Yashica 8 EC User manual
TlSBIC
INSTRUCTION
IOOKllT
TABLE
OF
CONTENT
S Page
I
TRODUCTTO
· · · · · · •· •· · · •· •· •••••••••••••••••••••••••••• •••••••••• 2
DESCRIPTIO
OF
YA
HI
CA
8E<:;
. · · · · ·· · · · ·· · ·
..
· •· •·
....
•••
..
••· ·
.. ..
• 3 & 4
FJ
LM
FOR
YASH
I
CA
SEC
•· ·
..
· ••••••••••
..
••••••••
..
•••••
..
••••••
..
••• 5
LEN
..
. .
.. ..
· · ·
····
·
----·----
..........
.....
.......
.
....
.
...........
6
APERTURE SETT! JG •· •· •••••••••••••••••••••••••••••••••••••••••••••• 7
DJ
STANCE
SETTING · · · -· · · ·
......
·
....
· ·
....
· · · · · · •· · · ·
....
· · ·
..
·
..
• 8
HOW
TO
USE
ZOOM
LENS
•••••••••••••••••••••••••••••••••••••••••••• 9 &
10
ZOOM
VJEW-F
I
DER
..
· · · · ·· · -· ·•
..
••-•••
......
•
..
••·
..
•· •·
....
•
..
•
·..
10
DEPTH-OF-FJELD ••-•-••-••••••••••••••••••••••••••••••••••••••••••••••
11
&
12
LOAD
J JG FILM· · · · ·
..
· · ·-· · · ·
..
· ••
....
•
........
· •
..
••· •••·•
....
••
..
••
-13
&
14
ALWAYS
KEEP
MOTOR
FULLY
WOUND
..
•·•· •· •·
..
•· · ·
..
•· ••
.. ..
•
..
·
15
FI
LM
FOOTAGE I JDICATOR ••· ••••••· •••••••· ••
..
•· •
..
·•
..
••
....
·....
16
FILMING WITH
YAS
I-
IICA
SEC
..
·
..
· ·
..
· •· · · •· · · •· •· •· •
........
•
..
•
..
•
17
I
GLE
FRAME EXPOSURE -
CABLE
RELEASE ••••••••••••••••••••••
18
SPEED
DIAL
OF
YA
HICA
SEC
••••••••••••••••••••••••••••••••••••••••
19
&
20
1
LOADING.
OR
REYER I G FILM ·
....
·
..
·
....
· ·
....
..
.. ..
·........
21
CARE
OF
YOUR
YASHICA
SEC····
·
....
··
..
·•·
·
..
···
..
•
........
·•
....
•
22
FOR BETTER
MOVIE···
..
·
..
......
•-
....
•· •·
..
•·
..
•· · · · -
..
-· · · •
..
·: · --23 &
24
REVIEW ·
..
·
..
· · ·
..
· · · ·
....
·
....
· ·
..............
-
..
·
..
·
......
·
........
25
CA
IJERA
IDENTIFICATIO
..
·
......
·
....
· ·
..
•
..
· · ·
..
..
..
· -
..
·
....
· · ·
..
26
2
YASHICA
EC
....
is de
sign
ed
to
be
handl
ed
with
th
e
gr
e
at
e
st
of
ea
se
by
th
e be
ginn
er,
and
at
th
e
sam
e
tim
e
off
ers a
full
rang
e
of
f e
atur
es re
quir
ed
by
th
e
ad
v
an
ce
d
cam
e
raman.
Pl
ea
se
re
ad
th
e
following
pag
es
car
e
full
y
until
you
be
com
e
fully
familiar
with
all
th
e
working
parts
,
and
follow
th
e e
asy
st
e
p-by
-
st
ep
instruction.
3
3
DESCRIPTION
OF
YASHICA
8
EC
1
1.
Zooming
Lever
2.
Zoom
View-finder
3.
Zoom
Lens
(Built-in)
4.
Aperture
Control
Ring
5.
Aperture
Reading
Window
6·.
Distance
Control
Ring/Scale
7.
Exposure
Guide
Table
8.
Depth-of
-
field
Ta
!J
le
9.
Camera
Supporting
Arm
10.
Shutt
er Release
Lever
11
.
Shutt
er
Speed
Setling
Dial
12.
Spring
Motor
Winding
Crank
13.
Single-frame
Exposure
Socket
14.
Cable
Release
Socket
15.
ASA
Speed
Scale
16.
Vi
ew-finder
Eye-piece
17.
Film
Footage
Indicator
18
.
Camera
Cover
Lock
(
19. Feed
(Upper)
Spindle
20. Film
Guide
Roller
21. Film Pressure
Plate
22
.
Take-up
(Lower)
Spindle
23. Camera
Cover
Lock
Holder
24. Camera
Cover
Lock
Device
25. Film Pressure
Plate
Loc·k
26. Film
Footage
Indicator
Reset
Shaft
4
5.
FILM
FOR
YASHICA
8EC
Your
Yashica
SEC
uses a
25
-
foot
length
of
standard
double
-8 film
loaded
o.n a
light
tight
spool
.
Double-8
is
supplied
in
double
width
(16mm
wide),
and
run
through
the
camera
twice
. The
first
time,
one
half-
width
is
exposed
. Then
you
invert
the
spool,
and
run
it
through
the
camera
again
to
expose
the
other
half-width
.
I I I IIIII I I
111111111
When
you
send
the
film
to
the
processing
laboratory,
it
is
developed
,
then
split
into
two
strips,
each 8mm
wide,
as shown
at
right
. The
two
8mm
strips
are
spliced
end-to-end,
so
that
you
receive
one
continuous
50-foot
re
el
of
film
for
projection
.
At
the
standard
speed
frames
of
16
frames
-
per-second
, this
50-~oot
reel
will
run
for
just
over
four
minutes
through
your
movie
projector.
You
can,
and
probably
will,
·
splice
several
reels
together
to
provide
you
with
a
longer
,
uninterrupted
run
.
L E N S
The Y
ASHICA
SEC
is
equipped
with
Y
ASHINON
f :
2.8
Zoom
Lens
which
is
color-corrected
anastigmat
with
anti-flare
coating
. The Y
ASHICA
SEC
Zoom
Lens is
the
product
of
years
of
research
with
the
sole
purpose
of
designing
a lens
which
permits
the
focal
length
·
of
a
movie
camera
lens
to
be
changed
freely
and
quickly
from
the
standard
focal
length
(13mm
or
½
")
to
a
telephoto
focal
length
(38mm
or
1½
").
The
optics
of
all
zoom
lenses
are
the
same; some
elements
of
the
lens
remain
fixed
while
other
lenses
move
forward
and
backward
at
a
pre-
determined
ratio
to
produce
clear
focus
images
on
the
film.
When
using
the
Y
ASHICA
SEC
most
accessory
lenses
may
be
left
at
home
freeing
your
pockets
or
purse
from
the
weight
of
usual ex~ess
assortment
of
1
~ulkv
lenses.
Although
the
zoom
lens
of
Y
ASHICA
SEC
cannot
replace
every
lens in
your
movie
'kit',
it
will
substantially
lighten
your
load
.
APERTURE SETTING The lens
aperture
ring
setting,
of
f-stop,
depends
on
light
conditions
. To
set
the
correct
f-stop
on
your
camera,
follow
the
exposure
guide
pocked
with
your
film.
However,
a
convenient
Exposure
Guide
Tobie
is
provided
with
your
Y
ASHICA
SEC,
under
the
lens
mount
(on
front
of
the
camera
body)
. This
table
is
intended
as a
guide
only,
and
is
based
on
film
speed
of
ASA
10
to
40
at
a
shutter
speed
of
16
f.p
.s.
(frames
per
second)
for
general
outdoor
movies
under
average
light
conditions.
ASA
speeds
10
to
40
are
engraved
on
the
underside
of
the
Aperture
Control
Ring.
Set
the
ASA
speed
of
the
film in use
to
the
diagram
which
corresponds
to
the
prevailing
light
conditions
and
the
f-stop
will
be set
automatically
and
the
f-stop
number
will
appear
in
the
Aperture
Reading
Window
on
the
lens
barrel.
For
example,
with
color
film
of
an
ASA
speed
10
in
direct
sunlight,
the
table
suggests
you
set
the
f-stop
of
f : 8 on
your
camera.
If
it
is
cloudy
,
the
table
suggests f :
5.6.
DISTANCE
SETTING
The
Distance
Control
Ring
permits
you
to
adjust
the
lens
for
any
subject
distance
between
5
feet
and
infinity
(
oo
).
If
you
set
it
to
5,
objects
5
fe
et
away
will
be
sharp
. A
range
of
sharpness
will
extend
in
front
of
and
behind
the
distance
focused
upon
according
to
the
aperture
opening.
For
example,
at
an
aperture
of
f:
5.6
and
focusing
length
of
13
mm
(½" ),
all
between
2.5
feet
and
infinity
(very
far
away)
will
be
sharp
.
If
, because
of
dim
light,
you
opened
the
lens
aperture
to
f :
2.8,
the
sharpness
zone
would
be
from
3' 3"
to
10
' 7
".
Be
sure
to
consult
the
Depth-of
-
field
Table
on
Page
11
&
12
to
gain
a
more
complet
e
idea
of
zone-of-sharpness,
however,
following
the
foregoing
procedure
should e
nable
you
to
obta
in
correct
aperture
and
distance
setting
easily
and
instantly.
f i
nch
t~el I0 /
eel
25
f
ee
t
2.8
f 3
·-
11
·
5'-=
7'
-=
1
-½
5
-55
'
9'-
11
' IQ
'-
35
'
5,6
½ 2,5'-
oo
3
'-oo
A'-
oo
I
-½
4.
S-
6'
8'
- 13' I
6'-
oC
8
,t
2'
-
ex,
2.5~= 3
'-
00
2 4 '
-6'
75
'-
15' 1
4'
-
c,C
0
HOW
TO
USE
ZOOM
LENS
The
largest
question
in
the
minds
of
first-time
users
of
zoom
lenses
is
: Do I ha
ve
to
change
focus
while
ZOOMING
(due
to
the
format
change
and
the
apparent
di
s
tance
change)?
The
answer
is a s
imple
NO!
Once
the
Distance
Ring /
Scale
is set
for
a
pa
rticular
scene,
no
change
is
necessary
while
ZOOMING
IN
or
OUT
.
When
a
different
scene
is
desired
at
a
different
distance,
the
Distance
Ring /
Scale
must
be
se
t
for
the
new
distanc
e.
Once
the
lens
has
been
set
for
distance
and
aperture
(f-stop),
only
one
control
is
left
-
the
Zooming
Leve
r.
Pushing
the
Zooming
Lever
forward
until
it
stops
brings
the
lens
into
the
standard
(shortest
focal
length)
position
- l 3mm
or
½
",
covering
widest
possible
scene
with
this
particular
lens.
Pulling
back
on
the
lever,
slowly,
changes
the
lens
relationship
to
each
other
and
makes
them
into
a
completely
different
lens
combination
resulting in a
range
longe
r
focal
length,
telephoto
lenses. This
range
or
smooth
transitions,
gives
the
zoom-effect
used so
effectively
by
television
coverage
of
various
sports
events.
In
most
cases,
zooming
should
be
done
very,
very
slowly
. The
camera
should
be
held
steadily
or
used
with
a
tripod.
Be
very
cautious
when
zoc
rr
.i
r.
g
into
a
lanscape
or
into
a
grou
'p
picture
-
in
the
space
of
a
second
you
can push
the
Zooming
Lever
from
s
tandard
focal
length
to
extreme
telephoto
focal
lengt
·
h,
the
result
on
your
screen
may
be
quite
undesirable.
On
the
other
hand,
pictures
of
sport
event
s
can
be
e
nhanced
by
quickly
zooming
out
onto
the
playing
field
and
having
a
really
close-up
shot
of
th
e
center
field
er
making
that
sensational
catch,
followed
rapidly
by
a
standard
lens
shot
showing
the
general
excitement
on
the
playing
field.
Each
situation
is
different,
we
ad~ise
you
to
plan
your
movies
well
in
advance,
if
possible.
Always
bear
in
min
d,
the
Zoom
Lens
has
different
depth-of
-
fleld
characteristics
just
cs
any
oth
er
family
of
lenses
and
the
best
use
should
be
made
of
thi
s
characteristic.
A
convenient
depth
-
of-fl
e
ld
s
cale
is pr
inted
on
the
camera
and
on
page
11
&
12.
ZOOM
VIEW-FINDER
The
Zoom
Vie
w-fin
de
r is
coupled
to
the
Zoom
Lens,
therefore,
you
are
able
to
select
the
best
composition
of
the
scene
you
want
to
film
by
varying
the
focal
length
from
13mm
standard,
to
see
the
la
r
gest
field
of
vision
;
out
to
38mm
telephoto,
to
restrict
the
field
and
in this w
ay
you
are
able
to
'
crop
'
your
movie;
an
art
that
has
been
restrict
ed
to
ihe
'
still
'
photograph
er.
Field
of
Vision
at
1
3mm
l!"I
Field of Vision
ot
25mm
11
H)
Field of Vision
ot
38mm
(1
j:
81
II
DEPTH-OF-FIELD
When
you
focus
the
camera
on
a
subject,
there
is a
certain
distance
in
front
and
at
the
back
of
the
subject
within
which
other
objects
will
also
appear
sharp.
This is
known
as
the
"Depth
-
of-field",
and
it
varies
with
the
lens
aperture.
The
smaller
the
aperture,
the
greater
the
depth
-
of-field.
For
example,
when
the
camera
is
focused
at
5
feet
with
a 13mm ( ½inch)
focusing
length
and
the
aperture
is f :5.
6,
the
depth-of-field
is
from
2
feet
5 inches
to
infinity.
This
means
that
the
camera
you
have
focused
at
5
feet
with
a lens
aperture
of
f:5.6
and
a
focusing
length
of
13mm is
always
able
to
keep
in
sharp
focus
all
objects
from
a
distance
of
2
feet
5 inches
to
infinity
. This
will
save
you
the
difficulty
of
having
to
focus
your
camera
on
moving
objects.
f=
13mm
(½'')
(DEPTH-OF-FIELD
TABLE)
~
to
pl
Dis
t. f , 2. 8 I f , 4 f , 5. 6 I f , 8
f'
11 I
f'
16
5 feet 3'
3"
~ 101
7"
2110"~ 20'
7"
21
5"
~
00
21 O" ~
00
1' l "
rv
00
1'
3"
rv
00
(,;
-
,,
3'
8
"~
16'6"
3'
2"
~ 6
4'
11
" 21 7" ~
00
21 I
"rv
00
1' 8
"~
00
l'
3"
rv
00
8 ,, 41 4
11
~5215
11
3'
7
11
~
00
31 O" ~
00
21 4
11
~
00
1110
11
~
00
11
4"
~
00
10
I/
41
10
"~
00
311
1"
~
00
31
2"~
00
21 6
11
~
00
111
1"
~
00
11
5"
~
00
15 ,, 511
0"
~
00
41 7
11
~
00
3'
7"
~
00
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8
11
~
00
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1"
~
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5"
~
00
25 ,, 6'10
"~
00
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11
rv
00
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11
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00
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11
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00
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rv
00
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00
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1"
~
00
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rv
00
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rv
00
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11
rv
00
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7ll
rv
00
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"~
00
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11
~
00
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"~
00
3'
J"
rv
00
2'
4"rv
00
1'
711,.....,
00
f=
25mm
(1
11
)
~ I f : 2. 8 I f : 4 I f , 5. 6 I f , 8 I
f:
11
I f :
16
.
5
feet
4'
5
11
rv
5'
9"
4'
2
11
rv
612
11
3'11"
~
6'
9"
3'8"
~ 811
11
3'
3"
~
10'5"
21
10
"~
20'
7"
6
,,
5'
2
11
rv
81
11"
41
11
"~
719
11
4' ]
"rv
81
10
11
411
11
~11'1 " 3' 8
"~
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10
11
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2
11
~
31'11"
8
,,
6'
9
11
~
10
' 2" 6' 2
11
~
11
16
11
5'
9
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131
11
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"~
20'4" 4' 4
11
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00
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00
10'6"
~
00
8'
1
11
rv
00
51
10
11
~
00
00
38'
0
11
rv
00
26'
7"
rv
00
19
1 O
"rv
00
13'3"
~
00
9'
B"
rv
00
61 7
11
~
00
f=
38mm
(1½
" )
~ I f : 2. 8 I f , 4 I f , 5. 6 I f , 8 I f :
11
I
f:
16
.
5 f
ee
l
4'
B"
rv
5'
3"
4t7
ll
rv
515
11
41
5
11
~
5'
8"
4'
3"
~
6'
O"
4'
1
11
rv
616
11
3' 9
"~
71 7"
•·
6
,,
5'
7
"rv
6'
6"
51
7
11
~
6'8"
513
11
rv
7'
O"
51
0
11
~
7'
6"
4'
B
"rv
8'
4"
4' 3
11
~
10
'
1"
8
//
7'
4
11,...._,
8'10"
7'1
11
rv
914
11
619
11
~ 91
10
11
6' 4
"~
10
1
11"
5' 9
11
~
12
19
11
5' 2
11
~
17
1
4"
10
,,
81
11
"~
11'
4"1 8'7
"~
121
1"
8'1
"~
131 1" 716
11
~
15
1 2" 6'10
11
~
18'9"
6'' 0
"~
301
11
11
I
15
//
12' 9
11
~
18
1 4"112' 1
"~
20'2"
10'9
"~
23
' 4" 10'0
"~
30'
7" 81
10
11
~
00
7' 5
11
rv
00
25
//
19
1
3"
~
35'
4
11
17
'8
"~
43'3"
15
18
11
~60'
7"
13'7"
~
CX)
II
'
gn,,......,
00
9' 4
11,....._,
CX)
50
,,
31'
B"
rv
CX)
27'3
"~
00
2311
11
~
CX)
18'9"
~
00
15
1 211
rv
00
11
' 6
11
rv
CX)
00
85'
1
11
rv
00
5916
11
~
00
42'6"~
CX)
42'6"~
00
21'
611
rv
CX)
14
'
10
"~
00
1?
/
•
(D
LOADING
THE
FILM
Loading
your
Yashica
Movie
is
easy
if
you
follow
these
steps.
With
some
practice
you
will
do
it
in seconds.
Important:
Always
laod
the
camera
in
subdued
light,
or
in
the
shadow
of
your
body
if
you
are
in sunshine
outdoors
.
(1
)
Wind
the
camera
motor
. Then
lift
the
Camero
Cover
Lock,
turn
it
clockwise,
and
open
the
cover
.
(2) Remove the
empty
spool.
(3) Remove
tape
around
the
film
container.
(4 )
Place
your
finger
on
the
film
to
keep
it
from
loosening
and
remove
rubber
bond
.
®
..,.
(5)
Insert
end
of
film
deep
into
the
slot
in
the
empty
spool
with
the side marked " 1" facing up.
(6) Film must run
olong
the
while
arrow-line
film
path
morked
inside.
(7)
Now
holding
both
spools,
ploce
the
loaded
spool on the
upper
spindle
, the e
mpty
spool
on
the
lower
spindle,
ond
slip
the
film
along
the
arrow
-
poth
into
the
film
gate.
The
dull
emulsion
side
of
the
film
must be
facing
the lens.
Note
: The
film
gate
automatically
closes when the
Camera
Caver
is
locked
.
(8) Press the
Shutter
Release
lever
to
run the
camera
for
2
seconds as a
test
for
smooth
film
movement
through
the
camera
. Then, close the
Camera
Cov
er
and
turn
the
lock
counterclockwise.
Run
th
e camera until 00"
appears
in the
footage
counter
window.
The
camera
is
now
ready
for
filming
.
UNLOADING
FILM
See
Page
21
(Same
Title
}
•
15
ALWAYS
KEEP
SPRING
MOTOR
FULLY
WOUND
The
YASHICA
SEC
will
run 6
feet
of
fllm
(30
seconds
at
16
frames-per
-
second)
on
a
full
motor
w
ind.
To
wind
the
motor,
grasp
the
crank
and
w
ind
back-and-forth,
as
you
would
wind
a
watch,
unlil
forward
motion
stops
.
Do
not
force
it
further.
When
loading
the
camera,
always
keep
the
motor
fully
wound
.
That
way
you
will
ovoid
an
unexpected
run-down
during
a shot.
Avoid
running
the
camera
without
fllm. NEVER
run
it
without
fl
Im
at
speeds
higher
than
I 6
fra
m
es-per
-
second.
• !'
•••••
FILM
FOOTAGE
INDICATOR
The Film
Footoge
Indicator
_A
indicates
the
number~f
l'
-rY
feet
of
film
used.
\
When
you
open
the
camera,
the
Film
Footage
Indicator
of
your
YASHICA
SEC
automatically
returns
to
" S" ,
or
start
.
After
the
film
is
loaded
and
the
Camera
Cover
is
locked,
run
the
camera
until
the
'O '
appears,
before
you
begin
filming
.
At
the
end
of
25
feet,
run
the
m
otor
until
'F'
appears
before
you
open
the
Camera
Cover.
16
..
17
FILMING
WITH
YASHICA
8EC
Wind
the
camera
mator
fully.
Set
running
speed,
by
Shutter
Speed
Setting
Dial,
to
16
frames
-
per-second
.
Set
the
ASA
speed
of
your
fllm
to
the
weather
condition
illustration
shown
in
the
convenient
Exposure
Guide
Table
built
on
the
camera
.
Determine
the
object
distance
of
the
scene
you
are
about
to
shoot,
and
set
it
on
your
camera
by
the
Distance
Control
Ring/
Scale.
Hold
the
camera
to
your
eye
and
frame
the
scene
in
the
view-finder
. Push
the
Shutter
Release
Lever
downward
and
you
are
making
a
movie
.
The
Yashica
8EC
Movie
Camera
is
equipped
with
six
shutter
speeds
to
enable
you
to
take
pictures
under
every
conditions.
(See
Pages
19
&
20)
SINGLE
FRAME
EXPOSURE
By
inserting
a
standard
Cable
Release
inta
the
socket
marked
' 1',
you
can
trip
the
shutter
to
expose
one
frame
at
a
time.
With
single
frame
exposure
you
con
make
an
animated
cartoon
movie,
or
create
time-lapse
movies
(of
Aower
•
opening
,
for
example),
or
even
make
snapshots
for
enlargement
.
CABLE
RELEASE
SELF-TIMER
If
the
use
of
a
Cable
Release
is
preferred,
screw
the
Cable
Release
into
the
socket
marked
'R'. The use
of
a
self-timer
in
the
same
manner
will
enable
you
to
get
in
the
picture
yourself.
19
SPEED
DIAL
Of
YASHICA
SEC
Yo
ur
Yashi
ca
SEC
has
six r
unning
speeds
.
They
are
8, 12,
16
,
24,
32
,
and
48
frame
s
-per
-
second
. The m
ajor
uses
of
each
speed
are
desc
r
ibed
be
lo
w :
8 FRAMES PER SECOND
(Shutter exposure 1/
18
second)
U
se
only
wi
th per
fect
ly s
tati
on
ar
y scenes
- when the,; is d
ange
r of under
ex
posure
ot
l 6
fr
ames-per-second
wit
h maximum
lens ape
rt
ure. Used
al
so -
fo
r ex
tr
eme
sp
ee
d-
up
. since
oll
moving
ob
jects move
twi
ce
as fast
on
the
sc
reen. Shots
wi
ll
pr
oj
ec
t only half as long os
at
st
andard
sp
ee
d.
Fo
r a 7
secon
d shot. run the
c
am
era 14 seconds.
12 FRAMES·
PER
SECOND
!Shutter exposure 1/26 second)
For
acce
le
rat
ing moveme
nt
,
su
ch
as a s
lo
w m
ovi
ng bo
at
, or spor
ts
action, to achieve more dramatic
e
ff
ects. S
hot
s
wi
ll
pr
oj
ec
t only
3/4
as long as
at
s
ta
n
dard
sp
ee
d. For a 6 s
eco
nd shot
r
un
the
came
ra 8 second
s.
24
FRAMES PER
SECOND
{Shutter exposure 1/50 second)
Useful
for
re
duci
ng the e
ffe
ct
of
camera shake
wh
en
pa
nn
ing,
or to
pr
odu
ce
sl
ig
ht
sl
ow-mo
tion
e
ff
e
ct
.
Als
o used
for
sound
fi
l
ms
.
Sh
o
ts
wil
l
proj
ec
t 1½times
as long as
at
stan
dard
sp
eed
.
For a
15
s
eco
nd
sh
ot run the
c
amera
10 s
eco
nds.
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