Demedash Effects T-120 User manual

Tape with Light Flutter Low Quality VHS
Analog Delay
Lo-Fi Chorus Glitch-Shifter
Vibrato
See “Accessing Secondary Controls” for
how to set ‘Glide’ and ‘Randomize’ controls
DEMEDASH
EFFECTS
Instruction Manual
T-120
Sample SeTTingS
Videotape
echo
DEMEDASH
EFFECTS
demedasheects.com
Designed with love
Tuned by ear
Made by hand
Winnipeg, Manitoba, Canada

Time Mix
Glide
Intensity
Randomize Tape
Quality
Square Smooth Periodic Random
Primary Controls modulation Controls aCCessing
seCondary Controls
Time DepTh
SpeeD
momenTary acTivaTion
power requiremenTS
gliDe
ranDomize
mix
inTenSiTy
Tape qualiTy
Sets the duration of time before each recorded note is
played back, as well as the amount of time between each
subsequent repetition of the note.
At minimum, about 60ms of delay time is available. Setting
it here allows you to use the primary & secondary LFO
controls (Depth, Speed, Glide, Randomize) to create a
number of dierent chorus and vibrato textures.
At its maximum setting, approximately 1 second of
delay time is available, though settings above noon may
contribute to a raised noise oor.
Varies the amount of pitch-shifting vibrato induced in
the recorded signal, giving the sound of an uncalibrated,
broken VCR.
Higher settings lead to wider pitch swing.
Depth of modulation can also be aected by the delay time
and the modulation speed. Longer delay times and higher
modulation speeds both lead to wider swing.
To Access the Glide & Randomize controls, rst engage
the eect. While the eect is engaged, holding down the
footswitch while twisting the depth knob will change the
‘Glide’ setting, while doing so while twisting the ‘Speed’
setting will change the ‘Randomize’ setting.
An illustration showing the way you can use these two
controls to generate various waveforms is shown below.
Your ‘Glide’ and ‘Randomize’ settings are saved once set,
so no need to worry about setting them again next time
you power your T-120 on — they’ll be right there how you
left them.
Sets the rate of pitch-shifting vibrato in the recorded signal.
Low settings give an uncalibrated, wavering sound, while
higher settings can give the impression that the tape is being
eaten.
Sets how smooth the modulation is.
At minimum, the pitch will shift in immediate jumps, giving
a glitchy sound. At maximum, smooth, out-of-tune,
wavering sounds are in full supply.
Sets the amount of randomness in the modulating waveform.
At minimum, the pitch-shifting vibrato is full periodic,
sounding like a warped record or misaligned tape head.
As the control increases, more random shifts are introduced.
In full clockwise position, the modulating waveform is entirely
random, sounding like a stretched tape.
While the eect is bypassed, you can press the footswitch to
engage the eect, or press and hold it to cause it to remain
active for only as long as the switch is held down.
+9v DC Center Negative Jack
Power adapter not included).
Current Consumption: 80mA
Sets the balance between wet (delayed) and dry
(unaected) signals.
Fully counter-clockwise, only the dry signal is audible.
Fully clockwise, only the wet signal is audible.
At center position, both signals are even in level.
Sets the intensity/level of the feedback loop that creates
repeating echos. Set high enough, self-oscillation can
occur. To stop self-oscillation once it has begun, simply turn
this knob down to zero for a few seconds to let the repeats
die away.
Raises or lowers the bandwidth of the recording.
At low settings, each repeated echo becomes more
degraded than the last, reducing the delity as well as
allowing the playback to oat on top of your playing.
0%
0%
50%
50%
100%
100%
GLIDE CONTROL
RANDOMIZE CONTROL