 if it is not.
Mode The Mode controls (7) (22) (41) (46) use will change with each synthesizer type
selected. In the initial design concept the Oscillator Mode buttons where
envisaged to select the source of the PWM control but this has changed as the
Patch Editor has developed. An exa ple of a use of this button is in the Roland
Juno-1 where this button will select the PW wave for . The exact use is detailed in
the supported synthesizer tables.
Osc PWM The Oscillator PWM (8) (23) controls nor ally controls the Pulse Width Modulation
but use can vary. The exact use is detailed in the supported synthesizer tables.
Osc 1 & 2 Level & Noise These controls (9) (25) (10) are the ixer section of the synthesizer and nor ally
sets the levels of Oscillator 1 & 2 and the Noise source. These can also have other
uses depending on the synthesizer type selected. An exa ple of this is the Roland
MKS-80 which has no Oscillator Level controls so Oscillator Level 1 is used as the
Tone 1 & 2 Balance, Oscillator Level 2 is used as the Upper/Lower Balance and the
Noise Level is used for the Manual XMod control.
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Menu Buttons These three buttons (12) (13) (14) select the enu level and allow setup changes.
The nu ber at the botto left of the display above the first enu button (12)
always shows the current enu level. Menu level 0 is the nor al play ode and
the first enu button will show green. In all other enus this button will show red.
The last enu level will cycle back to the first. The use of the second (13) and third
(14) enu buttons vary and will always show on the display.
Menu Level 0 This is the nor al play ode. The second enu button (13) will always act as the
anual send in this enu level. The third enu button (14) will change depending
on the synthesizer type selected. For the Roland MKS-70 & MKS-80 the third
enu button will allow upper/lower tone select (see MKS70 bug report in the
synthesizer tables regarding this feature).
Menu Level 1 This enu level selects the active synthesizer type.
Menu Level 2 This enu level sets the outgoing MIDI channel for co ands to the Synthesizer
selected. The second (13) and third (14) enu buttons allow any channel to be
selected fro 1 to 16. Each synthesizer type will store the MIDI channel separately
which will allow ore than one synthesizer to be controlled using the Patch Editor.
Only the active synthesizer can be controlled 'live' but any supported type can be
controlled via SysEx. The synthesizer type in the Patch Editor can be quickly
changed using enu level 4.
Menu Level 3 This enu level sets the inco ing MIDI channel for co ands to the Patch
Editor. The second (13) and third (14) enu buttons allow any channel to be
selected fro 1 to 16.
Menu Level 4 This enu level sets the brightness of the LEDs to suit the light levels.
Menu Level 5 This enu level allows any continuous control to be ' apped' to the external
input. Moving any continuous control while in this enu level will ' ap' that
control. The currently ' apped' control will be over written if another control is
oved. The ' apping' is cleared by enu button 3 (14). Once a control has been
' apped' the External Input level control (48) will flash during apping and stay lit
in nor al play ode. While in this ode the external level is displayed on the right
side of the display.
Osc 2 XMod The XMod button (24) will select between the various Cross Modulation options
available. The types available will depend on the synthesizer type selected.
LFO Controls Not all wave types are available for all synthesizer types (26). So e synthesizer
types only provide a sine wave. The Korg DW-6000 and the Roland Juno-1 are
exa ples of this. The LFO Delay (27) and LFO Rate (28) are co on to all
synthesizer types supported.
Chorus Controls Used for synthesizers that support Chorus and FX (29) (30).
HPF Mode High Pass Filter select (31). So e synthesizers have buttons select control for the
HPF and so e have a continuous variable control. Where a variable control is
used the HPF ode button will provide 10 levels of HPF and the PW control of
Oscillator 2 will give continuous variable control. Both of these controls will
overwrite each other. The HPF setting will ju p to which ever control is used.
Filter Cutoff & Res Low Pass Filter Cutoff (32) and Resonance Adjust (33). This control is co on to
all synthesizer types.
Filter Key Follow A ount This control (36) sets the a ount of key follow odulation for the filter cutoff.
EG1/EG2 ADSR These controls (37) (38) (39) (40) (42) (43) (44) (45) set the shape of the EG1 and
EG2 Envelopes. The EG1 envelope, if used, will nor ally control the Filter via the
ENV od control (35). If the EG1 is not used then the EG2 will be the source of all
the ENV Mod controls. For synthesizer types that have ore co plex ADSR
controls with extra break levels etc these are controlled to ake the act like a
ADSR type control.
VCA Mode and Level The VCA Mode control (46) sets the VCA Mode and will vary depending on the
synthesizer being controlled. It will nor ally select between Gate and Env. The
Level will set the final VCA level (47) if available for the the synthesizer type
selected. If there is no VCA level available then this control will send a MIDI volu e
level control.
Ext Level The External Level control (48) will adjust the external level input. If a continuous
control has been ' apped' to the external input then this control will set the
axi u level of the External Input for that control. The external input and the
' apped' control will overwrite each other with the output ju ping to which ever is
used.
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External Input
The external input (53) can be assigned to any continuous control by using enu level 5. Any
control that is oved while in enu level 5 will ' ap' itself to the external input. This is indicated by
the external input level control (48) flashing. The ' apping' can be cleared by pressing the third
enu button (14) while in enu level 5. The current External Input level is displayed live in enu
level 5 to enable checking of the external control. The External Level control (48) will then set the
axi u effect that the External input (53) will have on the ' apped' control. The External Input is a
0v to 5v control signal with a 47k input i pedance. The tip of the ¼” (6.5 ) External Input socket
is the input, the ring is a 5v supply out and the body is ground. The 5v supply has a 10k pullup and
can source 500µA.
The External Input signal will effect the ' apped' control in a positive fashion only. For exa ple if the
' apped' control is at 0% and the External input level control (48) is at 100% then the external input
voltage will cover the full range of the ' apped' control (0% to 100%). If the ' apped' control is at
50% and the External input level control is at 50% then the external input voltage will cover the range
50% to 100% of the ' apped' control. If the ' apped' control is at 50% and the External input level
control is at 25% then the external input voltage will cover the range 50% to 75% of the ' apped'
control. If the axi u of the ' apped' control is exceeded then the level is capped to the control
100% level.
Syste Reset
The Patch Editor also has a e ory erase feature built in which will put the non volatile e ory
back to a known state. This is accessed by pressing the XMod Button (24) as the Patch Editor is
powered on. It will set all MIDI channel data to channel 1, LED brightness to 5 and all switches to the
first position.
Power require ents
Power require ents are a single 9vDC supply at 500 A. The polarity is arked on the Patch Editor
and it is protected against reversed power. The required DC plug is 2.5 ID, 5.5 OD and a
ini u of 10 long. It was decided not to include a power unit with the Patch Editor as these
are country specific and easily purchased throughout the world. A universal voltage power pack can
be provided if required but it has a New Zealand plug for at and will require adapter plugs for use in
other countries.
The Patch Editor can get war near the voltage regulator on the back left corner when running on
full brightness with a 12 volt DC supply. If this beco es an issue then either lower the brightness
setting or run the Patch Editor on a 9 volts DC supply. No da age to the Patch Editor will result fro
this. 9vDC is the preferred supply.
Progra Update
The KiwiTechnics Patch Editor Update Mode is entered by pressing the HPF button while the PE is
powered on. The Update file is then 'played' into the PE using idiOX or si ilar. The update
progress is displayed on the Display. Once the 'Update Successful' essage is displayed the PE
should be repowered.
It is i portant that there is no idi devices are in the chain between the PC sending the update and
the PE being updated. A direct link is required.
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SYNTH TABLES
Fender Chro a Polaris
Cable require ents
The Fender Chro a Polaris uses a standard MIDI cable
PE release v5.0 or higher.
Fender Chro a Polaris Controls
Osc 1 Range (1) Not Used LFO Wave (26) Sweep Wave - Sine, Square
Osc 1 Wave (2) Saw, Pulse LFO Delay (27) Vibrato Delay
Osc 1 PW (3) Osc 1 Pulse Width LFO Speed (28) Sweep Rate
Osc 1 Tune (4) Osc 1 Transpose Chorus/FX Rate (29) Glide Rate
Osc 1 LFO Mod (5) Osc 1 Vibrato A ount Chorus/FX Mode (30) Not Used
Osc 1 ENV Mod (6) Not Used HPF (31) Noise Source - Off, On
Osc 1 Mode (7) PWM Source - Env, Sweep LPF Cutoff (32) Active
Osc 1 PWM (8) Osc 1 PWM LPF Resonance (33) Active
Osc 1 Level (9) Not Used Filter LFO Modulation (34) VCF LFO Sweep Depth
Noise Level (10) Not Used Filter ENV Modulation (35) VCF Env Depth
Osc 2 Range (15) Not Used Filter Key Follow (36) VCF Key Track
Osc 2 Wave (16) Saw, Pulse Filter ADSR (37-40) VCF Envelope
Osc 2 PW (17) Osc 2 Pulse Width Filter Mode (41) VCF ENV Mode - Fixed, Touch
Osc 2 Tune (18) Osc 2 Transpose VCA ADSR (42-45) VCA Envelope (no sustain)
Osc 2 Fine Tune (19) Osc 2 Detune VCA Mode (46) VCA ENV Mode - Fixed, Touch
Osc 2 LFO Mod (20) Osc 2 Vibrato A ount VCA Level (47) Active
Osc 2 ENV Mod (21) Osc 2 Env A ount
Osc 2 Mode (22) PWM Source - Env, Sweep
Osc 2 PWM (23) Osc 2 PWM
Osc 2 XMod Sync / Ring Mod - Off/Off, On/Off, Off/On, On/On
Osc 2 Level (25) Not Used
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SYNTH TABLES
Cheetah MS6
Cable and MIDI require ents
The Cheetah MS6 uses a standard MIDI cable.
Cheetah MS6 Controls
Osc 1 Range (1) Low, Low/Med, High/Med, High LFO1 Wave (26) Triangle, Sawtooth, Square, Rando
Osc 1 Wave (2) Off, Pulse, Triangle, Sawtooth, Pulse+Tri, Pulse+Saw LFO1 Delay (27) Active
Osc 1 PW (3) DCO A Pulse Width LFO1 Speed (28) Active
Osc 1 Tune (4) DCO A Tune Chorus/FX Rate (29) Porta ento Ti e
Osc 1 LFO Mod (5) DCO A LFO Modulation Chorus/FX Mode (30) Porta ento Off, Rate & Ti e Modes
Osc 1 ENV Mod (6) DCO A ENV Modulation HPF (31) Mono - Poly Mode select
Osc 1 Mode (7) DCO A Envelope Selection 1 or 2 LPF Cutoff (32) Active
Osc 1 PWM (8) DCO A PWM Modulation LPF Resonance (33) Active
Osc 1 Level (9) Oscillator A <> B Mix Filter LFO Modulation (34) Active
Noise Level (10) DCO Mix Envelope Depth Filter ENV Modulation (35) Active
Osc 2 Range (15) Low, Low/Med, High/Med, High Filter Key Follow (36) Active
Osc 2 Wave (16) Off, Pulse, Triangle, Saw, Pulse+Tri, Pulse+Saw, Noise Filter ADSR EG1 (37-40) Active
Osc 2 PW (17) DCO B Pulse Width Filter Mode (41) Filter Envelope Select 1 or 2
Osc 2 Tune (18) DCO B Coarse Tune VCA ADSR EG2 (42-45) Active
Osc 2 Fine Tune (19) DCO B Fine Tune VCA Mode (46) DCO A & B PWM On/Off
Osc 2 LFO Mod (20) DCO B LFO Modulation VCA Level (47) Active
Osc 2 ENV Mod (21) DCO B ENV Modulation
Osc 2 Mode (22) DCO B Envelope Selection 1 or 2
Osc 2 PWM (23) DCO B PWM Modulation
Osc 2 XMod (24) Sync On/Off
Osc 2 Level (25) DCO A & B PWM Level
SYNTH TABLES
Kawai K3
Cable require ents
The Kawai K3 uses a standard MIDI cable
PE release v4.5 or higher.
Kawai K3 Controls
Osc 1 Range (1) Not Used LFO Wave (26) Triangle, Saw, R. Saw, Square, Rando
Osc 1 Wave (2) Porta ento On/Off LFO Delay (27) Active
Osc 1 PW (3) Porta ento Speed LFO Speed (28) Active
Osc 1 Tune (4) Not Used Chorus/FX Rate (29) VCA LFO A ount
Osc 1 LFO Mod (5) Auto Bend A ount Chorus/FX Mode (30) Chorus Mode (Off and 7 types)
Osc 1 ENV Mod (6) Velocity VCF Level HPF (31) Not Used
Osc 1 Mode (7) Pitch Bend Range LPF Cutoff (32) Active
Osc 1 PWM (8) Velocity VCA Level LPF Resonance (33) Active
Osc 1 Level (9) Not Used Filter LFO Modulation (34) Active
Noise Level (10) Not Used Filter ENV Modulation (35) Active
Osc 2 Range (15) 16', 8', 4' Filter Key Follow (36) Active
Osc 2 Wave (16) Not Used Filter ADSR (37-40) VCF Envelope
Osc 2 PW (17) Low Cut Filter Tune Filter Mode (41) Not Used
Osc 2 Tune (18) Active VCA ADSR (42-45) VCA Envelope
Osc 2 Fine Tune (19) Active VCA Mode (46) Not Used
Osc 2 LFO Mod (20) LFO Mod Level VCA Level (47) Active
Osc 2 ENV Mod (21) Wave 1 Shape
Osc 2 Mode (22) Not Used
Osc 2 PWM (23) Wave 2 Shape
Osc 2 XMod Not Used
Osc 2 Level (25) Wave Balance Mix
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SYNTH TABLES
KiwiTechnics Kiwi-3P Upgrade
Cable require ents
The Roland 3P KiwiTechnics Upgrade uses a standard MIDI cable
The KiwiTechnics 3P upgrade is a co plete rewrite of the operating syste in the Roland JX-3P synthesizer. Many
enhance ents have been ade and to enable control of the all the KiwiTechnics 3P Upgrade has been split over two
control pages.
Roland© JX-3P KiwiTechnics Upgrade Controls Page 1
Osc 1 Range (1) 16', 8', 4' LFO1 Wave (26) Sine,Tri, Saw, Rev Saw, Sqr, Rando
Osc 1 Wave (2) Sawtooth, Pulse, Square LFO1 Delay (27) Active
Osc 1 PW (3) Not Used LFO1 Speed (28) Active
Osc 1 Tune (4) DCO1 Tune +-12 Se itones Chorus/FX Rate (29) Chorus Auto Speed or Manual Position
Osc 1 LFO Mod (5) DCO 1 LFO Level - See page 2 for LFO Source Chorus/FX Mode (30) Chorus Auto, Chorus Manual, Chorus Off
Osc 1 ENV Mod (6) DCO 1 ENV Level - note split ± 63 control HPF (31) Off, 10% to 100% in 11 steps
Osc 1 Mode (7) Select DCO 1 EG Source - EG1 or EG2 LPF Cutoff (32) Active
Osc 1 PWM (8) Not Used LPF Resonance (33) Active
Osc 1 Level (9) Osc 1 & 2 Mix Filter LFO Mod (34) Filter LFO Level - See page 2 for LFO Source
Noise Level (10) Porta ento Rate Filter ENV Mod (35) VCF ENV Level - note split ± 63 control
Osc 2 Range (15) 16', 8', 4' Filter Key Follow (36) Active
Osc 2 Wave (16) Sawtooth, Pulse, Square, Noise EG1 ADSR (37-40) Active
Osc 2 PW (17) Not Used Filter Mode (41) Select Filter EG - EG1 or EG2
Osc 2 Tune (18) DCO2 Tune ±12 Se itones EG2 ADSR (42-45) Active
Osc 2 Fine Tune (19) DCO2 Fine Tune ±50 Cents VCA Mode (46) Select VCA - Gate, EG1 or EG2
Osc 2 LFO Mod (20) DCO 2 LFO Level - See page 2 for LFO Source VCA Level (47) Active
Osc 2 ENV Mod (21) DCO 2 ENV Level - note split ± 63 control
Osc 2 Mode (22) Select DCO 2 EG Source - EG1 or EG2
Osc 2 PWM (23) Not Used
Osc 2 XMod Sync Off, Sync On, Metal
Osc 2 Level (25) Not Used
Roland© JX-3P KiwiTechnics Upgrade Controls Page 2
Osc 1 Range (1) Arpeggiator Mode - Up, Down, U&D, Rando LFO 2 Wave (26) Sine,Tri, Saw, Rev Saw, Sqr, Rando
Osc 1 Wave (2) Arpeggiator Range - 0, 1 or 2 Octaves LFO 2 Delay (27) Active
Osc 1 PW (3) Not Used LFO 2 Speed (28) Active
Osc 1 Tune (4) Not Used Chorus/FX Rate (29) Key Assign Detune
Osc 1 LFO Mod (5) Not Used Chorus/FX Mode (30) Key Mode - Poly 1,2 Mono 1,2 Unison 1,2
Osc 1 ENV Mod (6) Not Used HPF (31) Bend Level Dest - DCO, VCF, VCA
Osc 1 Mode (7) Select DCO 1 LFO Source - LFO1, LFO2 LPF Cutoff (32) Active
Osc 1 PWM (8) Not Used LPF Resonance (33) Active
Osc 1 Level (9) Not Used Filter LFO Modulation
(34)
Active
Noise Level (10) Porta ento Rate Filter ENV Modulation
(35)
Active
Osc 2 Range (15) Seq Clock Source Filter Key Follow (36) Active
Osc 2 Wave (16) Arp Clock Source EG1 ADSR (37-40) Not Used
Osc 2 PW (17) Aftertouch Level - note split ± 63 control Filter Mode (41) Select Filter LFO Source - LFO1, LFO2
Osc 2 Tune (18) Modulation Level - note split ± 63 control EG2 ADSR (42-45) VCA LFO Mod Level on Release
Osc 2 Fine Tune (19) Not Used VCA Mode (46) Select VCA LFO Source - LFO1, LFO2
Osc 2 LFO Mod (20) Not Used VCA Level (47) Active
Osc 2 ENV Mod (21) Not Used
Osc 2 Mode (22) Select DCO 2 LFO Source - LFO1, LFO2
Osc 2 PWM (23) Not Used
Osc 2 XMod Pattern Clock Source
Osc 2 Level (25) Pattern Level
Roland© KiwiTechnics JX-3P Upgrade Notes
The oscillator design in the JX-3P is a digital syste and the filter uses the custo Roland chip the IR3109 for each of the six
voices. The KiwiTechnics Upgrade has realized the full potential of the 3P and provides full idi control for all para eters.
More details can be found in the KiwiTechnics 3P Upgrade anual.
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10
SYNTH TABLES
KiwiTechnics KiwiSix Upgrade
Cable require ents
The KiwiTechnics Korg PolySix Upgrade uses a standard MIDI cable
The KiwiTechnics Korg PolySix upgrade is a co plete rewrite of the operating syste in the Korg PolySix synthesizer.
Para eter Control via idi is now possible.
Korg© PolySix KiwiTechnics Upgrade Controls
Osc 1 Range (1) 16', 8', 4' LFO1 Wave (26) MG Destination - VCO, VCF or VCA
Osc 1 Wave (2) Sawtooth, Pulse, PWM LFO1 Delay (27) MG Delay
Osc 1 PW (3) Pulse Width Shape LFO1 Speed (28) MG Rate
Osc 1 Tune (4) Not Used Chorus/FX Rate (29) FX Rate
Osc 1 LFO Mod (5) Not Used - Use MG Destination Chorus/FX Mode (30) FX Type - Off, Chorus, Phase, Ense ble
Osc 1 ENV Mod (6) Not Used HPF (31) Not Used
Osc 1 Mode (7) Sub Osc Mode - Off, -1 Octave, -2 Octaves LPF Cutoff (32) Active
Osc 1 PWM (8) PWM Rate LPF Resonance (33) Active
Osc 1 Level (9) Not Used Filter LFO Mod (34) Not Used - Use MG Destination
Noise Level (10) Not Used Filter ENV Mod (35) VCF ENV Level - split ± 63 control
Osc 2 Range (15) Arp Range - 1,2 or 3 Octaves Filter Key Follow (36) Active
Osc 2 Wave (16) Arp Mode - Up, Down, U&D, Rando EG1 ADSR (37-40) Not Used
Osc 2 PW (17) Not Used Filter Mode (41) Not Used
Osc 2 Tune (18) Not Used EG2 ADSR (42-45) Active
Osc 2 Fine Tune (19) Not Used VCA Mode (46) Select VCA - Gate or EG
Osc 2 LFO Mod (20) Not Used VCA Level (47) Active
Osc 2 ENV Mod (21) Not Used
Osc 2 Mode (22) Arp Clock Source - Int/Ext or 15 Midi Clock Types
Osc 2 PWM (23) Not Used
Osc 2 XMod Key Mode - Poly 1, Poly 2, Unison
Osc 2 Level (25) MG Osc Level
Roland© KiwiTechnics JX-3P Upgrade Notes
Rando ode on the Arp is only available via idi control
Full details can be found in the KiwiTechnics Korg PolySix Upgrade anual.
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11
SYNTH TABLES
KiwiTechnics Kiwi-106 Upgrade
Cable require ents
The Roland Kiwi-106 KiwiTechnics Upgrade uses a standard MIDI cable
The KiwiTechnics Kiwi-106 upgrade is a co plete rewrite of the operating syste in the Roland Juno-106 synthesizer.
Many enhance ents have been ade and to enable control of the all the KiwiTechnics Kiwi-106 Upgrade has been
split over two control pages. For ore co prehensive control the bundled Kiwi-106 Editor software can be used.
KiwiTechnics Kiwi-106 Upgrade Controls Page 1
Osc 1 Range (1) 16', 8', 4' LFO1 Wave (26) Sine,Tri, Saw, Rev Saw, Sqr, Rando
Osc 1 Wave (2) Sawtooth, Pulse, Both, None LFO1 Delay (27) Active
Osc 1 PW (3) PW Shape / Depth LFO1 Speed (28) Active
Osc 1 Tune (4) Not Used Chorus/FX Rate (29) Key Assign Detune
Osc 1 LFO Mod (5) DCO LFO Level - See page 2 for LFO Source Chorus/FX Mode (30) Chorus Off, Chorus On 1, Chorus On 2
Osc 1 ENV Mod (6) DCO ENV Level - Use DCO Mode for Polarity HPF (31) Off, 1, 2, or 3
Osc 1 Mode (7) PWM Manual/LFO VCF Cutoff (32) Active
Osc 1 PWM (8) Not Used VCF Resonance (33) Active
Osc 1 Level (9) Not Used Filter LFO Mod (34) Filter LFO Level - See page 2 for LFO Source
Noise Level (10) Noise Level Filter ENV Mod (35) VCF ENV Level – Use Filter Mode for Polarity
Osc 2 Range (15) DCO ENV Source - ENV1 Nor /Inv or ENV2 Nor /Inv Filter Key Follow (36) Active
Osc 2 Wave (16) DCO LFO Source - LFO1 Nor /Inv or LFO2 Nor /Inv ENV1 ADSR (37-40) Active
Osc 2 PW (17) Not Used Filter Mode (41) Filter ENV - ENV1 Nor /Inv or ENV2 Nor /Inv
Osc 2 Tune (18) DCO Bend Mod A ount ENV2 ADSR (42-45) Active
Osc 2 Fine Tune (19) VCF Bend Mod A ount VCA Mode (46) VCA Gate, ENV1 Nor /Inv or ENV2 Nor /Inv
Osc 2 LFO Mod (20) DCO LFO Mod Wheel A ount VCA Level (47) Active
Osc 2 ENV Mod (21) Porta ento Rate (0=Off)
Osc 2 Mode (22) Not Used
Osc 2 PWM (23) Not Used
Osc 2 XMod LFO Mode- Nor al/Plus
Osc 2 Level (25) Sub Level
KiwiTechnics Kiwi-106 Upgrade Controls Page 2
Osc 1 Range (1) Arpeggiator Mode - Up, Down, U&D, Rando , As Played LFO 2 Wave (26) Sine,Tri, Saw, Rev Saw, Sqr, Rando , Rnd 2
Osc 1 Wave (2) Arpeggiator Range - 0, 1 or 2 Octaves LFO 2 Delay (27) Active
Osc 1 PW (3) Not Used LFO 2 Speed (28) Active
Osc 1 Tune (4) Not Used Chorus/FX Rate (29) Key Assign Detune
Osc 1 LFO Mod (5) Not Used Chorus/FX Mode (30) Key Mode - Poly 1,2 Unison
Osc 1 ENV Mod (6) Not Used HPF (31) Seq Clock Source
Osc 1 Mode (7) Select DCO LFO Source - LFO1, LFO2 LPF Cutoff (32) Active
Osc 1 PWM (8) Not Used LPF Resonance (33) Active
Osc 1 Level (9) GLOBAL – Internal Note Velocity (50%-100% only) Filter LFO Modulation
(34)
Active
Noise Level (10) Noise Level Filter ENV Modulation
(35)
Active
Osc 2 Range (15) Internal Clock Source Filter Key Follow (36) Active
Osc 2 Wave (16) Internal/Ext/Midi Clock Divide Type ENV1 ADSR (37-40) Not Used
Osc 2 PW (17) Not Used Filter Mode (41) Select Filter LFO Source - LFO1, LFO2
Osc 2 Tune (18) Internal Clock Rate ENV2 ADSR (42-45) VCA LFO Mod Level (VCA Release Slider)
Osc 2 Fine Tune (19) Not Used VCA Mode (46) Select VCA LFO Source - LFO1, LFO2
Osc 2 LFO Mod (20) Aftertouch Level - note split ± 63 control VCA Level (47) Active
Osc 2 ENV Mod (21) Modulation Level - note split ± 63 control
Osc 2 Mode (22) Arp Clock Source
Osc 2 PWM (23) Not Used
Osc 2 XMod Pattern Clock Source
Osc 2 Level (25) Pattern Level
Roland© KiwiTechnics Kiwi-106 Upgrade Notes
The oscillator design in the Juno-106 is a digital syste and the filter uses the custo Roland hybrid called the 80017a for
each of the six voices. The 80017a consists of two BA662 VCAs and one IR3109 Filter IC. The KiwiTechnics Kiwi-106 Upgrade
has realized the full potential of the Juno-106 and provides full idi control for all para eters and any new features.
More details can be found in the KiwiTechnics Kiwi-106 Upgrade anual.
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12
SYNTH TABLES
Organix Midi 3P Upgrade
Cable require ents
The Organix idi 3P Upgrade uses a standard MIDI cable
PE release v4.6 or higher.
Organix JX-3P Controls
Osc 1 Range (1) 16', 8', 4' LFO Wave (26) Triangle, Square, Rando
Osc 1 Wave (2) Sawtooth, Pulse, Square LFO Delay (27) Active
Osc 1 PW (3) Not Used LFO Speed (28) Active
Osc 1 Tune (4) Not Used Chorus/FX Rate (29) Not Used
Osc 1 LFO Mod (5) Not Used Chorus/FX Mode (30) Chorus On, Chorus Off
Osc 1 ENV Mod (6) Not Used HPF (31) Off, 10% to 100% - For continuous control
use (17)
Osc 1 Mode (7) Used to enable Osc 1 LFO & Env odulation LPF Cutoff (32) Active
Osc 1 PWM (8) Not Used LPF Resonance (33) Active
Osc 1 Level (9) Osc 1 & 2 Mix Filter LFO Modulation (34) Active
Noise Level (10) Not Used Filter ENV Modulation (35) Active
Osc 2 Range (15) 16', 8', 4' Filter Key Follow (36) Active
Osc 2 Wave (16) Sawtooth, Pulse, Square, Noise Filter ADSR (37-40) Not Used
Osc 2 PW (17) HPF Continuous control Filter Mode (41) EG Nor al, EG Inv
Osc 2 Tune (18) Active VCA ADSR (42-45) Active
Osc 2 Fine Tune (19) Active VCA Mode (46) Envelope, Gate
Osc 2 LFO Mod (20) Not Used VCA Level (47) Active
Osc 2 ENV Mod (21) Not Used
Osc 2 Mode (22) Used to enable Osc 2 LFO & Env odulation
Osc 2 PWM (23) Not Used
Osc 2 XMod Sync Off, Sync On, Metal
Osc 2 Level (25) Not Used
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13
SYNTH TABLES
Korg DW-6000
Cable and MIDI require ents
The Korg DW6000 uses a standard MIDI cable, Para eter 81 needs to be set to the sa e
channel nu ber that is progra ed into the Patch Editor for the DW-6000 or Para eter 83 can
be set to O ni. Para eter 82 needs to be set to 2 to enable SysEx control.
KORG© DW-6000 Controls
Osc 1 Range (1) 16', 8', 4' LFO1 Wave (26) Not Used - LFO is sine wave only
Osc 1 Wave (2) 8 Preprogra ed Wave types LFO1 Delay (27) Active
Osc 1 PW (3) Not Used LFO1 Speed (28) Active
Osc 1 Tune (4) Not Used Chorus/FX Rate (29) Not Used
Osc 1 LFO Mod (5) Active - effects both Oscillators Chorus/FX Mode (30) Chorus Off, Chorus On
Osc 1 ENV Mod (6) Not Used HPF (31) Not Used
Osc 1 Mode (7) Not Used LPF Cutoff (32) Active
Osc 1 PWM (8) Not Used LPF Resonance (33) Active
Osc 1 Level (9) Active Filter LFO Modulation (34) Active
Noise Level (10) Active Filter ENV Modulation (35) Active
Osc 2 Range (15) 16', 8', 4' Filter Key Follow (36) Active
Osc 2 Wave (16) 8 Preprogra ed Wave types Filter ADSR EG1 (37-40) Active
Osc 2 PW (17) Not Used Filter Mode (41) Filter Envelope Polarity
Osc 2 Tune (18) Osc 2 Interval (unison, inor 3rd, ajor 3rd, perfect 4th
and perfect 5th)
VCA ADSR EG2 (42-45) Active
Osc 2 Fine Tune (19) Osc 2 Detune VCA Mode (46) Envelope (EG2 only), Gate
Osc 2 LFO Mod (20) Not Used VCA Level (47) Active
Osc 2 ENV Mod (21) Not Used
Osc 2 Mode (22) Not Used
Osc 2 PWM (23) Not Used
Osc 2 XMod (24) Not Used
Osc 2 Level (25) DCO 2 Mixer Control
Korg DW-6000 Notes
The DW-6000 uses two separate voice generators which are not VCOs but rather are preprogra ed wave for
generators which change their frequency depending on the note played. The wavefor s are generated fro
ROM (Read Only Me ory) look up tables and the frequencies are calculated in real ti e by very fast hardware
ultipliers and a DAC (Digital to Analog Converter) to produce the final wavefor . When you think that this
syste is calculating co plex wavefor s for 12 separate wavefor s si ultaneously (up to 6 notes with 2
oscillators each) all in real ti e it is fairly i pressive. A ore conventional filter and VCA is used which uses the
NJM2069 co bo chip for each of the 6 voices.
The Korg DW-6000 uses a co plex syste of co bining controls as there is a li ited e ory available within
the DW-6000. This akes it a difficult synthesizer to control using standard SysEx controllers. The Patch Editor
handles the co bining of controls invisibly. Because of this co bining, changing one control in a co bination
will also set the other part to the current Patch Editor setting. This is unavoidable due to the way the DW-6000 is
controlled. Co binations are
1) Oscillator 1 Range & VCA Env Release
2) Oscillator 2 Range & LFO Rate
3) Filter Key Modulation & LFO Delay
4) Filter LFO Modulation & Chorus Mode
5) Oscillator 1 & Oscillator 2 Wavefor s
6) Oscillator 2 Tune & Fine Tune
7) Filter Bend (not used) & VCA Env Sustain
8) Oscillator 1 LFO Mod & Polarity
The oscillators 1 and 2 Range buttons are used to step through all possible octaves. These are 16', 8' and 4'.
The oscillators 1 and 2 Wave buttons are used to step though all possible progra ed wave types. These are
Brass, Violin, Acoustic Piano, Electric Piano, Synth Bass, Saxophone, Clavicord and Bell.
The Oscillator 2 tune will change the oscillator 1 and 2 interval. Possible interval options are unison (sa e as
Oscillator 1) , inor 3rd, ajor 3rd, perfect 4th and perfect 5th. The Fine Tune control on the Patch Editor will
provide Oscillator 2 Detune.
The Oscillator 1 LFO odulation control will effect both oscillators 1 and 2.
The Filter Keyboard Track has three possible levels, Off, 50% and 100% and the Filter Mode button will invert the
filter envelope. Green is a nor al envelope and red is inverted.
The Envelopes in the DW-6000 use extra controls. In addition to Attack, Decay, Sustain and Release there are
break level and slope controls. The Patch Editor sets the slope equal to the decay and the break level equal to
the sustain which has the effect of changing the envelope generators to the four control syste .
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14
SYNTH TABLES
Korg DW-8000
Cable and MIDI require ents
The Korg DW8000 uses a standard MIDI cable, Para eter 84 needs to be set to the sa e
channel nu ber that is progra ed into the Patch Editor (or set to O ni using Para eter 86).
Para eter 85 needs to be set to 2 to enable SysEx control.
KORG© DW-8000 Controls Pg1
Osc 1 Range (1) 16', 8', 4' LFO1 Wave (26) Triangle, Sawtooth, Square, Rando
Osc 1 Wave (2) 16 Preprogra ed Wave types LFO1 Delay (27) Active
Osc 1 PW (3) Not Used LFO1 Speed (28) Active
Osc 1 Tune (4) Not Used Chorus/FX Rate (29) FX Delay Rate
Osc 1 LFO Mod (5) Active - Effects both Osc 1 & 2 Chorus/FX Mode (30) Not Used
Osc 1 ENV Mod (6) Not Used HPF (31) Not Used
Osc 1 Mode (7) Key Assign Mode, Poly 1 & 2, Unison 1 & 2 LPF Cutoff (32) Active
Osc 1 PWM (8) Not Used LPF Resonance (33) Active
Osc 1 Level (9) DCO 1 Level Filter LFO Modulation (34) Active
Noise Level (10) Active Filter ENV Modulation (35) Active
Osc 2 Range (15) 16', 8', 4' Filter Key Follow (36) Active
Osc 2 Wave (16) 16 Preprogra ed Wave types Filter ADSR EG1 (37-40) Active
Osc 2 PW (17) Not Active Filter Mode (41) Filter Envelope Polarity
Osc 2 Tune (18) Osc 2 Interval (unison, inor 3rd, ajor 3rd, perfect 4th
and perfect 5th)
VCA ADSR EG2 (42-45) Active
Osc 2 Fine Tune (19) Osc 2 Detune VCA Mode (46) Not Used
Osc 2 LFO Mod (20) FX Delay Feedback VCA Level (47) FX Delay Level
Osc 2 ENV Mod (21) FX Delay Intensity
Osc 2 Mode (22) FX Delay ti e (Eight Settings)
Osc 2 PWM (23) FX Delay Factor - adjusts Delay ti e by a s all a ount
Osc 2 XMod (24) Not Used
Osc 2 Level (25) DCO 2 Level
KORG© DW-8000 Controls Pg2
Osc 1 Range (1) Auto Bend Select - Off, Osc 1, Osc 2, Both LFO1 Wave (26) Not Used
Osc 1 Wave (2) Auto Bend Mode - Up, Down LFO1 Delay (27) Not Used
Osc 1 PW (3) Auto Bend Ti e LFO1 Speed (28) Not Used
Osc 1 Tune (4) Not Used Chorus/FX Rate (29) Not Used
Osc 1 LFO Mod (5) Auto Bend Intensity Chorus/FX Mode (30) Not Used
Osc 1 ENV Mod (6) Not Used HPF (31) Not Used
Osc 1 Mode (7) Not Used LPF Cutoff (32) Active
Osc 1 PWM (8) Not Used LPF Resonance (33) Active
Osc 1 Level (9) Not Used Filter LFO Modulation (34) Filter Env Attack
Noise Level (10) Porta ento A ount Filter ENV Modulation (35) Filter Env Decay
Osc 2 Range (15) Not Used Filter Key Follow (36) Filter Env Break Point
Osc 2 Wave (16) Not Used Filter Attack Filter Env Slope
Osc 2 PW (17) Not Used Filter Decay Filter Env Sustain
Osc 2 Tune (18) Osc Bend A ount Filter Sustain Filter Env Release
Osc 2 Fine Tune (19) Not Used VCF Mode VCF Bend Mode - Off, On
Osc 2 LFO Mod (20) Aftertouch Osc MG Filter Release VCA Env Attack
Osc 2 ENV Mod (21) Aftertouch VCF VCA Attack VCA Env Decay
Osc 2 Mode (22) Not Used VCA Decay VCA Env Break Point
Osc 2 PWM (23) Aftertouch VCA VCA Sustain VCA Env Slope
Osc 2 XMod (24) Not Used VCA Release VCA Env Sustain
Osc 2 Level (25) Not Used VCA Mode (46) Not Used
VCA Level (47) VCA Env Release
Korg DW-8000 Notes
The DW-8000 uses two separate voice generators which are not VCOs but rather are preprogra ed wave for
generators which change their frequency depending on the note played. The wavefor s are generated fro
ROM (Read Only Me ory) look up tables and the frequencies are calculated in real ti e by very fast hardware
ultipliers and a DAC (Digital to Analog Converter) to produce the final wavefor . A ore conventional filter and
VCA is used which uses the NJM2069 co bo chip for each of the 8 voices.
The oscillators 1 and 2 Range buttons are used to step through all possible octaves. These are 16', 8' and 4'.
The oscillators 1 and 2 Wave buttons are used to step though all possible progra ed wave types. These are
Brass & Strings, Clarinet, Acoustic Piano, Electric Piano, Electric Piano Hard, Clavicord ,Organ, Brass,
Saxophone, Violin, Acoustic Guitar, Guitar (distorted), Electric Bass, Digital Bass, Bell and Organ/Whistle.
The Oscillator 2 tune will change the oscillator 1 and 2 interval. Possible interval options are unison (sa e as
Oscillator 1) , inor 3rd, ajor 3rd, perfect 4th and perfect 5th. The Fine Tune control on the Patch Editor will
provide Oscillator 2 Detune.
The Oscillator 1 LFO odulation control will effect both oscillators 1 and 2.
The Envelopes in the DW-8000 use extra controls. In addition to Attack, Decay, Sustain and Release there are
break level and slope controls. On page 1 the Patch Editor sets the slope equal to the decay and the break level
to axi u and break ti e to ini u which has the effect of changing the envelope generators to the four
control syste . On page two full control is provided.
The DW8000 has a co prehensive delay section. This has been placed in the unused Oscillator 2 odulation
area, the FX/Chorus rate control & the VCA Level control is used to set the Delay level.
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15
SYNTH TABLES
Korg DSS-1
Cable and MIDI require ents
The Korg DSS-1 uses a standard MIDI cable.
Korg DSS-1 Page 1 Controls
Osc 1 Range (1) OSC 1 Range LFO1 Wave (26) OSC MG Destination Select
Osc 1 Wave (2) OSC 1 Multi Sound Nu ber (16 types) LFO1 Delay (27) OSC MG Delay
Osc 1 PW (3) OSC Auto Bend Intensity LFO1 Speed (28) OSC MG Rate
Osc 1 Tune (4) OSC Auto Bend Ti e Chorus/FX Rate (29) Unison Detune
Osc 1 LFO Mod (5) OSC 1 & 2 MG Intensity Chorus/FX Mode (30) Key Assign (Poly 1&2, Unison 2-8 voices)
Osc 1 ENV Mod (6) Not Used HPF (31) VCF Mode (12/24dB)
Osc 1 Mode (7) OSC Auto Bend Destination Select LPF Cutoff (32) Active
Osc 1 PWM (8) Not Used LPF Resonance (33) Active
Osc 1 Level (9) Oscillator 1 <> 2 Mix Filter LFO Modulation (34) Active
Noise Level (10) Active Filter ENV Modulation (35) Active
Osc 2 Range (15) OSC 2 Range Filter Key Follow (36) Active
Osc 2 Wave (16) OSC 2 Multi Sound Nu ber (16 types) Filter ADSR EG1 (37-40) Active
Osc 2 PW (17) Not Used Filter Mode (41) VCF EG Polarity
Osc 2 Tune (18) OSC 2 Interval VCA ADSR EG2 (42-45) Active
Osc 2 Fine Tune (19) OSC 2 Detune VCA Mode (46) Not Used
Osc 2 LFO Mod (20) Not Used VCA Level (47) Active
Osc 2 ENV Mod (21) Not Used
Osc 2 Mode (22) OSC Auto Bend Polarity
Osc 2 PWM (23) Not Used
Osc 2 XMod (24) Sync On/Off
Osc 2 Level (25) Not Used
Korg DSS-1 Page 2 Controls
Osc 1 Range (1) Not Used LFO1 Wave (26) Not Used
Osc 1 Wave (2) Not Used LFO1 Delay (27) Equalizer Treble
Osc 1 PW (3) DDL MG-A Frequency LFO1 Speed (28) Equalizer Bass
Osc 1 Tune (4) DDL-1 Ti e Chorus/FX Rate (29) Not Used
Osc 1 LFO Mod (5) DDL-1 MG A Intensity Chorus/FX Mode (30) Not Used
Osc 1 ENV Mod (6) DDL-1 MG B Intensity HPF (31) Joystick VCF Sweep Select
Osc 1 Mode (7) DCO 1 Envelope Source EG1, EG1 inv, EG2, EG2 inv LPF Cutoff (32) Not Used
Osc 1 PWM (8) DDL-1 Feedback LPF Resonance (33) Not Used
Osc 1 Level (9) DDL-1 Effect Level Filter LFO Modulation (34) VCF MG Delay
Noise Level (10) Not Used Filter ENV Modulation (35) VCF MG Frequency
Osc 2 Range (15) Not Used Filter Key Follow (36) Active
Osc 2 Wave (16) DDL-2 Input Select Filter ADSR EG1 (37-40) Joystick Pitch Bend Range on VCF Release
Osc 2 PW (17) DDL MG-B Frequency Filter Mode (41) Not Used
Osc 2 Tune (18) DDL-2 Ti e VCA ADSR EG2 (42-45) Not Used
Osc 2 Fine Tune (19) Not Used VCA Mode (46) Not Used
Osc 2 LFO Mod (20) DDL-2 MG A Intensity VCA Level (47) Not Used
Osc 2 ENV Mod (21) DDL-2 MG B Intensity
Osc 2 Mode (22) DDL-2 Mod Polarity
Osc 2 PWM (23) DDL-2 Feedback
Osc 2 XMod (24) Not Used
Osc 2 Level (25) DDL-2 Effect Level
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SYNTH TABLES
Korg DSM-1
Cable and MIDI require ents
The Korg DSM-1 uses a standard MIDI cable.
Korg DSM-1 Page 1 Controls
Osc 1 Range (1) Not Used LFO Wave (26) OSC MG Wave (Sine, Tri, Square)
Osc 1 Wave (2) Not Used LFO Delay (27) OSC MG Delay
Osc 1 PW (3) Multi Sound Nu ber LFO Speed (28) OSC MG Rate
Osc 1 Tune (4) Tune (+-) Chorus/FX Rate (29) Not Used
Osc 1 LFO Mod (5) OSC MG Intensity Chorus/FX Mode (30) Not Used
Osc 1 ENV Mod (6) Pitch Bend Range HPF (31) Not Used
Osc 1 Mode (7) Not Used LPF Cutoff (32) Active
Osc 1 PWM (8) Not Used LPF Resonance (33) Not Used
Osc 1 Level (9) Not Used Filter LFO Modulation (34) VCF MG Intensity
Noise Level (10) Not Used Filter ENV Modulation (35) VCF EG Intensity
Osc 2 Range (15) Not Used Filter Key Follow (36) Active
Osc 2 Wave (16) Not Used Filter ADSR EG1 (37-40) Active (ADSR only)
Osc 2 PW (17) Auto Bend Direction (Up/Down) Filter Mode (41) VCF EG Polarity
Osc 2 Tune (18) Auto Bend Ti e VCA ADSR EG2 (42-45) Active (ADSR only)
Osc 2 Fine Tune (19) Auto Bend Intensity VCA Mode (46) Not Used
Osc 2 LFO Mod (20) Not Used VCA Level (47) Active
Osc 2 ENV Mod (21) Not Used
Osc 2 Mode (22) OSC Auto Bend Polarity
Osc 2 PWM (23) Not Used
Osc 2 XMod (24) Not Used
Osc 2 Level (25) Not Used
Korg DSM-1 Page 2 Controls
Osc 1 Range (1) Not Used LFO Wave (26) VCF MG Wave (Sine, Tri, Square)
Osc 1 Wave (2) Not Used LFO Delay (27) VCF MG Delay
Osc 1 PW (3) Not Used LFO Speed (28) VCF MG Rate
Osc 1 Tune (4) Not Used Chorus/FX Rate (29) Not Used
Osc 1 LFO Mod (5) Not Used Chorus/FX Mode (30) Not Used
Osc 1 ENV Mod (6) Not Used HPF (31) Not Used
Osc 1 Mode (7) Not Used LPF Cutoff (32) VCF Cutoff Aftertouch
Osc 1 PWM (8) Not Used LPF Resonance (33) Bender VCF Sweep Intensity
Osc 1 Level (9) Not Used Filter LFO Modulation (34) VCF MG Init After Touch
Noise Level (10) Not Used Filter ENV Modulation (35) Not Used
Osc 2 Range (15) Not Used Filter Key Follow (36) Not Used
Osc 2 Wave (16) Not Used Filter ADSR EG (37-40) VCF Attack, Decay, Slope Aftertouch Sense
Osc 2 PW (17) Not Used Filter Mode (41) Not Used
Osc 2 Tune (18) Not Used VCA ADSR EG2 (42-45) VCA Attack, Decay, Slope Aftertouch Sense
EG Release Keytrack
Osc 2 Fine Tune (19) Not Used VCA Mode (46) Not Used
Osc 2 LFO Mod (20) Auto Bend Touch Sens Intensity VCA Level (47) Total Level Aftertouch Sense
Osc 2 ENV Mod (21) Not Used
Osc 2 Mode (22) Not Used
Osc 2 PWM (23) Not Used
Osc 2 XMod (24) Not Used
Osc 2 Level (25) Not Used
Note: The DSM-1 that we used for testing had a bad audio glitch everyti e para eter change idi was sent to it.
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17
SYNTH TABLES
Korg M1
Cable and MIDI require ents
The Korg M1 uses a standard MIDI cable, The M1 ust be placed in Edit Mode on the front
panel.
KORG© M1 Controls Pg1 - Single Mode
Osc 1 Range (1) 16', 8', 4' LFO1 Wave (26) VDF MG Wave Tri/Up Saw/Dn Saw/Sqr
Osc 1 Wave (2) Not Used - Wave selected using the PW slider LFO1 Delay (27) VDF MG Delay
Osc 1 PW (3) Wave types internal & cartridge LFO1 Speed (28) VDF MG Rate
Osc 1 Tune (4) Not Used Chorus/FX Rate (29) Effect 2 Type
Osc 1 LFO Mod (5) Pitch MG Intensity Chorus/FX Mode (30) Effect 1 On/Off
Osc 1 ENV Mod (6) Not Used HPF (31) Not Used
Osc 1 Mode (7) Voice Mode Single/Double/Dru VDF Cutoff (32) Active
Osc 1 PWM (8) Not Used LPF Resonance (33) Not Used
Osc 1 Level (9) DCO Level Filter LFO Modulation (34) VDF MG Intensity
Noise Level (10) Not Used Filter ENV Modulation (35) VDF EG Intensity
Osc 2 Range (15) Not Used Filter Key Follow (36) VDF Key Follow A ount
Osc 2 Wave (16) DCO MG Wave Tri/Up Saw/Dn Saw/Sqr Filter ADSR EG1 (37-40) A/D/S/R Only
Osc 2 PW (17) DCO MG Delay Filter Mode (41) Not Used
Osc 2 Tune (18) Not Used VDA ADSR EG2 (42-45) A/D/S/R Only
Osc 2 Fine Tune (19) Not Used VCA Mode (46) Not Used
Osc 2 LFO Mod (20) DCO MG Rate VCA Level (47) Not Used
Osc 2 ENV Mod (21) Not Used
Osc 2 Mode (22) DCO Hold On/Off
Osc 2 PWM (23) Effect 1 Type
Osc 2 XMod (24) DCO Mono/Poly
Osc 2 Level (25) Not Used
KORG© M1 Controls Pg2 - Double Mode
Osc 1 Range (1) DCO 1 16', 8', 4' LFO1 Wave (26) VDF MG Wave Tri/Up Saw/Dn Saw/Sqr
Osc 1 Wave (2) Not Used - DCO 1 Wave selected using the PW slider LFO1 Delay (27) VDF MG Delay
Osc 1 PW (3) Wave types internal & cartridge LFO1 Speed (28) VDF MG Rate
Osc 1 Tune (4) Not Used Chorus/FX Rate (29) Effect 2 Type
Osc 1 LFO Mod (5) Pitch MG Intensity Chorus/FX Mode (30) Effect 2 On/Off
Osc 1 ENV Mod (6) Not Used HPF (31) Not Used
Osc 1 Mode (7) Voice Mode Single/Double/Dru VDF Cutoff (32) Active
Osc 1 PWM (8) Not Used LPF Resonance (33) Not Used
Osc 1 Level (9) DCO 1 Level Filter LFO Modulation (34) VDF MG Intensity
Noise Level (10) Not Used Filter ENV Modulation (35) VDF EG Intensity
Osc 2 Range (15) DCO 1 16', 8', 4' Filter Key Follow (36) VDF Key Follow A ount
Osc 2 Wave (16) Not Used - DCO 2 Wave selected using the PW slider Filter ADSR EG1 (37-40) A/D/S/R Only
Osc 2 PW (17) Wave types internal & cartridge Filter Mode (41) Not Used
Osc 2 Tune (18) DCO 2 Tune VDA ADSR EG2 (42-45) A/D/S/R Only
Osc 2 Fine Tune (19) DCO 2 Detune VCA Mode (46) Not Used
Osc 2 LFO Mod (20) Not Used VCA Level (47) Not Used
Osc 2 ENV Mod (21) Not Used
Osc 2 Mode (22) DCO Hold On/Off
Osc 2 PWM (23) Not Used
Osc 2 XMod (24) DCO Mono/Poly
Osc 2 Level (25) DCO 2 Level
Korg M1 Notes
The M1 uses an unusual enu syste which alters depending on the ode the M1 is in. The sa e co and
sent to the M1 in Single Mode will have a co pletely different action in Double Mode or Dru Mode. The PE will
needs to be atched to the ode of the M1 to get useful results. The M1 also need to be placed into edit ode
on the front panel before editing is possible.
There are a large nu ber of para eters that are not practical to edit fro the PE and these ust be done fro
the M1. The PE tries to cover the ost useful.
The oscillator wave for s are to nu erous to be placed on the wavefor button so these have been placed on
the PW slider. The lowest nu bers select internal waves and the higher nu bers select cartridge waves if a
cartridge is present.
The Envelopes in the M1 use extra controls. In addition to Attack, Decay, Sustain and Release there are break
level and slope controls. The Patch Editor only controls the A/D/S/R sections.
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18
SYNTH TABLES
Oberhei Matrix 6
Cable and MIDI require ents
The Oberhei Matrix 6 uses a standard MIDI cable.
Oberhei Matrix 6 Page 1 Controls
Osc 1 Range (1) Not Used LFO1 Wave (26) Tri, Up Saw, Down Saw, Sqr, Rando , Noise,
Sa ple Mod
Osc 1 Wave (2) Osc 1 Wave (Off Pulse, Wave, Both) LFO1 Delay (27) LFO 1 Initial A plitude
Osc 1 PW (3) DCO 1 Initial Pulse Width A ount LFO1 Speed (28) LFO 1 Rate
Osc 1 Tune (4) DCO 1 Initial Frequency Se itones Chorus/FX Rate (29) Porta ento Initial Rate
Osc 1 LFO Mod (5) DCO 1 Freq by LFO 1 Modulation A ount Chorus/FX Mode (30) Legato Porta ento Enable
Osc 1 ENV Mod (6) OSC 1 Initial Wave Shape HPF (31) VCF Fixed Mods (Off, Level 1, Vibrato, Both)
Osc 1 Mode (7) OSC 1 Fixed Mods (Off, Level 1, Vibrato, Both) LPF Cutoff (32) Active
Osc 1 PWM (8) DCO 1 PW by LFO2 Modulation A ount LPF Resonance (33) Active
Osc 1 Level (9) Oscillator 1 <> 2 Mix Filter LFO Modulation (34) VCF FM A ount
Noise Level (10) Not Used Filter ENV Modulation (35) VCF Env 1 A ount
Osc 2 Range (15) Not Used Filter Key Follow (36) VCF Pressure Mod A ount
Osc 2 Wave (16) Osc 2 Wave (Off Pulse, Wave, Both) Filter ADSR EG1 (37-40) Env 1
Osc 2 PW (17) DCO 2 Initial Pulse Width A ount Filter Mode (41) Env 1 Trigger Mode
Osc 2 Tune (18) DCO 2 Tune Se itones VCA ADSR EG2 (42-45) Env 2
Osc 2 Fine Tune (19) DCO 2 Detune Cents VCA Mode (46) Env 2 Trigger Mode
Osc 2 LFO Mod (20) DCO 2 Freq by LFO 2 Modulation A ount VCA Level (47) VCA Initial Level
Osc 2 ENV Mod (21) OSC 2 Initial Wave Shape
Osc 2 Mode (22) OSC 1 Fixed Mods (Off, Level 1, Vibrato, Both)
Osc 2 PWM (23) DCO 2 PW by LFO2 Modulation A ount
Osc 2 XMod (24) Sync On/Off
Osc 2 Level (25) Not Used
Oberhei Matrix 6 Page 2 Controls
Osc 1 Range (1) OSC 1 Click (On/Off) LFO Wave (26) LFO 2 Tri, Up Saw, Down Saw, Sqr, Rando ,
Noise, Sa ple Mod
Osc 1 Wave (2) Tracking Input Select (20 types) LFO Delay (27) LFO 2 Initial A plitude
Osc 1 PW (3) Tracking Point 1 LFO Speed (28) LFO 2 Rate
Osc 1 Tune (4) Tracking Point 2 Chorus/FX Rate (29) Not Used
Osc 1 LFO Mod (5) Tracking Point 3 Chorus/FX Mode (30) Key Assign Mode (4 types)
Osc 1 ENV Mod (6) Tracking Point 4 HPF (31) VCF Keyboard Mod (Key, Porta ento)
Osc 1 Mode (7) Not Used LPF Cutoff (32) Active
Osc 1 PWM (8) Tracking Point 5 LPF Resonance (33) Active
Osc 1 Level (9) Not Used Filter LFO Modulation (34) Not Used
Noise Level (10) Not Used Filter ENV Modulation (35) Env 1 Initial Delay
Osc 2 Range (15) OSC 2 Click (On/Off) Filter Key Follow (36) Env 2 Initial Delay
Osc 2 Wave (16) Not Used Filter ADSR EG1 (37-40) Env 3 Initial Delay (on VCF Release Slider)
Osc 2 PW (17) Not Used Filter Mode (41) Env 1 Mode (DADR/Free run)
Osc 2 Tune (18) Not Used VCA ADSR EG2 (42-45) Env 3 ADSR
Osc 2 Fine Tune (19) Not Used VCA Mode (46) Env 2 Mode (DADR/Free run)
Osc 2 LFO Mod (20) Not Used VCA Level (47) Active
Osc 2 ENV Mod (21) Not Used
Osc 2 Mode (22) Not Used
Osc 2 PWM (23) Not Used
Osc 2 XMod (24) Not Used
Osc 2 Level (25) Not Used
Oberhei Matrix 6 Notes
So e Sysex co ands on the Oberhei Matrix 6 are very slow responding to sysex and it does not respond
well to large nu bers of co ands in rapid succession. With so e co ands to the Matrix 6 the synth will
stop responding for 1-2 seconds and hang notes or have other rando proble s until it catches up. This akes
it unsuitable to control para eters in a live situation but a patch has been provided to help set up the Matrix 6.
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19
SYNTH TABLES
Oberhie Matrix 1000
Cable and MIDI require ents
The Oberhei Matrix 1000 uses a standard MIDI cable.
Oberhei Matrix 1000 Controls
Osc 1 Range (1) Not Used LFO1 Wave (26) Tri, Up Saw, Down Saw, Sqr, Rando , Noise,
Sa ple Mod
Osc 1 Wave (2) Saw, Tri, Pulse, Pulse+Saw, Pulse+Tri LFO1 Delay (27) LFO 1 Rate
Osc 1 PW (3) DCO 1 Initial Pulse Width A ount LFO1 Speed (28) LFO 2 Rate
Osc 1 Tune (4) DCO 1 Tune Se itones Chorus/FX Rate (29) Not Used
Osc 1 LFO Mod (5) DCO 1 LFO Modulation Chorus/FX Mode (30) Not Used
Osc 1 ENV Mod (6) Not Used HPF (31) Not Used
Osc 1 Mode (7) DCO 1 Envelope Source EG1, EG1 inv, EG2, EG2 inv LPF Cutoff (32) Active
Osc 1 PWM (8) DCO 1 LFO2 PWM Modulation A ount LPF Resonance (33) Active
Osc 1 Level (9) Oscillator 1 <> 2 Mix Filter LFO Modulation (34) Active
Noise Level (10) Not Used Filter ENV Modulation (35) Active
Osc 2 Range (15) Not Used Filter Key Follow (36) Active
Osc 2 Wave (16) Saw, Tri, Pulse, Pulse+Saw, Pulse+Tri Filter ADSR EG1 (37-40) Active
Osc 2 PW (17) DCO 2 Initial Pulse Width A ount Filter Mode (41) Not Used
Osc 2 Tune (18) DCO 2 Tune Se itones VCA ADSR EG2 (42-45) Active
Osc 2 Fine Tune (19) DCO 2 Detune Cents VCA Mode (46) Not Used
Osc 2 LFO Mod (20) DCO 2 LFO Modulation VCA Level (47) Active
Osc 2 ENV Mod (21) Not Used
Osc 2 Mode (22) DCO 2 Envelope Source EG1, EG1 inv, EG2, EG2 inv
Osc 2 PWM (23) DCO 2 LFO2 PWM Modulation A ount
Osc 2 XMod (24) Sync On/Off
Osc 2 Level (25) Not Used
Oberhei Matrix 1000 Notes
So e Sysex co ands on the Oberhei Matrix 1000 are very slow responding to sysex and it does not
respond well to large nu bers of co ands in rapid succession. This is especially so for the filter cutoff. When
a series of Sysex co ands are sent to the M1000 the synth will stop responding and hang notes or have other
rando proble s until it catches up. This akes it unsuitable to control para eters in a live situation but a patch
has been provided to help set up the M1000. The para eter for Filter sustain control does not work in the M1000
and has been disabled in this patch.
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20
SYNTH TABLES
Roland Juno-1 Juno-2 and HS-10
Cable require ents
The Roland Juno-1/HS-10 uses a standard MIDI cable
Equivalent controls
Roland© Juno-1/HS-10 Controls Pg1
Osc 1 Range (1) 32',16', 8', 4' LFO Wave (26) Not Used (sine only)
Osc 1 Wave (2) Sawtooth Wavefor Select LFO Delay (27) Active
Osc 1 PW (3) DCO PW/PWM LFO Speed (28) Active
Osc 1 Tune (4) Not Used Chorus/FX Rate (29) Active (Chorus Rate)
Osc 1 LFO Mod (5) Active Chorus/FX Mode (30) Chorus On, Chorus Off
Osc 1 ENV Mod (6) Active HPF (31) Active
Osc 1 Mode (7) PW Wavefor Select LPF Cutoff (32) Active
Osc 1 PWM (8) PWM Rate LPF Resonance (33) Active
Osc 1 Level (9) Not Used Filter LFO Modulation
(34)
Active
Noise Level (10) Active (0-3 range) Filter ENV Modulation
(35)
Active
Osc 2 Range (15) Not Used Filter Key Follow (36) Active
Osc 2 Wave (16) Sub Osc Wavefor & Octave Select Filter ADSR (37-40) Not Used
Osc 2 PW (17) DCO Aftertouch Depth Filter Mode (41) Active EG Mode
Osc 2 Tune (18) Not Used VCA ADSR (42-45) Active 4 stage
Osc 2 Fine Tune (19) Not Used VCA Mode (46) Envelope, Gate
Osc 2 LFO Mod (20) VCF Aftertouch VCA Level (47) Active
Osc 2 ENV Mod (21) VCA Aftertouch
Osc 2 Mode (22) Used to select Env type for Osc ENV Mod
Osc 2 PWM (23) Envelope Key Follow
Osc 2 XMod (24) Not Used
Osc 2 Level (25) Sub Osc Level (0-3 Range)
Roland© Juno-1/HS-10 Controls Pg2
Osc 1 Range (1) Not Used LFO Wave (26) Not Used
Osc 1 Wave (2) Not Used LFO Delay (27) Not Used
Osc 1 PW (3) Not Used LFO Speed (28) Not Used
Osc 1 Tune (4) Not Used Chorus/FX Rate (29) Not Used
Osc 1 LFO Mod (5) Not Used Chorus/FX Mode (30) Not Used
Osc 1 ENV Mod (6) Not Used HPF (31) Not Used
Osc 1 Mode (7) Not Used LPF Cutoff (32) Active
Osc 1 PWM (8) Not Used LPF Resonance (33) Active
Osc 1 Level (9) Not Used Filter LFO Modulation
(34)
Active
Noise Level (10) Not Used Filter ENV Modulation
(35)
Active
Osc 2 Range (15) Not Used Filter Key Follow (36) Active
Osc 2 Wave (16) Not Used Filter Decay T1 Ti e
Osc 2 PW (17) Not Used Filter Sustain L1 Level
Osc 2 Tune (18) Not Used Filter Release T2 Ti e
Osc 2 Fine Tune (19) Not Used Filter Mode Not Used
Osc 2 LFO Mod (20) Not Used VCA Attack L2 Level
Osc 2 ENV Mod (21) Not Used VCA Decay T3 Ti e
Osc 2 Mode (22) Not Used VCA Sustain L3 Level
Osc 2 PWM (23) Not Used VCA Release T4 Ti e
Osc 2 XMod (24) Not Used VCA Mode (46) Not Used
Osc 2 Level (25) Not Used VCA Level (47) Not Used
Roland Juno 1, Juno 2 & HS-10 Notes
The Juno 1, Juno 2 & HS-10 synthesizers have one oscillator and a sub oscillator for each of the six voices. The oscillator
design is a digital syste and the filter and the VCA is the custo Roland chip the IR3R05 for each of the six voices. The HS-
10 is the sa e as the Juno-1 apart fro the panel sticker on the front.
The oscillator 1 Wave switch (1) is used to step though all possible Sawtooth wave types. These are Off, Sawtooth type 1,
Sawtooth type 2, Sawtooth type 3+PW, Sawtooth type 4 and Sawtooth type 5. For the Sawtooth type 3+PW wavefor the
PW level control (3) is used to adjust the PW and the PWM Speed control (8) is used to give a PWM LFO effect. Fully off on
the PWM Speed (8) stops the LFO and PW control is anual only using the PW control (3). These controls will have no effect
for the other Sawtooth wave types.
The oscillator 1 Mode switch is used to step through all the possible pulse wave types. Valid types are Off, Pulse type 1,
Pulse type 2 and Pulse type 3+PW. For the Pulse type 3+PW wavefor the PW level control is used to adjust the PW and the
PWM Speed control is used to give a PWM LFO effect. Fully off on the PWM Speed stops the LFO and PW control is anual
only using the PW control. These controls will have no effect for the other Pulse wave types.
Oscillator 2 on the Patch Editor is used to control the sub oscillator. The oscillator 2 wave switch (16) is used to step through
all the possible sub oscillator wave for s and octaves. These are -1 octave Square Wave, inus one octave Pulse wave type
1, 2 and 3, inus 2 octaves Square wave and inus 2 octaves pulse wave. This and the level control (25) are the only valid
controls for the sub oscillator.
Oscillator 2 Mode Button (22) is used to select the envelope ode for the Osc ENV od (6). Valid options are Nor al,
Inverted, Nor al with Dyna ics, Inverted with Dyna ics. The Filter Mode Button (41) has the sa e options for the Filter ENV
control (35).
There is no separate EG controls for the filter and the VCA EG controls (42-45) are used for Oscillator, Filter and VCA
odulation. The VCA Mode Button (46) has 4 valid options. Envelope, Gate, Envelope with Dyna ics and Gate with
Dyna ics
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