Emotiva LMC-1 User manual

professional 7.1 av preamplifier/processor

Table of Contents
Safety Precautions 7
NEC (National Electrical Code) Standards 9
A Note for the Cable Television (CATV) Installer 9
Antenna Grounding Outside the House 9
Thank You for your LMC-1 Purchase 10
Unpacking the LMC-1 11
Inventory 11
Recording the Serial Number 11
Emotiva LMC-1 Preamplifier 12
Professional Preamplifier/Processor Features 12
Front Panel Layout 13
Rear Panel Layout 14
LMC-1 Remote 15
Connection Diagrams 16
Connecting a DVD-V Player and TV 16
Connection using Component Video and Digital Audio 16
Connection using S-Video and Analog Audio 16
Connecting a CD Player 17
Connection using Digital Audio 17
Connection using Analog Audio 17
Connecting the 7.1 Channel Inputs 18
Connecting a Cable Box or DSS Receiver 19
Connection of the Cable Box or DSS Receiver 19
Connection of a HDD, DVR, or TiVo Type Device 19
Connecting a Tape Player or VCR 20
Connection of the Tape Player 20
Connection of the VCR 20
Connecting Auxiliary Sources 21
Connection of the AUX 1 Input 21
Connection of the AUX 2 Input 21
Connecting Antennas and External Amplifiers 22
Connection of the AM and FM Antennas 22
Connection of the 7.1 Channel Preamp Outputs 22
Zone 2 Connections 23
Connection of the Internal Zone 2 Amplifier 23
Connection of the Zone 2 Preamp Outputs 23

RRC-1 Wall Plate 24
Description of the RRC-1 Wall Plate Accessory 24
Installing and Connecting the RRC-1 Wall Plate Accessory 24
Quick Setup of the LMC-1 25
A Note About “Learning” Remotes 25
LMC-1 Programming and Calibration 27
Navigation on the Front Panel 27
Navigating the OSD with the Remote 27
Input Select Menu 28
Audio Inputs 28
Video Inputs 28
Mode Select Menu 29
Bypass Mode 29
Dolby Modes 29
DTS Modes 30
DSP Modes 30
Sound Adjust Menu 31
Bass and Treble Adjustment 31
Balance Left and Right Adjustment 31
Center and Surround Speaker Level Adjustments 31
Subwoofer Level Adjustment 31
Distance/Delay Settings 32
Zone Control Menu 32
Function Menu 33
Noise Test 33
Screen Display 34
Speaker Configuration 35
DRC 37
Blue Screen 37
Factory Default 38
Using the AM/FM Tuner 39
Tuning Stations 39
Manually Tuning (UP/DOWN) 39
Direct Numeric Tuning 40
Automatic Tuning 40
Selecting FM Stereo/Mono Modes 40
Storing AM or FM Presets 41
Store a Preset from the Front Panel 41
Store a Preset from the Remote 41
Deleting Preset Channels 41

Using Zone 2 42
Optional Zone Control Keypad 42
RRC-1 Installation 42
Operating Zone 2 42
Zone 2 Operation from the LMC-1 Front Panel 42
Zone 2 Operation from the LMC-1 Main Remote 43
Zone 2 Operation from the RRC-1 Wall Plate 43
Zone 2 Operation from the LMC-1 Zone 2 Remote 44
Zone 2 Preamp Outputs with External Amplification 44
Using the +12 VDC Control Output to Turn On Other Devices 44
Speaker Placement Tips 45
Tips Before Beginning 45
The Front Speakers 46
The Center Speaker 46
The Surround Speakers 47
Surround Back Speakers 47
Subwoofer Location 48
Troubleshooting Guide 50
No Sound (from one or more full range speakers) 50
No Subwoofer (or poor output) 50
Poor AM Reception 50
Poor FM Reception 50
Input Selection Problems 51
There is No TV Picture 51
No Tone Control Functions 51
No Dolby Digital or DTS Playback 51
No On Screen Display 52
Blue Screen and No Picture During On Screen Display 52
Sound drops out with CD or DVD playback 52
Remote Not Working 52
ZONE 2 Not Working 52
External Amplifier(s) Shut Down (Often or Prematurely) 53
External Amplifier(s) Do Not Turn Off with LMC-1 53
Check the following: 53
LMC-1 “Locks Up” (No Response) 53
Reset Procedure 53
“Hum” Noises 53
Other Probable Causes of Noise 54
Problems with the whole A/V System 54

LMC-1 Technical Specifications 55
Licensing and Trademark Disclosures 56
DTS Disclosure 56
Dolby Disclosure 56
Apple Disclosure 56
Sirius Satellite Radio Disclosure 56
XM Satellite Radio Disclosure 56
Emotiva Disclosure 56
Limited Warranty 57
Service Assistance for the LMC-1 57

Page 7
Safety Precautions
Read this User’s Guide thoroughly before attempting to install and configure the Emotiva LMC-
1 Preamplifier. All the safety and operation instructions should be read before any operation of
the component(s) begin. After successful installation and configuration of the Emotiva LMC-1
Preamplifier, be sure to retain this manual in a safe place for any future reference needs.
All warnings on the Emotiva LMC-1 Preamplifier and in these operating instructions
should be followed. Safety is a key component to a long lasting and trouble free
installation. The vast majority of the subsequent safety precautions involve simple
common sense. If you are not comfortable with the installation of audio/video
entertainment equipment, it will be to your benefit to seek the services of a qualified
installation professional.
NEVER use the LMC-1 Preamplifier near water such as a bathtub, washbowl, kitchen sink, laundry
tub, in a wet basement, or near a swimming pool, etc. There is a risk of electric shock to your body
and permanent damage to the equipment. Electric shock may result in permanent bodily injury or
death.
The Emotiva LMC-1 Preamplifier should be situated so that its location or installation position does
not interfere with proper ventilation. The Emotiva LMC-1 Preamplifier should not be situated on a bed,
sofa, rug, or similar surface that may block any ventilation openings; or placed in a built-in installation
such as a bookcase, cabinet, or closed equipment rack that may impede the flow of air through
ventilation openings. If installed in a closed equipment rack for custom installations, be sure to add
forced air ventilation so that it has adequate air circulation. The Emotiva LMC-1 Preamplifier should
be situated away from heat sources such as radiators, or any other devices which produce heat.
The Emotiva LMC-1 Preamplifier should be connected to a power supply only of the type described
in this User’s Guide and what is labeled on the LMC-1 component. Power supply cords should be
routed so that they are not in high foot traffic areas or pinched by items placed upon or against
them, paying particular attention to cords at the wall plugs, convenience receptacles, and the point
where they connect into the LMC-1 Preamplifier. The power cord of the LMC-1 Preamplifier should
be unplugged from the outlet when unused for a long period of time. When it’s time for cleaning the
Emotiva LMC-1 Preamplifier, it should be cleaned only as recommended in this User’s Guide. Never
spray liquids directly into the component’s vent openings. Care should be taken so that small objects
do not fall into the inside of the LMC-1 Preamplifier.
The following situations require your Emotiva LMC-1 Preamplifier is serviced only by qualified service
personnel:
1. The power-supply cord or the plug has been damaged; or
2. Objects have fallen, or liquid has spilled into the component; or
3. The LMC-1 has been exposed to rain; or
4. The LMC-1 does not appear to operate normally or exhibits a marked change in
performance; or
5. The LMC-1 has been dropped, or its enclosure or chassis is damaged.

Page 8
The user should not attempt to service the LMC-1 Preamplifier beyond the means described in this
Owner’s Guide. All other servicing should be referred to qualified service personnel.
To prevent electric shock, do not use this polarized plug with an extension cord,
receptacle or other outlet unless the blades can be fully inserted to prevent blade
exposure.
Pour preevenir les chocs electriques ne pas utiliser cette fiche polarises avec un
prolongateur, un prise de courant ou une autre sortie de courant, sauf si les lames
peuvent titre inserees a fond sans laisser aucune parIIIe a decouvert.
Grounding or Polarization — Precautions should be taken so that the grounding or polarization
means of the component is not defeated.
This apparatus does not exceed the Class A/Class B (whichever is applicable) limits for radio noise
emissions from digital apparatus as set out in the radio interference regulations of the Canadian
Department of Communications.
ATTENTION — Le present appareil numerique n’emet pas de bruits radioelectriques depassant las
limites applicables aux appareils numeriques de class A/de class B (selon le cas) prescrites dans le
reglement sur le brouillage radioelectrique edicts par les ministere des communications du Canada.
For questions regarding service, please contact:
Toll Free - (877) EMO-TECH
Website - www.emotivaaudio.com
If you purchased your unit through AV123 and have service questions, please contact:
AV123 Toll Free - [phone]
2150 W. 6th Ave, Suite L Website - www.av123.com
Broomfield, CO 80020 e-mail - [email protected]
WARNING – TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.
CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO
WIDE SLOT, FULLY INSERT.
ATTENTION: POUR EVITER LES CHOCS ELECTRIQUES, INTRODUIRE LA LAME LA
PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET
POUSSER JUSQU’AU FOND.

Page 9
NEC (National Electrical Code) Standards
A Note for the Cable Television (CATV) Installer
This reminder is to call the CATV system installer’s attention to Article 820-40 of the NEC that
provides guidelines for proper grounding and in particular, specifies that the cable ground shall be
connected to the grounding system of the building as close to the point of cable entry as practical.
Antenna Grounding Outside the House
If an outside antenna is connected to the receiver, be sure the antenna system is grounded so as to
provide some protection against voltage surges and built-up static charges. Article 810 of the National
Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the lead-
in wire to an antenna-discharge unit, connection to grounding electrodes, and requirements for the
grounding electrode. See diagram below.
Always observe proper antenna or satellite dish grounding techniques. When lightning strikes
there is always the possibility that your antenna or dish (mounted high on the roof) can
become a conduit for lightning and electrically damage any equipment to which it’s connected.
Additionally, proper grounding offers safety to the people using the audio/video system in the
event of an electrical problem.

Page 10
Thank You for your LMC-1 Purchase
Dear Home Entertainment Enthusiast,
Thank you for purchasing the Emotiva LMC-1 Preamplifier. We sincerely believe that it offers you
outstanding performance and value. Emotiva products are engineered and produced with the highest
quality materials and incorporate the latest technology. We think you will find the Emotiva LMC-1
meets or exceeds your expectations.
The Emotiva LMC-1 is unlike any home entertainment product on the market. It has been designed
with the user in mind. By employing technology that makes sense, the Emotiva LMC-1 does most of
the thinking for you. This allows you to spend more time enjoying various audio and video sources
without requiring an engineering degree to operate the component. What’s more, the Emotiva LMC-
1 does it all with exceptionally refined cosmetics and a sound quality that will satisfy even the most
discriminating tastes.
The Emotiva LMC-1 features an array of leading edge technologies and all the features necessary to
perform the functions expected of a high end home preamplifier/processor. At Emotiva, we remember
that creating home audio/video products means that they should be easy to use while delivering
unparalleled performance.

Page 11
Unpacking the LMC-1
The Emotiva LMC-1 Preamplifier should reach you in flawless condition. If you notice any shipping
damage or other issues upon unpacking the unit, please contact your Emotiva Retailer immediately.
Inventory
Contained in the box should be the LMC-1 unit, the remote control, (2) AAA batteries, both AM and
FM antennas, a 3.5mm amplifier turn on cable, and a IEC standard 3 prong power cord.
Gently lift out the unit and remove all the packing material and accessories. It is important to save all
the packing materials and the box in case your Emotiva LMC-1 ever needs to be moved or shipped
back to the factory for service.
Make sure that you keep your sales receipt. It is the only way for Emotiva to establish the duration of
your Limited Warranty and it may come in useful for insurance purposes.
Please take a moment to fill out and mail the Emotiva Customer Response card.
Recording the Serial Number
Please read the serial number located on the rear panel and record it below. Also record the place
where you purchased this product and the date of purchase.
Model Number
Serial Number
Place of Purchase
Date of Purchase
LMC-1

Page 12
Emotiva LMC-1 Preamplifier
Professional Preamplifier/Processor Features
• 24-bit/192kHz Audiophile Grade Digital Processing
• 32-bit, 20 MHz Crystal Semiconductor microprocessor
• On Screen Display (OSD)
• AM/FM tuner with 40 presets
• Digital Domain Treble and Bass tone controls
• Dolby Digital, Dolby Digital EX®, and Dolby Pro Logic IIx® decoding modes
• DTS, DTS ES®, and DTS NEO:6®decoding modes
• DSP “simulated” surround mode for enhancement of two channel sources
• Supports all digital sampling rates to 192 kHz
• 0.5 dB resolution on volume control and all channel level adjustments
• Gold plated input and output connectors
• Four coaxial digital inputs
• Three optical digital inputs
• Seven analog audio (RCA) inputs
• Additional 8 channel “7.1” analog input with separate RCA connectors for DVD-A/SACD format
• Three component video inputs and one component video output
• 7.1 Channel Input tracks to the AUX1 video input for Universal DVD use (DVD-V connects as AUX1)
• Automatic video format transcoder up converts Composite and S-Video source to 480i Component
• 7.1 channel outputs (L, C, R, LS, RS, LBS, RBS, and SUB)
• Multiple Frequency Bass Management Feature for all Full Range Channels (60-150Hz Selectable)
• Built in 50 watt x 2 Zone 2 power amplifier
• Zone 2 can play sources independent of the Main Zone
• Optional RRC-1 Wall Plate for control from another room as Zone 2 (Sold as an accessory)
• Optional HSM-1 HDMI 2x1 External Switching Module (Sold as an accessory)
• Trigger output for external amplifiers (3.5mm cable for Emotiva LPA-1 amplifier is included)
• Steel chassis with milled aluminum faceplate trim and cobalt blue illumination
• IEC standard, Class 1, 3 prong removable power cord

Page 13
Front Panel Layout
Function Knob
This is a simple, yet multi-functional control that offers
complete programming and control of the LMC-1 (with
the exception of volume). The Function Knob has 3
separate functions:
• Push IN
• Scroll UP
• Scroll DOWN
The majority of functions are selected by first pushing
in to navigate the correct sub-menu selection and then
using the SELECT UP and DOWN functions to choose
between the available selections. While the unit’s
display shows the menu steps, the On Screen Display
(OSD) shows a greater amount of information and
makes programming and control from the front panel
of the LMC-1 much easier. Tuning AM and FM stations
is also accomplished with this knob. For a complete
programming overview, please see pages 27-41 of this
guide.
Soft Touch Power Switch
This switch provides the ON/OFF control of the LMC-1
from the front panel. When the unit is off and in standby
mode, the switch illuminates yellow. Once the unit is
turned on, the switch illuminates blue. The unit can also
be turned ON and OFF with the supplied remote control.
Zone 2 power must be turned on from the LMC-1 menu
or from the second zone accessory items. Please see
pages 42-44 for additional Zone 2 details.
Please note that upon initial power up of the LMC-1, the
initialization process can take up to 10 seconds. The
initialization process must complete before the power
switch will respond.
Main Volume Knob
This knob provides the main
volume for the system.
If the unit is in the MENU mode,
turning the volume knob up or
down AUTOMATICALLY exits the
MENU mode.
I/R Remote Receiver
This small receiver to the right
of the VFD is how the LMC-1
receives commands from the
supplied remote control. Be sure
not to block the receiver during
normal operation. Direct sunlight
on this area may reduce the
range of the remote.
Vacuum Fluorescent Display
The cool blue VFD display shows
the source input (or AM/FM
station) as a default, but has full
display capabilities for all other
selections including programming
menu functions.

Page 14
Rear Panel Layout
Zone 2 Powered Output
This 50 watt x 2 output offers an
onboard source for powering the
LMC-1 second zone. The speakers
in the second room would connect
to these terminals (or to a rotary
type volume control if no RRC-1 wall
plate is used)
7.1 Channel Analog Input
This group of analog RCA inputs is
intended for a dedicated DVD-A or
SACD player where the decoding
process is handled inside the player
and the output is multi-channel
analog. This input has no internal
bass management in the LMC-1
Analog Source Inputs
This group of analog RCA inputs
is intended for any “analog only”
sources such as VCR or Tape, as
well as for situations where the user
chooses the analog output from a
DVD, CD or digitally capable CABLE
or AUX source component.
Digital Source Inputs
This group of digital inputs is
separated into 3 optical inputs
(DVD, CABLE/CD, and AUX1) and
4 coaxial inputs (DVD, CD, CABLE,
and AUX1)
Power Receptacle and Switch
There is an IEC standard Class 1, 3
prong power receptacle (cord is also
included with LMC-1) and a master
power switch to enable on/off
command with the remote or via the
front panel switch.
Remote Keypad Control
This 3 wire connection is for the RRC-
1 wall plate accessory that controls
Zone 2 from an alternate location.
Please see pages 24, 42-44 for more
details of this accessory.
Remote Amplifier Turn-On
This 3.5mm jack connects through
the supplied 1 meter cable to an
external amplifier for a turn on
command. It mates perfectly to the
Emotiva LPA-1 companion amplifier.
7.1 Channel Analog Output
This group of analog RCA outputs
connects to external amplifiers. This
gives up to 7 independent full range
channels and low frequency channel
for connection to a powered subwoofer.
Depending on the source (any Analog
or PCM in 2ch), the SW output will
be active only with SMALL front
speaker settings due to internal active
crossover functionality.
Line and Zone Outputs
The “LINE OUT” jacks are for a 2 channel connection to an
additional amplifier or for tape recording. These are active on the
Main Zone only. The “ZONE” jacks are for use of an amplifier in
the second zone (in addition to or instead of the onboard Zone
Amplifier. These are active whenever “Zone 2” is selected. Both
are full time digital mix down of the multi-channel inputs.
AM and FM Antenna Jacks
These connections are for the
included AM and FM antennas.
The AM antenna is a loop type
antenna with 2 wire ends that go
into the “spring loaded” jacks. The
FM antenna simply has a “push on”
style “F connector” to connect.
Video Inputs and Outputs
These jacks allow input of component video signals from DVD,
CABLE, and AUX1 sources and S-Video or composite signals from
those and other sources. Each style has a video output so use the
highest grade your video display can accommodate. The LMC-1
has a video upconversion feature to make Composite or S-Video
have DVD quality resolution, however always use the highest
quality inputs and outputs available.
VIDEO OUT jacks
are for recording to a
VCR as long as the
input source is S-
Video or Composite
Video. This output
has no OSD.

Page 15
LMC-1 Remote
The LMC-1 remote control is a full featured, dedicated remote control that offers many discrete
buttons for DIRECT ACCESS to most of the critical LMC-1 controls. When used in conjunction with
the On Screen Display (OSD), there may be little need to ever touch the front panel of the LMC-1
again if you so choose.
As many home entertainment enthusiasts choose, you may elect to program the LMC-1 remote
into a “learning” type remote that is the single (Master) control for all of your home entertainment
components. In doing so, you can choose to omit certain setup functions if you wish so you do not
inadvertently enter into those functions during normal use with the master remote. A master remote
can also provide a unified turn on/off resource for all of the components in the system through the use
of a macro program sequence.
Tuner Buttons
These buttons (both the discrete
commands and the numeric buttons)
allow control of the AM/FM tuner
functions.
Signal Processing Modes
These buttons select the signal processing
modes
Power Button
Volume UP/DOWN
Source Selection Buttons
These buttons select the various
source inputs of the LMC-1
OSD Button
This toggles the video input
selections for the current source
Mute Button
Sound Configure Buttons
These buttons select the various
parameters for the sound
adjustments
Zone 2 Control Menu
Menu and Program Buttons
These buttons select the various
menu functions and choices
TEST Button
This button brings up the Noise
Test mode of Function Menu
DISPLAY Button
This button brings up the display
to show information such as
Dolby or DTS, the AM/FM
channel, etc.
STEREO Button
Press to select stereo or mono
AUTO TUNE Button
Press to search AM/FM channels
INPUT MODE Button
This toggles the audio input selections
for the current source

Page 16
Connection Diagrams
Connecting a DVD-V Player and TV
Connection using Component Video and Digital Audio
Connection using S-Video and Analog Audio
Component Video
This video connection type provides the best visual
resolution. Connect the DVD player’s Component
Video outputs to the inputs on the LMC-1 labeled
“DVD” in the COMPONENT section of the rear
panel.
Digital Audio
This audio connection type provides the best audio
resolution and is necessary for decoding discrete
Dolby Digital and DTS source material. Connect the
DVD player’s coaxial digital or optical digital output
to the appropriate input on the LMC-1 labeled
“DVD”. It does not matter whether you use coaxial
or optical connections as far as audio clarity goes,
only that the correct input type is assigned in the
setup process.
Note: If your DVD-V player is also a DVD-A
player and you will use the analog outputs, see
the “Connecting the 7.1 Channel Input” diagram
for details about sharing the video input while still
switching between digital and analog outputs.
S-Video
This video connection type (as well as Composite Video)
provides good visual resolution and can be upscaled with
the automatic LMC-1 internal circuitry. Whenever possible,
choose Component Video connections for DVD, but if that is
not an option this method is a good second choice. Connect
the DVD player’s S-Video outputs to the inputs on the LMC-
1 labeled “DVD” in the S-VIDEO section of the rear panel.
If you are using Composite Video connections, connect
those in the same way, substituting the S-Video plug for
Composite Video on both the DVD player and LMC-1.
Analog Audio
This audio connection type is not as good as the digital audio
connection, but will still deliver full bandwidth audio - only in 2
channel instead of 5.1, 6.1, or 7.1. Connect the DVD player’s left
and right RCA audio outputs to the appropriate RCA inputs on the
LMC-1 labeled “DVD”. Using RCA inputs will not deliver true Dolby
or DTS decoding capabilities.
Coaxial audio connections
are shown, but could also
be optical. Choose one or
the other, but not both on
the same input!
S-Video connections are
shown, but could also be
Composite Video. Choose
only one video connection
type on each input!

Page 17
Connecting a CD Player
Connection using Digital Audio
Connection using Analog Audio
Analog Audio
This audio connection type is not as good as the
digital audio connection, but will still deliver full
bandwidth audio. Connect the CD player’s left and
right RCA audio outputs to the appropriate RCA
inputs on the LMC-1 labeled “CD”.
Note: If you are connecting the CD player or CD
changer as a dedicated source component for use in
Zone 2 (or primarily for Zone 2), analog connection
will be just fine since there is only a 2 channel output
for Zone 2 and Zone 2 is an “analog only” signal path.
Please note that both DVD and CD digital inputs
are not available as Zone 2 sources, so if you have
connected the digital input to either CD or DVD and
you want those sources available in Zone 2, you
MUST ALSO connect the analog RCA audio inputs
as shown here. This applies for DVD as well as CD
or any other digitally connected source component
that you want available in Zone 2.
Digital Audio
This audio connection type provides the best
audio resolution for CD playback. It also
uses the high resolution 24bit D/A converter
in the LMC-1 which is better than many D/A
converters in consumer grade CD players.
Connect the CD player’s coaxial digital or
optical digital output to the appropriate input
on the LMC-1 labeled “CD”. It does not
matter whether you use coaxial or optical
connections as far as audio clarity goes, only
that the correct input type is assigned in the
setup process. The digital audio input will
feed PCM audio data to LMC-1 where it will
be converted to the analog domain.
Optical audio connections
are shown, but could also
be coaxial. Choose one or
the other, but not both on
the same input!

Page 18
Connecting the 7.1 Channel Inputs
7.1 Channel Analog Audio
This audio connection type is specifically for post processed delivery of DVD-A or SACD source material (or for Dolby/
DTS programming where the decoder is external). The connections are simple - just connect each labeled RCA audio
channel from the source component to the corresponding input on the LMC-1 in the 7.1 CHANNEL connector block. If
your source component does not have “BACK” surround outputs (LBS and RBS), simply connect what is available. That
should be at least Left Front, Center, Right Front, Left Surround, Right Surround, and Subwoofer (SW).
Please note: If your multi-channel analog audio source component also serves as your DVD-Video or CD player (as many
combination “multi-format” players do), you may also choose to connect its digital audio output to the AUX 1 input on the
LMC-1 so that you can listen to those source formats appropriately and still “see” the same video images. In this case,
you would connect both the 7.1 outputs to the 7.1 Channel input of the LMC-1 AND the coaxial or optical digital output into
the AUX 1 input of the LMC-1. When you play DVD-Video or audio CD’s you would select AUX 1. When you play DVD-A
or SACD, you would select the EXT 7.1 source input., but the video source input will “track” the AUX 1 input meaning the
video image will remain when you switch between AUX 1 and EXT 7.1. This is the best way to utilize the “Universal” DVD
player.
Component Video (AUX 1 Input)
This video connection type
provides the best visual resolution.
Use this video connection diagram
if the DVD-A/SACD player is also
the main DVD-Video player for the
system. Connect the DVD player’s
Component Video outputs to the
inputs on the LMC-1 labeled “AUX
1” in the COMPONENT section of
the rear panel so the video source
“tracks” which ever audio input
(AUX 1 or EXT 7.1) is used.
Digital audio connections through AUX
1are shown for a “universal” player
that serves both DVD-A and DVD-V
functions. The DVD-V portion uses a
digital connection for the Dolby and DTS
encoded programming, but allows the
unit to switch over to the EXT 7.1 input
for DVD-A/SACD program material. The
AUX 1 input is used instead of the
DVD input because AUX 1 video input
“tracks” the 7.1 input as well. In this way,
one video input connection serves two
separate audio inputs with out additional
switching.
A Note About Universal DVD Players

Page 19
Connecting a Cable Box or DSS Receiver
Connection of the Cable Box or DSS Receiver
Connection of a HDD, DVR, or TiVo Type Device
Component Video
If it is available from your cable or satellite provider,
This video connection type provides the best visual
resolution and is necessary for HDTV resolution.
Connect the Cable Box or DSS Receiver’s
Component Video outputs to the inputs on the LMC-
1 labeled “CABLE” in the COMPONENT section of
the rear panel. If your Cable Box or DSS Receiver
does not have Component Video outputs available,
choose S-Video next and then Composite Video.
Digital Audio
This audio connection type provides the best
audio resolution and is necessary for decoding
discrete Dolby Digital and DTS source material
and is especially important for HDTV programming
because many are broadcast in 5.1. Connect the
Cable Box or DSS Receiver’s optical digital or
coaxial digital output to the appropriate input on the
LMC-1 labeled “CABLE”. It does not matter whether
you use coaxial or optical connections as far as
audio clarity goes, only that the correct input type is
assigned in the setup process. If your Cable Box or
DSS Receiver does not have digital audio outputs
available, choose analog RCA audio instead and
assign the input accordingly.
Optical audio connections
are shown, but could also
be coaxial. Choose one or
the other, but not both on
the same input!
See the Antenna Grounding Precautions in the front of this manual!
A/V Connections to a HDD/DVR device
There are many ways in which a digital recording
device can connect between the cable box or
DSS receiver and the LMC-1. The main thing to
consider is that the last device in the signal chain
will connect into the LMC-1. This last device
is usually the HDD or DVR device because
the content from the cable box must first “pass
through” the HDD or DVR device for recording
and then into LMC-1 for video display and audio
processing. Check your HDD or DVR instructions
for specific connection configurations.
This example represents a common HDD/DVR set up where
the cable box has S-Video and digital audio outputs that
connect to the inputs on the HDD/DVR device. In turn, the
HDD/DVR output connects into the LMC-1 in the digital
audio and S-Video inputs labeled “CABLE”. This example
also shows a Component Video output to the television
which demonstrates how the LMC-1 video upscaling feature
can be used.

Page 20
Connecting a Tape Player or VCR
Connection of the Tape Player
Connection of the VCR
Analog Audio Connections
Connect the tape player’s “INPUT” or “LINE IN”
jacks to the LMC-1 “LINE OUT” RCA jacks. Then
connect the tape player’s “OUTPUT” or “LINE
OUT jacks to the LMC-1 “TAPE” RCA jacks in the
input section.
This configuration allows any audio to pass
from the LMC-1 line outputs into the tape player
and then back into the input of the LMC-1 for
playback.
Note for Tape AND VCR users:
If you are using a VCR in addition to this tape
player, you may need to either use a “Y” adapter
on the LINE OUT of LMC-1 or pass audio
through one device first, then on to the other,
then each will connect to their respective inputs
back on the LMC-1 (TAPE and VCR).
Analog Audio Connections
This connection diagram shows the VCR analog RCA
audio outputs connected into the audio input RCA jacks
on LMC-1 labeled “VCR”. Since there is no digital output
capability for VCRs, you need not worry about assigning
the input. LMC-1 immediately recognizes the analog RCA
audio jacks as the only audio input. If you are connecting
the LMC-1 outputs to the VCR, see the note above in the
Tape Player connection for your options.
Video Output/Input Connections
The output of the VCR back into LMC-1 is
shown as Composite Video but could also
be S-Video. Output from LMC-1 into VCR is
ONLY Composite Video. The “VIDEO OUT”
jacks both output Composite Video signals
from any source input using S-Video or
Composite Video (see note for Component
Video recording).
The output of the LMC-1 into the TV is
shown as Component Video because this is
a common connection that the LMC-1 makes
possible with the internal video upscaling
feature.
If you have used Component
Video inputs for DVD, AUX1, or
CABLE, connect a second cable
(S or Composite) and switch it
in the menu when you want to
record from that source.