Atlantic Technology P-2000 User manual
Instruction Manual
P-2000 7.1 Channel
Preamp/Processor/Tuner
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P-2000 7.1 Channel Preamp/Processor/Tuner
Instruction Manual
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Warnings
Please Read First
CAUTION:
To reduce the risk of electric shock, do not remove the cover. No user
serviceable parts inside. Refer to qualied personnel.
WARNING:
To reduce the risk of re or electric shock, do not expose this appliance
to rain or moisture.
The lightning ash with arrowhead, within an equilateral triangle, is in-
tended to alert the user to the presence of uninsulated “dangerous voltage”
within the product’s enclosure that may be of sufcient magnitude to
constitute a risk of electrical shock to persons.
The exclamation point within an equilateral triangle is intended to alert
the user to the presence of important operating maintenance (servicing)
instructions in the literature accompanying the appliance.
WARNING: Important Safeguards
Read Instructions–All the safety and operating instructions should be read before
the unit is operated.
Retain Instructions–The safety and operating instructions should be retained for
future reference.
Heed Warnings–All warnings on the unit and in the operating instructions should
be adhered to.
Follow Instructions–All operating and use instructions should be followed.
Cleaning–Unplug the unit from the wall outlet before cleaning. The unit should be
cleaned only as recommended by the manufacturer.
Attachments–Do not use attachments not recommended by the manufacturer as
they may cause hazards.
Water and Moisture–Do not use the unit near water–for example, near a bath tub, wash
bowl, kitchen sink, or laundry tub; in a wet basement; or near a swimming pool.
Accessories–Do not place the unit on an unstable cart, stand, tripod, bracket, or table.
The unit may fall, causing serious injury to a child or adult, and serious damage to
the unit. Any mounting of the unit should follow the manufacturer’s instructions,
and should use a mounting accessory recommended by the manufacturer.
Ventilation–Slots and openings in the cabinet are provided for ventilation and to ensure
reliable operation of the unit and to protect it from overheating, and these openings
must not be blocked or covered. The openings should never be blocked by placing the
unit on a bed, sofa, rug, or other similar surface. The unit should not be placed in a
built-in installation such as a bookcase or rack unless proper ventilation is provided.
There should be free space of at least 16 cm (6 in.) and an opening behind the unit.
Power Sources–The unit should be operated only from the type of power source
indicated on the marking label. If you are not sure of the type of power supplied to
your home, consult your unit dealer or local power company.
Grounding or Polarization–The unit may be equipped with a polarized alternating
current line plug (a plug having one blade wider than the other). This plug will t
into the power outlet only one way. This is a safety feature. If you are unable to insert
the plug fully into the outlet, try reversing the plug. If the plug should still fail to t,
contact a licensed electrician to replace your obsolete outlet. Do not defeat the safety
purpose of the polarized plug.
Power-Cord Protection–Power-supply cords should be routed so that they are not
likely to be walked on or pinched by items placed upon or against them, paying
particular attention to cords where they enter a plug, or a convenience receptacle,
and the point where they exit from the unit.
Outdoor Antenna Grounding–If an outside antenna or cable system is connected to the
unit, be sure the antenna or cable system is grounded so as to provide some protection
against voltage surges and built-up static charges. Article 810 of the National Electrical
Code, ANSI/NFPA 70, provides information with regard to proper grounding of the
mast and supporting structure, grounding of the lead-in wire to an antenna-discharge
unit, size of grounding conductors, location of antenna-discharge unit, connection
to grounding electrodes, and requirements for the grounding electrode.
Lightning–For added protection for the unit during a lightning storm, or when the
unit is left unattended and unused for long periods of time, unplug it from the wall
outlet and disconnect the antenna or cable system. This will prevent damage due to
lightning and power-line surges.
Power Lines–An outside antenna system should not be located in the vicinity of
overhead power lines or other electric light or power circuits, or where it can fall onto
such power lines or circuits. When installing an outside antenna system, extreme care
should be taken to keep from touching such power lines or circuits as contact with
them might be fatal.
Overloading–Do not overload wall outlets, extension cords, or integral convenience
receptacles as this can result in a risk of re or electric shock.
Object and Liquid Entry–Never push objects of any kind into the unit through open-
ings as they may touch dangerous voltage points or short-out parts that could result
in a re or electric shock. Never spill liquid of any kind on the unit.
Servicing–Do not attempt to service the unit yourself as opening or removing covers
may expose you to dangerous voltage or other hazards. Refer all servicing to qualied
service personnel.
Damage Requiring Service–Unplug the unit from the wall outlet and refer servicing
to qualied service personnel under the following conditions:
When the power-supply cord or plug is damaged,
If liquid has been spilled, or objects have fallen into the unit,
If the unit has been exposed to rain or water,
If the unit does not operate normally by following the operating instructions. Adjust
only those controls that are covered by the operating instructions, as an improper
adjustment of other controls may result in damage and will often require extensive
work by a qualied technician to restore the unit to its normal operation,
If the unit has been dropped or damaged in any way, and great care should be exercised
in handling, and the unit should be examined by qualied service personnel.
When the unit exhibits a distinct change in performance–this indicates a need for
service.
Replacement Parts–When replacement parts are required, be sure the service tech-
nician has used replacement parts specied by the manufacturer or have the same
characteristics as the original part. Unauthorized substitutions may result in re,
electric shock, or other hazards.
Safety Check–Upon completion of any service or repairs to the unit, ask the service
technician to perform safety checks to determine that the unit is in proper operation
condition.
Wall or Ceiling Mounting–The unit should be mounted to a wall or ceiling only as
recommended by the manufacturer.
Heat–The unit should be situated away from heat sources such as radiators, heat
registers, stoves, or other units (including ampliers) that produce heat.
IMPORTANT SAFETY NOTE
Before connecting a new component such as the P-2000 to your audio or home theater
system it’s always good practice to make certain that all components are turned off, and
preferably unplugged from their AC power source. Many modern electronics products
feature automatic turn-on circuits that may be automatically activated during an in-
stallation, creating a potential for damage to electronic components and/or speakers.
Such damage is not covered by product warranties and Atlantic Technology specically
disclaims responsibility for any such damage.
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P-2000 7.1 Channel Preamp/Processor/Tuner
Instruction Manual
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Precautions
Verify The Line Voltage
Your new P-2000 has been factory congured for 120 (+/- 10%) volt AC lines. Connect-
ing the unit to a line voltage other than that for which it is intended can create a safety
and re hazard, and may damage the unit. If you have any questions about the voltage
requirements for your specic model, or about the line voltage in your area, contact
Atlantic Technology before plugging the unit into a wall outlet.
NOTE: It is always a good idea to avoid using any audio or video equipment on
the same AC circuit as equipment with motors, such as air conditioners or refrig-
erators. This will lessen the possibility of power variation and electrical start-up
noise affecting your sound system.
Power Cord
The removable power cord that is shipped with the P-2000 is specically designed to be
used with this product. DO NOT use any other power cord, as that may reduce the unit’s
performance and possibly create a safety hazard. In particular, DO NOT use standard IEC
type power cords designed for computers and other business equipment products, as they
have a three prong plug that is not meant for use with the P-2000. Should the power cord
require replacement, use an identical type, or contact Atlantic Technology for service.
Handle the AC Power Cord Gently
When disconnecting the power cord from an AC outlet, always pull the plug, never pull
on the the cord. If you do not intend to use the P-2000 for a considerable length of time,
disconnect the plug from the AC outlet. If the power cord is replaced, make certain that
it is of similar gauge. As with all electrical devices, do not run power cords under rugs
or carpets or place heavy objects on them. Damaged power cords should be replaced
immediately with cords meeting factory specications.
AC Fuse
The fuse is located inside the chassis and is not user serviceable. If power does not come
on, contact your authorized service station.
Wiring
Cables that are run inside of walls should have the appropriate markings to indicate
compliance with, and listing by the UL , CSA or other standards required by the UL, CSA,
NEC or your local building code. Questions about cables inside of walls should be referred
to a qualied custom installer, or a licensed electrician or low-voltage contractor.
Installation Location
To assure proper operation and to avoid the potential for safety hazards, place the unit
on a rm and level surface capable of supporting its weight. When placing the unit on
a shelf, be certain that the shelf and any mounting hardware can support the weight of
the unit and any additional items in the equipment rack, or on the shelf.
When positioning the P-2000 in its nal location, make certain that it has adequate
ventilation on all sides, as well as on the top and bottom. In particular, it is a good idea to
provide at least three or more inches of space above the unit for air circulation. DO NOT
place CDs, DVDs, videotapes, owner’s manuals, or other papers on top of, or beneath, the
unit, or in-between multiple components in a stack. This will block airow, causing heat
build-up, degraded performance, and may create a possible re hazard.
If the unit is to be enclosed in a cabinet or rack, make certain there is adequate air
circulation within the cabinet or rack. Sufcient ventilation should be provided so that
hot air may exit, and cool air may enter. In some instances, a small cooling fan may be
required to insure adequate airow through the cabinet. If you are in doubt as to the
ventilation requirements for your specic installation, please contact us. Also, do not
place the P-2000 directly on a carpeted surface, as this will inhibit airow underneath
as well as create a potential re hazard.
Avoid installation in humid locations, in extremely hot or cold locations, or in areas that
are exposed to direct sunlight or space heating equipment.
Do Not Open The Cabinet
There are no user serviceable components inside this product. Opening the cabinet may
present a shock hazard, and any modication to the product will void your guarantee. If
water or any metal object, such as a paper clip, coin or a staple, accidentally falls inside
the unit, disconnect it from the AC power source immediately, and contact Atlantic
Technology for further instructions.
Recording Copyright
Recording of copyrighted material for other than personal use is illegal without permis-
sion of the copyright holder.
Note to CATV system installer
This reminder is provided to call the CATV system installer’s attention to Article 820-
40 of the NEC, ANSI/NFPA 70, which provides guidelines for proper grounding and, in
particular, species that the cable ground shall be connected to the grounding system
of the building, as close to the point of cable entry as practical.
FCC Information for User
CAUTION: ANY changes or modications not expressly approved by the party respon-
sible for compliance could void the user’s authority to operate the equipment.
NOTE: This equipment has been tested and found to comply with the limits for a Class B
digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide
reasonable protection against harmful interference in a residential installation.
This equipment generates, uses and can radiate radio frequency energy and, if not
installed and used in accordance with the instructions, may cause harmful interference
to radio communications. However, there is no guarantee that interference will not occur
in a particular installation.
If this equipment does cause harmful interference to radio or television reception, which
can be determined by turning the equipment off and on, the user is encouraged to try to
correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the
receiver is connected.
Outdoor Antenna Installation
Safe Antenna and cable Connection
If an outside antenna or cable system is connected to the equipment, be sure the antenna
or cable system is grounded so as to provide some protection against built up static
charges and voltage surges. Section 810 of the
National Electrical Code, ANSI/NFPA 70
(in Canada, part 1 of the Canadian
Electrical Code) provides in-
formation with respect
to proper ground-
ing of the mast and
supporting struc-
ture, grounding
of the lead-in wire
to an antenna dis-
charge unit, size of grounding
conductors, location of antenna dis-
charge unit, connection to grounding electrodes
and requirements for the grounding electrode.
Keep Antenna Clear of High Voltage Power Lines or Circuits
An outside antenna system should be located well away from power lines, electric light
or power circuits and where it will never come into contact with these power sources if it
should happen to fall. When installing an outside antenna, extreme care should be taken to
avoid touching power lines, circuits or other power sources as this could be fatal. Because
of the hazards involved, antenna installation should be left to a professional.
Precautions
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P-2000 7.1 Channel Preamp/Processor/Tuner
Instruction Manual
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Table of Contents
2 Please Read First
5 P-2000 Features
6 Unpacking
6 Accessories
6 P-2000 Front Panel
8 P-2000 Rear Panel
9 Front Panel and On Screen Display (OSD)
10 Remote Control
12 Surround Format Information
12 Dolby Digital
12 Dolby Digital Surround EX
12 Dolby Pro Logic II
12 DTS
13 DTS-ES
13 DTS NEO:6
13 Cirrus Extra Surround
13 Stereo
13 Additional Information
13 Connecting Your P-2000
19 Connecting Audio Components
19 CD Player
19 Audio Recorder
19 Connecting Video Components
19 DVD Player
20 Video Recorder
20 Video Display
20 Satellite Tuner or Television
20 FM Antenna
21 AM Antenna
21 External Amplier
21 Second Zone
21 Power Control Connections
21 Remote Control
21 Power Connection
22 System Setup
22 Navigating the Setup Menus
23 Input Setup and Selection
24 Speaker Conguration
24 Speaker Placement
27 Channel Calibration
28 System Conguration
28 Setting The Speaker Distance Delays
28 Dolby Pro Logic II (PLII) Music Parameter
29 Multi-zone
30 Operation
30 Power
30 Selecting a Source
30 Selecting a Source Input
30 Volume Control
31 Muting the Volume
31 Changing the Surround Mode
31 Surround Data Format Lock
31 Bypass Setting
32 Tuner Operation
33 Recording a Source
33 Tone Controls
33 Night Mode
33 Channel Trim
34 Theater Compensation
35 Multi-channel Source Playback
35 Analog Bass Management
35 Sleep Timer
35 Setting the Front Panel Display Brightness
36 Setting the On Screen Display (OSD) Time Out
36 Multi-Zone Remote Operation
37 Remote Control Setup and Operation
37 Battery Installation
37 Setup Using Preprogrammed Codes
38 Operation
39 Source Selection Buttons
39 Backlighting
39 Volume Control Punch Through
39 Macro Buttons
40 Example of Programming a Macro Sequence:
40 Learning Commands from Another Remote
40 Learning a New Command
41 Setup Codes
44 Care and Maintenance
44 Cleaning
44 When You Are Away
44 Troubleshooting
45 System Reset
46 Specications
Record your P-2000’s serial number and date of purchase here. The serial number is
found on the back panel.
Serial Number
Date of Purchase
The contents of this manual are Copyright © 2002 by Atlantic Technology International,
Corp., and may not be duplicated or reproduced by any means, whether physical, electronic
or otherwise without prior written consent from Atlantic Technology International, Corp.
Atlantic Technology and the Atlantic Technology logo are registered trademarks of Atlantic
Technology Interantional, Corp.
Specications are those in effect at the time of printing. Atlantic Technology Interantional,
Corp. reserves the right to change specications or designs at any time without notice
without obligation to modify existing units.
Table of Contents
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P-2000 7.1 Channel Preamp/Processor/Tuner
Instruction Manual
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P-2000 7.1 Channel
Preamp/Processor/Tuner
Thank you for purchasing the Atlantic Technology P-2000 Preamp/Processor/
Tuner. The P-2000 combines advanced technology, superior component parts,
and very sophisticated software with a clean, user-friendly style, impeccable
audio performance and leading edge capabilities, making it the perfect foun-
dation for any music or surround sound system.
In order to receive the maximum enjoyment from your P-2000, please take
a few minutes to read this manual. It contains all of the necessary informa-
tion to set up, connect and use your new unit. This important information
will help you make certain that the unit is properly congured for operation
with the rest of the equipment in your system. This brief investment of time
will provide major dividends by making certain that your new component is
properly installed and optimized for the specics of your installation.
If you have any questions about this product, its installation or operation,
please contact us via e-mail at customerservice@atlantictechnology.com
or via telephone at 781-762-6300 during standard Eastern Time business
hours.
Important Note:
The P-2000 is shipped from the factory in the
following default mode:
Output Conguration 7.1
L/R, Center, Surround Loudspeaker Size Small
All Crossovers 100Hz
After reading the rest of this manual and determining how your
system should be set up, please refer to pages 24-26 if you need to
change these settings.
If your system will be operated in less than a 7.1 channel congura-
tion, some Digital Signal Processing (DSP) modes described in this
manual will not be available to you.
P-2000 Features
Your new Preamp/Processor/Tuner is an advanced high performance audio/
video component. The P-2000 provides maximum system connection ex-
ibility with advanced surround processing technologies assuring compat-
ibility with the widest range of source material. The P-2000 features:
Dolby Digital® and Dolby Digital EX¨ Decoding*
Dolby Digital decoding delivers 5.1 discrete channels from Dolby Digital
encoded DVD, satellite, cable and HDTV sources, while the latest Dolby
Digital EX process adds an additional matrixed rear surround channel
for the ultimate home theater experience.
Dolby Pro Logic® II*
The latest surround technology from Dolby Laboratory delivers
enhanced surround channel performance and a 5.1 channel surround
soundeld from regular Dolby Surround or standard stereo sources.
DTS®, DTS-ES® and NEO:6 Decoding**
The full suite of DTS (Digital Theater Systems) surround sound decod-
ing and processing is available to provide multi-channel reproduction
from virtually any analog source as well as DTS digitally encoded
programs.
Cirrus Extra Surround®
The P-2000 is among the rst surround products to offer Cirrus Extra
Surround which provides enjoyable and involving 6.1 or 7.1 channel
reproduction from digital and analog sources.
6 Digital Inputs (2 coaxial, 4 optical)
Each digital input can be assigned to a specic source unit, providing
comprehensive system connectivity.
2 Digital Outputs (1 coaxial, 1 optical)
For use with digital recorders or distribution systems.
High Bandwidth Component Video Switching
HDTV compatible component switching for use with digital set top
boxes and progressive scan DVD players.
5 Composite and S-Video Inputs
High-quality video circuitry for connection to your video sources.
9 Analog Audio Inputs with Bypass Capability
All analog audio inputs may be switched to Bypass mode for pure
analog sound, or used with the latest surround processing for further
enjoyment.
Video Output Conversion
Video inputs are automatically converted from S-Video to composite
when using these outputs. Conversion from composite to S-Video also
takes place, however there may be some limited degradation of the signal
and we do not recommend its use.
* Manufactured under license from Dolby Laboratories.
**Manufactured under license from Digital Theater Systems, Inc. US Pat. No.5,451,942 and other
worldwide patents issues and pending.
“Dolby,” “Pro Logic” and the double-D symbol are trademarks of Dolby Laboratories.
©1992-1997 Dolby Laboratories, Inc. All rights reserved.
“DTS” and “DTS Digital Surround” are trademarks of Digital Theater Systems, Inc.
© 1996 Digital Theater Systems, Inc. All rights reserved.
“Extra Surround” is a trademark of Cirrus Logic Inc.
P-2000 Features
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P-2000 7.1 Channel Preamp/Processor/Tuner
Instruction Manual
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High performance AM/FM/FM Stereo tuner with 32 presets
Audiophile quality preamplier stages
Provide exceptional performance for critical music listening.
5.1 Multi-channel analog inputs
Connect the 5.1-channel outputs from a DVD-A or SACD multi-channel
player or other multi-channel audio formats to these inputs.
Independent Multi-room System
When properly connected, a second stereo source may be sent to a
remote room, complete with remote volume control, source selection
and tuner control. A low voltage trigger output for the second zone allows
a second amplier to turn on and off independently of the main room.
This system may also be used to record an input source that is different
from the one being used in the main room.
2 Low voltage triggers
One trigger provides automatic turn on/off of compatible power
ampliers such as the Atlantic Technology A-2000 power amplier or
relay-controlled products such as projection screens, blinds and lighting
systems. The second trigger provides on/off control for an amplier
used with the multi-room system.
Unpacking
The carton and packing materials used in shipping your new Preamp/
Processor were specially designed to cushion it from the shocks and
vibration of shipping. We strongly suggest that you save the carton and
packing materials to use if you move, or if the unit ever needs to be shipped
for any reason.
To minimize the size of the carton in storage, you may wish to open the top
and bottom aps and fold the carton at. Other cardboard inserts may be
stored in the same manner. Packing materials that cannot be collapsed should
be saved along with the carton in a plastic bag.
Although not particularly heavy, the P-2000 has several front mounted
controls and many rear panel connectors, so be careful when lifting and
placing it so as not to cause damage.
Accessories
After unpacking the P-2000, please check that the following accessories are
in the box:
Remote Control with Batteries
AC Power Cord
FM Wire Antenna
AM Loop Antenna
Owner’s Manual
If any of the above is missing from your shipment, please contact Atlantic
Technology immediately.
P-2000 Front Panel
1 Standby power button (see page 22, 30)
When the main POWER switch on the rear panel is in the ON position,
pressing this button turns the unit on. The yellow STANDBY/MUTE
indicator light goes out.
Pressing this button again returns the unit to standby mode. The
STANDBY/MUTE indicator light illuminates.
In STANDBY MODE, the FRONT PANEL DISPLAY is turned off, control
functions are disabled, and all outputs to the main zone are turned off.
However, outputs to the remote zone remain active and available.
2 FM MODE button (see page 32)
Toggles the FM Tuner between Mono and Stereo mode. The letters “M”
or “S” appear next to the Tuner Preset number in the FRONT PANEL
DISPLAY to indicate which mode the tuner is operating in.
3 TUNE buttons (see page 32)
The and buttons adjust the tuned frequency down or up when Tuner
is selected as the input source.
4 FM/AM button (see page 32)
Toggles between AM and FM radio bands. Pressing this button when
listening to any other source automatically changes the unit’s input source
to the Tuner and the last station listened to.
5 FRONT PANEL DISPLAY (see page 9)
Indicates program source, DSP mode, tuner preset and/or frequency,
digital input, volume level, and other Preamp/Processor/Tuner operat-
ing information. Also displays menu selections. May be dimmed for
darkened room operation.
6 TEST TONE button (see page 27)
Press this button to use the internal audio test signal generator to adjust
the output level for each channel. As this signal circulates through the
channels, press the < or > Navigation buttons to make precise level
adjustments.
7 DIGITAL SELECT button (see page 30)
Press this button to select a digital input. Each press of the button scrolls
to the next input, as shown on the FRONT PANEL DISPLAY or the ON
SCREEN DISPLAY. When ANALOG is shown, the L/R analog input
associated with the input in use is selected.
8 STEREO BYPASS button (see page 31)
Defeats the DSP processing section and provides an unaltered, full-
bandwidth stereo signal to the Left and Right channel outputs on the
rear panel. However, the subwoofer DSP crossover remains active and
bass frequencies are available at the subwoofer output should you wish to
augment your front LR speaker’s low frequency performance. The word
BYPASS appears in the FRONT PANEL DISPLAY. Pressing the button
again returns the unit to the previously selected DSP mode.
9 TRIM button (see page 33)
Press this button to adjust the output of an individual channel above or
below the master volume level setting from -15dB to +10dB. Press the
< or > Navigation buttons to adjust the level for the channel indicated
P-2000 Front Panel
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P-2000 7.1 Channel Preamp/Processor/Tuner
Instruction Manual
7
in the FRONT PANEL DISPLAY or the ON SCREEN DISPLAY and then
press the button again to select the next channel in sequence.
10 SOURCE buttons (see page 30)
Press either of these buttons to toggle through the input sources available
and select the one you wish to listen to.
11 On/Standby/Mute indicator (see page 22, 30)
Lights to indicate when the unit is in Standby mode and goes out when
the preamp/processor is active. Also ashes to indicate when the main
system volume is muted.
12 MULTI indicator LED (see page 29, 36)
Lights to indicate that the second zone (Zone 2) is active. Note that this
light will remain lit even when the other indicators are off, as long as the
second zone is active.
13 PRESET SCAN button (see page 32)
Pressing this button scans the receivable AM or FM stations stored
in the tuner’s preset memory, stopping briey (5 seconds) at each.
Pressing it again stops the scan at the preset indicated in the FRONT
PANEL DISPLAY. The unit’s input source automatically changes to Tuner
when this button is pressed.
14 MEMORY button (see page 32)
Pressing this button when FM or AM is selected as the input source stores
the current station frequency into one of the presets. You can preset up
to 32 randomly mixed AM or FM stations.
15 MENU button (see page 22)
Enters the Menu mode and displays the menu options on the FRONT
PANEL DISPLAY and the ON SCREEN DISPLAY (OSD). Press the button
again to exit the Menu mode.
16 Navigation buttons (see page 22)
When in Menu mode, use these buttons to navigate through the menu
options displayed on the FRONT PANEL DISPLAY or the ON SCREEN
DISPLAY (OSD). These buttons are also used to change options or set-
tings with some of the front panel controls.
17 SELECT button (see page 22)
When in Menu mode, selects the menu options displayed on the FRONT
PANEL DISPLAY or the ON SCREEN DISPLAY (OSD).
18 SURR MODE buttons (see page 31)
Press these buttons to select among the various surround modes pro-
vided by the P-2000. The Modes available depend on your system’s setup
conguration and the chosen input source.
19 VOLUME control (see page 30)
Adjusts the volume level for the main zone only. Remote zone (Zone 2)
is not affected by this control.
20 MUTE button (see page 31)
Mutes the Main System volume. The STANDBY/MUTE indicator ashes.
Pressing the button again returns the unit to the previous volume setting.
The STANDBY/MUTE indicator goes out.
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P-2000 Front Panel
P-2000 Front Panel
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P-2000 7.1 Channel Preamp/Processor/Tuner
Instruction Manual
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P-2000 Rear Panel
Below is a brief explanation of the connections and switches found on the
P-2000 rear panel. Before connecting any audio or video components to the
unit, familiarize yourself with the type and location of connectors available.
1 FM Antenna terminal (see page 20)
Use to connect the supplied FM antenna or an external 75 Ω antenna.
2 AM Antenna terminals (see page 20)
Connect the supplied AM loop antenna or an external AM antenna to
these terminals.
3 Remote Trigger jacks (see page 21)
Use the MAIN and ZONE DC TRIGGER jacks to control external devices
(such as a power amplier) with a 3-32 VDC trigger input. The device
connected to the MAIN jack will be activated when the P-2000 is turned
on and should be used for connections to power ampliers or other
devices in the main room. The device connected to the ZONE trigger
will only be activated when the Multi-zone system is turned on. Connect
it to the amplier or other devices used in the second zone.
4 Remote Control jacks (see page 21)
Use the MAIN and ZONE EXT REMOTE jacks to connect external IR
sensors to the P-2000. When the unit is installed behind doors or where
it is not otherwise visible to the handheld remote, connect an optional,
external sensor to the MAIN jack. To control the Multi-room system
from a remote location, connect an optional remote sensor in the second
room to the ZONE EXT REMOTE jack.
5 Component Video Input jacks (see page 19-20)
Use these two sets of jacks to connect devices with component video
outputs such as a DVD player or HDTV tuner.
6 S-Video jacks (see page 19-20)
Connect the S-Video output of sources to the appropriate input jacks.
Connect the VCR-OUT jack to the input of a VCR or other recorder and
connect the OUT jack to an S-Video input on your video display device.
7 Component Video Output jacks (see page 19-20)
Use these jacks to supply component video output to an external monitor
that accepts component video signals. (Note that the OSD is not avail-
able on the Component Video Output as it could potentially degrade
the video signal.)
8 5.1 Channel Input jacks (see page 21)
Connect the multi-channel signal from the analog audio outputs of a
device such as a DVD, DVD-A or SACD to these jacks.
9 Digital Outputs (see page 20)
Use the coaxial and optical digital outputs to connect the preamp/
processor to a device such as CD recorder, DAT recorder, or other similar
device that accepts a digital audio input. These jacks automatically output
the signal from whichever digital input has been selected for listening.
10 Optical Digital Inputs (see page 19-20)
Use these inputs to connect the optical digital audio signal output from
such digital devices as CD, DVD or LD players. These inputs are fully
assignable.
P-2000 Rear Panel
P-2000 Rear Panel
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P-2000 7.1 Channel Preamp/Processor/Tuner
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11 Product Serial Number
Write this number in the space provided on page 4 of this manual for
future reference.
12 Audio Source Input jacks (see page 19-20)
Use these inputs for connection to analog audio sources such as a CD player.
One in/out tape path is provided for connection to an audio recorder.
13 Video Source Input jacks (see page 19-20)
Use these inputs for connection to the composite video and analog audio
output from sources such as a DVD or LD player, satellite receiver, cable
box, PVR or other video source. Note that when the Component Video
inputs are used, connect the analog audio outputs of the source to the
DVD or Video 1 jacks, as appropriate.
14 VCR jacks (see page 20)
Use these audio input and output jacks to connect a VCR to the P-2000.
15 Multi-zone Output jacks (see page 21)
Use these jacks to supply the analog stereo audio output to an optional
audio amplier used to power speakers in the remote zone.
16 Composite Monitor Output jack (see page 20)
Connect this output to the composite video input of your monitor or
other video display device.
17 Amplier Output jacks (see page 21)
Use the seven audio channel output jacks to connect the P-2000 to an
external power amplier. The eighth jack supplies the low frequency
output to a powered subwoofer or external subwoofer amplier.
18 5.1 Input Bass Management Control (see page 34)
Setting this switch in the ON position activates a dedicated 80Hz High
Pass Filter for the 5.1 channel direct input, except the subwoofer. The bass
signals from the 5 satellite channels of this input will be summed and
sent on to the subwoofer output at all times, so this switch only affects
whether or not the bass signals are sent on to the satellites as well. Set-
ting the switch in the down position turns off the High Pass Filter and
sends full-range audio to all satellite channels. This Bass Management
Control is totally separate from the “normal” DSP Bass Management set
up using the front panel or remote control.
19 Coaxial Digital Input jacks (see page 19-20)
Use these inputs to connect the coaxial digital audio signal output from
such digital devices as CD, DVD or LD players. These inputs are fully
assignable.
20 Main Power switch (see page 22)
Turns the current to the P-2000 On or Off. Setting this button to the
On position (pushed in) supplies power to the unit, enabling use of the
Standby Power button on the front panel. When the Main Power switch
is in the Off position, current is cut off to the unit. This switch can be
used as a Vacation Switch to shut off the main power to the unit when
you will be gone for a long period of time.
21 AC Input (see page 21)
Use to connect the supplied AC power cord (see Precautions on page 2).
Front Panel and On Screen Display (OSD)
The FRONT PANEL DISPLAY and ON SCREEN DISPLAY (OSD) provide
visual feedback of the current settings, surround modes and congura-
tion menus of the unit. Information is constantly displayed on the front
panel whenever the P-2000 is turned on. To view the OSD, the unit must
be connected to your display device using either the composite or S-Video
MONITOR OUT jacks. The OSD will not operate through the component
video outputs of the P-2000. However, the OSD output will appear at both the
composite and S-Video jacks regardless of the type of source in use.
The information presented on the front panel is identical to that shown on
the OSD, allowing you to perform speaker settings, set up your input sources,
set the listening modes, and much more. You can choose how long the OSD
remains on the screen in the OSD setup menu and should you choose the 0
time option, the OSD will not appear on screen at all.
P-2000 Front Panel and On Screen Display
Example of Front Panel
Display when an input
source is selected.
Example of On Screen
Display when an input
source is selected.
Example of Front Panel
Display when the Main
Menu is selected.
Example of On Screen
Display when the Main
Menu is selected.
Front Panel and On Screen Display (OSD)
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P-2000 7.1 Channel Preamp/Processor/Tuner
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Remote Control
The P-2000 Universal Learning Remote Control duplicates every function
available from front panel of the preamp/processor and more. It is designed
to access all the conguration and operating menus of the P-2000. These
are displayed on the FRONT PANEL DISPLAY, as well as the ON SCREEN
DISPLAY (OSD). The Remote Control contains an extensive library of IR
codes and may be programmed to operate a wide range of other audio and
video components. Additionally, you can teach the remote to control other
audio/video units not included in the unit’s built-in memory by entering
their particular device codes (see page 39).
Many of the buttons on the Remote Control serve multiple functions,
depending on the source device being controlled. The list below describes
each button’s main functions. For a complete description of their use, please
refer to the section titled “Remote Control Setup and Operation”.
1 Status LED Indicator (see page 37)
Indicates when the remote control is in Programming or Learning mode
and ashes to indicate success or failure of these functions.
2 Source Selection buttons (see page 30)
When the P-2000 is in Standby mode, pressing one of these buttons turns
the unit on and selects that source as the current input.
If the P-2000 is already on, pressing one of these buttons selects that
source as the new input.
In both cases, once properly programmed, the remote control also oper-
ates the source device selected.
The AUD button sets the Remote to control the P-2000.
The Source button selected will light whenever you push one of the
Remote’s function buttons to indicate that you have sent a command
to that component. If the command you have pressed is one that is not
available on that type of unit (i.e. P SCAN on a CD player) the source
button will not light, although you have pressed that button.
3 POWER button (see page 27, 30)
Returns the P-2000 to standby mode when the unit is on.
4 MUTE button (see page 31)
Mutes the main volume of the P-2000. Does not mute the second zone.
5 Multi-zone button (see page 36)
Press the MULTI button to call up and cycle through the Multi-zone menu
options on the FRONT PANEL DISPLAY and the OSD, if active.
6 TEST button (see page 27)
Outputs an audio test tone for calibrating and setting the speaker levels.
Pressing the button again restores the audio output from the previously
selected input source.
7 TRIM button (see page 33)
Activates the Channel Trim function. Pressing the button cycles through
all the channels individually for trim adjustment up to 10dB above or
15dB below the master volume setting, in 1dB steps. (1dB is the smallest
amount of sound change readily perceptible to human hearing.)
P-2000 Remote Control
1
14
15
16
17
18
19
26
13
11
10
9
8
20
7
6
4
25
3
23
2
24
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12
21
5
Remote Control
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P-2000 7.1 Channel Preamp/Processor/Tuner
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8 Numeric Keypad buttons (see page 32)
Use these buttons for control functions requiring you to enter numbers.
For numerals over 10, press the 10+ button for every multiple of ten,
followed by a second digit (0-9).
9 Theater Compensation button (see page 34)
The T.COMP button toggles Theater Compensation processing on and
off.
10 Surround/Data Format buttons (see page 31)
Press the 2, DTS, CR SURR or STEREO button once to select a sur-
round processing format.
Press the same button again to cycle through the various processing
modes available for that selected format.
Pressing and holding the button for ve (5) seconds calls up the Data
Format menu.
11 DIGITAL button (see page 30)
Cycles between the six digital inputs and the analog input (for the selected
source) on the P-2000. The selected input is shown on the FRONT PANEL
DISPLAY and the OSD, if active.
12 NIGHT button (see page 33)
Cycles through the available dynamic range compression modes.
13 Macro Control buttons (see page 39)
The M1, M2, M3 and M4 buttons are used to send IR macros, which
consist of a preprogrammed sequences of IR commands that you have
previously entered in the remote.
14 Tuning and Volume buttons (see page 30, 32, 39)
Use the and CH/TUNE buttons to adjust the P-2000 tuner’s fre-
quency down or up when AUD is selected as the input source. These
buttons also operate the Tuner or change channels of other devices that
have been selected as the current source.
Use the and VOL buttons to adjust the volume of the P-2000 from
–80dB to +10dB. These buttons also operate the volume control of other
devices that have been selected as the current source.
15 MENU button (see page 22)
Calls up the Main Menu on the FRONT PANEL DISPLAY and the OSD,
if active.
16 Navigation and Select buttons (see page 22)
Use the four Navigation buttons to move through menu options shown
on the FRONT PANEL DISPLAY or OSD. Use the SEL button to conrm
selections made in menus.
17 TONE button (see page 23)
Press this button to select either Treble or Bass for adjustment. Once
the desired parameter is selected, use the < or > navigation buttons
to change the setting. The Treble and Bass can be adjusted ±6dB in
1dB steps. Settings are shown on the FRONT PANEL DISPLAY and the
OSD, if active.
18 Auxiliary Input buttons (see page 30)
Use the AUX 1 and 2 buttons to select the device connected to one of the
two AUX inputs as the active source.
19 6 Channel Direct button (see page 34)
Pressing the 6 CH button selects as the source the analog signal from
the Multi-Channel inputs (5 channels plus subwoofer) on the P-2000, as
well as activating the dedicated Bass Management if selected by the rear
panel switch. Pressing the button again returns the unit to the previously
selected source.
20 BYPASS button (see page 31)
Activates Stereo Bypass mode, sending the signal from the analog input
of the chosen source directly to the volume control, bypassing all digital
processing. Pressing the button again returns the unit to the previously
selected mode.
21 AM/FM button (see page 32)
Press this button to select the tuner as the input source, or switch between
the AM and FM bands when the tuner is already active. Pressing this
button when in Standby mode will also turn the unit on.
22 Tuner Mode button (see page 32)
Press the T.MODE button to toggle the FM tuner between Mono and
Stereo.
23 SLEEP button (see page 35)
Sets the unit’s built-in sleep timer function.
24 Preset Scan button (see page 32)
Pressing this button scans the AM or FM stations stored in the tuner’s
preset memory. Pressing it again stops the scan at the preset indicated
in the FRONT PANEL DISPLAY.
25 Memory button (see page 32)
Press and hold the MEM button to store an AM or FM station into a preset
location. Once the FRONT PANEL DISPLAY begins to ash Memory
01, enter the desired preset number using the numeric keypad on the
remote.
26 Light
Illuminates the Remote Control buttons for 7 seconds.
Remote Control
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P-2000 7.1 Channel Preamp/Processor/Tuner
Instruction Manual
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Surround Format Information
The Atlantic Technology P-2000 employs the latest surround processing
technology developed in conjunction with Cirrus Logic®, providing one of
the most extensive arrays of surround decoding and processing currently
available. You can choose from Dolby Pro Logic® II, Dolby Digital® 5.1,
Dolby Digital EX®, DTS®, DTS-ES® Discrete, DTS-ES® Matrix, DTS NEO:6®
and Cirrus Extra Surround®. Within each mode, the P-2000 also offers a
wide range of additional processing options. This means you can precisely
match a surround mode to your program material, loudspeaker setup and
personal taste. In addition, the P-2000 uses Cirrus Logic’s Triple Crossover®
and Precision Bass Management® features to provide maximum exibility
when setting up your audio surround system (see “System Setup ” on page
22 for further details).
The table below lists the surround processing choices available within
each mode. Depending on the selected source (analog or digital) and
your loudspeaker conguration, certain processing options may not
appear or operate.
D A
Display
Text Name Description
• •
PLII-C Pro Logic II Cinema
Use for surround enhanced lm
soundtrack playback from any 2-channel
source such as VCR or TV
• •
PLII-M Pro Logic II Music For surround enhanced playback of
2 channel (stereo) music
• •
DOLBY PL Pro Logic Emulation Equivalent to original Dolby Pro Logic
surround processing
• •
PLIIC CR Pro Logic II Cinema
w/ Cirrus Ex Surr
Adds Cirrus Extra Surround processing
of rear channels to Pro Logic II Cinema
• •
PLIIM CR Pro Logic II Music
w/Cirrus Ex Surr
Adds Cirrus Extra Surround processing
of rear channels to Pro Logic II Music
• •
NEO: 6C DTS NEO:6 Cinema Creates 6.1 channel surround
from any movie-based source
• •
NEO: 6M DTS NEO:6 Music Creates 6.1 channel surround
from any music-based source
• •
5 STEREO 5 Channel Stereo Creates a 5-channel program
(L/C/R/LS/RS) from any stereo source
• •
7 STEREO 7 Channel Stereo Creates a 7-channel program (L/C/R/
LS/RS/LSB/LSR) from any stereo source
•
DOLBY D Dolby Digital 5.1 channel processing for all
Dolby Digital encoded sources
•
DOLBY
EX
Dolby Digital
Surround EX
6.1 channel processing for soundtracks
encoded with Dolby EX
•
DD CR-C Dolby Digital w/
Cirrus Ex Surr Cinema
Adds Cirrus Extra Surround
processing to Dolby Digital. Creates a
rear surround channel
•
DD CR-M Dolby Digital w/
Cirrus Ex Surr Music
Adds Cirrus Extra Surround
processing to Dolby Digital. Creates a
rear surround channel
•
DTS DTS 5.1 channel processing for all
DTS encoded sources
•
DTS-ES DTS Extended
Surround
6.1 channel processing for all sources
encoded with DTS-ES
Dolby Digital
This digital audio format provides discrete 5.1-channel surround sound.
Dolby Digital source materials available include DVDs, LaserDiscs, HDTV
broadcasts, some satellite delivered programming, and the output of some
digital cable set top boxes.
Dolby Digital Surround EX
This processing mode is a joint development of Dolby Laboratories and the
THX division of LucasFilm, Ltd. Film soundtracks encoded with Dolby Digital
Surround EX technology contain an extra channel, added to the soundtrack
during mixing, called Surround Back, which places audio behind the listener
in addition to the existing front left, front center, front right, surround left,
surround right, and subwoofer channels. This additional channel provides
more detailed imaging behind the listener creating more depth, spacious
ambience and sound localization than before.
A list of movies created using Dolby Digital Surround EX can be found on
the Dolby web site at www.dolby.com.
NOTE:
Both Surround EX and DTS-ES mode can also be engaged
during the playback of 5.1 channel material that is not Dolby Digital
Surround EX or DTS-ES encoded. When used this way, signals from
the left and right surrounds are used to synthesize the surround back
channel. Results using this method will vary, depending on the source
material and may enhance or detract from the viewing experience.
Dolby Pro Logic II
Dolby Pro Logic II is a substantial enhancement to the original Pro Logic
process. In addition to full-bandwidth surrounds, Pro Logic II provides three
unique user adjustable music processing options: Panorama, Dimension, and
Center Width. These choices are also available when employing the Cirrus
Extra Surround processing option with Pro Logic II Music mode.
Panorama
provides an extension of the front stereo image around the listen-
ers into the surround channels, creating an enveloping wraparound effect.
Dimension
enables adjustment of the surround image between the front
and rear of your room. Certain types of music can benet from the smoother
overall balance and more natural sounding image made possible by using
the Dimension control.
Center Width
provides variable adjustment of the center channel image and
location, to create a more seamless front soundstage as well as control of the
sense of ‘width’ across the L/C/R loudspeaker array. A phantom center image
can also be created from just the left and right front speakers.
DTS
This digital data format is similar to Dolby Digital, but uses a higher sampling
rate. DTS also provides a maximum of 5.1 channel surround channels and
is available on compact disc, DVD and LaserDiscs. Audio-only DTS discs
may be used with any CD, LD or DVD player with a digital audio output, but
DVD discs with DTS audio must be used on players with the “DTS Digital
Out” logo.
Surround Format Information
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P-2000 7.1 Channel Preamp/Processor/Tuner
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DTS-ES
DTS-ES is an extension of the original DTS format that adds an additional
sixth, or center surround, channel to a soundtrack. DTS-ES Matrix titles
provide the sixth channel by a “blended into the surround channels” process
like Dolby Digital Surround EX, while DTS-ES Discrete media deliver a true
discrete digital center surround channel. Both DTS-ES formats are backwards
compatible with the original DTS process, and will revert a 5.1 channel output
when no center or back surround speakers are available.
When properly set up, the P-2000 senses the availability of either DTS-ES
format and automatically switch the processing mode when required.
DTS NEO:6
This processing mode can create up to 6 full bandwidth channels from any
matrix-encoded 2-channel source (e.g. Dolby Surround, etc.). Additionally,
this mode can produce the rear surround information from a 5.1 source. In
Music Mode it can be used to expand stereo music material, such as from a
CD, into a multi-channel surround experience.
Cirrus Extra Surround
This unique process creates 6.1 or 7.1 channels of output from either matrix-
encoded or discrete audio signals. When Cirrus Extra Surround is selected,
using either the remote or the front panel control the display will show the
primary selected mode plus a CR identier–such as PL2C-CR. To determine
what mode is best for any specic program material it will be necessary to
experiment to decide what suits your system and personal taste best.
Stereo
This mode provides conventional 2 channel signals to the left and right
front speakers only.
Additional Information
More detailed information about the various surround processing options
contained in the P-2000 can be found on the following websites:
www.dolby.com
www.dtsonline.com
www.cirrus.com
Connecting Your P-2000
Before proceeding, please observe the following precautions when connecting
devices to your new P-2000.
Do not plug the power cord into your P-2000 until all other connections
have been made.
Always refer to the instructions that came with the component that you
are connecting for specic procedures, warnings and options.
For all analog connections, the red input jacks (R) are used for the right
channel, white input jacks (L) are used for the left channel, and yellow
input jacks (V) are used for the composite video connection.
Make sure to insert all plugs and connectors securely. Improper con-
nections can result in noise, poor performance, or damage to the equip-
ment.
Do not bundle audio/video connection cables with power cords and
speaker cables. Doing so may adversely affect the picture and sound
quality. For example, run all the power cords down one side of the
cabinet, all the signal cords down the other side, and the speaker wires
down the center.
When connecting devices to the digital inputs and outputs, you may
also want to consider hooking up the analog connections from the
components to insure that all signals can be employed by the preamp/
processor.
When using the optical input or output jacks, remove the protective
dust cap and keep it in a safe place. When these jacks are not in use the
protective dust cap should be replaced.
When using an optical input or output jack, always use a high-quality
optical ber cable.
IMPORTANT NOTE:
We strongly recommend that before you connect
any loudspeakers to your ampliers, you complete all needed connec-
tions and set up procedures to your P-2000 as outlined below. This will
reduce the chance that a misconnection or other error will produce
audio output that might damage your speakers or other components.
Given the wide variety of components that can be connected to your P-2000,
there are numerous ways in which your system can be assembled. To help
you with this task, we have provided a chart (page 18) to record the compo-
nents connected to your unit, as well as which type of input (analog, coaxial,
S-Video, etc.) is used. Keep this chart for future reference.
There are many possible ways to connect a particular device. Use the diagrams
on the following pages as a guideline. The information in this section contains
some of the more common situations you might encounter in your system.
Always consult the owner’s manual that came with the component you are
connecting for more information on the source component’s connections.
Connecting Your P-2000
14
P-2000 7.1 Channel Preamp/Processor/Tuner
Instruction Manual
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Connecting Audio Equipment to the P-2000
Ω
CD Player
Audio Recording Device
Use either the
Coaxial or
Optical
connection, but
not both.
Connecting Your P-2000
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P-2000 7.1 Channel Preamp/Processor/Tuner
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Connecting Video Equipment to the P-2000
Ω
DVD Player
Video Recording Device
Use either the Coaxial or
Optical connection, but
not both. Similarly, your
video connection
requirements will vary
according to your DVD
player and display's
capabilities. In most cases
only one type of video
connection is required.
Connecting Your P-2000
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P-2000 7.1 Channel Preamp/Processor/Tuner
Instruction Manual
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Ω
External
Amplifier
Connecting an External Amplier to the P-2000
Connecting Your P-2000
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P-2000 7.1 Channel Preamp/Processor/Tuner
Instruction Manual
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Connecting the P-2000 to an External Amplier in a Second Zone
Ω
Stereo Amplifier
Optional Powered IR Sensor
Connecting Your P-2000
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P-2000 7.1 Channel Preamp/Processor/Tuner
Instruction Manual
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Connection Record Chart
Ω
Use this chart to make a record of the
setting and connections made from your
system components to the P-2000
Connecting Your P-2000
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P-2000 7.1 Channel Preamp/Processor/Tuner
Instruction Manual
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Connecting Audio Components
CD Player
Analog
Connect the L and R channel outputs on the CD player to the CD
IN jacks on the P-2000.
Digital
If your CD player has a digital output jack, connect it to one of
the coaxial (COAX 1 or 2) or optical (OPT 1-4) input jacks on the preamp/
processor, depending on the type of connector used by the CD player. Later,
you will congure the P-2000 to use the specic input that you have chosen.
For now, note which digital input you connected to on your system chart.
Audio Recorder
A recording device such as a cassette deck, MD recorder, DAT deck or CD
recorder can be connected to the P-2000 using either or both of the follow-
ing methods.
Analog
Connect the L and R audio outputs from the recorder (usually
marked PLAY) to the TAPE IN jacks on the rear of the preamp/processor
and connect the L and R audio inputs of the recorder (usually marked REC)
to the TAPE OUT jacks of the P-2000.
Digital
If your recorder has a digital output jack, connect it to one of the
coaxial (COAX 1 or 2) or optical (OPT 1-4) input jacks on the preamp/
processor, depending on the type of connector used by the device. Later,
you will congure the P-2000 to use the specic input that you have chosen.
For now, note which digital input you connected to on your system chart.
If your recorder has a digital input jack, connect it to either the coaxial or
optical output jack on the preamp/processor. The signal from the selected
digital input source of the P-2000 will be sent to the recorder.
Connecting Video Components
Before making connections to any video devices, it will help to understand
how the P-2000 routes the video portion of the signal through its video
section.
Any signal that appears at one of the composite video input jacks (DVD,
VIDEO 1, 2 or 3) is automatically sent to the composite video OUT
and VCR OUT jacks, as well as the S-Video OUT and VCR OUT jacks.
However, due to technical restrictions there is some degradation of this
signal when it appears at the S-Video output and therefore we do not
recommend that you use this particular feature.
Any signal that appears at the S-Video input jacks (DVD, VIDEO 1, 2
or 3) is automatically sent to the S-Video OUT and VCR OUT jacks, as
well as the composite video OUT and VCR OUT jacks.
Any signal that appears at the component video (DVD or VIDEO 1)
input jacks is sent to the component video MONITOR OUT connection
only. Please note that the On Screen Display does not appear in the out-
put signal from the component video MONITOR OUT connection.
NOTE:
To provide the greatest signal exibility, you may wish to con-
nect all available types of inputs and outputs from your video devices.
For example, if only the composite video output (yellow RCA jack) con-
nection is made to your display device, component sources will not be
available, even if they are connected to the P-2000.
DVD Player
Composite
Connect the composite video output from the DVD player
to the composite DVD video input jack on the rear of the P-2000 using an
RCA-type video cable.
S-Video
If there is an S-Video output on the DVD player, and you have an
S-Video input on your TV or monitor, connect it to the S-Video DVD input
on the rear of the P-2000 using an S-Video cable. S-Video delivers a better
picture than composite connections and should be used whenever possible
unless you can use component connections, which deliver even better video
than S-Video.
Component
If the DVD player has component video outputs, connect them
to the DVD component video input jacks on the rear of the P-2000 using an
appropriate video cable set.
Analog Audio
Connect the L and R channel outputs on the DVD player to
the DVD IN audio jacks on the rear of the P-2000.
Digital Audio
Connect the digital output on the DVD player to one of the
coaxial (COAX 1 or 2) or optical (OPT 1-4) input jacks on the rear of the
preamp/processor, depending on the type of connector used by the DVD
player. Later, you will congure the P-2000 to use the specic input that you
have connected to. For now, note which digital input you connected to on
your system chart.
Multi-channel Audio
If your DVD player supplies a multi-channel audio
output (for DVD Audio or SACD playback), connect the six outputs (special
cable sets for this are available from various sources) from your player to
the six input jacks labeled MULTI CHANNEL INPUT on the rear panel of
the P-2000. Be sure to match the connections—left to left, right surround
to right surround, and so on. If your player includes a built-in Dolby Digital
decoder and has 5.1 channel analog audio outputs we suggest that you do
not use them, but use the digital audio connection and the P-2000’s internal
decoders instead.
If you are connecting a DVD-Audio or SACD player to the P-2000 using these
jacks, you will need to consider the setting for the Analog Bass Management
switch on the P-2000’s rear panel. If your system uses all full range speakers
(capable of extended deep bass output at high volume levels), set the switch
in the OFF position. In that setting the signal will be routed directly from the
input jacks to the volume control.
However, if your system uses smaller or frequency-restricted satellite speak-
ers, the switch should be set to the ON position. In that setting the signals sent
to the main speakers will be cut at 80 Hz and a summed bass signal will be
sent to the subwoofer output. Note that you should place this switch in the
OFF position if your playback device includes internal bass management
circuitry or if you use an external bass manager.
For the record, the vast majority of speakers should be considered Small
unless they utilize a 10-inch woofer driver at the very least. Although this is
not a hard and fast rule, it will generally sufce.
Connecting Your P-2000
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Instruction Manual
21
Video Recorder
A video recording device such as a VCR, PVR (such as a TiVo¨, Replay¨, Ulti-
mateTV¨, DishPlayer¨ or similar device) or DVD recorder can be connected
to the P-2000 using the following methods.
Composite
Connect the composite video output from the recording device
to the VCR IN composite video jack on the rear of the preamp/processor. Con-
nect the recording device’s composite video input to the VCR OUT composite
video jack of the P-2000 using an RCA-type video cable.
S-Video
If there is an S-Video output on the recording device, connect it to
the S-Video VCR IN input on the rear of the preamp/processor and connect
the S-Video input to the S-Video VCR OUT using an S-Video cable. S-Video
delivers a better picture than composite connections and should be used
whenever possible unless you can use component connections, which deliver
even better video than S-Video.
Component
If the recording device has component video outputs, connect
them to one of the component video input jacks (DVD or VIDEO 1) on the
rear of the preamp/processor using an appropriate video cable set.
Analog Audio
Connect the L and R audio outputs on the recorder to the
VCR IN audio jacks on the rear of the preamp/processor and connect the L
and R inputs of the recorder to the VCR OUT audio jacks on the P-2000.
Digital Audio
If your recording device also has a digital audio output jack,
connect it to one of the coaxial (COAX 1 or 2) or optical (OPT 1-4) input jacks
on the rear of the preamp/processor, depending on the type of connector
used by the device. Later, you will congure the P-2000 to use the specic
input that you have connected it to. For now, note which digital input you
connected to on your system chart.
If your recording device also has a digital input jack, connect it to either the
coaxial or optical output jack on the rear of the preamp/processor, depending
on the type of connector used by the device. The signal from the selected
input source of the P-2000 will be sent to the recorder.
Video Display
A video display device such as a television monitor, xed-pixel device
(plasma or LCD) or video projector can be connected to the P-2000 using
the following methods.
Composite
Connect the composite video input of the display to the com-
posite video OUT jack on the rear of the P-2000, using an RCA-type video
cable.
S-Video
If there is an S-Video input on the display, connect it to the S-Video
OUT jack on the rear of the preamp/processor using an S-Video cable. S-
Video delivers a better picture than composite connections and should be
used whenever possible unless you can use component connections, which
deliver even better video than S-Video.
Component
If the display has component video inputs, connect them to
the component video MONITOR OUT jacks on the rear of the P-2000 using
an appropriate video cable set.
NOTE:
The P-2000 converts composite video to S-Video and vice versa,
you need only make one of those two types of connections between
the P-2000 and your video display. Due to technical restrictions there
may be some degradation of the signal when it is converted from
composite to S-video. Be sure to check this function with your equip-
ment before you decide to use this capability. When component video
connections are used it is still necessary to make either the composite
or S-Video connections so that you are able to view the on-screen
menus and displays which do not appear on the component outputs.
The P-2000 does not convert from either composite or S-Video to
component or vice versa.
Satellite Tuner or Television
Composite
Connect the composite video output from the satellite tuner
or television to one of the video input jacks (VIDEO 1, 2 or 3) on the rear of
the P-2000 using an RCA-type video cable.
S-Video
If there is an S-Video output on the satellite tuner or television,
connect it to one of the S-Video inputs (VIDEO 1, 2 or 3) on the rear of the
P-2000 using an S-Video cable. S-Video delivers a better picture than com-
posite connections and should be used whenever possible unless you can use
component connections, which deliver even better video than S-Video.
Component
If the satellite tuner or television has component video outputs,
connect them to one of the component video input jacks (DVD or VIDEO 1)
on the rear of the P-2000 using an appropriate video cable set.
Analog Audio
Connect the L and R channel outputs on the satellite tuner
or television to the set of audio input jacks (VIDEO 1, 2 or 3) directly under
the video jack you used on the rear of the P-2000.
Digital Audio
If your satellite tuner or television has a digital output jack,
connect it to one of the coaxial (COAX 1 or 2) or optical (OPT 1-4) input jacks
on the rear of the preamp/processor, depending on the type of connector
used by the device. Later, you will congure the P-2000 to use the specic
input that you have chosen. For now, note which digital input you connected
to on your system chart.
FM Antenna
Connect the supplied FM antenna to the terminal labeled FM75Ω. Do not
over tighten as this may damage the connection.
The supplied FM antenna is for indoor use only. For best signal reception
you must fully extend the antenna. Experiment with the antenna’s position to
obtain the strongest signal. You can attach it to a wall or other surface using
push pins or similar apparatus.
If FM reception is poor with the supplied indoor antenna, the use of an
amplied indoor or an outdoor antenna is recommended.
NOTE:
You can only connect a 75Ω type FM antenna to the P-2000.
If you choose to use an antenna other than the one supplied, be sure
to verify that it has the correct type of connector or that you obtain an
appropriate adapter.
Try to avoid using the same antenna for both FM and TV reception
since the signals can interfere with each other. If you must use a com-
mon FM/TV antenna, be sure that you install a signal splitter to sepa-
rate the feed between the TV and the P-2000’s tuner.
Connecting Your P-2000
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