Kawai MM-16 User manual
Owner’s
Manual
NOTE
:
This
equipment
has
been
tested
and
found
to
comply
with
the
limits
for
a
Class
B
digital
device,
pursuant
to
Part
15
of
the
FCC
Rules.
These
limits
are
designed
to
provide
reasonable
protection
against
harmful
interference
in
a
residential
installation.
This
equipment
generates,
uses
and
can
radiate
radio
fequency
energy
and,
if
not
installed
and
used
in
accordance
with
the
instructions,
may
cause
harmful
interference
to
radio
communications.
However,
there
is
no
guarantee
that
interference
will
not
occur
in
a
particular
installation.
If
this
equipment
does
cause
harmful
interference
to
radio
or
television
reception,
which
can
be
determined
by
turning
the
equipment
off
and
on,
the
user
is
encouraged
to
try
to
correct
the
interference
oy
one
or
more
of
the
moyowing
measures:
-
Reorient
or
relocate
the
receiving
antenna.
-
Increase
the
separation
between
the
equipment
and
receiver.
-
Connect
the
equipment
into
an
outlet
on
a
circuit
different
from
that
to
which
the
receiver
is
connected.
-
Consult
the
dealer
or
an
experienced
ratio/TV
technician
for
help.
This
digital
apparatus
does
not
exceed
the
Class
B
limits
for
radio noise
emissions
from
digital
apparatus
set
out
in
the
Radio
interference
Regulations
of
the
Canadian
Department
of
Communications.
Thank
you
for
purchasing
KAWAI
MIDI
Mixer
MM-16!
'
The
MM-16
is
a
multi-purpose
MIDI
data
processor.
With
17
front
panel
faders,
it's
most
obvious
capability
is
that
of
a
16
channel
mixing
console.
But the
MM-16
contains
many
other
useful
features
including
MIDI
merge/split,
spillover,
patch
editing
via
SYSTEM
EXCLUSIVE
messages
and
more.
Please
read
this
owner’s
manual
thoroughly
before
using
the
MM-16.
It
has
been
written
to
allow
you
to
get
the
most
of
this
instrument's
capabilities
with
the
least
amount
of
effort.
FEATURES
1.
MEGA
MIX
-
As
a
mixing
console
for
MIDI
instruments,
the
MM-16
enables
individual
fader
control
of
MIDI
VOLUME
for
each
of
the
16
MIDI
channels
plusa
MASTER
VOLUME
control.
CONTINUOUS
CONTROL
~
In
CHANNEL
CONTROL
function,
the
MM-16
gives
you
front
panel
access
to
all
MIDI
controller
functions
such
as
Modulation,
Expression,
Breath
Control,
Portamento,
Pan
etc.
In
KEY
BALANCE
function,
the
16
Faders
become
a
"Graphic
EQ”
for
VELOCITY
data,
so
you
can
re-voice
any
instrument
across
the
keyboard.
This
is
useful
for
iene
a
mix
or
smoothing
out
uneven
multi-
samples.
EXCLUSIVE
EDIT-As
a
synthesizer
programmer,
the
MM-16
gives
immediate
control
over
synthesizer
parameters
via
SYSTEM
EXCLUSIVE
data.
The
MM-16
comes
setup
for
many
popular
instruments
such
as
the
Kawai
K4/K4r,
XD-5
or
K1
series.
Users
can
also
create
custom
programs
and
save
them
via
SYSTEM
EXCLUSIVE
data
dump
to
a
MIDI
data
filer
such
as
the
Kawai
Q-80.
MERGER
MANIA
-
As
a
merging/splitting
device,
the
MM-16
enables
two
devices
such
as
a
keyboard
‘ng
sequencer
to
be
selectively
merged
into
the
same
MIDI
cable.
The
MM-16
will
also
split
a
MIDI
signal
into
two,
separating
them
by
MIDI
channel,
Key
number,
Velocity
level,
or
alternate
between
the
two
outputs
to
create
spillover.
The
channelizing
function
will
also
change
MIDI
channels.
SETUP
PATCH
-
The
MM-16
also
contains
64
SETUP
patch
memories,
which
remember
Volume,
Program
change
number
and
MIDI
Channel
convertment
setting.
2
sets
of
MIDI
In,
Out
and
Thru
for
merging
and
separation
-
The
MM-16
is
provided
with
2
sets
each
of
MIDI
In,
Out
and
Thru
(6
terminals),
so
the
architecture
of
the
MID!
system
including
sequencer,
master
keyboard,
sound
source
etc.
is
flexible.
The
2
sets
of
MIDI
In
are
always
merged,
and
are
output
from
the
2
sets
of
MIDI
Out
simultaneously.
(For
the
Exclusive
Message,
Out
1
only)
Care
and
Maintenance
Proper
Care
Your
MM-16
is
a
delicate
musical
instrument.
To
prevent
breakdowns
and
ensure
years
of
reliable,
trouble-free
service,
shield
it
from:
~
Direct
sunlight
and
exposure
to
the
elements
—
Extremes
in
temperature
or
humidity
-
Dusty
environment
—
Vibration
---
especially
during
transport
Power
Supply
@
Use
only
AC
adaptor
shipped
with
the
MM-16
and
connect
it
only
to
a
power
supply
with
a
voltage
within
the
limits
stated
on
the
ratings
plate
on
the
backs.
@
Make
sure
that
all
power
switches
are
off
before
changing
equipment
connections.
@
Check
all
equipment
connections
before
applying
the
power.
®
Do
not
connect
to
the
same
circuit
as
a
heavy
load
or
equipment
that
generates
line
noise.
Line
Noise
Reset
The
high-speed
microprocessor
at
the
core
of
the
MM-16
is
extremely
sensitive
to
line
noise
and
sudden
fluctuations
in
the
supply
voltage.
Should
it
“lock
up”
under
such
conditions,
simply
turn
the
MM-16’s
power
off
for
a
few
seconds
and
then
reapply
the
power.
Cleaning
e
§=6Clean
the
instrument
with
a
soft
cloth,
a
mild
detergent,
and
luke
warm
water.
@
Never
use
harsh
or
abrasive
cleansers
or
organic
solvents.
Battery
Backup
The
lithium
battery
that
protects
the
memory
contents
while
the
power
to
the
unit
is
off
is
good
for
more
than
five
years
of
normal
use.
We
recommend,
however,
that
you
have
your
nearest
authorized
service
representative
replace
it
promptly
after
five
years.
CONTENTS
Name
of
Parts
....................
4
4,
EXCLUSIVE
FADER
OPERATION
41
Connections
......................
6
4-1
EXCLUSIVEFADER
............
41
4-2
EXCLUSIVE
EDIT
..............
43
1.
MANUAL
MODE
..............
9
A.
EXCLUSIVEDATAEDIT
.........
44
1-1
VOLUME
FADER
...........
10
B.
EXCLUSIVENAMEEDIT
.........
46
eNO
eB
ER
OS
ees,
a
4-3
EXCLUSIVE
WRITE
............
47
1-2
VELOCITY
OFFSET
..........
12
1-3
VELOCITY
ABSOLUTE
.......
14
5B.
OTHERS
§.......................
48
1-4
CHANNELCONTROL
........
16
5-1
DATADUMP
.................
Ag
Deas
SE
OB
ADAINE
pee
patiee
ares
oe
5-2
PANICSwitch
..............0-
50
5-3
MONITOR
Operation
.........
50
2.
SETUPMODE
................
av
5-4
Error
Messages
...............
51
2-1
Selecting
aSETUP
patch
.....
20
2-2
SETUP
Editing
..............
21
Appendices
Pe
“SET
ME
ORM
MES
ceri
tesen
ents
22
A.
EXCLUSIVE
FADERPATCHLIST
.......
52
B.
SETUPPROGRAMCHANGE
..
24
Se:
IDEA
PORN
se
ceictes-tacactes
55
C.
CHANNELCONVERT
........
26
D.
FADERONOFF
«...
2.200.
ee
SINDEN
c2nloe
n-aiaaeatetyate
ceetpuats
58
Be:
DE
ari
ius
a
ene
Renee
ere
23
MIDI
Implementation
Chart
........
60
Renee
ees
erseeeeneeei
30
Specifications
oo...
eee.
61
3.
SYSTEM
MODE
..............
31
3-1
SYSTEM
CHANNEL
..........
32
3-2
SETUPLINK
...........0005.
33
3-3
SEPARATE
MENU
...........
35
Bi
ORE
exes
Ne
ctee
seer
35
B.
CHANNEL
..............
35
C.
“ODDIEVEN
|
6
sc20%
4%
bi
e%
36
Ds;
KEY
SPL.
ooo5
occ
c
dee
37
E.
VELOCITY
SPLIT
........
39
F.
REALTIME
.............
40
Name
of
Parts
B
8
1011124314151
4
=o
<
CURSOR
>
[cs
ate
EXCLUSIVE
SETUP
=
gSEND
FADER
|
EDIT
EDIT
|
POSITION
®
—_—_—
ET
Ett
ee
ee
ee
eee
ee
Gide
ee
p
CH
CONTROL
BENDER
voLUME
mao
:
BREATH
FOOT
PORTAMENTCBALANOE
PAN
EXPRESSION
DAMPER
PRESSURE
paogn
PENDS
NI
A
en
wasteal
AMBENDSENS
FINE
GOARSE
RESERV
Jessi
CH
KEY
BALANCE
C2
60
FO
Gl
Ft
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Fu2
63
3
Sey
4
WOLUME|
|
FA
G
Fie
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Fa5
Fi
me
§
Oo
MODE
INDICATOR
@
DISPLAY
(LCD)
(MANUAL/SETUP/SYSTEM)
Indicates
the
function
now
selected,
and
the
Indicates
what
mode
is
now
selected.
values
of
each
fader.
©
PANIC
SWITCH
By
pushing
this
switch,
the
following
message
is
|
output.
_
*
ALL
NOTE
OFF
message
*
—
RESET
ALL
CONTROLLER
message
*
BEND
RESET
message
(For
76
channels)
e
HOLD
OFF
message
(For
16
channels)
if
a
malfunction
occurs
during
the
operation
of
the
MM-16,
such
as
an
abnormal
sound,
push
this
switch.
WRITE
SWITCH
Used
to
store
changed
SETUP
patch
and
EXCLUSIVE
FADER
patch.
(See
p.
30
&
47.)
SHIFT
SWITCH
This
switch
is
used
for
the
following
purposes.
*
To
input
the
Program
Change
Numbers.
*
To
input
characters
/
symbols.
-
To
change
the
function
of
the
VALUE
Switch.
10
KEYS
These
keys
are
used
to
input
the
value.
VALUE
SWICHES
(-NO/DELETE,
+
YES/INSERT)
These
switches
are
used
to
make
a
fine
adjustment
of
the
value,
and
to
select
the
execution
or
termination
of
a
command
etc.
MODE
SELECT
SWITCHES
(MANUAL/SETUP/SYSTEM/EXCLUSIVE
EDIT/SETUP
EDIT)
Selects
between
the
following
5
modes,
and
calls
up
the
functions
in
each
of
these
5
modes:
Name
of
Parts
a.
MANUAL
mode
(See
p.
9)
b.
SETUP
mode
(See
p.
20)
c.
SYSTEM
mode
(See
p.
31)
d.
EXCLUSIVE
EDIT
mode
(See
p.
43)
e.
SETUP
EDIT
mode
(See
p.
21)
PREVIOUS
SWITCH
Calls
up
the
the
previously
selected
function
SEND
FADER
POSITION
SWITCH
By
pushing
this
switch,
the
MIDI
Volume
message
corresponding
to
each
fader
position
of
17
lines
is
output.
(See
p.
11)
_
CURSOR
SWITCHES
Moves
the
cursor
in
the
DISPLAY.
By
pushing
both
switches
simultaneously,
the
MIDI
channels
currently
received
and
transmitted
are
displayed.
(See
p.50
"MONITOR
Operation”)
FADERS
(1~16)
The
faders
adjust
each
Volume
message
of
MIDI
Channel
1-16,
and
transmit
the
Channel
Message
/Exclusive
Message.
MASTER
VOLUME
FADER
This
adjusts
the
Volume
message
of
the
MIDI
16
channels
altogether.
POWER
SWITCH
Turns
the
instrument’
s
power
on
and
off.
DC
IN
JACK
This
jack
is
used
to
connect
the
AC
adaptor.
MIDI
JACKS
(IN/OUT
/THRU)
These
are
used
to
connect
equipment
to
other
MIDI
device.
.
There
are
two
separated
system
(1&2).
CONNECTIONS
The
MM-16
is
a
MIDI
mixer
that
can
control
all
the
MID!
instruments
(synthesizer,
module,
sequencer
etc.).
It
has
various
uses,
with
almost
unlimited
applications.
The
most
common
uses
(examples
of
connection
to
MIDI
instruments)
are
as
follows.
(1)
When
the
sequencer
is
playing,
adjust
the
volume
of
each
sound
source.
.
|
x
SYNTHESIZER
SEQUENCER
_
Gul
OU
VIM-16
TIN
OUT
>|
MIDIMODULE
The
sequencer
transmits
MIDI
note
information
to
recreate
a
musical
performance.
The
MM-16's
faders
will
add
MIDI
VOLUME
information
to
each
channel
allowing
you
to
mix
your
performance.
(VOLUME
FADER
Function).
‘There
are
some
types
of
sound
source
that
cannot
receive
the
volume
information
(refer
to
the
MIDI
Implementation
Chart
of
your
MIDI
instrument).
In
such
cases,
the
same
effect
can
be
achieved
by
increments/decrements
of
the
VELOCITY
value
of
the
information
on
the
musical
performance,
using
the
Velocity
Adjustment
Function
(VELOCITY
OFFSET/ABSOLUTE)
of
the
MM-16.
(2)
Change
the
Control
Change
message
in
realtime,
and
store
it
in
the
sequencer
(Compu-mix)
|
OUT
|
SEQUENCER
OUT
iW
MASTER
OUT
KEYBOARD
.
Record
each
part
of
your
song
with
the
sequencer
in
advance.
Then
while
playing
it
back,
use
the
faders
to
add
Control
Changes
like
modulation,
pitch
bend,
panning,
etc,
to
your
sequence.
In
this
way,
the
parts
recorded
in
advance
are
provided
with
variation
later.
This
is
called
“Compu-mix”.
SYNTHESIZER
THRU
IN"
MIDI
MODULE
CONNECTIONS
(3)
Change
the
settings
of
the
MIDI
system
instantly
(using
the the
SETUP
Patch)
IN
OUT
SEQUENCER
oa
OUT
IN
MASTER
OUT
KEYBOARD
a.
Send
Program
Change
message
from
your
controller
to
the
MM-16.
panes
[SYNTHESIZER
|_MIDIMODULE
YNTHESIZER
S
Si.
THRU
IN
MID!
MODULE
b.
The
SETUP
Patch
of
the
MN-16
is
called
up
using
this
Program
Change
message.
c.
The
MM-16
then
transmits
a
PROGRAM
CHANGE
and
a
VOLUME
message
on
all
16
channels,
according
to
values
that
were
stored
in
the
SETUP
patch.
They
are
then
transmitted
to
the
external
equipment
to
change
the
settings
of
ali
the
equipment
instantly.
|
(4)
Edit
the
tone
of
the
synthesizer
(EXCLUSIVE
FADER
Function)
IN
MM-16
oa
SYNTHESIZER
THE
MM-16
transmits
EXCLUSIVE
messages
which
allow
you
to
edit
the
tone
parameters
on
your
synthesizer
using
the
MM-16’s
faders.
The
tone
of
the
synthesizer
changes
in
realtime
as
the
faders
are
moved.
Therefore,
by
recording
such
exclusive
messages
on
the
sequencer,
it
is
possible
to
change
the
tone
during
a
musical
performance.
CONNECTIONS
(5)
Route
the
MIDI
information
to
separate
outputs.
OUT
IN
SEQUENCER
IN
OUT
SYNTHESIZER
MM-16
MASTER
IN
OUT
KEYBOARD
[ouT
IN
MIDI
MODULE
|
The
MM-16
has
2
MIDI
OUT
terminals
(OUT1,
OUT2),
which
can
each
be
used
to
transmit
your
MIDI
information.
You
can
separate
the
MID!
data:
*
By
the
MIDI
channel
By
the
MIDI
note
range
By
the
strength/weakness
of
the
VELOCITY
By
the
even
/odd
number
of
MIDI
Note
number
By
the
Channel
/Exclusive
Message
and
the
Real-time
/System
Common
Message
separately
+
FF
OF
1.
MANUAL
MODE
This
mode
initiates
the
adjustment/transmission
of
the
various
items
of
MIDI
message
including
the
volume.
Pressing
MANUAL
switch
calls
the
following
functions
/parameters.
(Function
Name)
(Parameter)
x1
VOLUME
FADER
———
VOLUME
|
x2
VELOCITY
OFFSET
VELOCITY
(OFFSET)
Ss
VELOCITY
ABSOLUTE
—
VELOCITY
(ABSOLUTE)
x4
CHANNEL CONTROL
BENDER
|
VOLUME
MODULATION
BREATH
CONTROL
FOOT
CONTROL
PORTAMENTO
BALANCE
PAN
EXPRESSION
DAMPER
CHANNEL
PRESSURE
PROGRAM
CHANGE
PITCH
BEND
SENSITIVITY
FINE
TUNING
COARSE
TUNING
RESERVED
x5
KEY
BALANCE
———————
VELOCITY
(OFFSET)
(FOR
EACH
KEY
RANGE)
PATCH
EDITING
(See
p.
41~47)
MANUAL
eg
x6
EXCLUSIVE
FADER
1-1
VOLUME
FADER
WOLUME
le?
ele
elelele
This
functions
as
the
most
basic
“MIDI
MIXER”,
controlling
the
MIDI
Volume
message
for
the
16
channels.
Each
of
the
16
Faders
corresponds
to
MIDI
Channel
1
through
16,
while
the
Master
Volume
Fader
adjusts
the
entire
volume
altogether.
a
NE
ET
a
Ae
<Procedure
>
(1)
Press
MANUAL
switch
and
select
the
VOLUME
FADER
ae
function.
|
The
DISPLAY
shows
as
follows:
,
The
rough
estimate
of
VOLUME
WOLUME
BAe
The
VOLUME
value
of
the
MIDI
value
(Channel
1~
16)
BBE
RBRRERARRERao
channel
where
the
cursor
exists.
(2)
Move
the
MASTER
VOLUME
FADER
to
the
maximum
sansiek
position.
oe
(3)
To
move
the
cursor
to
the
desired
MIDI
channel
area:
(a)
(b)
The
cursor
in
the
DISPLAY
automatically
moves
to
fo
()
a.
Move
the
Fader
of
desired
MIDI
channel.
CURSOR
(ex:
channel
4
—>
Fader
4)
<
>
channel
4
area.
b.
Press
CURSOR
switch.
Pressing
once
moves
the
cursor
to
the
next
area.
Holding
down
causes
the
successive
movement.
VOLUME
FADER
(4)
Tochange
the
VOLUME
value:
(a)
(b)
[4]
a.
Slide
the
fader
(for
large
change).
b.
Use
—NO/+
YES
switches
(for
fine
change).
fF
---3
()
~
NO/DELETE
+
YES/INSERT
(5)
Repeat
(3)
and
(4)
steps
to
set
the
volume
value
for
all
of
16
channels.
MASTER
VOLUME
(6)
Set
the
entire
volume
by
moving
MASTER
VOLUME
FADER.
Note:
Ifthe
MASTER
VOLUME
FADER
isin
tts
lowest
position,
the
volume
remains
at
000,
even
if
Faders
i~16
are
turned
to
their
highest
position.
<SEND
FADER
POSITION
Switch>
By
pushing
this
switch,
the
Volume
messages
set
by
the
16
faders
+
the
MASTER
VOLUME
FADER
is
transmitted
to
the
external!
at
Sen
one
time.
This
is
useful
when
the
current
fader
setting
should
be
transmitted
as
it
is,
after
returning
to
the
VOLUME
FADER
function
from
another
function.
Note:
This
switch
is
effective
only
atthe
VOLUME
FADER
Function.
1-2
VELOCITY
OFFSET
In
this
function
you
can
set
the
OFFSET
value
of
VELOCITY
(separately
for
each
of
16
MIDI
channels).
WEL
OFFSET
63
eleeeelelelelelelelelelele
Velocity
Offset
is
“addition
and
subtraction
of
the
Velocity
Value”.
For
example,
if
the
Velocity
Offset
of
©
channel
|
is
set
at
“+63”
with
this
function,
then
Velocity
Value
63
will
be
added
automatically
to
the
MIDI
Information
of
Channel
1
input
into
MM-16,
followed
by
the
result
being
output.
(Similarly,
if
the
Velocity
Offset
is
set
to
minus,
then
the
Velocity
Value
will
be
output
after
the
substraction.)
Ee
a
A
ik
Hel
[MASTER
[Theente
volume
HII]
SSCS
<Procedure
>
(1)
Press
MANUAL
switch
and
select
the
VELOCITY
OFFSET
function.
.
MANUAL
The
DISPLAY
shows
the
vatue
of
VELOCITY
OFFSET
as
|
follows:
.
The
rough
estimate
of
WEL
OFFSET
—b4
The
VELOCITY
OFFSET
value
of
the
channel
where
the
cursor
exists.
(Chenneli-ig.
"*
|_|
SEE
(2)
Move
the
MASTER
VOLUME
FADER
to
the
maximum
fa
MASTER
position.
.
VOLUME
(3)
To
move
the
cursor
to
the
desired
MIDI
channel
area:
(a)
(b)
a.
Move
the
Fader
of
desired
MIDI
channel.
(ex:
channel
4
—
Fader
4)
4
CURSOR
a
The
cursor
in
the
DISPLAY
automatically
moves
to
channel
4
area.
E_
fo)
b.
Press
CURSOR
switch.
Pressing
once
moves
the
cursor
to
the
next
area.
Holding
down
causes
the
successive
movement.
(4)
Tochange
the
VELOCITY
OFFSET
value:
(a)
a.
Slide
the
fader
(for
large
change).
b.
Use
—NO/+
YES
switches
(for
fine
change).
(5)
Repeat
(3)
and
(4)
steps
to
set
the
VELOCITY
OFFSET
value
for
all
of
16
channels.
;
Note:
If
VELOCITY
OFFSETs
result
in
a
value
-
less
than
000,
the
VELOCITY
value
will
be
set
to
001.
-
greater
than
127,
the
VELOCITY
value
will
be
set
to
127.
i
VELOCITY
OFFSET
(b)
ee
|
ae
—
NO/DELETE
MASTER
VOLUME
+
YES/INSERT
1-3
VELOCITY
ABSOLUTE
WEL
ABSOLUTE
iz?
aa
Fa
Et
a
Fa
ad
Fd
Fad
EF
Fs
In
this
function
you
can
set
the
ABSOLUTE
value
of
VELOCITY
(separately
for
each
of
16
MIDI
channels).
_ .
_
This
function
makes
the
Velocity
Value
constant.
For
example,
if
the
Velocity
Absolute
of
Channel
1
is
set
to
“100”
with
this
function,
then
all
the
MIDI
information
of
Channel
1
input
into
MM-16
will
be
output
as
Velocity
Value
100.
MASTER
[Theentirevolume
(heme
=I
SSSSSSSi
<Procedure
>
(1)
Press
MANUAL
switch
and
select
the
VELOCITY
ABSOLUTE
function.
The
DISPLAY
shows
the
value
of
VELOCITY
ABSOLUTE
as
(hy
follows:
MANUAL
VEL
ABSOLUTE
Gan
BEE
BAREBRREBRARE
The
rough
estimate
of
VELOCITY
ABSOLUTE
value
(Channel
1~16)
The
VELOCITY
ABSOLUTE
value
of
the
channel
where
the
cursor
exists.
(2)
Move
the
MASTER
VOLUME
FADER
to
the
maximum
oe
position.
—
(3)
To
move
the
cursor
to
the
desired
MIDI
channel
area:
(a)
a.
Move
the
Fader
of
desired
MID!
channel.
(ex:
channel
4
>
Fader
4)
CURSOR
The
cursor
tn
the
DISPLAY
automatically
moves
to
<
>
channel
4
area.
b.
Press
CURSOR
switch.
Pressing
once
moves
the
cursor
to
the
next
area.
Holding
down
causes
the
successive
movement.
VELOCITY
OFFSET
(4)
(5)
(b)
|.
a.
Slide
the
fader
(for
large
change).
|
b.
Use
—NO/
+
YES
switches
(for
fine
change)
.
(
ae
To
change
the
VELOCITY
ABSOLUTE
vaiue:
{a)
—
NO/DELETE
+
YES/INSERT
Repeat
(3)
and
(4)
steps
to
set
the
VELOCITY
ABSOLUTE
MASTER
value
for
all
of
16
channels.
poll
Note:
If
the
value
is
“000”,
then
the
Velocity
Value
will
be
output
as
"001".
oes
I
Ba
1-4
CHANNEL
CONTROL
si
="
With
this
function,
16
kinds
MIDI
CONTROL
CHE
IDEF
;
!
CH
1
BEHDER
1
r
CHANGE
Message
are
transmitted
to
the
external
ts.
EIZIEIZIEIZIEIZIZIE
NZI
IzIz1z1z}
©
“Pores
[2
[Senting
VOLUME
message
SSS
[5
[Sending
PORTAMBNTO
messnge
SSCS
ss
a
oe
[The
entirevwine(GHim1
SSCS
(1)
Press
MANUAL
switch
and
select
the
CHANNEL
CONTROL
function.
MASTER
<Procedure>
The
DISPLAY
shows
the
value
of
each
CONTROL
CHANGE
|
MANUAL
message
as
follows:
|
|
:
Name
of
CONTROL
CHANGE
TRANSMIT
Channel!
message
(now
selected)
LHe
=
BEMDER
ABE
SUSI
PSPS)
SU
SES)
16
15/5151
5)
The
value
of
the
CONTROL
CHANGE
message
where
the
cursor
exists.
The
rough
estimate
of
value
CHANNEL
CONTROL
(2)
Move
the
MASTER
VOLUME
FADER
to
the
maximum
vole
position.
(3)
Sets
the
TRANSMIT
channel
on
which
the
above
messages
will
be
sent.
|
Press
two
of
10
KEYS
to
select
the
desired
channel
number.
(ex:
CH
2+
[0
]>[2],
CH
16+
[1
}o[6)})
po
ee
(Hae
BENDER
Boa
0A
ac
hy
(my
|
AAAeeBEReeBABAAA
Note:
The
Transmit
Channel
set
here
is
also
effective
with
the
“Key
Balance”
function
described
on
page
18.
(4)
To
move
the
cursor
to
the
desired
MIDI
message
area:
a.
Move
the
Fader
of
desired
MIDI
message.
(ex:
BREATH
CONTROL
—
Fader
4)
The
cursor
in
the
DISPLAY
automatically
moves
to
BREATH
CONTROL
area.
(a)
(b)
-NO/DELETE
+
YES/INSERT
b.
Press
CURSOR
switch.
Pressing
once
moves
the
cursor
to
the
next
area.
Holding
down
causes
the
successive
movement.
—
=e
(5)
To
change
the
value
of
message:
a.
Slide
the
fader
(for
large
change).
ities
VOLUME
b.
Use
—NO/+
YES
switches
(for
fine
change}.
(6)
Repeat
(4)
and
(5)
steps
to
set
the
value
of
16
CONTROL
CHANGE
messages.
Note:
If
the
Master
Volume
Fader
is
in
its
lowest
position,
the
volume
remains
at
000,
even
if
the
“Volume”
of
Fader
2
ts
turned
to
its
highest
position.
1-5
KEY
BALANCE
In
this
function
you
can
set
OFFSET
value
of
velocity
each
for
the
16
—separated
key
range.
|
This
FADER
Controls:
atic
OFFS
aun
oveacorrangeC=0-R
man
Cos
the
OFFSET
value
of
velocity
for
range
C-2~F-2
the
OFFSET
value
of
velocity
for
range
C-4~F-4
-
—64~463
——
a
em
the
entire
volume
(Channel
1-16)
cll
<Procedure
>
(1)
First,
set
the
Transit
Channel
with
the
Channel
Data
Function.
(See
p.
17)
(2)
Press
MANUAL
switch
and
select
the
KEY
BALANCE
function.
The
DISPLAY
shows
the
value
of
VELOCITY
OFFSET
as
MANUAL
follows:
. .
(
KEY
BALAHCE
—-é4
GEEEEEEEERSEEEEE
The
rough
estimate
of
velocity
value
(Each
of
16
separated
key
range)
.
The
velocity
value
of
the
key
range
where
the
cursor
exists.
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