Behringer Eurolight lc2412 User manual

Users Manual

Version 1.1 May 2004

ENGLISH

EUROLIGHT LC2412

This symbol, wherever it appears, alerts you to the

presence of uninsulated dangerous voltage inside

the enclosurevoltage that may be sufficient to

constitute a risk of shock.

This symbol, wherever it appears, alerts you to

important operating and maintenance instructions

in the accompanying literature. Please read the

manual.

IMPORTANT SAFETY INSTRUCTIONS

CAUTION: To reduce the risk of electric shock, do not remove

the top cover (or the rear section). No user

serviceable parts inside refer servicing to qualified

personnel.

WARNING: To reduce the risk of fire or electric shock, do not

expose this appliance to rain and moisture. The

apparatus shall not be exposed to dripping or

splashing and no objects filled with liquids, such

as vases, shall be placed on the apparatus.

DETAILED SAFETY INSTRUCTIONS:

1) Read these instructi ns.

2) Keep these instructi ns.

3) Heed all warnings.

4) F ll w all instructi ns.

5) D n t use this apparatus near water.

6) Clean nly with dry cl th.

7) D n t bl ck any ventilati n penings. Install in

acc rdance with the manufacturers instructi ns.

8) D n t install near any heat s urces such as radiat rs,

heat registers, st ves, r ther apparatus (including

amplifiers) that pr duce heat.

9) D n t defeat the safety purp se f the p larized r

gr unding-type plug. A p larized plug has tw blades

with ne wider than the ther. A gr unding type plug

has tw blades and a third gr unding pr ng. The wide

blade r the third pr ng are pr vided f r y ur safety. If

the pr vided plug d es n t fit int y ur utlet, c nsult

an electrician f r replacement f the bs lete utlet.

10) Pr tect the p wer c rd fr m being walked n r

pinched particularly at plugs, c nvenience receptacles,

and the p int where they exit fr m the apparatus.

11) Only use attachments/access ries specified by the

manufacturer.

12) Use nly with the cart, stand, trip d, bracket, r table

specified by the manufacturer, r s ld with the

apparatus. When a cart is used, use cauti n when m ving

the cart/apparatus c mbinati n t av id injury fr m

tip- ver.

13) Unplug this apparatus during lightning st rms r

when unused f r l ng peri ds f time.

14) Refer all servicing t qualified service pers nnel.

Servicing is required when the apparatus has been

damaged in any way, such as p wer supply c rd r plug

is damaged, liquid has been spilled r bjects have fallen

int the apparatus, the apparatus has been exp sed t

rain r m isture, d es n t perate n rmally, r has been

dr pped.

15) CAUTION - These service instructi ns are f r use by

qualified service pers nnel nly. T reduce the risk f

electric sh ck d n t perf rm any servicing ther than

that c ntained in the perati n instructi ns unless y u

are qualified t d s .

CAUTION: DANGER OF EXPLOSION IF BATTERY IS IN-

CORRECTLY REPLACED. REPLACE ONLY WITH IDENTICAL

OR EQUIVALENT TYPE.

EUROLIGHT LC2412

LC2412

EUROLIGHT

Professional 24-channel DMX ligh ing console

s24 preset channels, assignable to 512 DMX channels

sUp to 3 DMX channels can be controlled per preset channel

s120 scenes storable in 10 banks

sntegrated chaser with up to 650 steps featuring sync-to-bass beat

sFrequency-dependent sound-to-light function

sCrossfade time freely selectable for super-smooth scene fades

sTwo additional, multi-functional channels for special effects (e.g. fog machine, color changer)

sUltra-flexible fading functions for manual and automatic operation

sntuitive solo & channel flash functions

sExtremely effective preview function allows hidden memory and chaser checks even during live performances

sDimmer control via DMX or analog output (0/+10 V)

sM D interface for cascading of two LC2412s (master/slave setup)

sPCMC A card slot for storing of up to 25 complete settings (PCMC A card not supplied)

slluminated display/controls and BNC lamp socket for easy operation in dark stage environments

sExtremely rugged steel construction ensures long life even under the most demanding conditions

sRack-mounting kit for installation in standard 19" racks included

sConceived and designed by BEHRN GER Germany. Made in China.

EUROLIGHT LC2412

TABLE OF CONTENTS

IMPORTANT SAFETY INSTRUCTIONS ........................... 2

EUROLIGHT .................................................................... 3

FOREWORD ................................................................... 4

1. INTRODUCTION ......................................................... 5

1.1 Before you get started ................................................. 5

1.1.1 Shipment ............................................................. 5

1.1.2 Initial operation .................................................... 5

1.1.3 Warranty ............................................................. 5

1.2 The users manual ........................................................ 5

1.3 General features and functions ................................... 5

2. CONTROL ELEMENTS ............................................... 6

2.1 Control elements of the A PRESET section ........... 7

2.2 Control elements of the B MEMORY section ........ 7

2.3 Control elements of the Sound-to-light section ... 8

2.4 Section : FLASH keys and SOLO .......................... 8

2.4.1 Disabling the solo function ................................. 8

2.5 Control elements of the programming section ....... 9

2.6 Control elements of the main section ................... 9

2.7 Control elements of the chase section .............. 10

2.8 Rear panel connectors of the LC2412 ....................... 10

3. PRESETS ................................................................. 11

3.1 Basic configuration ..................................................... 11

3.1.1 Preset mode ..................................................... 11

3.2 Expanding to 24 preset channels (upper mode) ....... 11

3.3 Crossfading between presets ................................... 11

4. THE B MEMORY SECTION ....................................... 12

4.1 Programming, recalling and altering

memories (scenes) ..................................................... 12

4.1.1 Programming ..................................................... 12

4.1.2 Fading in scenes .............................................. 12

4.1.3 Previewing and modifying memories ............... 12

4.2 Crossfading between different setups ..................... 12

4.2.1 Crossfading between presets and memories . 12

4.2.2 Crossfading between memories ..................... 13

4.2.3 Crossfading between memories

of different banks ............................................. 13

4.3 Preset flash and memory flash .................................. 13

4.3.1 Preset flash ...................................................... 13

4.3.2 Memory flash .................................................... 13

4.4 Programming memories without direct control (blind) 13

4.5 Previewing memories individually

on the stage (live mode) ............................................. 14

4.6 Additional application of memories ............................. 14

5. SOUND-TO-LIGHT .................................................... 14

6. CHASE CONTROL .................................................... 14

6.1 Programming or erasing chases ................................ 14

6.1.1 Programming level chase ................................. 14

6.1.2 Programming memory chase ........................... 14

6.1.3 Erasing chases ................................................ 15

6.2 Running and pausing chases ..................................... 15

6.2.1 Chase control through music ........................... 15

6.2.2 Chase control by means of

SPEED fader (RUN) .......................................... 15

6.2.3 Crossfading manually using the

X-FADE fader (manual mode) .......................... 15

6.2.4 Manual fades using the STEP key ........... 15

6.2.5 Replacing memory steps .................................. 16

6.2.6 Inserting memory steps .................................... 16

6.3 Saving chases as memories (chase to memory) ...... 16

6.3.1 Replaying chases stored as memories (CTM) 16

6.3.2 Previewing and editing CTM............................. 16

6.4 Previewing chases in live mode ................................ 17

FOREWORD

Dear Customer,

welcome to the team of

BEHRINGER users, and

thank you very much for

expressing your confi-

dence in us by pur-

chasing the EUROLIGHT

LC2412.

Writing this foreword

for you gives me great

pleasure, because it

represents the culmi-

nation of many months

of hard work delivered

by our engineering team

to achieve a very

ambitious goal: to pre-

sent an outstanding light

mixing console that

offers plenty of features

and on which you can rely even under the most demanding

conditions. The task of designing our new LC2412 certainly meant

a great deal of responsibility, which we assumed by focusing

on you, the discerning user and musician. Meeting your expec-

tations also meant a lot of work and night shifts. But it was fun,

too. Developing a product usually brings a lot of people together,

and what a great feeling it is when all who participated in such

a project can be proud of what theyve achieved.

It is our philosophy to share our enjoyment with you, because

you are the most important member of the BEHRINGER team.

With your highly competent suggestions for new products youve

made a significant contribution to shaping our company and making

it successful. In return, we guarantee you uncompromising quality

as well as excellent technical and audio properties at an extremely

reasonable price. All of this will enable you to give free rein to

your creativity without being hampered by budget constraints.

We are often asked how we manage to produce such high-

quality devices at such unbelievably low prices. The answer is

quite simple: its you, our customers! Many satisfied customers

mean large sales volumes enabling us to get better purchasing

terms for components, etc. Isnt it only fair to pass this benefit on

to you? Because we know that your success is our success

too!

I would like to thank all of you who have made the LC2412

possible. You have all made your own personal contributions,

from the developers to the many other employees at this company,

and to you, the BEHRINGER user.

My friends, its been worth the effort!

Thank you very much,

Uli Behringer

EUROLIGHT LC2412

7. ADDITIONAL FUNCTIONS OF THE LC2412 ............. 17

7.1 Locking program mode ............................................... 17

7.2 Putting the output on hold ........................................... 17

7.3 Special channels ......................................................... 17

7.4 Theater mode .............................................................. 17

7.4.1 Activating theater mode ................................... 17

7.4.2 Programming fading times in theater mode ...... 18

7.5 MIDI functions ............................................................. 18

7.5.1 Cascading two EUROLIGHT LC2412s ............. 18

7.6 Storing data on a memory card .................................. 18

7.7 Adjusting differing illumination levels ......................... 19

7.8 Erasing all settings/displaying software version ....... 19

8. DIMMER CONTROL .................................................. 1

8.1 Analog control ............................................................ 19

8.1.1 Controlling analog dimmers via DMX512 .......... 19

8.2 Digital control via DMX512 .......................................... 19

8.2.1 Digital control features ..................................... 19

8.2.2 Assigning DMX channels (softpatch) .............. 20

. INSTALLATION ......................................................... 20

9.1 Cables recommended for DMX512 ............................ 21

9.2 Terminal resistor (bus termination) ............................. 21

9.3 Pin assignment ............................................................ 21

9.3.1 DMX512 connections ....................................... 21

9.3.2 Sub D connections (analog control) ................ 21

9.3.3 MIDI connection ................................................ 21

9.3.4 Audio connections ........................................... 21

9.3.5 Footswitch ....................................................... 21

9.4 Rack mounting ............................................................ 21

10. SPECIFICATIONS ................................................... 22

11. MIDI IMPLEMENTATION ......................................... 23

12. WARRANTY ............................................................ 24

1. INTRODUCTION

Thank you very much for the confidence you have placed in

us by purchasing the EUROLIGHT LC2412. You now own an

outstanding, ultra-compact light mixing console, that features

the state-of-the-art digital DMX512 control. In addition, your

LC2412 is equipped with an analog output which allows to use it

virtually in every environment you can think of. The design of the

LC2412 (how it operates and how it is programmed) was

constructed with controlling dimmer packs and standard

spotlights in mind. To optimally use multi-function spotlights such

as scanners and moving heads, you should use control

consoles specifically created for this purpose.

This users manual is designed to give you an overview of all

the controls, so that you get to know all possible applications the

LC2412 offers. General safety instructions are followed by a

structured overview of the control panel. Afterwards, all functions

of your LC2412 are described in detail.

Future-minded BEHRINGER techn l gy

To allow for the highest possible level of operational safety,

we manufacture our equipment under the highest quality

standards in the industry.

Your LC2412 has been manufactured under ISO9000 certified

management system.

+The f ll wing users manual is intended t

familiarize y u with the units c ntr l elements,

s that y u can master all the functi ns. After having

th r ughly read the users manual, st re it at a safe

place f r future reference.

1.1 Before you get started

1.1.1 Shipment

The LC2412 was carefully packed at the assembly plant to

assure secure transport. Should the condition of the cardboard

box suggest that damage may have taken place, please inspect

the unit immediately and look for physical indications of damage.

+Damaged units sh uld NEVER be sent directly t us.

Please inf rm the dealer fr m wh m y u acquired

the unit immediately as well as the transp rtati n

c mpany fr m which y u t k delivery f the unit.

Otherwise, all claims f r replacement/repair may

be rendered invalid.

1.1.2 Initial operation

Please make sure the unit is provided with sufficient ventilation,

and never place the EUROLIGHT on top of an amplifier or in the

vicinity of a heater to avoid the risk of overheating.

+Bef re plugging the unit int a p wer s cket, please

make sure y u have selected the c rrect v ltage:

The fuse compartment near the power plug socket contains

three triangular markings. Two of these triangles are opposite

one another. The voltage indicated adjacent to these markings is

the voltage to which your unit has been set up, and can be

altered by rotating the fuse compartment by 180°. ATTENTION:

This d es n t apply t exp rt m dels that were f r

example manufactured nly f r use with 120 V!

+If y u alter the units v ltage, y u must change the

fuses acc rdingly. The c rrect value f the fuses

needed can be f und in the chapter TECHNICAL

DATA.

+Faulty fuses must be replaced with fuses f

appr priate rating with ut excepti n! The c rrect

value f the fuses needed can be f und in the

chapter TECHNICAL DATA.

Power is delivered via the cable enclosed with the unit. All

requiered safety precautions have been adhered to.

+Please make sure that the unit is gr unded at all

times. F r y ur wn pr tecti n, y u sh uld never

tamper with the gr unding f the cable r the unit

itself.

1.1.3 Warranty

Please take a few minutes and send us the completely filled

out warranty card within 14 days of the date of purchase. You

may also register online at www.behringer.com. The serial number

needed for the registration is located at the top of the unit. Failure

to register your product may void future warranty claims.

1.2 The users manual

The users manual is designed to give you both an overview of

the controls, as well as detailed information on how to use them.

In order to help you understand the links between the controls,

we have arranged them in groups according to their function. If

you need to know more about specific issues, please visit our

website at http://www.behringer.com.

1.3 General features and functions

LC2412 means: 24 preset channels and 12 memory channels.

But thats hardly all: You can simultaneously control 78 dimmer

channels via the DMX512 digital interface (26 console channels

x 3 DMX channels). And because several light units can be

operated on a single dimmer channel, this console gives you a

plethora of mixing possibilities.

1. NTRODUCT ON

EUROLIGHT LC2412

Comparable to a mixing console in a recording studio, a light

mixing console is a switching central for stage lighting. Therefore,

a light mixing console has to be absolutely reliable and under no

circumstances leave you stranded. We created our LC2412 using

the most modern components in order to guarantee you the

maximum reliability possible.

But without functionality, no amount of reliability is of use to

you. Thats why we integrated a tremendeous number of func-

tions in an extremely compact unit. You have always full control

of the light conditions, regardless whether you run the light show

at a live concert, a club or on a stage. To enable you complete

control over the current setup, the EUROLIGHT LC2412 has an

intuitive design structure and features a large number of LEDs

and a large LCD display.

A light mixing console is basically a controlling unit that

comprises a full system once it is integrated with a power source

and light elements.

Two different standards have established themselves in the

field of light control (analog controlling with 0 to +10 V and digital

controlling via the DMX512 control protocol). Your LC2412 is

compatible with both. The extent of controlling your lighting

situation can range from simply fading lights in and out, all the

way to configuring and programming entire light shows. You

can manually control the speed at which a program runs, enter

the desired speed into a preset for each step, or let it be

automatically determined by an internal beat generator. On the

other hand, you can control this beat generator by using a fader,

or let your musical program directly determine the beat for the

lighting setup.

Presets

Complex lighting situations can be set up using single faders

(each controlling up to 24 channels, whereby up to 72 single

dimmers can be controlled). You can light up individual channels

at full blast independently from their fader position using the

FLASH keys.

Mem ries

Presets can be stored into ten separate preset banks (with

twelve memory slots each), and can also be individually recalled.

All memories can be archived by using separate PCMCIA memory

cards.

Chases

The expression Chases refers to situations in which

individually programmed light steps (up to 99 steps) are executed

in succession (the lights chase each other). These steps can

be both individual presets as well as memories.

You can create extremely complex chases. For example,

parameters such as fade-in speed of a step, chase sequence

speed and their control via the built-in beat generator or music

can all be programmed.

Cr ssfade

There are several ways to alternate between various stored

or newly developed lighting situations. Conversely, you can also

alternate back and forth between individual steps of a single

chase manually or automatically.

Preview

With this function, you can preview stored memories or chases

without these being visible on the stage. This way, you can

discretely control the next step before letting it be seen on the

stage.

S und t light

This function is more widely known as party light. It basically

means that your music drives the light show. An incomming

music signal is broken down into three frequency ranges (bass,

mids and highs), each of which is assigned to a (memory) channel.

Depending on the volume of the respective signal segments, the

lights assigned to them will shine accordingly. You can even

program a setup for song pauses.

MIDI

The LC2412 can be controlled via MIDI. Two EUROLIGHT

LC2412s can be operated as master and slave by using the MIDI

interface. Entire shows can be stored and recalled by means of

a MIDI sequencer.

DMX512

The DMX digital protocol lets you flexibly assign 78 of the 512

digital channels to individual light console channels (s ftpatch).

Mem ry card

The EUROLIGHT LC2412 offers you access to 120 storable

lighting setups (memories) that can easily be altered. A virtually

unlimited archive of lighting setups can be created by using the

interchangeable memory cards on which these setups are stored.

The sky is the limit when you put your creativity to the test with

the 99 programmable chases, each consisting of 99 single steps.

2. CONTROL ELEMENTS

The control panel of your LC2412 is divided into various areas

with different functions. The way the controls on the LC2412

were designed makes using the unit and capturing current

settings a breeze. The control elements are described on the

following pages according to the functions they play. If parts of

the unit are shown in light grey in an illustration, that means that

these controls belong to another section (described elsewhere

in the manual).

All control elements and function keys are provided with control

lights to enable you full oversight of the setup/functions currently

selected.

The sections: A PRESET section, B MEMORY-

section + bank display, sound to light, FLASH keys,

programming section, MAIN section, CHASE

section.

The LC2412 also has additional functions that cannot be

assigned to a particular section (special channels):

SPECIAL 1 key. Used to activate a special channel, for

example for turning a fog machine on/off.

SPECIAL 2 key. The same function as SPECIAL 1 key. Just

like in the case of other channels, three DMX channels can

be assigned to these two channels (i.e. to SPECIAL 1/2).

Both special channels are then labeled as channels 25 and

26 on the console. SPECIAL 1 and SPECIAL 2 keys can be

programmed as switches, keys or kill keys. Additional

information on this subject can be found in chapter 7.3.

POWER switch. Used to power up the EUROLIGHT LC2412.

The POWER switch should always be in the Off position

when you connect the unit to the mains.

+Please take n te: Merely switching the unit ff d es

n t mean that it is fully disc nnected fr m the

mains. When n t using the unit f r pr l nged

peri ds f time, please unplug the units p wer

c rd fr m the p wer utlet.

The BNC connector is used for connecting a gooseneck

lamp (optional).

2. CONTROL ELEMENTS

EUROLIGHT LC2412

2.1 Control elements of the A PRE ET section

Fig. 2.2: A PRESET section ( etail)

Faders 1-12. Used to set the intensity of light elements

connected to the dimmer pack.

UPPER switch. When you press this switch, the A PRESET

section is switched to the twelve additional channels. After

that, you can set up the intensity of channels 13 - 24. See

also chapter 3.2.

Setting up presets

Channel faders are used for setting up a preset that can be

directly recalled by moving fader A . As in all other setups,

the MAIN fader (see chapter 2.6) determines the maximum

illumination level of selected light sources.

2.2 Control elements of the

B MEMORY section

The faders of the B MEMORY section are located in the block

underneath the A PRESET section.

These faders control the illumination level of an entire group

of channels in a ratio to one another that you previously

determined by setting up the A PRESET faders and saving

this setting as a memory.

Fig. 2.3: B MEMORY section

Exception: When the LC2412 is in preset mode (P shown in

the bank display), the faders control the same channels as the

faders of the A PRESET section. This way, you can simul-

taneously create a second preset.

- These faders are also a part of this section, but they

have a double function. When the LC2412 is in sound to

light mode (party light function), they control the illumination

level of individual memories assigned to particular frequency

ranges.

The BANK display shows the storage bank to which the

memories you recall belong. It also shows if the LC2412 is

currently in preset mode (P diplayed). The display starts

flashing when you switch into preset mode, and lights up

constantly after three seconds. The preset mode is active

only after the flashing has stopped. This prevents accidental

activation of the preset mode as well as rough fades.

Fig. 2.1: Section overview

2. CONTROL ELEMENTS

EUROLIGHT LC2412

UP/DOWN keys. Use them to select a preset bank (0 - 9)

or switch into preset mode (P). The control lights flash

when you select a new bank while memories from the

previous bank are still active (the fader(s) is(are) pulled

up). Pull the fader(s) ( , -) down to fade the

memory out. When you pull the fader(s) up again, the

memory of the new preset bank is visible on the stage

(also see chapter 4.1.2).

SOUND TO LIGHT key. See chapter 2.3.

PREVIEW key. It gives you the option to preview (or modify)

stored memories one more time before implementing them

on the stage. This is particularly useful when you saved

chases as memories and wish to double-check and/or

modify their speed before integrating them into a running

show. When preview is activated, the chases are shown

on control LEDs exclusively.

Each fader is assigned to a FLASH key (section ). This key

is used to assign a specific bank position to individual presets

while programming a memory.

2.3 Control elements of the

OUND-TO-LIGHT section

The SOUND-TO-LIGHT controls are located in the right-hand

section of the B MEMORY section.

If the sound-to-light function is active, memories 9 - 12 are

controlled by a music signal, whereby the volume of the signal

dictates the illumination level of the memories. The music signal

is divided into three frequency ranges (bass, mids, higs). One

memory slot is assigned to each of the three frequency ranges.

For optimal results, please put the faders to the middle position.

This will let you bring individual settings of memories into sync

with one another, should the levels vary from memory to memory.

Fig. 2.4: The SOUND-TO-LIGHT section

The PAUSE fader is, just like the fader , used primarily

to control the illumination level of memories. If the sound-to-

light function is active, it controls a memory slot assigned

to run during program breaks between two musical pieces.

The BASS fader takes over the basic configuration of the

illumination levels for the memory slot assigned to the bass

portion of the frequency range.

The MID fader is conversely assigned to the mids.

The TREBLE fader is conversely assigned to the highs.

and : Bank display and UP/DOWN keys, see chapter

2.2.

The SOUND-TO-LIGHT key activates the sound-to-light

funtion.

The music signal necessary for controlling the show can be

fed into the ANALOG INPUT connector located at the rear of the

LC2412.

2.4 ection : FLA H keys and OLO

Fig. 2.5: The FLASH keys

FLASH keys. Pressing one of the FLASH keys sets the

respective channel to the maximum illumination level set on

the MAIN fader, independent from its own fader position.

For this purpose, the CH FLASH key has to be pressed.

The channel flash function is automatically activated in

preset mode.

Dual-function FLASH keys. Memories or chases can be

stored to memory positions 9 - 12 (chase to memory).

When a respective storage bank is selected, chases are

indicated with yellow LEDs. Chases can also be recalled

by using the FLASH keys.

S l

When the solo function is simultaneously active (SOLO key

, LED lit), all other emitters or light elements are deactivated.

Only the channel selected via the FLASH key is still active.

2.4.1 Disabling the solo function

You have the option to exclude specific channels from the

solo function, so that these channels remain active even when

Solo is activated.

Disabling solo is achieved by performing the folloing

programming sequence:

1. Press UTILITY 1 .

2. Select the option DISABLE SOLO by using the SOFT A key

located below the display. The channel for which the

solo function should be disabled or enabled is shown in the

top left section of the display. The respective disabled/

enabled status of the said channel is indicated to the right of

the channel number itself.

3. To select the channel you wish to adjust, turn the DATA

wheel . The desired channel can also be selected by

using the FLASH key (for channels 13 - 24: first press the

UPPER key).

4. SOFT B selects DISABLE and thus disables the solo

function for this channel SOFT A selects ENABLE.

5. To exit this procedure, press the QUIT key , thus

confirming the procedure.

+When y u disable the s l functi n f r a particular

channel, the channel remains active in case when it

is part f an activated mem ry that fades after

pressing ne f the FLASH keys.

Example:

You have disabled the solo function for channel 8. The light on

channel 8 remains lit if you press one of the FLASH keys, as long

as the solo function is active.

Previously, you have programmed a memory that uses channel

8. The memory has just been activated on the stage. Now, press

one of the FLASH keys (CH FLASH is also activated). There

are tw lights on the stage, i.e. channel 8 and the channel

activated with the key!

2. CONTROL ELEMENTS

EUROLIGHT LC2412

2.5 Control elements of the

programming section

Despite its compact size, the EUROLIGHT LC2412 is a versatile

light mixing console. In it, we have integrated a plethora of

functions, among others, various functions for memories, chases

and digital control. The basic elements of the programming section

are located at the top right section of the unit. To let you quickly

orient yourself in difficult situations, the LC2412 also features a

display.

Fig. 2.6: The programming section

PCMCIA CARD slot. This interface accepts the memory

card on which you can store your console setups.

MEMORY key. By pressing the MEMORY key once, you

initiate the procedure that saves a stage scene. How this

procedure functions in particular is explained in greater

detail in chapter 4.1.

CHASE key. Used to initiate the programming procedure

(intended for creating a chase). How this is done is

explained in chapter 6.1.

The CTM key (stands for chase to memory) brings up the

menu for storing chases. Basically, you can store

completely programmed chases into memory. Each of the

ten memory banks has four memory slots (9 - 12) available

for this purpose.

UTILITY 1. This key takes you to the following programming

menus: DISABLE SOLO, SELECT CURVE and THEATRE

MODE.

UTILITY 2. This key takes you to the following programming

menus: DMX PATCH, SELECT MIDI and SELECT SPECIAL.

Further information about these functions is to be found in

chapters 7 and 8, ADDITIONAL FUNCTIONS OF THE

LC2412 and DIMMER CONTROL.

LIVE key. By pressing this key, you can route chase or

memory steps to the consoles output in order to see what

it would all really look like on the stage. This also makes

sense for the programming procedure itself, because

chases are for example only shown on the LEDs during

their selection (normal setting, blind mode). This way,

selecting chases is even possible while a program is

running on the stage, without disrupting the program itself

(automatic preview). The live mode changes everything

the other way around: only the settings observed in the

preview function are visible on the stage.

SOLO. The solo function utilizes the FLASH keys. When

the solo function is active, pressing the FLASH key for a

single channel/memory completely dimms all other lights. If

so desired, individual channels can be taken out of the solo

functions reach (see chapters 4.3.1 and 2.4.1).

CH FLASH key. Switches the channel flash function on

and off. When the channel flash function is on, you can

use the FLASH keys ( +) to enable the highest

illumination level on individual channels. This function is

automatically activated in preset mode (see chapter 3.1.1).

However, it has to be manually activated in memory mode.

UPPER switch. Used to switch over to channels 13 - 24.

See also chapters 2.1 and 3.2.

CONTRAST control. Turning this pot lets you adjust the

display contrast.

PROGRAM display. Depending on the programming

procedure, different menues are shown here. If you havent

programmed anything yet, or if you have quit a programming

procedure by means of pressing the QUIT key , the

display shows the current chase and the respective step

(basic setup).

DATA wheel. Used to change/select programming

parameters. For example, it can be used for programming

chases, during which you dial in steps and determine their

execution speed. Besides, it is also used for directly calling

up chases (see also chapter 6.2).

SHIFT key. Opens additional programming menues. A more

detailed explanation can be found in the description of the

respective programming procedures.

SOFT A key. Needed for selecting items while in a

programming menu. The menu texts and the SOFT A key

are ordered in such a way that this key lets you select the

options above (appearing in the menu).

SOFT B key. Has the same function as the SOFT A key.

QUIT key. Used for closing a programming procedure and

going back to the main menu.

2.6 Control elements of the main section

Fig. 2.7: The main section

Control elements that apply to function groups or the entire

console are grouped in the main section.

A fader. This fader is the master fader for the A PRESET

section it determines the maximum illumination level of the

entire section. The FLASH keys ( / as well as /

) can still be utilized, even when the fader is at its zero

position.

B fader. This fader is the master control for the B MEMORY

section it determines the maximum illumination level of all

memories. Just like in the case of the A fader, the FLASH

keys can be utilized even when the fader is at its zero

position.

When the MAIN fader is raised up, both of these faders

(A and B) can be used to fade in and out between the

settings of both of these sections.

2. CONTROL ELEMENTS

EUROLIGHT LC2412

MAIN fader. It determines the maximum illumination level of

all commands at the consoles output.

PRESET FLASH key. You can execute the entire A PRESET

section with this flash key, that is, activate the A PRESET

section on the stage, even if the the A fader is fully

down. As soon as you let go of the key, the lights fade

again. More information about this subject is found in

chapter 4.3.

MEMORY FLASH key. Has the same function for the B

memory section.

Also, two additional keys in this section affect the entire console

output:

HOLD key. Freezes the current settings, while you select

a new preset, recall a different memory or implement an

entirely different configuration. This procedure is described

in chapter 7.2.

BLACKOUT switch. Completely dimms all lighting elements.

This function affects the entire console output, that is, it

also affects the chases. The dimming is done abruptly. If

you want the dimming to take place softly, use the MAIN

fader. Console settings can be altered while the console

output is deactivated. To illuminate the stage again, hit the

BLACKOUT key again. The control LED dies out.

2.7 Control elements of the chase section

Fig. 2.8: The chase section

NUMBER key. Selects a chase, enabling you to show

individual chases on the control LEDs (automatic preview).

The control LED of the NUMBER key lights up, as long as

chases are active in any form. This means, the LED lights

up even when the chase is not active, but just dialed in,

ready for action. When you select a chase whose steps

have still not been programmed, the LED dies out after

letting go of the key. The LED also dies out when the CHASE

fader is pulled down.

INSERT key. Activating this key while a chase is running

lets you alternate between the current step and the one

preceeding it by pressing the STEP key . This function

can also be executed utilizig the X-FADE control (MANUAL

MODE key activated). Additional information on this

subject can be found in chapter 6.2.6.

CHASE fader. Controls the illumination level of a complete

chase setup. Separate ratios of a memory incorporating

this chase remain intact.

X-FADE control. Used to manually dissolve between

individual chase steps. Can also be used to dissolve

between memories. Additionally, fade-in speed of chase

steps can be configured, provided this speed was not

already determined in theatre mode (only when theatre

mode is active). More detailed information on this subject

can be found in chapters 6.2.3 and 7.4.

SPEED fader. Controls chase speed.

STEP key. Manually triggers chase steps. This can also be

done while chases are already active. This function can

also be remotely controlled by using a footswitch.

MANUAL MODE key. Assigned to the X-FADE control. When

the MANUAL MODE key is activated, turning the X-FADE

control back and forth either fades back and forth between

two chase steps (INSERT key activated) r fade chase

steps in after one another (INSERT key deactivated). A

more detailed overview of the various possibilities of fading

in/out can be found in chapter 6.2.4.

SOUND/RUN MODE key. Selectively activates chase

control by means of bass rythm (SOUND) r by means of

the internal speed control (RUN).

2.8 Rear panel connectors of the LC2412

Fig. 2.9: Digital an analog outputs

DMX512 OUT connector. The digital output of the LC2412

is provided by means of a 5-pole XLR connector. You can

connect a dimmer pack. It can be used to process digital

control commands according to the DMX512 control

protocol.

ANALOG OUT connector. The analog output is meant for

controlling via the analog standard (0 to +10 V DC) and is

implemented as a Sub D connector. Used to connect dimmer

pack that dont use the modern DMX512 control protocol.

Fig. 2.10: A itional back-panel connectors

MIDI OUT connector. MIDI data can be forwarded from the

MIDI OUT connector to a second LC2412 or another MIDI

sequencer/PC by using a corresponding cable (connect it

to the MIDI IN connector on the receiving unit). This lets you

control two consoles in parallel, that is, a total of 156 DMX

channels are at your disposal.

MIDI IN connector. Used to feed in MIDI data (e.g. from a

MIDI sequencer or another LC2412) to control the LC2412.

ANALOG IN connector. Connect an output of your mixing

console, your CD player or another analog signal source to

this 1/4" TS mono jack connector. This lets you use the

sound-to-light function and musical control of chases.

FOOTSWITCH connector. Connect a footswitch here to

remotely control the STEP key. Additional information about

this subject can be found in chapter 6.2.4.

2. CONTROL ELEMENTS

EUROLIGHT LC2412

Fig. 2.11: Serial number an mains connector

SERIAL NUMBER. Please take a few minutes and send to

us a completely filled out warranty card within 14 days of

the original date of purchase. Otherwise, warranty claims

may be rendered invalid. Or will out the warranty

information online at www.behringer.com.

FUSE COMPARTMENT / VOLTAGE SELECTION. Before

connecting the unit to a power outlet, please make sure

that the selected voltage matches your local voltage. When

replacing fuses, please make sure that you always use

fuses of the same type. Some units allow for switching

between 230 V und 120 V. Please note: when connecting

a unit intended for the European market to a 120 V power

outlet, you must also replace the factory fuse with a higher-

value fuse.

Power is supplied via an IEC connector. The matching

cable is provided with the unit.

3. PRESETS

This chapter describes individual steps used to set up, recall

and fade in/out presets (pre-determined lighting situations). Even

though your LC2412 can execute complex functions, its controls

are easy to master, provided you invest some time to familiarize

yourself with the way they work. To familiarize you with the

control elements and their functions step by step, let us begin

with setting up presets (preset = the total collection of all fader

positions of the A PRESET section at one particular time). Lets

start with 12 channels first.

All statements referring to channels 1 - 12 apply also to

channels 13 - 24 (upper mode).

+Think f presets as building bl cks used t create

m re c mplex lighting situati ns: mem ries

capture the setup f a preset (up t 24 channels) n

ne fader; chases use presets (level step) as well

as mem ries (mem ry step) as single steps.

Fig. 3.1: Using presets an memories

3.1 Basic configuration

Pull all the faders all the way down to the zero mark. This way,

you assure that you start your exploration of the possibilities of

the LC2412 from a neutral setting, and can observe the results

of the changes you implement directly. Use the POWER switch

to power up your BEHRINGER EUROLIGHT LC2412. The LC2412

displays now the setup that was most recently used, just prior

to being powered down last time.

If you want to start completely from the beginning, you can

use a key combination to erase all pr grammed

c nfigurati ns. More on this subject in chapter 7.8.

3.1.1 Preset mode

To work exclusively with presets, you have to first switch into

preset mode. Select P in the bank display accordingly.

1. Press the UP or DOWN keys repeatedly until P is shown in

the display. The display flashes for roughly 3 seconds.

2. Once the flashing stops, your LC2412 is in preset mode. The

CHANNEL FLASH function is now automatically activated,

which is also shown by the lit control LED (CH FLASH ).

3. Raise the MAIN fader as well as Fader A .

4. You can now use faders 1 - 12 of the A PRESET section to

create a stage design. The illumination level of individual

lighting elements can be read out on the control LEDs, aligned

next to the FLASH keys.

+Y u can n t pr gram r recal mem ries while in

preset m de. On the ther hand, st red chases

can be recalled whle in preset m de.

3.2 Expanding to 24 preset channels

(upper mode)

All operations applicable to channels 1-12 can be executed on

channels 13 - 24, once you switch into upper mode.

1. Press the UPPER switch .

The control LED indicates that the LC2412 is now in upper

mode, that is, that the faders of the A PRESET section now

control channels 13 - 24. The faders from the B MEMORY

section affect channels 13 - 24 while in preset mode.

2. Set up your preset by moving the faders of the A PRESET

section into the desired position.

In case you had already executed setups to channels 13 -

24, you have to first put the faders into the previously

selected position before being able to again align these

channels.

3. To quit upper mode, simply press the switch.

+After switching ver, the c ntr l LEDs indicate the

illuminati n c nditi n f the respective active

channels independent f the p siti n f the faders.

T alter the setting f a channel, y u have t first

bring the respective fader int the previ us

p siti n.

Additi nal features:

While in upper mode, the FLASH keys fade in the channels

13 - 24.

3.3 Crossfading between presets

To crossfade between two presets, you need an additional

preset. This additional preset is created by utilizing the faders in

the B MEMORY section.

1. Pull the fader B upward, the fader A downward.

The MAIN fader remains open.

3. PRESETS

EUROLIGHT LC2412

2. Now, set up the lighting situation by using the faders of the

B MEMORY section. As always, you can observe these

changes on the control LEDs.

3. Move the master B fader downward, then move the master

A fader upward. Preset B is faded out, while preset A is

faded in (manual fade).

4. THE B MEMORY SECTION

In this context, memory means a lighting situation (preset)

stored as a unit.

The memory function is organized as follows:

There are ten storage banks, each with twelve storage slots

(FLASH keys 1 - 12), used to store complete lighting situations

(24 channels). The illumination level of the individual lighting

situations (stage designs) can be determined by using the faders

assigned to them during the programming procedure.

You can use memories in several ways:

1. Fade them in manually or suddenly

2. Crossfade between presets and memories

3. Crossfade between different memories

4. Crossfade between memories from different memory banks.

Memories originating in different banks can simultaneously

be active.

4.1 Programming, recalling and altering

memories (scenes)

4.1.1 Programming

1. Set up a stage design (scene) while in preset mode (Fader A

PRESET section).

2. To store a scene, you must first quit the preset mode. By

using the UP/DOWN keys , you switch into the memory

mode. The bank display indicates which storage bank is

selected.

Press the MEMORY key in the programming section. The

display shows the following text (an example):

Fig. 4.1: Display Program memory

The meaning behind the above line: the next step (select

memory), location (memory slot number/storage bank).

You have already selected a storage bank using the UP/DOWN

keys (7), and now use the FLASH keys to select a location.

Lower line: Make a selection by pressing SOFT A (preset) or

SOFT B (all).

If you only want to store the adjusted preset, please press

SOFT A . If you also want to store an active memory along

with the adjusted preset, then press SOFT B .

+This way, y u have the pti n t generate several

variati ns ut f a single mem ry. H w mem ries

are m dified is explained in chapter 4.1.3.

Should you wish to store additional presets, simply repeat the

steps:

1. Adjust the preset (stage design)

2. Select a storage bank using the UP/DOWN keys

3. Specify the storage location by pressing one of the FLASH

keys /

4. Store the preset or the console output (SOFT A or B)

5. If you do not wish to create any more memories, press the

QUIT key to exit.

4.1.2 Fading in scenes

To fade in a programmed scene, simply select a storage bank

by using the UP/DOWN keys and pull up a fader from the B

MEMORY section. The fader whose assigned FLASH key you

last pressed while programming is the fader that will control this

memory.

+T view a mem ry setup n the stage and n the

LEDs, b th fader B and MAIN fader have t

be pulled up.

Recalling mem ries instantly

By using the FLASH keys (section ), you can recall the

memories from the bank you just adjusted, just like retrieving

individual channels in preset mode (P shown in the display).

+The channel flash functi n must n t be active at

this time (CH FLASH key ).

4.1.3 Previewing and modifying memories

To preview memories before fading them in, use the PREVIEW

key to deactivate the console output for this procedure. The

setup can only be observed on the control LEDs. The remaining

functions of the EUROLIGHT LC2412 remain active.

After you press the preview key, the display shows the

selected memory bank at the top right side. Select the memory

that you wish to control by using one of the FLASH keys. The

memory is then displayed by means of control lights only.

If you wish to modify the memory shown in preview mode,

select the MODIFY function shown in the display by using the

SOFT B key (see fig. 4.2).

Fig. 4.2: Display E iting memory in preview mo e

You can implement the desired changes now by using the

faders of the A PRESET section. To change the programmed

settings of preset faders, you must first draw the fader to its

original position. The channels not activated during the previous

programming can be raised as usual.

To save your settings, please select ENTER by using SOFT B.

Either confirm the next memory or quit the preview mode by

hitting the QUIT key .

Otherwise, you can also program the memory anew, as

described at the beginning of this chapter.

4.2 Crossfading between different setups

4.2.1 Crossfading between presets and memories

Crossfading between memories and presets works exactly

the same way as crossfading between two presets. The only

difference is that the EUROLIGHT LC2412 has to be in memory

mode.

1. Activate a stored scene (see chapter 4.1.2).

2. Activate a preset by using a fader from the A PRESET section

fader A remains locked.

4. THE B MEMORY SECT ON

EUROLIGHT LC2412

3. Now pull fader B down and fader A up. The preset appears

at the console output, while the memories dissappear.

4.2.2 Crossfading between memories

There are several ways to crossfade between memories:

Cr ssfading steplessly using the FLASH keys

Please take the following required steps, as follows:

1. Disengage the CHANNEL FLASH key

2. Pull up the CHASE fader

3. Press the INSERT key

4. Adjust the X-FADE control to the desired fade in/out

speed

5. Press the FLASH key (one of the / keys).

The memory is faded in. You determine the illumination level

by using the CHASE and the MAIN fader. To switch to another

memory, simply press another FLASH key. You can alternate

between two memories (the current one and the one selected

before it) by using the STEP key . You can fade in the current

preset setting instead of the memory by using the PRESET FLASH

key .

+Faders A and B ( and ) as well as the faders

f the B MEMORY secti n and the A PRESET secti n

can be pulled d wn; in that case, nly the mem ries/

presets activated by means f the FLASH keys are

visible.

+If y u are currently replaying a chase, it will be

interrupted as s n as y u hit the INSERT key. When

y u hit the INSERT key f r the sec nd time, the chase

resumes.

Manually cr ssfading between mem ries using the X-FADER

If you activate the MANUAL key in addition to the setup

desicribed in chapter 4.2.2, you can then determine the crossfade

times by switching from memory to memory using the X-FADE

fader.

1. Select a memory using a FLASH key.

2. Now, move the X-FADE fader to an end position, and the

memory will be faded in.

+If y u select n new mem ry, y u can alternate

between the tw m st recently used mem ries

back and f rth.

Fading mem ries ut

To fade memories out, release the INSERT key . If you pull

the X-FADE fader in the same direction while having faded in a

memory right before that, the memory is faded out only when

you pull the control down again. Renewed pulling the control

upwards, no memory is displayed.

+Activating a chase and interrupting it by pressing

the INSERT key fades in the next CHASE step when

y u pull the X-FADE fader upward. T fade ut, y u

have t first select a chase that c ntains n steps

(see chapter 6.2).

When you let go of the MANUAL key, using the STEP key

lets you fade out withing the time set up using the X-FADE fader.

+When a chase is active, and y u interrupt it by

pressing the INSERT key, pressing the STEP key

fades the next chase step in.

4.2.3 Crossfading between memories

of different banks

You can change your current storage bank by selecting a

new bank using the UP/DOWN keys. The memory activated

previously remains on the stage unti you pull the fader to zero.

The LEDs of the UP/DOWN keys flash in case there are active

memories belonging to the abandoned bank. Pull up a memory

fader, and the memory stored at this location in the new storage

bank is activated.

+The mem ries that were activated bef re y u

changed the bank remain visible n the stage until

y u pull the fader d wn int its zer p siti n. This

way, y u can see multiple mem ries n the stage

(and the respective c ntr l lights).

4.3 Preset flash and memory flash

4.3.1 Preset flash

This key activates the flash function for the A PRESET section.

If the solo function is not active, PRESET FLASH adds a lighting

configuration (set up in the A PRESET section) to an active memory

(fader A at zero). When the solo function is active, pulled

up memories are switched off.

C nfigurati n:

Memory mode, memory fader raised

Fader A closed, MAIN fader raised

Fade in the preset configuration using PRESET FLASH. The A

PRESET fader and the MAIN fader determine the illumination level.

With solo function: memories are deactivated.

4.3.2 Memory flash

The memory flash function can be activated to abruptly

implement stored presets (memories) into an active preset,

instead of smoothly fading it in using a fader.

+N mem ry can be recalled in preset m de.

Additi nally, the mem ry flash functi n can n t

be executed.

C nfigurati n:

Memory mode, memory fader raised,

Fader A raised, fader B closed or partially raised, MAIN fader

raised.

Fade in the pulled up memories using the MEMORY FLASH. The

B MEMORY fader and the MAIN fader determine the illumination

level.

With solo function: The preset is deactivated.

4.4 Programming memories

without direct control (blind)

In addition to programming memories by using the preview

function (see chapter 4.1.3), you can also program memories

using yet another method, without being visible on the stage.

Make sure that the LIVE key is not active. The fader A also

has to be in its zero position.

After having pressed the MEMORY key in the programming

section, select a storage bank by using the UP/DOWN keys and

a memory by using the FLASH key, and edit it by using the faders

from the A PRESET section. The fader configurations are only

indicated by means of control lights on the FLASH keys.

Please confirm your changes by hitting the SOFT A (preset) or

SOFT B (all) keys and then edit another memory, or quit by hitting

QUIT.

4. THE B MEMORY SECT ON

EUROLIGHT LC2412

4.5 Previewing memories individually

on the stage (live mode)

Live mode gives you the option to preview individual memories

and chases on the stage, without having to interrupt the program

currently running. Therefore, live mode changes the usual

sequence of events that allows you to run a show on the stage

while previewing and editing chases and memories in the

background by using the control LEDs.

In live mode, when preview function is active, you can activate

and edit memories on the stage, without interrupting the current

program. It is not visible for the entire duration of the procedure.

The same goes when selecting a chase: The chase is shown on

the stage when the NUMBER key is pressed.

1. First activate PREVIEW.

2. Press the LIVE key to activate live mode.

3. Use the FLASH key to select a memory. The selected memory

will be displayed. By using the MODIFY function, you have

the option to modify the memory.

4. Select MODIFY with the SOFT B key, edit the memory by

using the faders of the A PRESET section, and confirm your

changes with SOFT B (ENTER).

5. To quit live mode, disable it by pressing the LIVE key again.

4.6 Additional application of memories

Additional options for using memories stand at your disposal:

1. Implementing memories as building blocks for chases

(memory chase, chapter 6.1.2)

2. Implementing memories 9 - 12 via the sound-to-light func-

tion, that is, automatically controlled by music.

5. SOUND-TO-LIGHT

To use the sound-to-light function, you have to connect a line-

level signal source (CD player, tape deck, mixing console output

or similar) to your EUROLIGHT LC2412. To this end, there is a

1/4" TS mono jack connector (ANALOG IN ) at the back of

the LC2412. Signal level adjustment is automatic. As described

in chapter 2.3, the sound-to-light function affects the memories

stored in slots 9 - 12.

Press the SOUND-TO-LIGHT key and pull the faders

- in the middle position. Overall illumination level can be

corrected by using the MAIN fader.

You can vary the sound-to-light function by selecting a

different bank. Right after switching to another bank, new

memories are processed by the sound-to-light function. This is

how the sound-to-light function is different from the usual bank

change in memory mode.

The sound-to-light function can be freely combined with other

console functions.

6. CHASE CONTROL

Chases are sequences of stage designs (presets or memories)

that can be stored and can be run in a sequence. The LC2412

can store a total of 650 chase steps, and can store 99 chases in

in its memory, each of which can be comprised of up to 99

steps.

There are several options when running chases:

scontrol via the bass rhythm of a connected audio signal

(e. g. CD player)

scontrol via the internal beat generator (speed set up using

the SPEED fader )

sManually set up steps

sCrossfading between steps from one to another by means

of the X-FADE fader.

Before that, individual chase steps have to be programmed.

6.1 Programming or erasing chases

Chases can be combined out of presets (level chase) or out of

memories (memory chase).

6.1.1 Programming level chase

1. Please press the CHASE key . The program display

shows the following text (example):

Fig. 6.1: Display programming chases

LEVEL is highlighted after presets have been stored MEMORY

is highlighted when memories have been stored as chase steps.

If MEMORY is marked, select a different chase (by using the

DATA wheel ), in case you do not wish to overwrite the

current one.

2. Select LEVEL by pressing the SOFT A key .

Fig. 6.2: Display Programming level chase

If the display shows a different text, please press the SHIFT

key .

By turning the DATA wheel, you can view steps in succession.

3. You can edit a step you selected by means of channel faders

of the A PRESET section. To change one or more already

active channels, you first have to draw the respective

fader(s) into the previously stored position (snap in).

4. Select ENTER with the SOFT A key and store this step. To

delete a step, select DELETE. The display automatically

shows the next highest step.

Edit as just described or select another step by using the

DATA wheel.

End the programming with the QUIT key.

6.1.2 Programming memory chase

1. Press the CHASE key to begin programming, as

described above.

2. Select a chase using the DATA wheel. The displays shows

whether you are dealing with a level chase or a memory

chase.

3. Select MEMORY with the SOFT B key.

+If y u selected a level chase and then select

MEMORY ( r vice versa), y u are asked (in the

display) whether y u wish t pr gram a new chase.

Select YES t verwrite the previ us chase.

4. Select a storage bank using the UP/DOWN keys and

select a memory by pressing a FLASH key. This is indicated

on the control lights.

6. CHASE CONTROL

EUROLIGHT LC2412

Fig. 6.3: Display programming memory chase

The displays indicates the memory and the storage bank in

which the selected memory is located. Example:

STEP: 01 09 (memory) 04 (bank).

5. Confirm your choice with SOFT A (ENTER).

6. Enter as many memories as you wish following the same

procedure (max. 99 steps).

7. Exit the programming procedure by pressing QUIT.

6.1.3 Erasing chases

If you wish to completely erase a chase, do the following:

1. Press the CHASE key to get to the CHASE menu. Use

the DATA wheel to select a chase you wish to erase.

2. Use SOFT A or B (LEVEL or MEMORY in the display) to

determine which chase type you wish to program after

erasing chase steps. If you simply wish to erase, please

select one option in order to get to the next window.

3. Activate the shift function by pressing the SHIFT key .

Fig. 6.4: Display Erasing chases

4. Use SOFT B to select DELALL. This way, all chase steps

of the corresponding chase are erased. Now you can directly

start programming a new chase. If you selected MEMORY

under 2., you also have to press SHIFT.

6.2 Running and pausing chases

To select a chase: Keep the NUMBER key depressed.

In the PROGRAMM display you now have a readout of the

number of active chases, the number of already programmed

steps as well as the chase type (level or memory). At the same

time, the chase is also shown in the control LEDs, but without

being visible on the stage (automatic preview).

If you keep the NUMBER key pressed, you can use the DATA

wheel to view all programmed chases.

Use the SPEED control to set the desired speed.

Letting go of the NUMBER key activates the chase.

To view the chase on the stage, pull up the CHASE fader

and the MAIN fader .

Pausing a chase

There are several ways to do this:

1. Pull the CHASE fader down to 0 (faded out).

2. Press INSERT or MANUAL.

3. Disable SOUND or RUN mode.

4. Select a chase containing no programmed steps.

6.2.1 Chase control through music

When an audio signal source is connected at the ANALOG IN

connector at the rear of your EUROLIGHT LC2412, the speed

of chases can be determined by the bass rhythm of the music.

Of course, a chase must be selected.

Table 6.1 shows the necessary setup:

Key On Off

INSERT 

MANUAL 

SOUND 

RUN 

Table. 6.1: Chase control through soun

You can also trigger chase steps by using the STEP key .

Use the X-Fade fader to regultate the fade-in speed.

6.2.2 Chase control by means of SPEED fader (RUN)

To control the beat time of a chase with the internal beat

generator, you need to activate Run by repeatedly pressing

the SOUND/RUN key (yellow LED lights up).

Use the SPEED control to control the speed.

Just like with chase control through music, you can also trigger

chases at the same time with the STEP key (if applicable, you

may use a footswitch connected to the FOOTSWITCH connector).

Use the X-FADE fader to regulate the fade-in speed.

Key On Off

INSERT 

MANUAL 

SOUND 

RUN 

Table. 6.2: Chase control via internal beat generator

6.2.3 Crossfading manually using the X-FADE fader

(manual mode)

Press the MANUAL key . Using the X-FADE fader, you can

fade in an out between two adjacent chases.

Key On Off

INSERT 

MANUAL 

Table. 6.3: Chase control via X-FADE fa er

Each step is shown in the display the STEP key is disabled. If

you additionally enable the INSERT key, you can fade in and out

between the two steps selected last.

Key On Off

INSERT 

MANUAL 

Table. 6.4: Fa ing in an out via X-FADE fa er

6.2.4 Manual fades using the STEP key

When the MANUAL, SOUND and RUN keys are disabled, you

can trigger chases only by using the STEP key (or a footswitch).

Key On Off

INSERT 

MANUAL 

SOUND 

RUN 

Table. 6.5: Chase control via the STEP key

6. CHASE CONTROL

EUROLIGHT LC2412

Insert

If you additionally activate the INSERT key, you can crossfade

between the two most recently selected steps.

+If y u are currently playing a chase, y u can pause

it by pressing the INSERT key. Pressing the INSERT

key f r the sec nd time restarts the chase again.

INSERT and MANUAL can als be used in SOUND and

RUN m des.

+Instead f cr ssfading between chase steps, y u

can als activate the insert functi n and then select

a mem ry (FLASH keys /) and cr ssfade

between the last step and the said mem ry. Als ,

y u can use the STEP key t cr ssfade between a

preset and a mem ry in an infinite number f steps.

Do the following:

1. Pause a running chase with the INSERT key.

2. Select a memory with one of the FLASH keys.

3. Pull up one or several preset faders (A fader is closed).

4. Fade in the selected preset with the PRESET FLASH key.

5. Crossfade using the STEP key.

6.2.5 Replacing memory steps

To replace a memory step within a chase, do the following:

1. Press the CHASE key , select a chase using the DATA

wheel (it has to be a memory chase).

2. Press the SOFT B key. Now, go through individual chase

steps using the DATA wheel (steps are indicated on the

LEDs). Select the step you wish to replace. At the top righ-

hand side of the display you can observe the storage bank

and the location of the current step.

3. Select a new memory that replaces the old one.

4. Press SOFT A for ENTER. The display moves automatically

on to the next step.

5. Replace additional steps as described above or exit the

programming procedure by pressing QUIT.

6.2.6 Inserting memory steps

1. Execute steps 1 and 2 as described in chapter 6.2.5. In this

case, however, select the step bef re you insert a new

step. This and all subsequent steps are moved upward by

one step.

2. Activate the shift function (SHIFT key ).

3. Select the memory (FLASH key) you wish to insert. The

memory is indicated on the LEDs.

4. Press SOFT A for INSERT.

5. Insert additional steps or exit the programming procedure by

pressing QUIT.

6.3 aving chases as memories

(chase to memory)

You can replay up to five chases simultaneously if you store

four chases to the storage locations 9 - 12 intended for this

purpose. Previously stored data is lost.

1. Press the CTM key .

Fig. 6.5: Start menu for CTM programming

2. Select a memory bank using the UP/DOWN keys .

3. Select a memory where a chase is to be stored by using one

of the four FLASH keys . These keys feature a second

(yellow) LED, which blinks in the beat if a chase is stored

there.

Fig 6.6: Selection menu for memory,

chase number an beat mo e

The memory and storage bank numbers you selected are shown

at the upper left side of the display.

4. Now, select a chase by turning the DATA wheel. The chase

selected is indicated on the control lights, without being visible

on the stage.

5. Enter the beat:

a) Input via the DATA wheel: keep the SOFT A key pressed and

select a time by turning the DATA wheel (up to 10 sec.).

b) Automatic control via the bass rhythm: Select the EXT option

using the SOFT B key . This option lets you control a

chase saved in a memory by means of an external audio

signal (bass rhythm). The yellow flash key LED beats in the

rhythm of the bass sound.

6. Exit the programming procedure by pressing QUIT.

6.3.1 Replaying chases stored as memories (CTM)

Replaying chases stored in memories works exactly the same

way as replaying other memories. To replay them on the stage,

you have to select the storage bank and pull up the memory

fader and the B fader .

6.3.2 Previewing and editing CTM

Replay m de and speed

After successfully programming a chase, you can also preview

the replay mode and the chase speed, without any of these

being visible on the stage. This is particularly uselful when you

are arranging a light show and dont have time to program a

chase in peace.

1. Use the PREVIEW key and select a memory (flash keys

9 - 12) you wish to preview and/or edit.

Fig 6.7: Display previewing an mo ifying CTM

Memory (11) and bank (04) are shown at the top right-hand

side of the display.

2. Enter beat measure and replay mode, as described in chapter

6.3 under point 5.

3. Exit the programming sequency by pressing QUIT.

6. CHASE CONTROL

EUROLIGHT LC2412

6.4 Previewing chases in live mode

You can use the live mode for chases as well. More detailed

information about live mode can be found in chapter 4.5.

To preview chases in live mode, do the following:

1. Activate the live mode by pressing the LIVE switch .

2. Press the NUMBER key . The chase is previewed on the

stage as long as you keep the key pressed.

3. To quit live mode, simply press the LIVE switch again.

7. ADDITIONAL FUNCTIONS

OF THE LC2412

7.1 Locking program mode

To avoid having your setups altered by unauthorized persons,

you can block the program mode of your console. There are

several blocking functions available.

LOCK PRESET m de

The LC2412 can run only in preset mode. Recalling memories

is not possible. Chases can still be replayed.

LOCK PROGRAMMING m de

The console operates normally, but modifying programmed

memories or chase steps is possible only after the console is

unblocked.

Bl cking/unbl cking

1. Keep the SOFT A and SOFT B keys pressed and simultanously

press the FLASH key for channel 1 (far left).

2. Now you can select various menues with the DATA wheel.

3. After having selected the desired mode, you can block it/

unblock it by pressing the SOFT B key.

4. Exit the programming procedure by pressing QUIT.

7.2 Putting the output on hold

If you want to freeze the current console output while you can

make another setup, you can use the HOLD key for this purpose.

1. Press the HOLD key .

Fig 7.1: Display put console output on hol 

2. Implement a modification, as desired (recalling and pro-

gramming memories and presets is done as described in the

respective chapters of this manual).

3. To start a new chase, select this chase as usual by pressing

the NUMBER key and turning the DATA wheel. The chase

selected will be indicated on the control lights as long as you

keep the key pressed.

Releasing H ld

To softly crossfade between setups, pull the MAIN fader all

the way down and then all the way up. Moving up the fader

crossfades between the former setup and the new one.

The hold mode is automatically deactivated when the MAIN

fader reaches its upper-most position.

By using the SOFT B key, you can select CANCEL in the

display, so that you quit a mode. In doing so, the new setup is

faded in abruptly.

7.3 pecial channels

Both special channels and are well-suited activating

effects independently from other settings of the EUROLIGHT

LC2412. Fog machines, color changers or disco ball motors are

such effects. You can program special activation modes for

these effects.

sT ggle m de: The SPECIAL key acts as a switch. Pressing

and releasing the key activates the fog machine (or another

function). To deactivate it, press and release the SPECIAL

key again.

sFlash m de: The SPECIAL key keeps a function active as

long as you keep the key pressed. As soon as you let go of

the SPECIAL key, the function assigned to this channel is

again deactivated.

sKill m de: Similar to flash mode, a function is activated only

as long as the SPECIAL key is kept pressed. However, in

addition to this, all other functions are also temporariliy

disabled.

To program the various modes, do the following:

1. Press the UTILITY 2 key .

2. Select the MORE option using SOFT B.

3. Select the SELECT SPECIAL option on the display by using

the SOFT A key .

4. SPECIAL 1 key is now labeled with KEY 1 (SPECIAL 2: KEY

2). To change the mode of this key, keep the SOFT A key (for

KEY 1 SOFT B for KEY 2) pressed and select the desired

option using the DATA wheel.

5. Confirm your selecting with the QUIT key and go back to

the main menu.

Special channels are labeled console channels 25 and 26

when assigned to DMX channels (also see chapter 8.2.2.)

7.4 Theater mode

You have the option to store a long sequence (99 steps) so

that you can define an individual crossfade time for each step.

This way, you can uploade a framework for a complete theater

piece into the chase storage, and then expand it with presets

and memories. Therefore, think of theater mode as a special kind

of chase programming. To let time sequences be flexibely

configured, subsequent steps are not controlled automatically

or via a sound signal source. Instead, they are triggered

individually by hand.

Basic setup f the theater m de

To work in theater mode, the following conditions must be met:

sChase control via the internal beat generator (RUN) must be

deactivated,

sChase control via an external audio signal (SOUND) must be

deactivated,

sMANUAL must be deactivated,

sINSERT also has to be deactivated.

7.4.1 Activating theater mode

To activate theater mode, do the following:

1. Press the UTILITY 1 key.

2. Using the SOFT B key, select the MORE option.

3. After that, you can activate/deactivate theater mode using

the SOFT B key.

4. To go back to the main menu, press the QUIT key. When

theater mode is active, a T is shown in the display.

7. ADD T ONAL FUNCT ONS OF THE LC2412

EUROLIGHT LC2412

7.4.2 Programming fading times in theater mode

Since theater mode presents a special kind of chases, it also

uses the menu and chase controls to program steps. Similarly,

theater mode sequences are stored as chases.

To program steps for a chase in theater mode, do the following:

1. Activate the theater mode, as described previously.

2. Press the CHASE key and select a chase.

3. Select LEVEL or MEMORY.

4. Modify the desired step or select a memory.

5. Press the SOFT A key for ENTER.

6. Use the DATA wheel to select the desired fade time (up to

10 sec.). A fade time is displayed if one is already set up.

7. Select CONT (continue) option using the SOFT A key. This

saves your programming and lets you enter the next step

and fade time.

8. Press the QUIT key to go back to the main menu.

+Just like with chases and mem ries, st red fading

times can als be st red n a mem ry card.

7.5 MIDI functions

MIDI commands can be used not only for controlling your

instruments but also for controlling the functions of your LC2412.

In order to enter commands, you need some kind of sequencing

software.

The advantage of using MIDI for programming is that you can

program an entire show via MIDI and then simply let it run.

Another simple and clever option lets you transfer existing

sequences to a MIDI sequencer via the MIDI OUT connecor. A

MIDI implementati n chart as well as the required inf r-

mati n n individual c ntr llers can be found in this manuals

appendix.

7.5.1 Cascading two EUROLIGHT LC2412s

Using MIDI also lets you cascade a second LC2412 to your

console. To this end, connect the MIDI OUT connector of the

first console (transmitting unit) with the MIDI IN connector of

the second LC2412 (receiving unit).

Now, you have to activate the MIDI operating mode in the

menu.

Do the following:

1. Press UTILITY 2 key.

2. Select the MORE option.

Fig. 7.2: Display SELECT MIDI

3. Select the SELECT MIDI option.

Fig. 7.3: Display MIDI channel

4. Now you can use the DATA wheel to select the MIDI channel

used to receive (IN) or to send (OUT). Set up the console to

receive with the SOFT A key or to send with SOFT B key.

All settings implemented on the first console are to be repeated

on the second console (e.g. changing storage bank). You can

recall presets, memories and chases on the first console (master).

In doing so, only control commands are transmitted the storage

banks of the second console (slave) are not modified.

+This d es n t h wever refer t the MAIN fader f

the sec nd c ns le. Y u c ntr l the basic

illuminati n level f the receiving c ns le manually.

Pr gramming

When you cascade two light consoles, you must implement

the programming of chases and memories in parallel, that is,

specific modifications to memory settings are not automatically

carried over from one console to the other. Only recall commands

are transmitted.

Fig. 7.4: MIDI connection

7.6 toring data on a memory card

The EUROLIGHT LC2412 is an extremely flexible lighting

console, and you can use it for a plethora of possible applications.

You can additionally expand the range of its possible applications

by storing complete chases and memories onto a memory card

(PCMCIA ATA Flash card with 4 MB memory). This feature proves

itself particularly useful when you work for various artists on

different locations: you will save yourself a lot of time and

worries.

sInsert the memory card into its slot . The LC2412 auto-

matically recognizes the card. To use a new card, you first

have to format it. To do that, select YES.

sNow you can select one of the 25 storage locations using

the DATA wheel. Each of the 25 locations can store the

complete set of data containing all console settings.

sThe display shows if the storage location you selected

already contains some data or not.

sWith the SOFT A (SAVE) you can now transmit the data

from the consoles memory onto the memory card. Pressing

SOFT B (LOAD) transmitts the data in the other direction:

from the memory card into the memory of the console.

7. ADD T ONAL FUNCT ONS OF THE LC2412

EUROLIGHT LC2412

+Attenti n: St ring data n a st rage l cati n that

already c ntains s me data aut matically replaces

this data. Similarly, the data n the c ns les mem ry

is replaced when y u transmit the data fr m the

mem ry card. If y u wish t keep this data, make

sure t first st re it t a mem ry card.

+Since the LC2412 uses its wn data f rmat, nce

y u f rmat a mem ry card n it, y u can n l nger

read this card n a PC!

7.7 Adjusting differing illumination levels

The EUROLIGHT LC2412 lets you adjust illumination levels of

various lighting elements to one another so they better match

each other. This lets you increase illumination levels of lighting

elements whose illumination is insufficient for a specific fader

position. In that case, the lighting element whose illumination

level was insufficient shines sufficiently brightly.

Program this setting by doing the following:

1. Press UTILITY 1.

2. Select the MORE option using SOFT B.

3. Select SELECT CURVE using SOFT A.

4. The display now shows in its upper left portion the channel,

to its right the status LINEAR (standard setting) or CURVE

(increase). You can now set up the desired setting for this

channel by using SOFT A or SOFT B.

5. By using the DATA wheel you can select the desired channel.

6. Complete the programming procedure by pressing QUIT.

7.8 Erasing all settings/

displaying software version

To erase all pr grammed settings and start from scratch,

do the following:

1. Press and keep pressed the SOFT A and SOFT B keys. Then

press the FLASH 1 key. The software version is shown in

the display.Die Software-Version wird im Display angezeigt.

Turn the DATA wheel to get to additional menus and displays

(erase memory, lock programming functions, free memory,

internal A/D converter condition, self-test).

2. DELETE ALL appears in the display, along with the YES

option. Select this option with SOFT B.

Fig. 7.5: Display erase all settings

3. We have created an additional step for your safety. Use the

Soft A (NO) or Soft B (YES) keys located under the

respective options to select one or the other. Selecting YES

erases all memories and stored chases. In doing so, all settings

relevant to the consoles functions are reset to their factory

settings (SOLO ALL ENABLED, CURVE ALL LINEAR).

. DIMMER CONTROL

Fig. 8.1: Stan ar wiring in combination with a immer

(analog an /or igital control)

8.1 Analog control

In addition to the modern DMX512 interface, you can control

your EUROLIGHT LC2412s dimmers using the conventional analog

outputs (ANALOG OUT , 0 - 10 V DC). However, this lets

you control only twelve dimmer channels plus two special

channels (only 0 Volts or 10 Volts).

+Whenever p ssible, use a multic re cable t

c nnect y ur LC2412 t the dimmer rack, and

app rti n the cable t individual dimmer packs nly

nce the cable reaches the rack.

8.1.1 Controlling analog dimmers via DMX512

What at first seems like an error is in reality a very useful

feature: By using a so-called demultiplexers (demux), you can

convert digital commands into analog and therefore control your

analog dimmer packs.

The advantage of such a configuration is apparent: you can

address the demultiplexer freely, that is, it can for example begin

with channel 12 and therefore convert control commands from

console channels 13 - 24 into analog signals (DMX channel 0 is

controlled one-to-one by console channel 1 and so on, hence

the numbering offset). Furthermore, you need only short

multicores for analog control, since you can arrange the

demultiplexer near the dimmers and send control commands via

a single DMX line.

8.2 Digital control via DMX512

8.2.1 Digital control features

The EUROLIGHT LC2412 features a modern digital interface

according to the DMX512 Digital Data Transmission Standard For

Dimmers And Controllers, that was established in April 1990 by

the USITT Engineering Commission (United States Institute for

Theatre Technology, Inc.). Since virtually all modern equipment

8. D MMER CONTROL

EUROLIGHT LC2412

uses this standard (even if it is done with partially different plug-

in connectors), your EUROLIGHT LC2412 is therefore extremely

flexible in how it can be implemented.

A big advantage of digital control is its enourmously simplified

cabling, since you only need one single cable for transmitting

control data. This sets the DMX system apart from its analog

conterparts, which need an extra control cable for each individual

channel. Another big advantage is made possible by the freely

addressable receivers, which is done by menas of software.

You can therefore save yourself from having to painstakingly

lay cables each time you wish to assign a particular dimmer to a

different channel. Additional information on this subject can be

found in chapter 8.2.2.

Interface f rmat (EIA-485)

The DMX512 standard uses the RS485 interface standard for

data transmission, well-known for its impunity to interferrence.

The data are serially transmitted in the asynchron fashion at a

transmission rate of 250 kBit/s, successively for each of the

connected dimmers (up to 512 channels). The more dimmers are

connected, the longer the time interval until the next command on

this channel.

+It is advisable t limit the number f depl yed

channels in rder t ensure a maximum refresh

rate. Theref re, d n t use m re channels than

y u actually need.

In combination with the DMX512 standard, you can run up to

32 loads on a single sender (LC2412). One load responds to one

DMX512/RS485 receiver, for example, the way it is implemented

in a dimmer pack.

If you wish to run more than 32 loads, we recommend using

level translaters and/or signal splitters.

8.2.2 Assigning DMX channels (softpatch)

Softpatch means: you can assign up to three freely selectable

DMX channels to a console channel.

+Each f the DMX channels can be assigned t nly

ne fader. Otherwise, c ntradicting c mmands

w uld be given with vari us fader settings.

To make the capabilities of the DMX512 as well as the

capabilities of the LC2412 transparent, we have to draw a clear

distinction between three different kinds of channels:

C ns le channels

The channels of your LC2412 (= 24+2 channels) are 26 routes

through which you can send commands. This in no way means

that you can only control 24 lighting elements.

Dimmer channels (dimmer l ps)

Dimmer packs represent the power section of a light control

system, comparable to power amplifiers of a PA installation in

the audio field. Each dimmer channel is assigned to one DMX

channel, that is, it can receive commands from only one channel.

For example, if a dimmer loop can handle a maximum power

rating of 2.3 kW, you can connect several lamps, spotlights

and similar (e.g. 4 x 500 W).

DMX channels

A DMX channel consists out of one digitally transmitted

information unit (1 Byte/8 Bit), whereas 256 different information

units can be transmitted. These units are transmitted sequentially,

that is, channels 0 and upwards on the sender are accounted

for, and the respective information units are assigned. The

sequence then starts anew at the next channel. In the worst-

case scenario (all 512 channels are in use) the refresh rate has

the value of 44.1 Hz. You can derive from this that it is advisable

to only use as many channels as you actually need.

Since there are 24 channels with adjustable illumination (to

each of which 3 DMX channels can be assigned), there is a total

of 72 DMX channels that can be laid out. Additionally, there are

two special channels, each of which can switch a maximum of

2 DMX channels on and off.

To assign the desired DMX channels to individual console

channels (or to preview the assignment of channels), go through

the following steps:

1. Press the UTILITY 2 key.

Fig. 8.2: Display DMX Patch 1

2. Select DMX PATCH using the SOFT A key.

Fig. 8.3: Display DMX Patch 2

The console channel is shown in the top left portion of the

menu. The connected DMX channels are shown to its right

(standard setting is 1:1. Example: Console channel 01 is

connected to DMX channel 000, console channel 08 is connected

to DMX channel 07, etc.).

The DMX channel is shown in the lower left line its status is

shown next to it (NU = Not Used or USE 1...512). In our example

DMX channel 000 is connected to console channel 01.

3. Use the Flash keys to first select the c ns le channel to

which you wish to assign a DMX channel (channels13 - 24:

switch to upper mode, SPECIAL 1 (channel 25) and SPECIAL2

(channel 26) by pressing and ).

4. Select a DMX channel usign the DATA wheel.

If this DMX channel is already occupied, this will be shown in

the display together with the respective console channel

number. Select the console channel (FLASH key), and select

OPEN (SOFT B key). Start again at step 3. Alternatively,

you can also select a different DMX channel.

5. Press the SOFT A key (CONNECT option) and connect the

console channel with the DMX channel. If you wish to connect

multiple DMX channels with the same console channel, simply

select an additional DMX channel and proceed with the

connection as previously described.

6. Use the QUIT key to go back to the main menu.

C nnecting channels 1:1 ( ne-t - ne) r disengaging all

c nnecti ns

1. Perform steps 1 and 2, as described under 8.2.3.

2. Press the SHIFT key .

Fig. 8.4: Display DMX Patch 3

3. Now, select ALL CLEAR using the SOFT B key to disengage

all connections. Use SOFT A to go back to the standard

setting, ALL 1:1.

9. INSTALLATION

You will need various types of cables for different applications.

The following illustrations show you how to lay out these cables.

Always use only high-grade cables.

9. NSTALLAT ON

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