Panel Controls Continued:
DELAY: The Delay knobs 1 and 2 set the delay time duration in conjunction with the RANGE
switch selector. The delay times are different for the CLEAN and RESAMPLE delay modes
as selected by the DLY TYPE switch (see below). The DELAY knobs also set the division
for SYNC between 1-8 divisions of the clock patched to the SYNC input jacks.
See Range switch page 4 for more info about delay duration.
RESONANCE and CUTOFF: The Cutoff control sets the frequency of the internal 24dB
Lowpass filter that is situated in the feedback path of each delay channel. The filter is
common to both delay channels but can be routed to each channel separately or applied to
both simultaneously assigned by the FILTER routing switch (see below). The resonance
controls the feedback of the filter (not the delay feedback).
The filter helps to emulate analogue type delay effects such as Bucket Brigade or Tape delay
effects by reducing the bandwidth of the wet signal typical of these type of FX. BBDs
especially suffer from reduced bandwidth at longer delay times.
SWITCH FUNCTIONS:
DELAY TYPE: The Delay Type switch selects between the two types of delay available.
The CLEAN mode sets the channels to typical Digital Delay sound with no pitch shifting
during changes to delay time either with the Delay knob or CV.
The RESAMPLE mode produces pitch shifting effects when delay time is modulated or
adjusted with the Delay pot. This Mode is included for users interested in emulating
Analogue Delay effects and is particularly well suited for modulated delays or emulations of
tape speed fluctuations etc. With the switch in CLEAN position both channels are clean. In
the centre position C1-R2, channel 1 is clean and channel 2 is resample mode.
In RESAMPLE position both channels are in resample delay mode.
See page 6 for diagram showing the structure of each delay type
FILTER SWITCH: There are two filters internally but only one set of controls for both so
frequency and resonance is the same for both channels. The FILTER switch controls the
routing of the filter between the two channels. In DELAY1 position the filter is only applied to
channel one. Channel two is not filtered. In the 1&2 position both channels are filtered.
In DELAY2 position only channel 2 is filtered.
ROUTING SWITCH: The routing switch is used to route the signal path between the input
jacks and delay channels. In DUAL MONO position Input jack 1 is routed to channel one
delay and outputs at OUTPUT1. This applies also to Input2 which is routed to Delay channel
2 to provide two channels of independent monophonic delay with separate control over delay
time, echo amount , mix etc. In STEREO position Input one is routed to both delay channels
and output on OUTPUT1 and OUTPUT2 for stereo delay with independent control of delay
time, echo amount and mix for each channel. INPUT2 is summed with INPUT1 to make it
possible to mix two signals before routing to the delays.
With the switch in DUAL TAP position INPUT1 and 2 are summed and routed first to Delay
channel one and then to Delay channel 2 in series. This allows for “delay within delay” effect
or pseudo multi-tap delay effect. The knobs assume a different roll in this mode with Mix1
and Mix2 controlling the level of each delays “wet” amount while ECHO1 controls the level of
the DRY signal to the overall mix. ECHO2 becomes the master echo amount for both delays.
Output 2 is the MAIN output in this mode. Output 1 is from delay channel 1 without any
DRY mix and can be used for dual output stereo field effects when panned left or right with
channel 2 on the opposite side.
See Routing Modes on page 7 of this manual for more info.
pg.3
