Top pro music gear MX.6FX User manual

MX
MX.6FX
6-CHANNEL MIXING CONSOLE
WITH DIGITAL EFFECTS
6-CHANNEL MIXING CONSOLE
WITH DIGITAL EFFECTS
-30
0
-4
-10
POWERPHANTOM
PHANTOM
10
CLIP
2TK TO
CTRL ROOM
LINE
BAL UNBAL
2 TRACK IN OUT
IN OUT
L
R
6-CHANNEL MIXING CONSOLEWITH DIGITAL EFFECTS
2TK TO MIX
LR
10 8
9
PRESETS
1
12
11 7
4
5
6
3
2
13
14
15
16
PHONES
AUX SENDS
1 VIBRAFLANGE
2 FUNKY
3 ROCKABILLY
4 BIGSTAGE
5
8
9
12
13
16
FX LEVEL REVERB LEVEL
VIBRATO
FLANGER
CHORUS
PEAK
CTRL RM OUT
STEREO AUX
RETURNS
L
R
L
R
MX 6FX.
LINE
MASTER AUX
SEND
1234/56/
BAL UNBAL
L
R
L
R
L
R
MONO MONO MAIN OUT
BAL UNBAL
BAL BAL
MIC INPUTMIC INPUT
BAL UNBAL
60 60
MX
NF03519-1.0

MX
15
MX

MX
1. INTRODUCTION ............................................................................................................4
2. FEATURES .....................................................................................................................4
3. USEFUL DATA ..............................................................................................................4
4. CONTROL ELEMENTS.................................................................................................6
6. WIRE CONNECTION.....................................................................................................10
5. INSTALLATION TIPS.....................................................................................................9
7. APPENDIX.....................................................................................................................11
9. TECHNICAL SPECIFICATIONS ...................................................................................12
10. BLOCK DIAGRAM .....................................................................................................13
11. GUARANTEE............................. ................................................................................14
12.NOTES..................................... ...................................................................................15
8. PRESET LIST.................................................................................................................11
14
MX

2 MIC input channels with gold plated XLR and balanced LINE input
2 stereo input channels with balanced TRS jacks
Ultra-low noise discrete MIC pre-amps with +48V Phantom power
Extremely high headroom offering extra dynamic range
Balanced inputs for optimal signal integrity
Warm, natural 3-band EQ on each channel
Built-in 24 bits digital effects processor
Peak LED on each channel
AUX send for internal/external effects or stage monitoring
Main output, Control room and headphone outputs
2-Track inputs assignable to main mix, control room/headphone outputs
Highly accurate 6-segment bar graph meters
Thank you for purchasing the MX.6FX 6-channel mixing console with 24-bit digital multi-effect.
MX.6FX mixing console is a remarkable compact mixing desk that does not find many equals in
the market today. With 2 microphone and 2 stereo Line-level inputs for small live performances,
small studio recording and general PA applications, MX.6FX also includes a 24-Bit digital multi-
effect with 16 Factory Presets and separate level for digital reverb. There is a 3- band EQ on all
input channels and separate Main Mix and Control Room outputs for operation with different
volume settings. Use it for small GIGs and RECORDING. MX.6FX also is a flexible tool for Multi-
media presentations.
Thank you again for making right choice in purchasing the TOPP PRO MUSIC GEAR.
MX
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MX

HOOKUP DIAGRAM
SMALL GIG
MIC 1 MIC 2
KEYBOARD DRUM MACHINE
CD PLAYER
DAT OR TAPE RECORDER
DAT
DIGITAL EFFECT UNIT
POWERED STAGE MONITORS
ACTIVE SPEAKERS (ALTO PS4 HA)
LINE
BAL UNBAL
2 TRACK IN OUT
IN OUT
L
R
6-CHANNEL MIXING CONSOLEWITH DIGITAL EFFECTS
PHONES
AUX SENDS CTRL RM OUT
STEREO AUX
RETURNS
L
R
L
R
MX 6FX.
LINE
1234/56/
BAL UNBAL
L
R
L
R
L
R
MONO MONO MAIN OUT
BAL UNBAL
MIC INPUTMIC INPUT
BAL UNBAL
60 60
BAR, PUB, RESTAURANT
DRUM MACHINE
CD PLAYER
2 TRACK RECORDER
ZONE 2 ACTIVE SPEAKERS
MAIN ACTIVE SPEAKERS
WIRELESS MIC
STEREO AUDIO FROM TV
TV SCREEN
GUITAR D/I BOX
HEADPHONE
LINE
BAL UNBAL
2 TRACK IN OUT
IN OUT
L
R
6-CHANNEL MIXING CONSOLEWITH DIGITAL EFFECTS
PHONES
AUX SENDS CTRL RM OUT
STEREO AUX
RETURNS
L
R
L
R
MX 6FX.
LINE
1234/56/
BAL UNBAL
L
R
L
R
L
R
MONO MONO MAIN OUT
BAL UNBAL
MIC INPUTMIC INPUT
BAL UNBAL
60 60
MX
Input Channels
Model Number
MX.6FX MIXING CONSOLE
electronically balanced,
discrete input configuration
10 Hz to 55 kHz, +/ 3 dB
0.005% at +4 dBu, 1 kHz
0 dB to 60 dB (MIC)
115 dB
electronically balanced
10 Hz to 55 kHz, +/ 3 dB
0.005% at +4 dBu, 1 kHz
Microphone input
Frequency response
Distortion (THD & N)
Gain range
SNR (Signal to Noise Ratio)
Line input
Frequency response
Distortion (THD & N)
Mono input channels
Stereo input channels
Line input Balanced
Frequency response 10 Hz to 55 kHz, +/3dB
Distortion (THD & N) 0.005% at +4 dBu, 1 kHz
Tape Out
Microphone Input 1.4 k Ohms
All Other Input 10k Ohms or Greater
1k Ohms
All Other Outputs 120 Ohms
Impedance
Equalization
Hi shelving +/ 15 dB @12 kHz
Mid bell +/ 15 dB @ 2.5 kHz
Low shelving +/ 15dB@80Hz
DSP Section
A/D and D/A converters 24-bit
DSP resolution 24-bit
Type of effects Vibraflange, Funky, Rockabilly, Bigstage,
Vibrato1-4,Flanger1-4, Chorus1-4
Presets 16
Controls 16-position PRESET Selector, FX level,
REVERB level, CLIP LED.
Fader 0dB,Channels muted:-100dBr
(ref:+4dBu)
Fader 0dB, All Input Channels Assigned
And Set To UNITY Gain:-90dBr(ref:+4dBu)
Max Output +22 dBu Unbalanced,1/4'' Jacks
AUX Sends max out +22 dBu
Noise(Bus Noise)
AUX Returns gain range to +15 dB
Main Mix Section
Power Supply
(AC/DC Adaptor)
Main voltage
USA / Canada 100-120 V~, 60 Hz
Fuse
Europe 210-230 V~, 50 Hz
U.K. / Australia 240 V~, 50 Hz
15 Watts
Power Consumption
Physical
Dimension(W D H)
Net weight
Shipping weight
2.7 Kg (5.95 lb)
1.4 Kg (3.09 lb)
185 mm 230 mm 35/55 mm
12
9
MX

FRONT PANEL
2
BAL UNBAL
34/
L
R
MONO
1- MIC INPUT
MX.6FX is equipped with 2 low-noise microphone preamplifiers with
optional phantom power, 60 dB of Gain and 115 dB of S/N ratio. You
can connect almost any type of microphone. Dynamic microphones
do not need phantom power. Use phantom power only with condenser
microphones but make sure that the phantom power button is dis-
engaged before connecting the microphone. Phantom power will not
damage dynamic microphones but it may damage tube or ribbon
microphones so make sure to read the microphone instructions manual
before engaging phantom power. Use switch (24) to activate/deactivate
phantom power. These two channels are also equipped with 1/4" TRS
balanced/unbalanced LINE-IN plugs to connect line-level instruments
such as keyboards, drum machines and effect devices.
NOTE: Never try to connect a line-level signal to the XLR MIC input
when the phantom power is engaged or you may seriously damage
your equipment.
2- STEREO LINE INPUTS
These are channels 3/4, and 5/6. They are organised in stereo pair and
provided with 1/4" TRS phone sockets. If you connect only the left jack,
the input will operate in mono mode, that's mono signal will appear
on both input channels. You can use these inputs with a stereo keyboard, drum machine, etc.
3- TRIM
This control is provided with 2 different indication rings: one is for the MIC and the other for the
LINE input. When you use a Microphone, you shall read the MIC ring (0~60 dB); when you use a
line level instrument, you shall read the LINE ring (+15~-45 dB). For optimum operation, you
shall set this control in a way that the PEAK LED will light up only occasionally in order to avoid
distortion on the input channel.
STEREO AUX
RETURNS
L
R
4
PHONES
AUX SENDS
5
6
4- STEREO AUX RETURNS
You can use these stereo 1/4" phone sockets to return the stereo signal of an effect unit to the
Main Mix. Alternatively you can use them as an extra auxiliary input and using the AUX RETURN
level control as volume control. The signal will be sent directly to
MAIN MIX control.
5- AUX SEND
This 1/4" phone socket is used to send out the signal from AUX bus
of the input channels into external devices such as effect units and/or
stage monitors. AUX SEND is wired post-fader to control the signal
of the internal multi-effects unit. You can also connect an external
effect unit. In such case, the internal effect unit will be automatically
disconnected. If you want to wire the AUX circuit as pre-fader, read
Chapter 6. of this Manual. In the pre-fader mode, the AUX bus can
send the signal to a stage monitor.
6- PHONES
This socket will be used to send the signal to a pair of headphones.
7- CTRL ROOM OUTPUT
These 1/4" phone sockets will be used to send the signal to a pair of powered Studio Monitor
speakers or to a second set of PA.
1
3
LINE
1
MIC INPUT
BAL UNBAL
60
30
MX
11
VibraFlange Slight pitch variation with Flanger effect. Mode Level: 90%
Large pitch variable with heavy Flanger effect.
Funky
Simulate a stage space with slight Flanger effect.
Rockabilly
Simulate a stage space of the sound.
Big stage
Slight variation of pitch resulting from the free
oscillation of the vocal cords.
Vibrato 4
Flanger 4 Simulate to play with another person carrying
out same the notes on the same instrument.
CHORUS 4 Recreate the illusion of more than one instrument
from a single instrument sound
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
NO. Preset Description
Simulate to play with another person carrying
out same the notes on the same instrument.
Parameter
Mode Level: 68%
Rate: 0.1 Hz
Decay time: 5.4s
Rate: 4.8 Hz
Vibrato 3 Slight variation of pitch resulting from the free
oscillation of the vocal cords. Rate: 3.8 Hz
Vibrato 2 Slight variation of pitch resulting from the free
oscillation of the vocal cords. Rate: 3.0 Hz
Vibrato 1 Slight variation of pitch resulting from the free
oscillation of the vocal cords. Rate: 2.0 Hz
Rate: 4.9 Hz
Flanger 3 Simulate to play with another person carrying
out same the notes on the same instrument. Rate: 3.21 Hz
Flanger 2 Simulate to play with another person carrying
out same the notes on the same instrument. Rate: 0.9 Hz
Flanger 1 Rate: 0.56 Hz
Rate: 3.6 Hz
CHORUS 3 Recreate the illusion of more than one instrument
from a single instrument sound Rate: 1.79 Hz
CHORUS 2 Recreate the illusion of more than one instrument
from a single instrument sound Rate: 0.82 Hz
CHORUS 1 Recreate the illusion of more than one instrument
from a single instrument sound Rate: 0.39 Hz
PREFADER AND POSTFADER CONSIDERATIONS
Interesting consideration! Where are the faders in your MX.6FX
Actually a fader is usually regarded as a slider, that is a linear potenti-
ometer. All potentiometers in your are of rotary type but we
keep the pre-fader/post-fader description that is quite industry
standard and easily understandable. When your leaves the
Factory, the AUX bus of all input channels is wired post-fader. In this
way, the Aux bus can be used for the internal or external multi-effect.
If you want to use the MX.6FXAux bus for powered stage monitors,
you should disconnect the above-indicated POST route track and
solder the PRE route track like in this drawing. In this way, the signal
is routed to the AUX SENDS output before the Channel Level control.
MX.6FX
MX.6FX
AUX
Before
Disconnect
the POST route
(PRE)
POST
AUX
After
(PRE)
POST
Solder the
PRE route
MX

CTRL RM OUT
L
R
L
R
MAIN OUT
7
8
2 TRACK IN OUT
IN OUT
L
R
9
10
9- TAPE IN
Use the Tape input to connect a CD Player, Tape, DAT, iPOD or any
other line-level source. You can send this signal either to CONTROL
ROOM OUTPUT and/or to the MAIN MIX OUTPUT using the relative
2TK TO select buttons.
10- TAPE OUT
These RCA jacks will route the main mix signal into a tape or DAT
recorder.
CHANNEL STRIP
11
12
13
14
15
16
17
3-BAND EQ
You have three EQ control for each mono and stereo input channel
each providing +/-15 dB of boost and cut (MID is +/-12 dB). The
signal will be unaffected when the controls are on center position.
You may use an external equalizer to make up a mix properly but a
master equalizer will not have effect on a single channel and you
may overload the signal easily. Individual EQ will give you a much
better control on single tracks.
11- HI
If you turn this control up, you will boost all the frequencies above
12 kHz (shelving filter). You will add transparency to vocals & guitar
and also make cymbals crispier. Turn the control down to cut all
frequencies above 12 kHz. In such way, you can reduce sibilances
of human voice or reduce the hiss of a Tape player.
12- MID
This is a peaking filter and it will boost/cuts frequencies with their
center at 2.5 kHz. This control will affect especially upper male and
lower female vocal ranges and also the harmonics of most musical
instruments.
13- LOW
If you turn this control up, you will boost all frequencies below 80
Hz. You will give more punch to bass drums and bass guitar; and
you will make the male vocalist more "macho". Turn it down and
you will cut all the frequencies below 80 Hz. In this way you can
avoid low-frequency vibrations and resonance thus preserving the
life of your woofers.
8- MAIN MIX OUTPUTS
This stereo output is controlled by the Main Mix Level on Master
section and will send the audio signal to an amplifier or to a pair
of active speakers. The output level can be varied from - to +15 dB.
14- AUX SEND
This control is used to adjust the level of the signal sent to AUX
SENDS output (if nothing is connected to AUX SEND socket, the
signal will be sent to the resident digital multi-effect), and such adjustment doesn't affect the
main mix output signal at all. AUX is configured as POST fader, however, it can also be configured
as PRE fader through internal modification. (For more detail, please refer to chapter 6)
MX
Either the 1/4" TRS phone jack or XLR connector can be wired in balanced and unbalanced
modes, which will be determined by the actual application status, please wire your system as
the following wiring examples:
XLR Type Unbalanced
Pin3 (-)
Pin2 (+)
Pin1 ( )
(Linked to Pin1 manually, )
XLR Type alancedB
Pin1 ( )
Pin2 (+)
Pin3 (-)
TRS Type Balanced
Tip
Ring
Sleeve
+
-
TRS Type Unbalanced
Tip
Ring
Sleeve
+
TS Type Unbalanced
Sleeve
Tip
+
For 1/4" Phone jack
For XLR Connector
For these applications the unit provides 1/4" TRS and XLR connectors to easily interface with
most professional audio devices. Follow the configuration examples below for your particular
connection.
In-line ConnectionIn-line Connection
Tip
Ring
Sleeve
Tip
Ring
Sleeve
Tip
Ring
Sleeve
1
2
3
1
2
3
1
2
3
TIP RING SLEEVE SLEEVE RING TIP
TIP RING SLEEVE
21
3
12
3
12
3
Tip
Ring
Sleeve
Tip
Ring
Sleeve
Tip
Sleeve
Tip
Sleeve
Tip
Sleeve
Cent er
Cent er
Centre
Screen
Screen
Screen
1
2
3
Tip
Ring
Sleeve
1
2
3
1
2
3
Tip
Ring
Sleeve
1
2
3
Tip
Sleeve
1
2
3
TIP SLEEVE
TIP SLEEVE
TIP RING SLEEVE
TIP RING SLEEVE
12
3
21
3
21
3
TIP RING SLEEVE
TIP SLEEVE
12
3
12
3
SLEEVE TIP
SLEEVE RING TIP
Unbalanced
Balanced
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MX

16- PEAK LED
This red LED will let you know about the status of the signals processed into MX.6FX. Connect a
microphone or an instrument to MX.6FX and sing/play at normal volume. Set the level control of
that channel so that the PEAK LED lights-up only occasionally. If this LED is always on, you are
experiencing a lot of distortion and you should turn the TRIM control down or reduce the EQ
boosting. If this led never lights up, turn the TRIM control up again.
17- LEVEL
This knob controls the channel's level from - to +15 dB.
MASTER SECTION
18
19
20
22
23
21
24 25 26
-30
0
-4
-10
POWERPHANTOM
PHANTOM
10
CLIP
2TK TO
CTRL ROOM
2TK TO
CTRL ROOM
2TK TO MIX
LR
MASTER AUXMASTER AUX
SEND
18- MAIN MIX LEVEL
This knob controls the level of the signal sent to MAIN
OUTPUTS and TAPE OUT. Also AUX RETURNS signals will
be sent to this control.
19- PHONES/CONTROL ROOM LEVEL
This knob controls the signal sent to CONTROL ROOM
OUTPUT & PHONESOUTPUT.
20- OUTPUT LEVEL METERS
These consist of two column of 6 LEDs each ranging from -30 dB to +18 dB (CLIP). The 0 LED
corresponds to a level output of 0 dBu. The CLIP LEDs come to life when the output reaches +18
dBu. Set the MAIN MIX level control so that the CLIP LEDs only flashes occasionally. In general,
you get a good mix level when the Meter LEDs operate in the range 0 to +10. If you exceed +10,
you will get distortion. If even -30 LEDs are sleeping your signal-to-noise ratio will suffer.
21- AUX RETURNS (DFX)
This knob controls the level of effects received from the STEREO AUX RETURN sockets. Such signals
will be routed directly into the MAIN MIX. If you have no need to connect an external multi-effect,
you can use AUX RETURN inputs as additional instrument inputs &use this as Volume control.
22- 2TK TO CTRL ROOM
If you push down the 2TK TO CONTROL ROOM button, the 2 TRACK IN signal will be routed into
the Control Room output and the level will be adjusted by the Control Room knob nearby the
Main MIX LEVEL knob.
23- 2TK TO MIX
If you push down the 2TK TO MIX button, the 2 TRACK IN signal will be routed into the MAIN
output and will be adjusted by the MAIN MIX LEVEL knob.
24- PHANTOM PWR Switch
This button will apply +48 Volt Phantom Power only to the 2 XLR MIC input sockets. When
condenser microphones are not used, please make sure
that the Phantom Power is disengaged.
25- PHANTOM LED
This LED indicates when the PHANTOM POWER is engaged.
26- POWER LED
This LED indicates when your MX.6FX is switched-on. 30
27
29
28
10 8
9
PRESETS
1
12
11 7
4
5
6
3
2
13
14
15
16
1 VIBRAFLANGE
2 FUNKY
3 ROCKABILLY
4 BIGSTAGE
5
8
9
12
13
16
FX LEVEL REVERB LEVEL
VIBRATO
FLANGER
CHORUS
PEAK
15- PAN/BAL
This is the PANORAMA control, or balance control. You can adjust the stereo image of the signal
via this control. Keep this control in center position and your signal will be positioned in middle
of stage. Turn this control fully counter clockwise and the signal will be present only on the left
speaker and vice-versa. Of course a large number of intermediate positions is available.
8
MX
REAR PANEL
31
31- AC INPUT
This connector is used to connect the supplied AC Adapter.
27- PRESETS
Adjust this control to select the desired effect. There are a total of 16 Factory presets available
including pitch-variations, Vibratos, Flanger, Chorus, etc.
28- FX LEVEL
This control is used to adjust the output level of FX signal, which can be varied from 0dB to 10dB.
29- REVERB LEVEL
This control is used to adjust the output level of the REVERB signal, which can be varied from
0dB to 10 dB. The digital reverb is independent from the other 16 Factory Presets so you can
add reverb in any amount over chorus,flanger, or just use reverb turning down FX LEVEL control.
30- PEAK LED
This LED lights up when the input signal is too strong.
Enjoy the sound!
1- Speakers should be placed in a position that allows for unobstructe sound projection. In
many instances is beneficial for speakers to be elevated on tripod stands to achieve
maximum dispersion and reach.
2- Use professional advice or service when hanging and installing speakers. Please take
precautions to secure them to prevent them from falling and hurting someone. Care should
be taken as to not damage the cabinet or its components. Please comply with all pertinent
Regulations.
3- Use quality cables. Using quality cables will ensure the best possible sound.
4- For best results match the speakers to a good amplifier that matches the wattage and
impedance of your speakers. Proper amplification power results in good quality audio
and longer component life. Check out the power requirement for your cabinet.
5- Avoid pointing a microphone directly at an amplified speaker doing so, could cause
feedback possibly damaging speaker components and your hearing.
DSP SECTION
Your MX.6FX includes a quite unique and innovative digital multi-effects with 24-bit resolution
and high dynamic range. Unlike other multi-effects where all the presets are available in a seq-
uence and vice a single control, MX.6FX multi-effect unit is organized with a 16 presets control
and relative Level control for vibrato and modulation controls such as chorus and flanger. You
can add reverb at any time with a separate Level control or you can just use the reverb keeping
the FX level control turned down.
9
MX
MX 6FX.
OFF
NO
AC Input:
18V ~ 50/60Hz 1000mA
32- POWER SWITCH
This switch is used to turn the main power ON and OFF.
32