Contents
3 Onstagewithanamplifier ...................................... 26
4 Onstagewithapreamplifier..................................... 27
5 Mixing a real cabinet miking and the Torpedo Studio ...................... 28
5.1 ""Why am I hearing phase cancellation effects?" or fixing the latency-related is-
sues when using the analog I/Os on the Torpedo . . . . . . . . . . . . . . . . . . . . 29
5.2 "What if I am using the digital I/Os on my Torpedo?" or how to figure out the
latency of the full digital system . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
6 A note on external effects placement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
7 Dryrecordingandre-miking ..................................... 31
7.1 Step one: recording the dry signal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
7.2 Step two: re-miking the signal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
5 Configuring and using the Torpedo Studio 33
1 The Torpedo Studio’sinterface.................................... 33
2 Speakerinputgaincontrol ...................................... 34
3 Maincontrolpanel........................................... 34
4 SETUP ................................................... 35
4.1 Audio............................................... 35
4.2 Sync................................................ 36
4.3 Midi................................................ 36
4.4 System .............................................. 36
4.5 DeviceID ............................................ 37
5 PROGRAM................................................ 37
5.1 Save ............................................... 37
5.2 Name............................................... 37
6 COMPARE ................................................ 37
7 SPKR/MIC................................................. 38
7.1 PowerAmp ........................................... 38
7.2 SpeakerandMic........................................ 39
7.3 User................................................ 39
8 MIKING .................................................. 40
8.1 Distance ............................................. 40
8.2 Center .............................................. 40
8.3 Position.............................................. 40
8.4 Variphi .............................................. 41
8.5 Overload............................................. 41
8.6 Dry/Wet............................................. 41
9 BYPASS .................................................. 41
10 POSTFX.................................................. 41
10.1 LowCut ............................................. 41
10.2 EQ................................................. 42
10.3 Exciter .............................................. 43
10.4 Comp............................................... 43
11 Output volume control and headphones output . . . . . . . . . . . . . . . . . . . . . . . . . 43
12 TorpedoRemote ............................................ 44
13 Wantmorecabs? ........................................... 45
6 Two Notes Audio Engineering Torpedo Studio
