Swart Space Tone 30 User manual

Swart Amplifier Co
W i l m i n g t o n , N o r t h C a r o l i n a
swartamps.com
910.620.2512 · [email protected]

IMPORTANT: After un packing your amp, inspect it to make sure there was no damage in shipping. If
you see anything amiss, please contact your dealer immediately. It’s important to make sure that all tubes
are properly seated in their sockets. Remember to keep all original packing materials. Before use, please
familiarize yourself with this manual. Do not power your Super 30 up without having your speaker cabinet
CONNECTED with matching impedance. DO NOT USE GUITAR LEADS – Only cable designed for
running speakers/cabs should be used.
Swart Amplifier Co
Super Space Tone 30 Head
Welcome to the Swart Amplifier Co Family ~ It’s all about the TONE by Michael Swart
Thank you for purchasing the Swart Super Space Tone 30 , all - tube amplifier. You just purchased
one of my favorite amplifiers, and a logical succession in the Space Tone series. The Super ST -
30 carries on the Swart sonic signature as another altar to TONE with all the sonic complexity,
depth, harmonic richness, dimensionality, and quality evident within the Swart Space Tone
Amplifier line, just with more power ( BIG SOUND ), housed in an aluminum chassis within a
custom pine cabinet covered in dyed lacquered tweed.
This amplifier puts out @ 30 -35 t ube w atts using a matched quad of 6V6 GT outputs , perhaps the
King of T one in the valve family. The Cathode - Biased circuit (no need to manually bias) is AB
Push - Pull , biased high in Class A with a robust Power Supply, and like all Swart amps, utilizes
tube rectification for tonal superiority (Although cheap to implement, SS rectification tends to
leach the natural harmonics, bringing harshness to the sound). It’s actually the first amplifi er
from me that features a Master Volume via an implementation that lacks the usual sonic
compromise when run pre driver tubes. This Master Vol brings additional flexibility to the Super
30, especially when partnered with my next tweak: I’ve included a “HI/LO” gain switch that
allows clean output to “11” if desired via the “LO” option. The HI setting brings a larger than
life , tonally rich, Swart tube breakup that I feel is in a class of its own. Yeah, it’s Papa talking but
I can’t help it with this one , even if it’s th e third born .
I personally have not heard anything in this power range that sounds this soulful, dimensional,
and tonally complex. I think I ’ve hit upon some serious magic via this circuit, aided by attention
paid to proper part select ion and build /layout detail. As with every good tube amplifier, there is
serious homage paid to the great all- tube circuits of the 50s and 60s, but with some twists that
make this amplifier unique. The circuit is beautiful in its simplicity and electrically honest. T he
internal wiring/ layo ut is mirrored after the legendary LEAK HI - FI amplifiers with point - to -p oint,
hand - wired circuitry using “ Lo om” layout.
Ultimately, none of this matters if the amplifier doesn’t convey your emotion and expression as a
musician. This is what I concentrate on with every Swart Amplifier circuit and what I feel comes
through via the Super Space Tone 30. Please take the time to read this manual and familiarize
yourself with the Super 30’s design and operation. I hope you enjoy this amplifier as much as I
do, taking pride in knowing you have a 100% hand-crafted amplifier, from input to output, in the
tradition of Swart Amplifier Co.
Drop me a line or email to let me know how you like your new amp! I look forward to heari ng
from you.
Michael Swart
Owner - Designer
Swart Amplifier Co.

WARNING : No user serviceable parts inside. Refer servicing to qualified personnel only
Super Space Tone 30 Tube Layout and ID
V1 - 12AX7 First Stage Preamp Tube
V2 - 12AX7 Second Sta ge Preamp Tube / Tone Circuit
V3 - 12DW7 Reverb Driver / Reverb Return
V4 - 12AX7 Tremolo / Driver
V5 - 6V6 Power Tube
V6 - 6V6 Power Tube ** EL -34 (1)
V7 - 6V6 Power Tube ** EL -34 (2)
V8 - 6V6 Power Tube
V9 – 5AR4/5Y3 Rectifier Tube (Use 5AR4 /GZ34 for more headroom and less sag)
Your Super 30 comes supplied with a match ed quad of Electro- Harmonix 6V6GT, three JJ
12AX7 , one JJ 12DW7, and a JJ GZ-34S for rectification. I have tried most of the latest tubes
from manufacturers and can say these repr esent our choices in current production for the Super
30. Of course, there is always the draw of the tone/sonics you can obtain from NOS alternatives ( I
admit, the ST-6V6se can be transformed). I ndeed, some of the best of the breed can really bring
satisf ying results. Unfortunately, there are a number of circumspect tubes floating around on
eBay and the net. It’s also hard to achieve proper matching of the power tubes and many NOS
can be extremely microphonic. For this reason, we fully endorse the use of the supplied brands .
** If subbing EL - 34, use only TWO in V6 & V7 (two center power tube sockets) for your Power
Output tubes. V5 &V8 remain empty. Do not run four EL -34. Running two EL-34 brings a bit of
added top - end extension along with a bit more drive/ relative vol ume . You do los e a bit of the 6V6
quad vintage soul, but the amp takes on a slightly more modern British flair . We’ve tried JJ EL-
34 with good results.

Super Space Tone 30 Control Layout
Power On Procedure – Make sure speaker cabinet and reverb jacks are all plugged in BEFORE the
amplifier is powered on. With the “launch” standby switch down, flip the power switch up for ON. The
Jewel L ight will glow blue on power-up. Wait about 60 seconds before engaging the Launch switch (up).
This allows for proper tube warm-up time before hitting them with B+, greatly increasing tube life. If the
S ST - 30 is temp orarily not in use, you can turn off the Launch switch to preserve tubes.
Hi/Lo Inputs – Lower output guitars with a need for more gain might prefer the HI input. Guitars with
“hot” pickups might prefer the LO input. Experimentation is encouraged here with guitar preference.
Hi/Lo Gain Switch – Lo setting allows clean output to “11” if desired. The HI setting brings a larger
tha n life, tonally rich, Swart tube distortion. Adjust Master and volume as needed for needed balance.
Volume – A djusts the loudness of the amplifier with gain control at the Preamp Tubes.
Tone – Simple Tone Circuit treble cut – Preserves tonal integrity o ver more complex implementations .
Space – Controls amount of “tube” Reverb sound from off to swamp, surf, lush, swimmingly Good.
Speed/Depth (Tremolo) – Depth controls intensity of the tube tremolo from off to deep. The Speed
control s the rate of the tre molo /vibrato pulse . On occasion, if at full, you may hear some pulse even if the
amp is idle; this is normal .
Master – The Super 30 Master volume is P ost Driver tubes so it adjusts the gain of your output/power
tubes. The volume adjusts your preamp/driver gain. This Master implementation allows for less sonic
compromise & brings additional natural tube compression. We urge experimentation for desired results.
IMPORTANT: For most use, leave at “11” to get FULL POWER from output tubes.
Launch – This is the “ standby ” switch. Set amp to Standby ( Launch baton down ) to allow the tubes to
warm up after the amp is initially turned on (see Power below). After about 1 minute of warm up, you can
switch Standby up , and the amp is ready to be played. Using the “ Launch” standby switch will significantly
prolong tube life.
Power – This is the switch that brings the current via the mains into the amplifier. It is activated in the
“up” position. You will not get B+ voltage and full operation unless your “Launch” is also in the “up”
position. The J ewel L ight will glow blue when the power switch is engaged and the Mains fuse is intact .

Super Space Tone 30 Rear Layout
Mains IEC & Fuse – To the far left, you have the Mains IEC plug with extra fuse ( 3 Amps ) . Gently pry
the bottom cover off to reveal the fuse container. This can be accomplished with a small flathead
screwdriver, carefully prying open to reveal the fuse holder/container.
HT Fuse – The HT fuse is an excellent precaution; in the rare event that a tube does fail, the amp lifier is
protected by a 500ma fuse. This is a simple push and twist release holder, counter clockwise to remove,
clockwise to re - insert. If this fuse does blow, it’s best to consult qualified tech for assistance .
Speaker Outputs 1&2 – These are the two speaker cabinet outputs. At least ONE speaker needs to be
plugged in before operating your Super 30. Care must be taken in assessing the impedance if running two
cabinets via both outputs. IF using one cab, plug into the Speaker s 1 jack.
Impedance Selector (4 -8- 16 ohms ) – The Super 30 can be run 4, 8, or 16ohm loads using the selector
switch on the rear of the amplifier. If just running one Speaker Cabinet, always plug into the Speaker 1
jack. Set the impedance on the head to match the speaker cabinet. The stock Swart Super ST Cabinet
provides an 8ohm load. Running amp lifier with two speaker cabinets: If you are running two 8 ohm
cabinets plugged into Speaker 1 and Speaker 2 jacks, set the impendence connector to 4 ohms. For your
own application, please refer to the excellent Impedance Chart on page 12 of this manual.
Foot Switch – Ja ck for Swart Amps supplied dual foot switch ~ C ontrols both Reverb & Tremolo.
Reverb Tank (O for Output / I is Input ) – The Super Space Tone 30 has excellent tube reverb
quality. The dedicated Reverb Tank is actually located behind the back panel on the top of the enclosure
over the Preamp Tube side. The send and receive lines plug into the top of the chassis behind preamp
tubes . The tank is housed in a leatherette fabric holder that opens from the right side if looking from the
rear of the amplifier. Note: The input chassis RCA is the jack to the right if looking from rear. The cables
are labeled as indicated within the parenthesis above. See detailed instructions with photo on Reverb Tank
removal/examination later in the manual.

Super ST-30 Tube Rolling & Replacement
O Tube Rollin’ Fiend
by kh ~ Swart Amps Online
Access to the full compliment of Super Space Tone
30 tubes CAN be achieved via the front oval cutout
although it’s easier if you have hands and wrists akin
to a Russian Ballerina or Heroin addict (or an
unsuspecting wife nearby).
Actually, I will begrudgingly admit to being able to
change all the tubes myself from the front oval.
After contorting hand to “The Claw” and removing
V5 & V6, one can then bring the right hand and
wrist in to reach the preamp tubes. While the power
tubes and rectifier are relatively easy, the preamp
tubes are more problematic, but can be done even if
not a certified member of the Starving Musicians
Club.
Ham fisted sorts will need to move to Plan 2, seen at
right, this via the rear opening sans back panel, a
simple procedure involving the removal of only four
Philips Head screws (long ones though). Thankfully,
there is very little head scratching involved with the
Super 30.
Due to the length of the screws, one might be
encouraged to “grab the drill” with ye olde Philips
bit, smiling a mile wide at your cleverness. I
watched Dr. Swart do this very thing late one night,
this with his own personal Super 30. It was not a
pretty sight.
Here we have lovely Audrey, Swart Spokes model
and semi-willing participant, easily accomplishing
the entire process, from removing the rear panel to
extracting the preamp and power tubes, all with little
fuss (well, she did give me a bit of hell).
- continued on next page
Note: The amplifier chassis is actually bolted to the enclosure
base with four stainless screws with integral inserts to alleviate
stripping. However, the only recommended user removable
portion of the head is the back panel, held by the four screws.
Do not remove the chassis as there is potentially lethal voltage
within.
Step 1: Unplug from wall or IEC Jack
Step 2: Bribe wife/girlfriend/groupie to begin
unscrewing the four 1.5” rear panel screws. Watch
at safe distance offering instructions every f ew seconds
Step 3: Tell poor sap to make sure to grasp the panel
as above,
carefully pulling out from top first
.

Once the panel is carefully removed, access to the
line of tubes is relatively easy, only involving
minimal Houdini-esque contortion. Interestingly,
shaping your hand into a virtual “pick grip” does
a good job in preparation for this duty.
See Audrey again at right, tube extraction
accomplished even with blinding flash going off
midway through move. True, it’s doubtful she’ll
ever do this again, but it’s not because it was all
that difficult.
Notice the mild look of disgust when eyeing that
6V6GT, this only because I had just said, “OK,
better put it back in.”
But many will be wondering if bypassing the rear
panel removal is at all possible. Swart seems to
prefer the panel option, but with my characteristic
laziness. I’m looking to the path of least resistance
solution..
-
continued on next page
Panel Removed – Clos e Up view of Preamp tubes,
Output Trans, and Reverb tank output/input
Step 4: Witness Audrey carefully moving to
the tubes fr om right to left for extraction.
Step 5 : Now, Stare at tube.
IMPORTANT REMINDER:
this goes for ALL tube components,
whether guitar or audio related -
Always, gently extract the tubes by
grabbing them at the base, carefully
easing them out with only subtle
movements back and forth, while
pulling straight up. If careful, you will
never hear that sickening snap of thy
tube pin or center key guide, a sound
that surely brings the deepest of groans
with horror sigh, closely followed by
the head in hands. Older sockets need
less movement to and fro, but new,
tight sockets will sometimes grip with
force. On the Super 30, you’ll notice
the guide keys for V5 thru V9 ALL
face at 2 o’clock if looking from the
rear (8 if replacing from front). This is
a big help when aligning the pins for
replacement. The preamp tubes have
the pin “C” opening facing 3 o’clock
from the rear, 9 from the front. Never
FORCE a tube into the socket. - kh

Here we have Audrey again, going for the oval
cutout output tube removal with utmost
concentration. Sadly, I’m starting to get slightly
jealous spying the way she’s looking at that tube.
What this says, I’m not sure...
If you can overt your eyes, Audrey talked me into
attempting the feat below, from start to finish, my
own sorry arm as subject, and a sorry arm is it (I
don’t think I’ve lifted a weight since 11th grade
Gym class). Well, I managed to remove all nine
tubes, including the very last 12AX7 driver. I then
put them all back, this after Audrey expressed
some doubts, especially since I had already
downed four glasses of mediocre wine, this to
celebrate a wonderful Friday evening of changing
tubes in thy Swart Amplifier... Indeed.
All aside, I love playing through these amplifiers;
it’s a labor of love for all. Ever since the first day
I tried the prototype 6V6se, I’ve been hooked.
Have fun playing your new Swart Amplifier. After
all, that’s what it’s all about. Me, I’m thinking
about becoming a hand model – kh
Step 6 : I’m now jealous of an output tube…

Super ST-30 Jewel Lamp Rolling
Believe it or not, this is an issue that actually brings some Swart owner head scratching. Seems
some of the initial Swart Amplifier Jewel Light bulbs were prone to early burnout; either that, or
people were playing their amps at all waking hours, unable to put the damn guitar down. We
prefer the second theory. But for all those that wonder, here is the step -by- step low down on how
to chang e the proverbial Swart Amp Bul b ... Note: T his applies to ALL Swart Amplifiers
1 T urn the knurled base counter clockwise to remove .
2 Push bulb in, rotate left to release bayonets.
3bulb releases – draw ou t. 4 See socket with openings for bayonets .
5 Align bayonets, push in, turn right to lock .
6Bulb should be cent ered and held in - screw on cover

Super ST-30 Tube Reverb & Tank
One of the hallmarks of the Swart Amplifier Space Tone series of amps is the excellent reverb.
Unlike many other amplifiers, the Swart reverb is “Tube-D riven ,” which provides a more
holographic, spacious, and realistic rende ring. The Reverb Tank is located in the inside top right
of the head enclosure, above the preamp tubes in a leatherette pouch that opens from the right.
Access to the tank is via the rear after removal of the panel ’s four screws. See in detail below .
3bulb releases – draw out.
3See Reverb Tank at top right within pouch 4Remove Tank leads from chassis RCAs (output /input)
5 Use stub Philips driver to r emove single
screw holding pouch a t right
6Carefully swivel tank and pouch out, maneuvering
over the Output transformer
1 Unplug IEC and remove the 4 Phillips Head Screws
2Remove panel as seen above, pulling out top first.

Super ST-30 Tube Reverb & Tank continued
9 See tank with output/inputs and banded lines
Access contents via other “wood covered ” side
10 Remove band and wood cover (2 bolts/lock nuts)
to access reverb springs/wiring
11 See exposed tank springs along with wiring to jacks 12 Close -up . The most common problem in reverb tanks
is wir ing problems from shipping mishaps
7 Sl owly remove Tank from pouch – Notice orientation
8 Tank removed from pouch with cables
Putting the reverb tank back is slightly more patience testing. First, r eattach the
wood cover and
band holding excess cable. Now, on a soft towel or carpet, place several book
s down, and place
head “upside down” resting on top, with books supporting left
side, this to keep handle off
ground. Now reverse your steps above, placing tank in pouch, metal side up,
in same relative
orientation . Find the three holes at pouch end, thr eading
screw through each, before rotating
tank/pouch back in. Pull the pouch a bit and try to line up screw with previous hole
. This is
actually the most difficult part of the whole procedure. Once found, slowly t ighten screw
. Return
amp upright, m ak ing sure tank pouch is not touching Output Transformer .
Reconnect Reverb
cables : Out put to left RCA | I nput to right RCA

Impedance Chart/Diagram
with thanks to long time speaker builder Jensen at www.jensenvintage.com
The diagrams below illustrate the multiple ways one can achieve a standard 8 ohms for your
amplifier ou tput tap, this via multiple speakers wired in Parallel, Series, or both. The Swart Super
Space Tone 30 Head offers the option to switch between 4/8/16 ohms at the output tap, giving
one a myriad of speaker/cab wiring options . Please reference the chart f or your application.

Super Space Tone 30 Additional Info
Idiot’s “ M an, what’s up with m y amp” Initial Troubleshooter Checklist
Is the power cord properly plugged into an electrical outlet?
Is there power at the outlet?
Is the volu m e control on t he instrument turned up?
Is the Cabinet plugged in ?
If so, then eliminate all effects and try different guitar cords.
While at it, eliminate the guitar as a culprit (pots, grounds, jacks, shorts)
Check to see if Mains and HT fuses are intact *
If, after che cking all the above, the system is still not operating properly, consult
your authorized dealer or Swart Amplifier Co .
* If fuse is blown, never replace with any other fuse than specified. In addition, blown fuses can
often indicate a more serious proble m. If replacement fuse blows, please consult an authorized
technician. HT fuse blown often indicates tube short or other valve related issue.
Swart Amplifier Co
2 031 Wrightsville Av e. Wilmington, North Carolina
910.620.2512 · [email protected]
www. swartamps.com
©2007 Swart Amplifier Co.