Epiphone Firefly 30 DSP User manual

performance is our passion
goth les paul®
studio
Our classic LP Studio
profile finished in Satin
Black with all-black
hardware and some
crazy, hot open coil
humbuckers. Definitely
a“dark” vibe!
goth ‘58
flying V™
Our classic symmetrical
design finished in Satin
Black with all-black
hardware and some
crazy, hot open coil
humbuckers. Only for
flyin’ at night!
goth ‘58
explorer™
Our classic
“modernistic” EXP™
design finished in Satin
Black with all-black
hardware and some
crazy, hot open coil
humbuckers. Explore
the dark side!
‘58 korina
explorer™
Based on Gibson’s
space age EXP™
design introduced in
1958, this breathtaking
guitar was way ahead
of its time. Featuring
two Humbuckers and
Gold hardware, this axe
looks as good as it
sounds. Take one with
you when you go
exploring your
musical universe!
‘58 korina flying V™
Based on the Gibson ‘58 Flying
V, its symmetrical “modernistic”
design changed the look of rock
and roll forever. The ultra-fast
neck and upper fret access,
offers any guitarist with fast
hands and a flair for showman-
ship a must-have axe. Often imi-
tated, but never duplicated...
until now!
“worn”
firebird™
studio
The FirebirdStudio
combines the “reverse-
body” style with our
traditional set-neck
design and full-size
Alnico Classic
humbuckers. To top it
off we’ve added
Steinberger 40:1 direct
drive, gearless tuners,
maintaining the “banjo”
tuner look and a
vintage “worn” finish.
Fly high!
In 1957 Epiphone was sold to
Gibson, Inc. Gibson was initially
interested in the big “doghouse”
bass line, which Gibson presi-
dent, Ted McCarty thought was
an excellent bass. But he got
the whole thing for $20,000.
with the stipulation that a
portrait of “Epi” be hung
wherever Epiphone guitars were
made. It still hangs, side by
side, with the portrait of
Orville Gibson at Gibson
headquarters today.
Epiphone employees “
celebrated” the sale to Gibson
with a bonfire of Epiphone guitar
parts, according to this 1958
internal memo from Gibson
Sales Rep Howard Kelley.
The memo begins, “Now I’ve
heard everything.
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the place for a bass is epiphone.
jack casady
jack casady
signature bass
Finally! A long-scale, semi-acoustic electric
bass with tone so “pure” that we dareyou to
compareit to any other bass! At the heartof
this break-through design is the new, low
impedance JCB-1 pickup capable of
producing a “natural” bass tone that cannot
be achieved using normal high-impedance
pickups and active electronics.
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performance is our passion
EB-0™bass
Like the one-pickup
original at a price you
gotta love! Plus... the
short-scale and narrow
neck make it soooo
easy to play!
EB-3™bass
Like the SG guitar, the Gibson SG
bass has defined rock music with its
ultra-thin body, lightning fast neck and
distinctive double cutaway shape.
One Sidewinder humbucker and one
Mini-Humbucker combine to give you
all the necessary tones while the set
neck gives you the sustain you need.
viola™bass
From the golden age of
British music comes
the bass that looks as
good as it sounds!
thunderbird™IV
bass
Gibson’s most
distinctive bass
features the “reverse”
body styling and dual
humbuckers!
les paul®
special bass
This classic Les Paul shaped bass
features a Mahogany body with a set
Maple neck, and two specially
designed Alnico bass humbuckers
with separate volume and one master
tone control. With its great balance
and tone, you won’t find a better
performing bass anywhere!
Epiphone was one of the most
respected names in bass violas.
This is the cover of the
1961 catalog.
An early 60s catalog page
showing two solid body electric
basses. The Embassy Deluxe
and the Newport.
Note the too cool “batwing”
headstock.
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allen woody
allen woody rumblekat bass
Legendary bassist with the Allman Brothers and Gov’t
Mule, Allen Woody designed this bass embodying the
spirit of some of his favorite classic instruments of the
1960s. Allen combined a short-scale (30”) for playing
comfort with two Mini bass humbuckers in the neck and
middle positions to give it that “signature” Woody rum-
bling, warm tone. Proceeds from the sale of this “Limited
Edition” instrument supportthe Savannah Woody
Education Fund.
embassy special-IV
4-string, laminated body;
22frets,
chrome-plated
hardware and covered
machine heads.
rolling thunder.
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performance is our passion
epiphone embassy basses
Epiphone’s Embassy basses combine classic features and
modern design with such perfection that we’ve named them after
Epi’s top-of-the-line solidbody bass from the 1960s - the Embassy.
A34-inch scale and 4-on-a-side tuner configuration harken back to
the years when the Embassy was made in the Gibson factory in
Kalamazoo. The new Embassy’s contoured double-cutaway body
ensures the perfect balance and playing comfort that modern bass
players expect from a high-quality instrument. All of the Embassy
basses have a contoured body and Thunderbird-style headstock
with straight string-pull.
el segundo
Asthe name implies, this is the “El Segundo”
(the second) acoustic/electric bass in the
Epiphone line-up of hits. Like the best-selling El
Capitan, it features great acoustic tone and
the Shadow Classic P-4 multi-band preamp,
only from Epiphone. But... at a price that is
sure to turn your head!
el capitan-4C
With its J-200 size body,Maple
top, back and sides and oval
sound hole it’s no wonder this
acoustic/electric bass sets the
standard for all to follow. With
the Shadow Classic P-4 multi-
band preamp, available only from
Epiphone, you’ll get powerful
tones “unplugged” or “plugged.”
embassy standard
IV & V
4and 5 string, solid
Swamp Ash body,
24 frets, die-cast
machine heads;
black hardware.
Epiphone string basses have
long been a respected name in
that instrument category. Here
the bass line is debuted in this
1940 Metronome ad.
Allen Woody holds a rare, yellow
Epiphone Newportbass.
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Triggerman 60 DSP
60W, Featuring E-Valve Tube Tone Circuitry.
16 DSP Selections plus Separate DSP Reverb,
2channels with Separate 3 Band EQ each, FX
Loop with Level Control, XLR Direct Out,
Headphone Out, Aux In/Out with Level Control
1X12” Special Design Speaker.
epiphone valve a
retro, solid, made to perform.
Triggerman 100H DSP
Solid State. Digital Signal Processing. Each one of
our E Series amps is features an uncompromised
level of performance at a price point that makes the
rock and roll stack a whole new business. Finally,
every guitar slingin’ rock monster in waiting doesn’t
have to wait any longer for rock star tone. 100W
Head, Featuring E-Valve Tube Tone Circuitry, 16 DSP
Selections plus Separate DSP Reverb, 2
channels with Separate 3 Band EQ each,
FX Loop with Level Control, XLR Direct Out,
Headphone Out, Aux In/Out with Level Control.
Trigger Cab
Special design 4 x 12” speakers, 280 watt
handling with Stereo/Mono.
So-Cal 50 Head
Adual power 50W/25W, Class AB Hi-gain boutique
quality amplifier that smokes heads costing twice as
much. DC powered filaments, Dual Mode EQ for
Max Tweak Options, EL34’s and remarkable attention
to detail all make the So-Cal 50H a value beyond
compare.
So-Cal 412SL Cab
Whether for use with the high-gain So-Cal 50H or
as an add-on to another amp rig, the So-Cal 412SL
offers rugged design, the best components and great
stage presence. Crafted using Birch plywood for
superior “tight” response when matched with the 4 x
12” Lady Luck by Eminence speakers. 280 watt.
Valve Junior Head
The same best selling low-watt, vintage tone of the Valve Junior in head
form. We’ve also added more
speaker outputs to
accommodate the most
popular extension cabinet
configurations and a snazzy
two-tone ebony and red
tolex scheme. For about
the price of a good pedal,
anybody can have real vintage
tube tone.
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performance is our passion
Valve Series Special
Same great amp as the Junior,
With 16 DSP Selections and
separate DSP Reverb. 10”
Speaker plus an extra 12AX7
to run its additional tone stack
for added gain control.
The Zephyr Dreadnaught
amplifier,circa 1940. This
elegent maple-veneer cabinet
resembled the bandstand music
holders popular at the time.
The stylized “E” stands
for Electar.
The earliest “Electar” amplifiers,
introduced in 1935 were
housed in a box resembling a
suitcase. No doubt because
these werepurchased from a
suitcase manufacturer. Both the
front and back came with a
detachable, hinged cover to
protect the inner workings.
Firefly 30 DSP
Cleverly designed to be guitar player friendly,easy-to use and appointed with just
enough technology to enhance great tone. 30W, 1X10” Special Design Speaker,
E-Valve Tube Tone Circuit with 16 DSP Selections plus Separate DSP Reverb, 2
Channels and 1 x 10” Special Design Speaker,Headphone Out.
Valve Series Junior
Single-Ended, Class A in a slick retro
cabinet with a special design 8” speaker.
Boutique amplifiers just became the
domain of everyguitar player out there.
Take a listen and you’re jaw will drop.
5 Watts, Class A. Single-Ended drive
true, low watt vintage tone.
Valve Series Standard
The tone is pure vintage and the quality
is pure boutique. 15W Class A (3 x
12AX7, 2 x EL84)Push-Pull. 16 DSP
Selections plus Separate DSP Reverb.
Gutsy, Musical Preamp Section with
Master Volume and 3 Band EQ.
12” Special Design Speaker.
amplifiers,
rsolid, made to perform.
Blues Custom
With 2 x 12” Lady Luck by Eminence Speakers, Two EQ Modes and style pouring
out of every inch, the Blues Custom is the best value in high-end amplification.
This is quite simply the most significant amplifier in Epiphone’s long history. Dual
Power Mode 30W Class AB OR 15W Class A, 5AR4 Tube Rectifier, Dual Mode
EQ Operation, Spring Reverb, 2 Channels, DC Powered Filaments all housed in a
rugged, multi-ply birch cabinet.
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EF-500M
With its combination of Solid
Mahogany body and Sitka
Spruce top the EF-500M has
great projection and clarity.
EF-500RA
Ajoy to play and to behold,
the EF-500RA features Solid
Rosewood back and sides, Solid
Sitka Spruce top and hundreds
of individually hand-fitted Abalone
binding strips.
(Also available in Natural Satin)
john rich
masterbilt solid-wood acoustics... unique vintage.
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performance is our passion
1930s wide-X bracing and deep
scarfing on solid-top tone woods
are the beginning of these
exquisite guitars.
Quality continues with individually
fitted trim and solid tops, backs
and sides. Finished in natural or
vintage satin to allow the
guitars to breathe.
Old-style, tapered headstock
and vintage-style open end
tuning keys make for tuning
precision and a fantastic look.
DR-500R
The ultimate marriage of
tone woods. A Solid Sitka
Spruce top and premium-
grade Rosewood back and
sides produce the
classic dreadnought
sound. The DR-500R
makes a player feel just
like it sounds - rich and
powerful.
DR-500P
Crystal clear tone. Premium-
grade, Solid Maple back
and sides add an extra level of
brilliance to the sweet
tone of a Solid Sitka Spruce top.
The DR-500P cuts through
like no traditional
dreadnought ever.
DR-500M
The quintessential flat-top
guitar. Premium-grade,
Solid Mahogany back and
sides, matched with
aSolid Sitka Spruce top,
produce the perfect guitar
tone. The DR-500M can
handle everything from
power-rock rhythms to
bluegrass leads.
(Also available with
electronics -
DR-500ME)
EF-500R
The matching of a Solid
Rosewood body with a Solid
Sitka Spruce top gives the EF-
500R the warmth and
projection so highly sought by
performing musicians.
EF-500RCCE
This new “fingerstyle” guitar
features 1.75” string spacing.
The Solid Cedar top and
Rosewood back and sides give it
arich, warm tone. And the
generous cutaway allows for
improved upper-fret access.
Included is an L.R. Baggs
acoustic/electric Piezo pickup
with electronics.
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AJ-500R
The classic Jumbo shape of
the AJ-500R is the preferred
guitar of modern music
legends.With gracefully sloping
shoulders, solid Rosewood
back and sides, and a solid
Sitka Spruce top, the AJ-500R
blankets a room with deep,
rich and rounded tones.
(Also available with
electronics - AJ-500RE)
Masterbilt AJ-500RC/
12th fret
Wehave taken the AJ-500R and
totally redefined it with a vintage
V-shape neck, slotted peghead,
and a neck that joins the body at
the 12 fret. This gives you the
look and feel of performing on
the finest old dreadnoughts of
the 20s and 30s.
gretchen wilson
beautiful sounding solid tone woods.
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performance is our passion
All Masterbilt necks arehand-
fitted to the body using tradi-
tional tapered dovetail joints
with hot hide glue.
Solid rosewood bridges with real
bone, compensated saddles are
featured on all Masterbilts.
All Epiphone Masterbilt guitars
come with an embroidered
hard GigBag.
Masterbilt
MB-500 Banjo
This new Masterbilt banjo has
abeautiful Figured Maple neck
& resonator,paired with a
traditional 3-ply HardMaple rim
&“Bronze Tone Ring”. We’ve
added a Solid Ebony fingerboard
and historic Epiphone pearl
“Cloud” inlays to add to it’s
stunning good looks!
Masterbilt Figured Koa
Ukulele with
Abalone binding
This Masterbilt Ukulele features
our outstanding, hand-fitted
dovetail neck joint and gives you
the finest in traditional Hawaiian
instrumentation. And, with the
highly Figured Koa and Abalone
trim, this ukulele looks as good
as it sounds. It also comes with
an embroidered UltraLight
Hardshell Masterbilt case!
Masterbilt Mahogany
Ukulele
With the Solid Mahogany
body,tapered dovetail neck joint
and unique bracing, this simple
yet beautiful ukulele has an
unbelievable tone. It comes
complete with an embroidered
Masterbilt Ultralight
Hardshell case.
EN-546C
With a slightly narrower nut
than the standard classical
guitar, plus a cutaway body
shape, the EN-546 makes
steel-string guitarists feel
instantly at home as they
expand into nylon string guitars.
This guitar is available with the
L.R. Baggs Element system*
with a Preamp voiced personally
by Lloyd Baggs to perfectly
match the Epiphone Masterbilt
EN-500 series guitars.
AJ500M
Our classic Jumbo shape
is made with Premium-
grade, Solid Mahogany
back and sides, and
matched with a solid Sitka
Spruce top to produce the
perfect guitar tone.
The AJ-500M can handle
everything from power-
rock rhythms to
bluegrass leads.
(Also available in Natural
Satin and with
electronics -
AJ-500ME)
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DR-100
Our most popular
acoustic, the DR-100
features a Select
Spruce top, Mahogany
back and sides and
Rosewood fingerboard
and bridge.
(Also available in Ebony
and Natural)
DR-200S
ASolid Spruce top
dreadnought at a price
you can afford. Also
featuring die-cast
machine heads for
great tuning stability.
DR-212
Yet another incredible
value! How do we do it?
Select Spruce top with
scalloped bracing,
Ivoroid binding on the
body and neck, and
Mahogany back, sides
and neck. Incredible
AJ sound and beauty in
a12 string!
performance and value, clear as a bell.
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performance is our passion
AJ®-100
The new affordable
AJ-100 now brings the
look and sound of the
AJ to everyone with
features such as a
Select Spruce top,
Mahogany back and
sides and a rosewood
fingerboardand bridge.
See and hear for your-
self... the difference is
as clear as a bell!
(Also available in Ebony
and Vintage Sunburst)
AJ®-200S
Features Solid Spruce
top, Mahogany back,
sides and neck,
reverse-belly Rosewood
bridge and a Rosewood
fingerboard, giving you
professional features at
aprice anyone
can afford!
AJ®-200SCE
If you’relooking for a great all-
purpose acoustic/electric
cutaway at a price that won’t
break your budget, this is it.
The AJ-200SCE features a solid
spruce top and the incredible
Shadow Classic P-4 multi-band
Preamp, available only at
Epiphone! Mahogany back and
sides along with the distinctive
reverse belly bridge round out
the package.
DR-200CE
Our Spruce top cutaway
dreadnought at a price
that won’t break the
bank. Also featuring
die-cast machine heads
for great tuning
stability.
AJ®-100CE
The same features as
our affordable AJ-100,
such as a Select
Spruce top, Mahogany
back and sides and a
Rosewood fingerboard
and bridge. But with a
graceful cutaway for
improved upper-fret
access. See and hear
for yourself!
asabell.
Epi Stathopoulo’s 1937
patent application for the
adjustable “Thrust” rod.
Granted in 1939, it was also
referred to as the “Epiphone
adjustable cantilver brace”.
This F.T. 79 (Flat Top) from
1948, shows the changing
upper body shape from
traditional “squareshoulder” to
“slope shoulder”. The beginnings
of the Advanced Jumbo shape.
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timeless performance, timeless tone, timeless looks.
john lennon EJ-160E
The acoustic/electric that is synonymous with John Lennon
features the same shape and feel as the Gibson...
Fab-ulous! A portion of the proceeds from the sale of each
will be donated to The BMI Foundation, Inc. for the John
Lennon Scholarship Fund which supports music education.
limited edition paul mccartney
1964 texan
The Limited Edition Paul McCartney 1964
Texan, is a replica of the famous guitar that he
used to record “Yesterday” and performed with
on the Ed Sullivan Show.Sir Paul has worked
with Epiphone and Gibson to ensure that every
detail of his original ‘64 Texan, from the correct
finish to the neck shape, is replicated correctly.
Itis. Each of these guitars comes with a num-
bered Certificate of Authenticity and custom
Ultralight Hardcase.
*Aportion of each sale will go to the
Adopt-A-Minefield® program which raises
awareness and funds to clear minefields
and rehabilitate landmine victims.
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performance is our passion
timeless tone, timeless looks.
beautiful acoustics,
historic...
EJ-200CE
We’ve changed the
rules for the “The King
ofthe Flattops” by
adding a graceful cut-
away for added fret
access and a preamp
EQ. The EJ-200CE
gives you all the
features of the EJ-200
in an acoustic/electric,
outstanding projection
and great low-end
response.
(Also available in Ebony
and Vintage Sunburst)
EJ-200
No other acoustic is as
recognizable as the
original Super Jumbo -
the Gibson J-200 -
“The King of the Flattop
Guitars.” Distinctive in
shape and appoint-
ments, the EJ-200 is
still an industry stan-
dardin acoustic
guitars, for tone and
great looks!
(Also available in
Natural and Vintage
Sunburst)
EJ-300S
The best is now even
better! We’ve taken the
Super Jumbo to the
next level with the
EJ-300S. Featuring a
Solid Spruce top and
Rosewood back and
sides for big, luscious
sound!
Apage fromthe 1939
catalog showing the
Recording guitar.
The models A thru E had
X-bracing and rosewood
fingerboards.
In 1963 the deluxe flat-top
Excellente joined the line.
$100 more than the Gibson
J-200, the Excellente had a
huge pearl inlay on the head-
stock and elegant “cloud” inlay
on the fingerboard. It also had
rosewood back and sides,
unavailable in a Gibson at
that time.
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hummingbird
That says it all! Solid
Spruce top and
Mahogany back and
sides combine for
warm acoustic tone!
dove
Like the Hummingbird,
this baby really sings
with a Solid Spruce top
but with Maple back
and sides!
americana and contemporary.
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performance is our passion
EL-00
Our latest is a great
looking Gibson based,
small 00 size acoustic
with Mahogany body
and Solid Spruce top
for that fabulous
“vintage” tone. Simple
and elegant, for the
“parlor” or the studio,
you can’t go wrong
with this Epiphone!
PR-5E
For years, the PR-5E has taken
the stage with countless
musicians. Try one and find out
why its timeless beauty and great
acoustic/electric sound with
the exclusive Epiphone multi-band
preamp have withstood the test
oftime! (Also available in Ebony
and Natural)
PR-6E
The PR-6E is one of our most
distinctive and beautiful
acoustic/electrics. With it’s
Quilted Maple back, sides and
headstock, Solid Spruce top and
Abalone inlays, this beauty is
made for the stage! Designed
with Epiphone’sexclusive scal-
loped bracing and multi band
Preamp, it sounds fantastic
plugged or unplugged. Plus the
small body and rounded cutaway
give unparalleled access to the
upper fretboard.
EN-10
Ifyou’re looking for an
entry-level classical with
good action and good
tone, look no further.
The EN-10 from
Epiphone has what
you want!
and contemporary.
The cover of an early 60s
Epiphone catalog.
The number 4 flat-top, circa
1930. This model was
produced with a laminated
arched back. It also sported a
distinctive pickguardand
staggered-pin bridge.
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MB-250
With its roots in the
Masterbilt banjos, this
professional instrument
has all the great
construction features
you’d expect from
Epiphone.
MB-200
This economical
sibling to the MB-250
is a great banjo
to start your
journey towards
bluegrass excellence.
biscuit
(Round Neck)
With its traditional
“biscuit” in the center
of the resonator and
round-neck, this reso-
phonic monster works
as well for bluegrass
as it does for the blues.
With slide or fingers,
the Biscuit COOKS!
MD-100
Our latest metal resophonic
guitar. The MD-100’s
perfectly shaped round
neck and smooth action
is perfect for finger-style,
slide or just flat out blues.
This sweet thing is a must
for any axe collection, at
aprice you can afford!
bluegrass, newgrass or anything in between.
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performance is our passion
MM-20
Just like the MM-30
except with Select
Spruce top and
chrome hardware.
Areal solid mandolin
at a great price!
MM-50
The Gibson F-5 mandolin is
the essential “f” style man-
dolin. Our MM-50 is a com-
plete re-design of the
Epiphone F-style... step on
back to 1922. Features
include Solid Spruce
top and Figured Maple back
and sides and a beautiful ‘22
style sunburst. headstock
veneer
,trussrod cover, multi-
bound pickguardand
appointments are all
historically correct. The
fingerboard size, shape,
scale, inlays and fingerboard
supportare all based on the
vintage 1922 F-5. Lloyd Loar
would be proud!
MM-30E
If you’re looking for
agreat “A” style
mandolin with
professional features
such as Solid Spruce
top and Mahogany
back and sides. look
no further!
Also available
(Non-electric -MM-30)
mandobird-IV
We’ve got a crossover
mando for those who like to
cut across the grain! The
MandoBird is a new twist to
aclassic Gibson shape, the
Firebird! The Mandobird-IV
features our custom
MandoBird single-coil pickup
and Mini Grover™tuners.
This little 4-String can do it
all! (Comes with Gigbag)
mandobird-VIII
Like the Mandobird-IV
the new MandoBird-VIII
features our custom
MandoBird single-coil
pickup and Mini
Grover™tuners. With
eight strings arranged
in pairs, the feel will be
morefamiliar to the
acoustic mandolinist.
The Mandobird’s unique
look and sound make it
very appealing to gui-
tarists as well as man-
dolin players
(Comes with GigBag)
MB-100
Dubbed the “First Pick”
banjo because of it’s
affordable, light-weight
design, the new MB-100
makes a great starter or
travel banjo. With no
resonator, it’s light yet the
tone is perfect for
impromptu “acoustic jams”.
or anything in between.
The House of Stathopoulo was
inthe banjo business from the
very beginning. This patent for
banjo construction was
assigned to Epi in 1917.
Anastasios Stathopoulo started
out as a builder of traditional
Greek instruments as well as
the mandolin and banjo.
This gorgeous 1933 Windsor
mandolin was used on the
album Tone Poems II,by David
Grisman.
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les paul®special™II
player pack
Our best selling Special II
electric guitar, plus a
screaming Studio 10
amplifier with 3-band EQ,
Gain controls, and
Headphone jack. It also
comes with GigBag, Tuner,
Strap, Cord, Picks and
Instructional DVD!
SG®special™
player pack
Our smokin’ SG Special
electric guitar, plus a
screaming Studio 10
amplifier with 3-band EQ,
Gain controls, and
Headphone jack. It also
comes with GigBag, Tuner,
Strap, Cord, Picks and
Instructional DVD!
SG®junior™
player pack
Our slick SG Junior
electric guitar, plus a
screaming Studio 10EQx
amplifier with 3-band EQ,
Gain controls, and
Headphone jack. It also
comes with GigBag,
Pitch Pipe, Strap, Cord
and Picks.
PR-4E acoustic/
electric player pack
The new PR-4E features a rim-
mounted Preamp with 3- band
EQ. This package also comes
with a Studio Acoustic 15 watt
amplifier with XLR mic input
and Chorus. Plus a GigBag,
Tuner
,Strap, Picks, extra
Strings and Instructional DVD.
EB-0 electric bass
player pack
Our best selling EB-0
electric bass, plus a
thumping Studio Bass10
amplifier with 3-band EQ,
Presence controls, and
Headphone jack. It also
comes with GigBag, Tuner
,
Strap, Cord, Picks and
Instructional DVD!
embassy electric
bass player pack
Our favorite Embasy
electric bass, plus a
thumping Studio Bass10
amplifier with 3-band EQ,
Presence controls, and
Headphone jack. It also
comes with GigBag, Tuner
,
Strap, Cord, Picks and
Instructional DVD!
W1531 TextEpiphone1 3/23/06 12:44 PM Page 40
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