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  9. Yamaha FX370C User manual

Yamaha FX370C User manual

NCX2000FM NCX1200R NCX900FM NTX1200R NTX900FM
NCX2000R/FM
SolidHokkaido* Spruce A.R.E.
NCX2000R:Solid Rosewood
NCX2000FM:Solid Flamed Maple
AfricanMahogany
94-100mm(3.7"–3.94")
52mm
650mm
System61 A.R.T. 2Way
Natural(NT)
FormCase
NCX1200R
SolidSitka Spruce
SolidRosewood
AfricanMahogany
94-100mm(3.7"–3.94")
52mm
650mm
System61 A.R.T. 2Way
Natural(NT)
FormCase
NCX900R/FM
NCX900R:Solid Sitka Spruce
NCX900FM:Solid Engelmann Spruce
NCX900R:Rosewood
NCX900FM:Flamed Maple
Nato
94-100mm(3.7"–3.94")
52mm
650mm
System61 A.R.T. 2Way
Natural(NT)
Top:
Back& Sides:
Neck:
BodyDepth:
NutWidth:
StringScale:
P.U.System:
Color:
Accessory:
NTX1200R
SolidSitka Spruce
SolidRosewood
AfricanMahogany
80-90mm(3.7"–3.94")
48mm
650mm
System61 A.R.T. 2Way
Natural(NT)
FormCase
NTX700/700BL
SolidSpruce
Nato
Nato
80-90mm(3.7"–3.94")
48mm
650mm
System61 A.R.T. 2Way
NTX70:Natural(NT)NTX700BL: Black (BL)
NTX900FM
SolidEngelmann Spruce
FlamedMaple
Nato
80-90mm(3.7"–3.94")
48mm
650mm
System61 A.R.T. 2Way
Natural(NT)
Top:
Back& Sides:
Neck:
BodyDepth:
NutWidth:
StringScale:
P.U.System:
Color:
Accessory:
2Way
A.R.T.
2Way
A.R.T.
2Way
A.R.T.
2Way
A.R.T.
2Way
A.R.T.
Rodorigo y Gabriela
Lee Ritenour
LJX6CA
LLX6A
LLX16
LL/LS/LJ36 LL/LS/LJ26
LL/LS/LJ16 LL16L/-12
LL/LS/LJ6
Top:
Back& Sides:
Neck:
Fingerboard:
Bridge:
BodyDepth: (LL, LJ)
(LS)
NutWidth:
StringScale:
TuningMachines:
Color:
Finish:
Accessory:
SolidEngelmann Spruce A.R.E.
SolidRosewood
Mahogany,Padauk (5ply)
Ebony
Ebony
100-125mm(3 15/16"– 4 15/16")
100-120mm(3 15/16"– 4 3/4")
44mm(1 3/4")
650mm(25 9/16")
Die-castGold
Natural(NT)
Gloss(Nitrocellulose Lacquer)
HardCase
SolidEngelmann Spruce A.R.E.
SolidRosewood
Mahogany,Padauk (5ply)
Ebony
Ebony
100-125mm(3 15/16"– 4 15/16")
100-120mm(3 15/16"– 4 3/4")
44mm(1 3/4")
650mm(25 9/16")
OpenGear (Vintage Finish)
Natural(NT)
Gloss
HardCase
SolidEngelmann Spruce
SolidRosewood
Mahogany,Rosewood (3ply)
Ebony
Ebony
100-125mm(3 15/16"– 4 15/16")
100-120mm(3 15/16"– 4 3/4")
LL/LS/LL16L: 44mm(1 3/4")
LL16-12:46mm (1 13/16")
650mm(25 9/16")
LL16-12:634mm (25")
Die-castGold
Natural(NT)
Gloss
FormCase
SolidEngelmann Spruce
Rosewood
Mahogany,Rosewood (3ply)
Ebony
Ebony
100-125mm(3 15/16"– 4 15/16")
100-120mm(3 15/16"– 4 3/4")
44mm(1 3/4")
650mm(25 9/16")
Die-castGold
LL:Natural (NT), Sunburst (SB), Tinted (T) 
LS,LJ: Natural (NT)
Gloss
FormCase
LLX36C/LSX36C/LJX36C LLX26C/LLX26/LSX26C/LJX26C LLX16/LLX6A/LJX6CA
Top:
Back& Sides:
Neck:
Fingerboard:
Bridge:
BodyDepth: (LL, LJ)
(LS)
NutWidth:
StringScale:
TuningMachines:
Color:
Finish:
Preamp:
Accessory:
SolidEngelmann Spruce A.R.E.
SolidRosewood
Mahogany,Padauk (5ply)
Ebony
Ebony
100-125mm(3 15/16"– 4 15/16")
100-120mm(3 15/16"– 4 3/4")
44mm(1 3/4")
650mm(25 9/16")
Die-castGold
Natural(NT)
Gloss(Nitrocellulose Lacquer)
System603way A.R.T.
HardCase
SolidEngelmann Spruce A.R.E.
SolidRosewood
Mahogany,Padauk (5ply)
Ebony
Ebony
100-125mm(3 15/16"– 4 15/16")
100-120mm(3 15/16"– 4 3/4")
44mm(1 3/4")
650mm(25 9/16")
OpenGear (Vintage Finish)
Natural(NT)
Gloss
System603way A.R.T.
HardCase
SolidEngelmann Spruce
Rosewood
Mahogany,Rosewood (3ply)
Ebony
Ebony
100-125mm(3 15/16"– 4 15/16")
44mm(1 3/4")
650mm(25 9/16")
Die-castGold
LLX16/LLX6A:Natural (NT), Brown Sunburst (BS),
TobaccoBrown Sunburst (TBS), Black (BL)
LJX6CA:Natural (NT)
Gloss
LLX16:System60 3way A.R.T.
LLX6A/LJX6CA: System57CB3way A.R.T.
FormCase
FG720S
SolidSpruce
Nato
Nato
Rosewood
Rosewood
100–118mm(3 15/16"–4 5/8")
43mm(1 11/16")
650mm(25 9/16")
Die-castChrome (TM29)
Natural(NT),
DuskSun Red (DSR),
OrientalBlue Burst (OBB),
BrownSunburst (BS),
Black(BL)
FG730S
FJX730SC
CPX15II CPX15NII
(North)
CPX15WII
(West)
CPX15EII
(East)
CPX15SII
(South)
FJX720SC
FG730S
SolidSpruce
Rosewood
Nato
Rosewood
Rosewood
100–118mm(3 15/16"–4 5/8")
43mm(1 11/16")
650mm(25-9/16")
Die-castChrome (TM29)
Natural(NT),
TobaccoBrown Sunburst (TBS),
VintageCherr y Sunburst (VCS)
NT
NT
NT
BS
BS
BS
BL
NT
DSR OBB
VCS TBS
FG720SL/720S-12
SolidSpruce
Nato
Nato
Rosewood
Rosewood
100–118mm(3 15/16"–4 5/8")
FG720SL:43mm (1 11/16")
FG720S-12:46mm (1 13/16")
FG720SL:650mm (25-9/16")
FG720S-12:634mm (25")
Die-castChrome (TM29)
Natural(NT)
FG720S-12
FS720S
SolidSpruce
Nato
Nato
Rosewood
Rosewood
100–120mm(3 15/16"– 4 3/4")
43mm(1 11/16")
634mm(25")
Die-castChrome (TM29)
Natural(NT), Dusk Sun Red (DSR),
CobaltAqua (CBA),
TobaccoBrown Sunburst (TBS),
Black(BL)
Top:
Back& Sides:
Neck:
Fingerboard:
Bridge:
BodyDepth:
NutWidth:
StringScale:
TuningMachines:
P.U.System:
Color:
FG700S/MS
Solid Spruce
Nato
Nato
Rosewood
Rosewood
100–118mm(3 15/16"–4 5/8")
43mm(1 11/16")
650mm(25-9/16")
Die-castChrome (TM29)
FG700S:Natural (NT)
FG700MS:Matte
FG700S/MS
NT
NT BW AVS SDB MOB
FGX730/720SCA
SolidSpruce
FGX730:Rosewood
FGX720SCA: Nato
Nato
Rosewood
Rosewood
100–118mm(3 15/16"–4 5/8")
43mm(1 11/16")
650mm(25 9/16")
Die-castChrome (TM29)
FGX730:System 56CB 1way
FGX720:System 55T 1way
Natural(NT),
BrownSunburst (BS),
Black(BL)
FJX730SC/720SC
SolidSpruce
FJX730SC:Rosewood
FJX720SC:Nato
Nato
Rosewood
Rosewood
100–118mm(3 15/16"–4 5/8")
43mm(1 11/16")
650mm(25 9/16")
Die-castChrome (TM29)
FJX730SC:System 56CB 1way
FJX720SC:System 55T 1way
Natural(NT),
BrownSunburst (BS),
Black(BL)
BL
BL
TBS
CBA
CPX900
CPX900
SolidSpruce
FlamedMaple
Nato
Rosewood
Rosewood
95-115mm
43mm(1 11/16")
650mm
Die-castGold (TM29G)
System57 3 way A.R.T.
Natural(NT), Mocha Black (MBL)
Ultramarine(UM),
BrownSunburst (BS)
Top:
Back& Sides:
Neck:
Fingerboard:
Bridge:
BodyDepth:
NutWidth:
StringScale:
TuningMachines:
P.U.System:
Color:
CPX500
CPX700
CPX500FM
CPX500FM/CPX500
CPX500FM:Flamed Maple CPX500:Spruce
Nato
Nato
Rosewood
Rosewood
95-115mm
43mm(1 11/16")
650mm
Die-castChrome (TM-29-T)
System55T 1 way
CPX500FM:Old Violin Sunburst (OVS)
CPX500:Natural (NT), Black (BL),
OldViolin Sunburst (OVS),
DarkRed Burst (DRB)
CPX700/700-12
SolidSpruce
Nato
Nato
Rosewood
Rosewood
95-115mm
CPX700:43mm (1 11/16") CPX700-12: 46mm (1 13/16")
CPX700:650mm CPX700-12: 634mm
Die-castChrome (TM29)
System56 1way A.R.T.
CPX700:Natural (NT), Black (BL),
SandBurst (SDB)
OrientalBlue Burst (OBB),
DuskSun Red (DSR)
CPX700-12:Natural (NT)
Top:
Back& Sides:
Neck:
Fingerboard:
Bridge:
BodyDepth:
NutWidth:
StringScale:
TuningMachines:
P.U.System:
Color:
CPX15II
SolidSpruce
IndianRosewood
Mahogany
IndianRosewood
IndianRosewood
95–115mm(3 3/4"–4 1/2")
43mm(1 11/16")
650mm(25 9/16")
Die-castGold (SG-301)
System59 3 way A.R.T.
Natural(NT)
CPX15NII
SolidSpruce
WhiteSycamore
Mahogany
IndianRosewood
IndianRosewood
95–115mm(3 3/4"–4 1/2")
43mm(1 11/16")
650mm(25 9/16")
Die-castGold (SG-301)
System59 3 way A.R.T.
BlondWhite (BW)
CPX15EII
SolidSpruce
QuiltedMahogany
Mahogany
ndianRosewood
IndianRosewood
95–115mm(3 3/4"–4 1/2")
43mm(1 11/16")
650mm(25 9/16")
Die-castGold (SG-301)
System59 3 way A.R.T.
SandBurst (SDB)
CPX15SII
SolidSpruce
WhiteSycamore
Mahogany
ndianRosewood
IndianRosewood
95–115mm(3 3/4"–4 1/2")
43mm(1 11/16")
650mm(25 9/16")
Die-castGold (SG-301)
System59 3 way A.R.T.
MiamiOcean Blue (MOB)
CPX15WII
SolidSpruce
Walnut
Mahogany
ndianRosewood
IndianRosewood
95–115mm(3 3/4"–4 1/2")
43mm(1 11/16")
650mm(25 9/16")
Die-castGold (SG-301)
System59 3 way A.R.T.
AntiqueViolin Sunburst (AVS)
CG201S
Top:
Back& Sides:
Neck:
Fingerboard:
Bridge:
StringScale:
NutWidth:
TuningMachines:
Color:
Finish:
Accessory:
GL1
(Guitarere)
Spruce
Meranti
Nato
Sonokeling
Sonokeling
433mm(17")
48mm(1 7/8")
Chrome(YTM-01)
Natural
MatteFinish
GigBag
JR1
(Small Size Acoustic Guitar)
Spruce
Meranti
Nato
Rosewood
Rosewood
540mm(21 1/4")
43mm(1 11/16")
OpenedChrome (RM1248)
Natural
GlossFinish
GigBag
CS40
(Small Size Classic Guitar)
Spruce
Meranti
Nato
Rosewood
Rosewood
580mm(22 13/16")
48mm(1 7/8")
Chrome(YTM-04)
GlossFinish
C80/C70/40
Spruce
C80:Nato C70/40: Meranti
Nato
Rosewood
Rosewood
94-100mm(3.7”–3.94”)
52mm(2 1/16")
C80/70:Gold (YTM-06)
C40:Chrome (YTM-01)
GlossFinish
Top:
Back& Sides:
Neck:
Fingerboard:
Bridge:
BodyDepth:
NutWidth:
TuningMachines:
Finish:
CG171S
CG131S
CG151SCG111S
CG101A
NTX700BL
CPX700-12
F370
Spruce
Nato
Nato
Rosewood
Rosewood
96–116mm(33/4"–4 9/16")
43mm(1 11/16")
634mm(25")
Die-castChrome (TM29T)
Natural(NT), Black(BL),
TobaccoBrown Sunburst (TBS)
Top:
Back& Sides:
Neck:
Fingerboard:
Bridge:
BodyDepth:
NutWidth:
StringScale:
TuningMachines:
P.U.System:
Color:
FX370C
Spruce
Nato
Nato
Rosewood
Rosewood
6–116mm(33/4"–4 9/16")
46mm(1 13/16")
634mm(25")
Die-castChrome (TM29)
System58 1 way
Natural(NT), Black(BL),
TobaccoBrown Sunburst (TBS)
FX310A
Spruce
Meranti
Nato
Rosewood
Rosewood
96–116mm(33/4"–4 9/16")
43mm(1 11/16")
634mm(25")
CoveredChrome
System53 1 way
Natural(NT)
F310P/F310P TBS
PackageModel of F310/F310TBS
CONTENTS:Gig bag, Pitch pipe,
Stringset, Strap, String winder,
Capo,Picks
CARTON:2 color print
F310
Spruce
Meranti
Nato
Rosewood
Rosewood
96–116mm(33/4"–4 9/16")
43mm(1 11/16")
634mm(25")
CoveredChrome
Natural(NT),
TobaccoBrown Sunburst (TBS),
Cherry Sunburst (CS)
BL
TBS BL
NT
TBS
NT
TBS
NT CS
BS
UM
MBL
NT
NT
NT BL OVS
OVS
DRB
BLSDB
OBB
System58/46N/48
One-way system includes a 3-band equalizer with an adjustable midrange frequency control
and master volume. System 46N/48 are optimized for use with nylon string guitars. The
functions are the same as those of System58.
Top:
Back& Sides:
Neck:
Fingerboard:
Bridge:
BodyDepth:
NutWidth:
StringScale:
TuningMachines:
Color:
FG750S
SolidSpruce
Sycamore
Nato
Rosewood
Rosewood
100–118mm(3 15/16"–4 5/8")
43mm(1 11/16")
650mm(25 9/16")
Die-castwith Vintage Plastic Pegs
Natural(NT)
FG750S
FGX720SCA
LLX36C
CGBN1
Bossa Nova
LS26
LJX26C
Body Selection
Whetheryou prefer a full-sized LL dreadnought,
small-sizedLS body, or auditorium-sized LJ,
thechoice is yours. Each of these body styles is
representedin each class letting you choose the
instrumentthat meets your requirements for sound,
style,and affordability.
LLX/LSX/LJX/LL/LS/LJ Series
Non-scalloped,90˚ X-type bracing.
8non-scalloped braces deliver tone
thatis thick and well focused.
A.R.E. (Acoustic Resonance Enhancement)
A.R.E.(Acoustic Resonance Enhancement) is an original
woodreforming technology developed by Yamaha.
Instrumentsmade with woods processed with this
technologyproduce a tonal richness that is like vintage
instrumentsthat have been played for years. This
technologyis currently applied to the tops on L Series 6
model(LL36, LL26, LS36, LS26, LJ36, LJ26) acoustic
guitarsand LX Series 6 model (LLX36C, LLX26C,
LSX36C,LSX26C, LJX36C, LJX26C) acoustic-electric
guitars.
FGX/FG/FS Series
Non-scallop,X-type bracing design.
Deliversdeep lows full of presence
thatare unique to the Yamaha
sound,and a clear upper end.
Responseis clear and tight.
SUB PICKUPSUB PICKUP
(TREBLE SIDE)(TREBLE SIDE)
SUB PICKUPSUB PICKUP
(BASS SIDE)(BASS SIDE)
MAIN PICKUPMAIN PICKUPMAIN PICKUP
SUB PICKUP
(BASS SIDE)
SUB PICKUP
(TREBLE SIDE)
OUTPUT
BASSBASSBASS TREBLETREBLETREBLE
MASTER
MASTER
VOLUMEVOLUME
MASTER
VOLUME
The main pickups are controlled via
the master volume, while the bass
and treble pickups are controlled
independently.The system is also
equipped with a 3-band equalizer for
versatile sound production that fully
satisfies the musician’screative
demands.
The onboard tuner is easy to view on
stage, even under low light
conditions.
VOLUMEVOLUME
OUTPUTOUTPUTOUTPUT
MAIN PICKUP
MAIN PICKUPMAIN PICKUP
VOLUME
This configuration features one main
pickup system consisting of two
pickups underneath the saddle. The
3-band equalizer gives the ability to
control the mid-range for versatile
sound creation that meets the
musician’sneeds. The system is also
equipped with an onboard tuner for
optimum usability.
GC41/GC41C
GC41:Solid European Spruce
GC41C:Solid American Cedar
SolidHonduras Rosewood
Mahogany
Ebony
Rosewood
94-110mm(3.7”–4.33”)
52mm(2 1/16")
Gold(YTM-81)
GlossFinish
FormCase
Top:
Back& Sides:
Neck:
Fingerboard:
Bridge:
BodyDepth:
NutWidth:
TuningMachines:
P.U.System:
Finish:
Accessory:
GC31/GC31C
GC31:Solid European Spruce
GC31C:Solid American Cedar
SolidIndian Rosewood
Mahogany
Ebony
Rosewood
94-110mm(3.7”–4.33”)
52mm(2 1/16")
Gold(YTM-81)
GlossFinish
FormCase
GC21/GC21C
GC21:Solid European Spruce
GC21C:Solid American Cedar
IndianRosewood
Mahogany
Ebony
Rosewood
94-110mm(3.7”–4.33”)
52mm(2 1/16")
Gold(YTM-81)
GlossFinish
FormCase
GCX31C
SolidEuropean Spruce
SolidIndian Rosewood
Mahogany
Ebony
Rosewood
94-110mm(3.7”–4.33”)
52mm(2 1/16")
Gold(YTM-81)
System49 2way
GlossFinish
FormCase
GC41 GC21 GCX31CGC31
CGS102A
[1/2 Scale]
School Guitar
CGX171CCA
CGX101A
CGS103A
[3/4 Scale]
School Guitar
CGX171SCF
Flamenco
CG171SCF
Flamenco
CG201S
SolidEuropean Spruce
SolidMahogany
Nato
Ebony
Rosewood
94-110mm(3.7"–4.33")
52mm(2 1/16")
Gold(YTM-81)
GlossFinish
CG171SF/CGX171SCF Flamenco
CG171SF:Solid EuropeanSpruce
CGX171SCF:European Spruce
Cypress
Nato
Rosewood
Rosewood
CG171SF:94-100mm (3.7"–3.94")
CGX171SCF:86-92mm (3.4"–3.62")
52mm(2 1/16")
Gold(YTM-06)
CGX171SCF:
System49 2way
GlossFinish
CG171S/CG171C/CGX171CCA
CG171S:Solid European Spruce
CG171C/CGX171CCA:
SolidAmerican Cedar
Rosewood
Nato
Rosewood
Rosewood
CG171S/CG171C:94-100mm (3.7"–3.94")
CGX171CCA:86-92mm (3.4"–3.62")
CG171S/CG171C:52mm (2 1/16")
CGX171CCA:48mm (1 7/8")
Gold(YTM-06)
CGX171CCA:System 49 2way
GlossFinish
Top:
Back& Sides:
Neck:
Fingerboard:
Bridge:
BodyDepth:
NutWidth:
TuningMachines:
P.U.System:
Finish:
System45N/49
Two-waysystem includes a 3-band equalizer with adjustable midrange frequency control, a
microphone volume control with phase switch and master volume control. The Systems are
optimized for use with nylon string guitars.
CPX15II/CPX Series
Non-scalloped,X-type bracing
positionedcloser to the sound hole
enhanceslow-end. Overall rich sound
withgood response and power ful lows.
Models: CPX900, APX900,
LLX6A, LJX6CA
(System57/57CB)
Models: CPX700, APX700,
FGX730SC, FJX730SC
(System56/56CB)
CG/CS/C/CGX Series
Fanstyle bracing. This style of bracing
createsaccurate pitch as well as rich
andbalanced vibrations. It is also ver y
durableand offers excellent quality.
GCX
Highsare clear and bright with a
deep,robust low range.
Thedifference in top material gives
itits different tone.
FG720S
DSR
F370
FX370C
F310 FX310
GCX/GC Series
CGX/CG Series
A.R.T. Pickup System
Pickup System
CPX Series
LLX/LSX/LJX/LL/LS/LJ Series
Classical Guitars
FG720SL
A.R.T.(Acoustic ResonanceTransducer)
Newly developed contact pickup
Unique multilayer structure achieves optimum dynamic balance.
Yamahaacoustic electric guitars have used piezoelectric pickups to
reproduce the pure sounds of the acoustic guitar.But piezoelectric pickups
tended to overreact to changes in attack, which in turn caused distortion.
Toachieve ideal playability, we had to improve the way that these dynamics
were controlled.
Toprovide a solution to this issue, the new pickup was designed with a
multilayer structure consisting of six layers.
This dampens excessive vibration from the topboard while picking up small
resonances to achieve ideal sensitivity and outstanding dynamic balance.
Also, because the pickup is fitted directly beneath the topboard, it
functions
as a transducer attached to the body.
DSR
CG131S
SolidSitka Spruce
Nato
Nato
Rosewood
Rosewood
94-100mm(3.7"–3.94")
52mm(2 1/16")
Chrome(YTM-05)
GlossFinish
CG151S/CG151C
CG151S:Solid Sitka Spruce
CG151C:Solid American Cedar
Ovankol
Nato
Rosewood
Rosewood
94-100mm(3.7"–3.94")
52mm(2 1/16")
Gold(YTM-06)
GlossFinish
CGS102A/CGS103A/CGS104A School Guitar
Spruce
Meranti
Nato
Rosewood
Rosewood
80-84mm
CGS102A:
535mm
CGS103A:
580mm
CGS104A:
650mm
Top:
Back& Sides:
Neck:
Fingerboard:
Bridge:
BodyDepth:
NutWidth:
TuningMachines:
P.U.System:
Finish:
Top:
Back& Sides:
Neck:
Fingerboard:
Bridge:
BodyDepth:
StringScale:
CG111S/CG111C
CG111S:Solid Spruce
CG111C:
SolidAmerican Cedar
Nato
Nato
Rosewood
Rosewood
94-100mm(3.7"–3.94")
52mm(2 1/16")
Chrome(YTM-04)
GlossFinish
CG101A/CGX101A
Spruce
Nato
Nato
Rosewood
Rosewood
94-100mm(3.7"–3.94")
52mm(2 1/16")
Chrome(YTM-04)
CGX101A:
System48 1way
GlossFinish
CGBN1
Bossa Nova
SolidEuropean Spruce
Cypress
Nato
Nato
Rosewood
94-100mm(3.7"–3.94")
52mm(2 1/16")
Goldwith Vintage Plastic Pegs
GlossFinish
System53 for FX310A
One-way active preamp and piezo pickup system includes separate bass and treble tone
controls plus a gain control for flexible sound shaping. Battery check switch and indicator
also included.
System 55T
This is a tuner-equipped version of System55. The chromatic tuner is accurate, easy to use and
easy to view. Youcan use the tuning mode by pressing a single button even if you have no
cable connected. Turningthe tuner on or off will not affect the output in any way.
The tuner also comes with a one-minute auto-off timer to save battery power.
OUTPUTOUTPUT
TREBLETREBLEMAINMAINBASSBASS
OUTPUT
MAIN PICKUP
MAIN PICKUPMAIN PICKUP
BASS
SUB PICKUP
SUB PICKUP
(BASS SIDE)(BASS SIDE)
SUB PICKUP
(BASS SIDE)
SUB PICKUPSUB PICKUP
(TREBLE SIDE)(TREBLE SIDE)
SUB PICKUP
(TREBLE SIDE)
MAIN TREBLE
MASTERMASTER
VOLUMEVOLUME
MASTER
VOLUME
This system offers individual
controls for the main pickup and two
sub pickups (bass and treble). It also
has a 3-band equalizer and Master
Volume for fine tone tailoring.
Models: CPX15II Series
(System59)
Models: NX Series (System61)
CG111C
C80 C70 C40
GL1 JR1 CS40
CG151C
CG171C
LL36
LLX26
BL
BL
BL
BS
BS
BS BLTBS
BS BLTBS
NT
NT
NT
NT
ToPre-Amp
ToneAdjuster
(Multiple Layer
IncludingWood)
Brass Plate
Piezo Crystal
Copper Shield
Contact Pickup
NEW
NEW
NEW
NEW
FS720S
NEW
NEW
NEW
FGX730SC
NEW
NEW
CGS104A
[FullScale]
School Guitar
NEW
FX/F Series
FGX/ FJX/ FG/FS Series
CPX15I
ISeries
Pickup/Preamplifier SystemAcoustic & Electric Acoustic Guitars & Electric Nylon Strings
C Series
ACOUSTIC &
CLASSICAL
GUITARS
2009 PRODUCT CATALOG
FJX Series
Non-scallop,X-type bracing design.
Deliversdeep lows full of presence
thatare unique to the Yamaha
sound,and a clear upper end.
Responseis clear and tight.
*Hokkaido: North country of Japan
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
1Way
A.R.T.
1Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
1Way
A.R.T.
1Way
A.R.T.
DRB OVSOVS OBBOBB BL
APX900
APX900
SolidSpruce
FlamedMaple
Nato
Rosewood
80–90mm
43mm(1 11/16")
650mm
Die-castGold (TM-29G)
System57 3way A.R.T.
Natural(NT), Mocha Black (MBL )
Ultramarine(UM),
CrimsonRed Burst (CRB)
Top:
Back& Sides:
Neck:
Fingerboard:
BodyDepth:
NutWidth:
StringScale:
TuningMachines:
P.U.System:
Color:
APX700-12
APX700L
APX700
APX700/700-12/700L
SolidSpruce
Nato
Nato
Rosewood
80–90mm
APX700:43mm (1 11/16")
APX700-12:46mm (1 13/16")
APX700/700L:650mmAPX700-12: 634mm
Die-castChrome (TM-29)
System56 1way A.R.T.
APX700:
Natural(NT), Black (BL),
SandBurst (SDB),Cobalt Apua (CBA),
DuskSun Red (DSR)
APX700-12/APX700L:Natural (NT)
APX500
APX500FM/APX500
APX500FM:Flamed Maple APX500: Spruce
Nato
Nato
Rosewood
80–90mm
43mm(1 11/16")
634mm
Die-castChrome (TM-29T)
System55T 1way
APX500:
Natural(NT),Black (BL), Oriental Blue Burst
(OBB),Old Violin Sunburst (OVS), Dark Red Burst (DRB)
APX500FM:Oriental Blue Burst (OBB),
OldViolin Sunburst (OVS)
APX500FM
CRB
UM MBLNT
CBA
NT
APX Series
ScallopedX-type bracing design.
Deliversa well-balanced sound whe n
playedacoustically. Oval soundhole
offersthicker middle highs that ar e
uniqueto the APX sound.
DSR SDB BL
NT
APX Series
3Way
A.R.T.
1Way
A.R.T.
1Way
A.R.T.
2Way
A.R.T.
1Way
A.R.T. TREBLE SIDE
PICKUP
BASS SIDE
PICKUP
OUTPUT
Master Volume
Main
BASS
Treble MAIN PICKUP
MAIN PICKUP
SUB PICKUP
SUB PICKUP
(TREBLE SIDE)
(TREBLE SIDE)
SUB PICKUP
SUB PICKUP
(BASS SIDE)
(BASS SIDE)
OUTPUT
SUB PICKUP
(BASS SIDE)
SUB PICKUP
(TREBLE SIDE)
MAIN PICKUP
BASS
BASS
MAIN
MAIN
TREBLE
TREBLE
BASS
MASTER
VOLUME MAIN
TREBLE
Models: LX36C/26C/26/16 (System60)
Push-Push KnobPush-Push KnobPush-Push Knob
3-way configuration
3-way configuration 3-way configuration
2-way configuration
1-way configuration
A.R.T. Preamp Systems
A conventional contact pickup mounted underneath the saddle
vibrates freely allowing it to pick up the natural body sound. On the
other hand, it can pick up too much body sound resulting in feedback
making positioning difficult.
By comparison the A.R.T system used on the NX Series guitars
utilizes a multilayer damper in order to absorb excessive vibrations
and control feedback. System 61 consists of two pickups mounted
on the high and low sides of the guitar,each with its own control to
provide the NX Series guitars with flexible tone tailoring.
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
1Way
A.R.T.
2Way
A.R.T.
NX Series NEW
GL1/JR1/CS40
Anna Kei
Joe Bonamassa
L: Left Handed Model
12: 12 Strings
12: 12 Strings
L: Left Handed Model
12: 12 Strings
NutWidth:
TuningMachines:
Finish:
CGS102A/CGS103A:
48mm(2 1/16")
CGS104A:
52mm(2 1/16")
Chrome(RM1252X)
GlossFinish
Richie Kotzen
(Poison, Mr.Big,
40 deuce)

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