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Hotone PULZE User manual

Effect List
DESIGN INSPIRAT I O N
※In the interest of product improvement, the specifications and/or the content of products (including but not limited to appearances, packaging design, manual content, accessories, size, parameters and
display screen), are subject to change without prior notice. Please check with local supplier for exact offers. Specifications and features (including but not limited to appearances, colors and size) may vary by
model owing to environmental factors, and all images are illustrative.
Bluetooth Modeling Amplifier
1
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
DYN
Gate
Gate 1
This one-knob, extremely easy-to-use noise gate gets you
smooth, ripple-free noise tracking and keeps your signal
pristine.
Threshold: Controls the gate trigger level
Gate 2
This is a fully-functional noise gate with detailed control.
The individual Attack and Release controls play nice
with amps and other pedals.
Threshold: Controls the gate trigger level
Attack: Controls how soon the gate starts to process
the signal
Release: Controls the noise fade-out duration time
after the level drops below the threshold
Dynamic
Comp 1
The Holy Grail of compressor pedals is here.
Comprosso is based on the legendary Ross™
Compressor* pedal, which is unarguably the compressor
of compressors. We carefully recreated the sonic
character to get the same colorful, bouncy, natural
compression as the original pedal.
Sustain: Controls the compression amount
Output: Controls the effect output
Comp 2
This is a fully-functional compressor with lots of tonal
flexibility. A Tone knob is specially designed for further
tone shaping.
Threshold: Controls the compression trigger level
Ratio: Controls the amount of compression when the
compressor is triggered
Output: Controls the output volume/makeup amount
Attack: Controls how soon the compressor starts to
process the signal
Release: Controls how soon the compressor starts to
release the signal level back to normal after the level
drops below the threshold
Tone: Controls the effect tone
Blend: Controls the wet/dry signal ratio
Boost 1
This effect is based on the legendary MXR® M133
Micro Amp* pedal. Providing up to 20dB of gain, the
Micro Boost elevates your amp sound without changing
its tonal character.
Gain: Controls the gain amount
Boost 2
This boost is designed for modern Dentlemen and
metalheads who need huge gain buy not noisy artifacts.
A built-in noise gate reduces hum and keeps your palm
muting tight. Use the Low Cut knob to get your tone
where you want it.
Boost: Controls the boost amount
Gate: Controls the noise gate threshold
Low Cut: Cuts the low frequency signal
Boost 3
Based on the legendary FET-based belt clip preamp, this
boost is a clean volume machine. Use this pedal to get a
huge amount of gain without any distortion, tone sculpt
with the flexible 2-band EQ. Onboard you'll also find a
handy low cut filter for tone shaping and eliminating low
frequency feedback.
Volume: Controls the effect output
Bass/Treble: 2-band EQ that controls the effect tone
Low Cut: Switches the low cut filter (-6dB/oct
@200Hz) on/off
DYN
2
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
PRE
Dynamic
Comp 1
The Holy Grail of compressor pedals is here.
Comprosso is based on the legendary Ross™
Compressor* pedal, which is unarguably the compressor
of compressors. We carefully recreated the sonic
character to get the same colorful, bouncy, natural
compression as the original pedal.
Sustain: Controls the compression amount
Output: Controls the effect output
Comp 2
This is a fully-functional compressor with lots of tonal
flexibility. A Tone knob is specially designed for further
tone shaping.
Threshold: Controls the compression trigger level
Ratio: Controls the amount of compression when the
compressor is triggered
Output: Controls the output volume/makeup amount
Attack: Controls how soon the compressor starts to
process the signal
Release: Controls how soon the compressor starts to
release the signal level back to normal after the level
drops below the threshold
Tone: Controls the effect tone
Blend: Controls the wet/dry signal ratio
Boost 1
This effect is based on the legendary MXR® M133
Micro Amp* pedal. Providing up to 20dB of gain, the
Micro Boost elevates your amp sound without changing
its tonal character.
Gain: Controls the gain amount
Boost 2
This boost is designed for modern Dentlemen and
metalheads who need huge gain buy not noisy artifacts.
A built-in noise gate reduces hum and keeps your palm
muting tight. Use the Low Cut knob to get your tone
where you want it.
Boost: Controls the boost amount
Gate: Controls the noise gate threshold
Low Cut: Cuts the low frequency signal
Boost 3
Based on the legendary FET-based belt clip preamp, this
boost is a clean volume machine. Use this pedal to get a
huge amount of gain without any distortion, tone sculpt
with the flexible 2-band EQ. Onboard you'll also find a
handy low cut filter for tone shaping and eliminating low
frequency feedback.
Volume: Controls the effect output
Bass/Treble: 2-band EQ that controls the effect tone
Low Cut: Switches the low cut filter (-6dB/oct
@200Hz) on/off
Filter
T-Wah G
This is an envelope filter designed for guitars, offering
you a wide range of tonal variety. Set the Sense, Range,
and Q parameters to fit your instrument and playing
style.
Sense: Controls the effect sensitivity
Range: Controls the filter frequency range
Q: Controls the filter sharpness
Level: Controls the output level
T-Wah B
PRE
3
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
PRE
Filter
A-Wah
Designed for for both guitars and basses, this auto wah
has many parameters for shaping the tone of your wah
sound. Start with the frequency range adjustment to
decide the basic flavor of your wah-wah.
You can use Tap Tempo function to control the effect
speed by turning on the Sync switch. When the Sync
switch is on, turn the Rate/Div knob to set a proper tap
divide value. The default value is 1/4 (no division).
Depth: Controls the effect depth
Rate/Div: Controls the effect speed/tap division value
Low/High: Controls the filter frequency range
Volume: Controls the effect output
Q: Controls the filter sharpness
Sync: Switches Tap Tempo sync on/off
Drive
TS Drv
This model is based on the legendary Ibanez® TS-808
Tube Screamer®*. Featuring a warm, juicy overdriven
sound, this is the incomparable vintage overdrive model
you've always been hoping to find.
Gain: Controls the overdrive amount
Tone: Controls the effect tone
Volume: Controls the effect output
SD Drv
This model is based on a classic, widely used overdrive
which features a unique asymmetric overdrive circuitry.
Delivering a rich, authentic-sounding tube-driven
overdrive effect with wide tonal range, it's one of a
must-have overdrive model in your effect chain.
Gain: Controls the overdrive amount
Tone: Controls the effect tone
Volume: Controls the effect output
TS Drv+
This model is a classic overdrive inspired by the
evergreen TS-style overdrive served with its most
enduring modification. Use the two onboard switches to
find your favorite screaming mood.
Gain: Controls the overdrive amount
Volume: Controls the effect output
Tone: Controls the effect tone
Fat: Switches extra resonance on/off
Air: Switches extra presence on/off
T-Mee
This is an overdrive model based on the legendary Paul
Cochrane Timmy®* overdrive (V2) pedal – one of the
first transparent overdrive pedals. Like the original, it
will push your amp/guitar to the limit while maintaining
the original flavor and dynamics.
Gain: Controls the overdrive amount
Volume: Controls the effect output
Bass/Treble: 2-band EQ that controls the effect tone
(counterclockwise, same as original)
Mode: Selects from three clipping modes:
-I: asymmetrical clipping
-II: symmetrical clipping
-III: symmetrical clipping with more compression feel
Klone
Based on the legendary Klon® Centaur*, this overdrive
model gives you an authentic amp-in-a-box feel with full,
rich sound character that is not harsh or boomy at all.
Turn Gain knob to minimum you get a superb clean
boost.
Gain: Controls the gain amount
Tone: Controls the effect tone
Volume: Controls the effect output
Mouse
Based on the ProCo™ RAT2* distortion pedal (early
LM308 op-amp version), this model brings you the real
underground rock scene. Sweet overdrives, grinding
rhythms, roaring solos – it cashes in with authority and
power.
Same as the original, this model features the legendary
FILTER control: Turn it clockwise to cut off the high end,
turn it counterclockwise to allow the natural brightness
of your instrument through.
Gain: Controls the distortion amount
Filter: Counterclockwise controls the effect tone
Volume: Controls the effect output
PRE
4
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
PRE
Drive
Smooth
Based on the famous late-70's distortion pedal that is a
favorite among pro guitarists and pedal modifiers, this is
truly a classic distortion model. It produces a distortion
sound ranging from screaming loud to whisper soft. Of
course, it faithfully reproduces the dynamics of your
playing style.
Gain: Controls the distortion amount
Tone: Controls the effect tone
Volume: Controls the effect output
Shred
This model is based on the legendary Marshall® Shred
Master* distortion pedal, the one well known for used
by Radiohead's Jonny Greenwood to create his twisted
distortion walls.
Gain: Controls the distortion amount
Volume: Controls the effect output
Bass/Contour/Treble: 3-band EQ that controls the effect
tone
Big Pie
Many dirt pedals released throughout the 1970s began
to blur the lines between fuzz and distortion. The Big
Muff Pi®* is one of them. Based on the legendary Big
Muff Pi®*, this model is a fresh take on the fuzz tone
territory. You get a wide-ranged sound character using
the TONE knob – from creamy overdrive-like sound to
really aggressive fuzzy tone.
Sustain: Controls the gain amount
Tone: Controls the effect tone
Volume: Controls the effect output
F-Fuzz
This model is based on the legendary Dallas-Arbiter®
Fuzz Face®*. Featuring a unique, unmistakable creamy
sound with incredible dynamics, the pedal remains a
favorite among many rock stars – Hendrix, Gilmour,
Townshend and more! to find your favorite screaming
mood.
Fuzz: Controls the gain amount
Volume: Controls the effect output
Fat: Switches extra resonance on/off
Air: Switches extra presence on/off
B-Fuzz
This model is based on the legendary Sola Sound®
Tone Bender Mk II®* fuzz pedal – the legend of the
legends. We reproduced the smooth, honey-like tone
that was beloved by Page and many more professional
musicians.
Fuzz: Controls the gain amount
Volume: Controls the effect output
Acoustic
AC Refiner
Enjoy acoustic refinement: This one-knob tool enhances
all that is good in acoustic guitars. It gives a more
natural, "woody" tone to your plugged-in acoustic
sound, doing wonders for piezo pickups! One knob
makes it simple.
Shape: Controls the detailed effect character
AC Sim
This is an acoustic simulator designed for electric
guitars that provides an adjustable range wide enough
to give an ordinary electric guitar a variety of natural
and realistic acoustic tones.
Body: Controls the "body resonance" (low frequency
response)
Top: Controls the upper harmonics (high frequency
response)
Volume: Controls the effect output level
Mode: Selects from 4 different sound characters:
-Standard: Simulates the tonal characteristics of a
standard acoustic guitar
-Jumbo: Simulates the tonal characteristics of a jumbo
acoustic guitar
-Enhanced: Simulates the tonal characteristics of an
acoustic guitar with enhanced attack
-Piezo: Simulates the sound of a piezo pickup
PRE
5
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
PRE
Bass
Bass OD1
This model is a flexible drive pedal designed for bass.
We voiced this one to deliver a rich driven bass sound.
Use the Mode knob to select from 3 unique sound
characters.
Gain: Controls the overdrive amount
Tone: Controls the effect tone
Volume: Controls the effect output
Mode: Selects from 3 different sound characters: Normal
(neutral sound), Scoop (mid-scooped sound), Edge (edgy
sound)
Blend: Controls the wet/dry signal ratio
Bass OD2
If you're looking for an all-around bass driver, this is
the one. Based on the widely used yellow bass driver,
this model gives you a wide tonal flexibility.
Gain: Controls the distortion amount
Blend: Controls the wet/dry signal ratio
Volume: Controls the effect output
Bass/Treble: 2-band EQ that controls the effect tone
Bass OD3
This model is based on the famous Darkglass®
Microtubes B7K Analog Bass Preamp* pedal. This
pedal can turn your whispering bass into a growling
monster, all while preserving the clarity. Onboard EQ
gives you wide tonal flexibility.
Gain: Controls the overdrive amount
Blend: Controls the wet/dry signal ratio
Volume: Controls the effect output
Low/Low Mid/High Mid/Treble: 4-band EQ that controls
the effect tone
Attack: Boosts/cuts high frequency amount
Pitch
Octa 1
This model is a monophonic octaver that creates notes
one octave lower and two octaves lower. Single note
processing and individual wet/dry signal control
recreate the vintage "dirty" analog octave pedal
sounds.
Oct 1: Controls the volume of lower octave (1 oct down)
Oct 2: Controls the volume of higher octave (1 oct up)
Dry: Controls the dry signal level
Octa 2
This model is a polyphonic octaver that creates notes
one octave higher and one octave lower. Individual
octave voice control and dry signal control can bring
you lots of fun, and polyphonic processing support
means playing chords is absolutely no problem.
Hi Level: Controls the volume of higher octave (1 oct up)
Low Level: Controls the volume of lower octave (1 oct
down)
Tone: Controls the effect tone
Mix: Controls the wet/dry signal ratio
Output: Controls the overall output
Pitch
This model is a polyphonic 2-voice pitch shifter with
max. 2 octaves pitch shifting range. Detailed pitch
shifting settings can bring you lots of fun.
Pitch 1/2: Controls the voice 1/2 pitch shifting range by
±24 semitones
Level 1/2: Controls the voice 1/2 output
Tone: Controls the effect tone
Mix: Controls the overall dry/wet signal ratio
Output: Controls the overall output
A-Harm
This model is a monophonic single voice automatic
harmonizer with max. one octave pitch shifting range.
Detailed Key, Scale and Interval settings can bring you
lots of fun.
Mix: Controls the wet/dry signal ratio of the effect
Key: Selects the chord key according to your music
Mode: Selects the scale mode according to your music
Interval: Selects the interval between wet and dry signal
Smooth Mode: Switch on to get a smooth note transition
PRE
6
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
PRE
Pitch
Detune
This is a detune model which combines a slightly pitch
shifted signal with the original signal, producing a lush,
chorus-like sound. Use the Dry, Wet and Detune knobs to
expand your sonic dimensions.
Dry/Wet: Controls the dry/wet signal level
Detune: Controls the detune amount by ±50 cents
Chorus
Chorus
This model is based on the legendary Voodoo Lab®
Analog Chorus* pedal. Offering you warm, organic sound
and lush harmonics, it has become the standard by which
all chorus pedals are measured. Fine tune the two
parameters to get your own sound, from subtle doubling
to sweet rotation!
You can use Tap Tempo function to control the effect
speed by turning on the Sync switch. When the Sync
switch is on, turn the Rate/Div knob to set a proper tap
divide value. The default value is 1/4 (no division).
Depth: Selects the chorus depth from deep to shallow
Rate: Controls the chorus speed/tap division value
Sync: Switches Tap Tempo sync on/off
Dimension
Based on the legendary 4-button stereo chorus pedal, this
Liquid C is more of a "dimension expander" than a chorus
effect. Offering 4 finely tuned modes, this model adds
unique spatial elements and subtle modulations to which
nothing can compare.
Mode: Select from 4 different chorus modes
Bass Cho
This vintage-voiced chorus model is based on the famous
ensemble chorus unit that tuned for bass players.
Individual effect level control offers more flexibility for
bass.
You can use Tap Tempo function to control the effect
speed by turning on the Sync switch. When the Sync
switch is on, turn the Rate/Div knob to set a proper tap
divide value. The default value is 1/4 (no division).
Depth: Controls the effect depth
Rate/Div: Controls the effect speed/tap division value
Output: Controls the effect output
Sync: Switches Tap Tempo sync on/off
Flanger
Flanger
This model produces the classic flanging effect originally
achieved by manually, independently varying the speed of
two tape recorders with the same program material. It
produces a rich, natural flanging tone.
You can use Tap Tempo function to control the effect
speed by turning on the Sync switch. When the Sync
switch is on, turn the Rate/Div knob to set a proper tap
divide value. The default value is 1/4 (no division).
Depth: Controls the effect depth
Rate/Div: Controls the effect speed/tap division value
Pre Dly: Controls the pre delay time
FB: Controls the amount of feedback
Sync: Switches Tap Tempo sync on/off
Output: Controls the overall output
Bass Flg
This model achieves the classic flanging effect for bass
players. It produces a rich, natural flanging tone.
You can use Tap Tempo function to control the effect
speed by turning on the Sync switch. When the Sync
switch is on, turn the Rate/Div knob to set a proper tap
divide value. The default value is 1/4 (no division).
Depth: Controls the effect depth
Rate/Div: Controls the effect speed/tap division value
Pre Dly: Controls the pre delay time
FB: Controls the amount of feedback
Sync: Switches Tap Tempo sync on/off
Tone: Controls the effect tone
Mix: Controls the overall dry/wet signal ratio
Output: Controls the overall output
PRE
7
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
PRE
Flanger
Neg Flg
This model produces a flanger effect with negative
feedback, sounds like deep in the water, very unique
flanging tone.
You can use Tap Tempo function to control the effect
speed by turning on the Sync switch. When the Sync
switch is on, turn the Rate/Div knob to set a proper tap
divide value. The default value is 1/4 (no division).
Depth: Controls the effect depth
Rate/Div: Controls the effect speed/tap division value
Pre Dly: Controls the pre delay time
FB: Controls the amount of feedback
Sync: Switches Tap Tempo sync on/off
Vibrato
Vibrato
This model is a rebirth of the super rare all-analog
vintage vibrato pedal, which gives you a classic vibrato
sound with true analog warmth. With simple DEPTH
and RATE controls, it's easy to tweak your own unique
texture, from slight vibes to a full-on wobble.
You can use Tap Tempo function to control the effect
speed by turning on the Sync switch. When the Sync
switch is on, turn the Rate/Div knob to set a proper tap
divide value. The default value is 1/4 (no division). by
turning on the Sync switch. When the Sync switch is
on, turn the Rate/Div knob to set a proper tap divide
value. The default value is 1/4 (no division).
Depth: Controls the effect depth
Rate/Div: Controls the effect speed/tap division value
Sync: Switches Tap Tempo sync on/off
Phaser
O-Phase
This model recreates the warm, rich analog phase
sound of the legendary MXR® M101 Phase 90* pedal.
Born in 1974, the one-knob orange phaser is an icon
that has found a place on millions of pedal boards for
over four decades.
You can use Tap Tempo function to control the effect
speed by turning on the Sync switch. When the Sync
switch is on, turn the Rate/Div knob to set a proper tap
divide value. The default value is 1/4 (no division).
Rate/Div: Controls the effect speed/tap division value
Sync: Switches Tap Tempo sync on/off
G-Phase
This model produces a sharp phase effect with a wide
range from very slow to fast speed. This unique
phasing sound has become popular among lots of
musicians since 1977.
You can use Tap Tempo function to control the effect
speed by turning on the Sync switch. When the Sync
switch is on, turn the Rate/Div knob to set a proper tap
divide value. The default value is 1/4 (no division).
Depth: Controls the effect depth
Rate/Div: Controls the effect speed/tap division value
Sync: Switches Tap Tempo sync on/off
PRE
8
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
PRE
Phaser
S-Phase
This model is based on the legendary and extremely
rare 1970s Electro-Harmonix® Small Stone phase
shifter* pedal. This original is one of the best analog
phaser sounds in the history of music and can be heard
on countless rock recordings.
You can use Tap Tempo function to control the effect
speed by turning on the Sync switch. When the Sync
switch is on, turn the Rate/Div knob to set a proper tap
divide value. The default value is 1/4 (no division).
Color: Selects the phaser sound character from warm to
sharp
Rate/Div: Controls the effect speed/tap division value
Sync: Switches Tap Tempo sync on/off
Rotary
Minivibe
This model delivers a lush rotating effect that
simulates 1960s rotary speakers. Based on the Voodoo
Lab® Micro Vibe*, it gives you the pure, "psychedelic"
vibe-y taste that guitar heroes like Hendrix and Gilmour
loved.
You can use Tap Tempo function to control the effect
speed by turning on the Sync switch. When the Sync
switch is on, turn the Rate/Div knob to set a proper tap
divide value. The default value is 1/4 (no division).
Depth: Controls the effect depth
Rate/Div: Controls the effect speed/tap division value
Sync: Switches Tap Tempo sync on/off
U-Vibe
This model is based on the legendary vintage Shin-ei®
Uni-Vibe®* pedal. The Uni-Vibe®* was designed to
simulate the sound of a rotary speaker, but the "failed"
attempt has been embraced as one of the most iconic
effects in rock 'n' roll history. Kick it on and feel the
legendary psycho sound of the Revolver!
You can use Tap Tempo function to control the effect
speed by turning on the Sync switch. When the Sync
switch is on, turn the Rate/Div knob to set a proper tap
divide value. The default value is 1/4 (no division).
Depth: Controls the effect depth
Rate/Div: Controls the effect speed/tap division value
Volume: Controls the effect output
Mode: Select from 2 different vibe modes: Chorus and
Vibrato
Sync: Switches Tap Tempo sync on/off
Rotary
This model is a rotary speaker simulator with detailed
control, bringing you the legendary tone adapted by
lots of rock legends.
You can use Tap Tempo function to control the effect
speed by turning on the Sync switch. When the Sync
switch is on, turn the B. /H. Rate/Div knobs to set a
proper tap divide value. The default value is 1/4 (no
division).
Mix: Controls the wet/dry signal ratio
B. Rate/Div: Controls the bass rotating speed/tap division
value
H. Rate/Div: Controls the horn rotating speed/tap division
value
Balance: Controls the bass/horn sound balance
Tone: Controls the effect tone
Bass/Horn Sync: Switches Tap Tempo sync on/off
PRE
9
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
PRE
Tremolo
Tremolo
This model is based on the legendary Demeter® TRM-
1 Tremulator®* tremolo pedal. Featuring deep, pulsing
optical tremolo sound, it recreates the classic tremolo
effect found on many vintage amps but with a greater
range of speed and depth.
You can use Tap Tempo function to control the effect
speed by turning on the Sync switch. When the Sync
switch is on, turn the Rate/Div knob to set a proper tap
divide value. The default value is 1/4 (no division).
Depth: Controls the effect depth
Rate/Div: Controls the effect speed/tap division value
Sync: Switches Tap Tempo sync on/off
Special
Bit Crush
This model is a sweet-sounding bitcrusher/sample rate
reducer with full control over the bit resolution and
sample rate. Use the low pass filter and high pass
filter onboard to get your own sound variations.
Mix: Controls the wet/dry signal ratio of the effect
Krush: Controls the sample rate of the effect
Bit: Controls the bit resolution of the effect
Hi Cut/Lo Cut: Controls the high/low cut filter cutoff
frequency
Sweller
This model is an auto swell effect that creating a
violin-like tone. Two parameters make it simple.
Attack: Controls how fast the effect swells the input
signal
Curve: Selects the volume swell curve
PRE
10
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
AMP
Clean
Tweed Lux
This model is based on the sound characteristics of the
legendary Fender® Tweed Deluxe* amp (5E3 version,
BRIGHT channel). Featuring rich, singing clean and
juicy, luscious overdrive, the mysterious DELUXE amp
with the TWEED cover can be found everywhere from
studios to bedrooms.
Volume: Controls the effect output and gain amount
Tone: Controls the effect tone
Output: Controls the effect output
Baseman
Norm
This model is based on the sound characteristics of the
legendary Fender® Bassman®* amp (5F6-A version,
Normal channel), the American legend with a twangy
top and fat bottom end. Originally designed for bass, it
soon became popular among guitar players.
Volume: Controls the effect output and gain amount
Presence: Controls the effect headroom
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Black Twin
This model is based on the legendary Fender® '65
Twin Reverb®* amp. It provides a super clean, crystal-
like sound with scooped mids, popularly known as the
"Blackface Sound".
Volume: Controls the effect output and gain amount
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Bright: Switches extra brightness on/off
Black
Deluxe
This model is based on the legendary Fender®
Blackface Deluxe Reverb®* amp (Normal CH),
providing you a more scooped "blackface" sound with
chime-y highs. Plus, it's easier to crank up too!
Volume: Controls the effect output and gain amount
Output: Controls the effect output
Bass/Treble: 2-band EQ that controls the effect tone
Jazz Clean
This model is based on the immaculate "JC clean" 2x12
solid-state jazz-amp combo. The pure transparent clean
sound has ruled for more than four decades and
remains incontestably reliable among pro musicians.
Volume: Controls the effect output
Bright: Switches extra presence on/off
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Emperor
Clean
This model is based on the Matchless™ Chieftain 212
combo* (clean sound), featuring the rich harmonics and
matchless sensitivity that made this amp a Class A
legend.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Voxy 15 TB
This model is based on the sound characteristics of a
vintage VOX®* AC15* combo (with Top Boost), the
little brother of the legendary VOX® AC30*, giving you
the same British Invasion sound.
Volume: Controls the effect output and gain amount
Tone cut: Counterclockwise controls the effect tone
Master: Controls the effect output
Bass/Treble: 2-band EQ that controls the effect tone
Voxy 30HW
Norm
This model is based on the sound characteristics of the
VOX®* AC30HW* combo (Normal channel). As the UK
music scene grew out of small pubs to later cross the
Pond, almost everyone was using the combo amp
covered with a diamond grill cloth, the legendary
VOX® AC30*. This became the British Invasion sound.
Volume: Controls the output volume (post gain)
Tone cut: Counterclockwise controls the effect tone
Master: Controls the effect output
Bright: Switches extra brightness on/off
AMP
11
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
AMP
Clean
Superstar
Clean
This model is based on the clean channel of the famous
Mesa/Boogie® Lone Star®* combo, bringing you a
punchy, shimmering twang with love and joy.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Glacian
Clean
This model is based on the clean channel of the
famous Bogner ® Shiva* combo (20th anniversary
version). Our replica reproduces the glassy hi-fi clean
sound powered by a pair of KT88 power tubes. This is
a super wide-open sound with immerse headroom,
sensitive moods, and great low end response.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Treble: 2-band EQ that controls the effect tone
Bright: Switches extra brightness on/off
Brown King
Clean
This model is based on the Fender® Brownface Vibro-
King®* amp (FAT switch off), one of Gary Clark Jr.'s
favorite. It gives you a beautiful shimmering clean
when turned down, and a serious touch-sensitive dirt
when cranked up.
Volume: Controls the effect output and gain amount
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Silver
Master
This model is based on the legendary Fender®
Silverface Bandmaster®* amp (early AB763 version),
which was treated as the "holy grail of Fender®*
tone". Not much tweaking is needed - Just plug in,
turn up the volume and feel the magic.
Volume: Controls the effect output and gain amount
Output: Controls the effect output
Bass/Treble: 2-band EQ that controls the effect tone
Bright: Switches extra brightness on/off
Soloist 100
Clean
This model is based on the sound characteristics of the
legendary Soldano® SLO100* amp head (NORMAL
channel, clean sound), which set a benchmark for
modern amps. The reason you find the sound so
familiar is because you've been hearing it on gold
records since 1987.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Press
Wrecker
This model is based on the legendary Trainwreck®
Express* amp, a super-rare boutique amp created by
Ken Fischer, brings you a high end Plexi-style sound
that reacts extremely faithful to your fingers.
Volume: Controls the effect output and gain amount
Presence: Controls the effect headroom
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Bright: Switches extra brightness on/off
Drive
Baseman
Bright
This model is based on the sound characteristics of the
legendary Fender® Bassman®* amp (5F6-A version,
Bright channel), the American legend with a twangy
top and fat bottom end. Originally designed for bass, it
soon became popular among guitar players.
Volume: Controls the effect output and gain amount
Presence: Controls the effect headroom
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Voxy 30HW
TB
This model is based on the sound characteristics of the
VOX®* AC30HW* combo (Top Boost channel). As the
UK music scene grew out of small pubs to later cross
the Pond, almost everyone was using the combo amp
covered with a diamond grill cloth, the legendary VOX®
AC-30*. This became the British Invasion sound.
Volume: Controls the effect output and gain amount
Tone cut: Counterclockwise controls the effect tone
Master: Controls the effect output (post gain)
Bass/Treble: 2-band EQ that controls the effect tone
Char: Selects from two sound characters: Cool (lower
gain)/Hot (higher gain)
AMP
12
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
AMP
Drive
Emperor
Drive
This model is based on the Matchless™ Chieftain 212
combo* (driven sound), featureing the rich harmonics
and matchless sensitivity that made this amp a Class A
legend.sensitive moods, and great low end response.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Superstar
Drive
The model is based on the drive channel of the famous
Mesa/Boogie® Lone Star®* combo, bringing you that
well-balanced, smooth American-style drive with a rich
combination of both vintage and modern tones.
Input: Controls the input sensitivity
Gain: Controls the gain amount
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Glacian
Drive
This model is based on the clean channel of the
famous Bogner ® Shiva* combo (20th anniversary
version). Our replica reproduces the glassy hi-fi clean
sound powered by a pair of KT88 power tubes. This is
a super wide-open sound with immerse headroom,
sensitive moods, and great low end response.turn up
the volume and feel the magic.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Treble: 2-band EQ that controls the effect tone
Bright: Switches extra brightness on/off
Brown King
Drive
This model is based on the Fender® Brownface Vibro-
King®* amp (FAT switch on), one of Gary Clark Jr.'s
favorite. It gives you a beautiful shimmering clean
when turned down, and a serious touch-sensitive dirt
when cranked up.
Volume: Controls the effect output and gain amount
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Dumbell
ODS
This model is based on the legendary Dumble®
Overdrive Special* amp head (Overdrive section on),
providing THAT tone created by lots of legendary
jazz/blues/fusion musicians.
Gain: Controls the gain amount
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Fat: Switches extra mids/gain on/off
Voice: Selects from 2 voicings: Rock/Jazz (cuts some
high frequency comparing to Rock)tone
Bright: Switches extra brightness on/off
Marshell 45
This model is based on the sound characteristics of the
legendary Marshall® JTM 45* amp head (HIGH
TREBLE channel). Born in 1962, it soon became popular
among countless stars and quickly defined the '60s rock
& blues sound.
Volume: Controls the effect output and gain amount
Presence: Controls the effect headroom
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Marshell 50
This model is based on the sound characteristics of the
legendary Marshall® JMP 50* amp head (HIGH
TREBLE channel). No explanation necessary — The
tone is as legendary as the music it helped to create.
Volume: Controls the effect output and gain amount
Presence: Controls the effect headroom
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
AMP
13
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
AMP
Drive
Marshell
SLP
This model is based on the sound characteristics of the
legendary Marshall® Super Lead 1959* amp head
(Bright channel). No explanation necessary — The
tone is as legendary as the music it helped to create.
Since it has an extreme output (demanded by Pete
Townshend!), we added a Output knob so you can take
control.
Volume: Controls the effect output and gain amount
Presence: Controls the effect headroom
Output: Controls the effect output
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Soloist 100
Crunch
This model is based on the sound characteristics of the
legendary Soldano® SLO100* amp head (NORMAL
channel, dirty sound), which set a benchmark for
modern amps. The reason you find the sound so
familiar is because you've been hearing it on gold
records since 1987.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Hi Gain
Marshell 800
This model is based on the sound characteristics of the
legendary Marshall® JCM800* amp head. Just think
about the golden 1980's – a decade of heavy metal and
THAT iconic, aggressive, crunchy BRITISH LEAD sound.
Now the legend is back!
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Fryman B
This model is based on a famous UK-style boutique
amp head (BE channel). This is an incredible tone
machine based on the classic hot British amps. But this
amp is extremely versatile: with some knob tweaking,
you'll be amazed by the super tight low ends, sweet
mids and rich harmonics.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Fat/C45: Adjusts overall tonal characters
Marshell 900
This model is based on the legendary Marshall®
JCM900 (model 4100, CH B)* amp head. Released in
1990, it was designed to produce more gain, less noise
and stainless Marshall® tone.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Boger XT
Red
This model is based on the 3rd channel (the red
channel) of the famous Bogner® Ecstasy* head
(modern sound character), which has been a favorite
for every style and genre of music since 1992.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
AMP
14
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
AMP
Hi Gain
Soloist 100
Lead
This model is based on the sound characteristics of the
legendary Soldano® SLO100* amp head (OVERDRIVE
channel), which set a benchmark for modern amps. The
reason you find the sound so familiar is because you've
been hearing it on gold records since 1987.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Fryman HB
This model is based on a famous UK-style boutique
amp head (HBE channel). This is an incredible tone
machine based on the classic hot British amps. But this
amp is extremely versatile: with some knob tweaking,
you'll be amazed by the super tight low ends, sweet
mids and rich harmonics.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Fat/C45: Adjusts overall tonal characters
Messe IIC+
This model is based on the legendary Mesa/Boogie®
Mark II C+™* amp head (LEAD channel). Now you have
one of the hottest amp tones: Tight, focused rhythm
riffs and the legendary "liquid lead" tone. This amp
gets the aeons of sustain Metallica and Dream Theater
bet their lives on.
Gain: Controls the gain amount
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Bass/Treble Shift: Switches extra bass/treble on/off
Deep: Switches extra low end on/off
Bright: Switches extra brightness on/off
Messe IV
The classic Boogie Lead sound...and beyond.
This model is based on the legendary Mesa/Boogie®
Mark IV™* amp head (LEAD channel). This massive
lead tone is one of the most beautifully voiced tones
that can always be heard in a mix.
Gain: Controls the gain amount
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Fat: Switch on to get a fatter sound
Bright: Switches extra brightness on/off
Voicing: Selects from two voicings: Mid Gain (a punchier
sound with more mids and distortion)/Harmony (a more
balanced sound)
Rector Dual V
This model is based on an enduring rock' n' roll icon:
the legendary Mesa/Boogie® Dual Rectifier® amp
head (CH3, vintage). Music industry genres and scenes
have come and gone since its first release in early
1990's, but this amp's monolithic heavy sound
continues to be the standard for modern heavy rock.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Rector Dual
M
This model is based on an enduring rock' n' roll icon:
the legendary Mesa/Boogie® Dual Rectifier® amp
head (CH3, modern). Music industry genres and scenes
have come and gone since its first release in early
1990's, but this amp's monolithic heavy sound
continues to be the standard for modern heavy rock.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
AMP
15
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
AMP
Hi Gain
Tang R100
This model is based on the famous Orange®
Rockerverb 100™* amp head, Orange®*'s first high
gain amplifier. Its unique thick voice has become
eternally linked with hard rock/stoner rock.
Gain: Controls the gain amount (pre gain)
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Eddie 51
This model is based on a heavy rock legend: the
Peavey® 5150®* (LEAD channel). The original is
famous for its raw tone and relentless power. Our
Eddie 51 gives you the "brown metal" sound heard on
legendary heavy metal records.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Engle Saga 1
This model is based on the famous ENGL® Savage 120
E610* amp head (Channel 4, contour off). This replica
reproduces the iconic modern German rock sound
featuring fast response, enhanced headroom and
punchy dynamics.
Input: Controls the input sensitivity
Gain: Controls the gain amount
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Voice: Selects overall sound character from Rough to
Smooth
Depth Boost: Switches extra resonance on/off
Engle Saga 2
This model is based on the famous ENGL® Savage 120
E610* amp head (Channel 4, contour on). This replica
reproduces the iconic modern German rock sound
featuring fast response, enhanced headroom and
punchy dynamics.
Input: Controls the input sensitivity
Gain: Controls the gain amount
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Voice: Selects overall sound character from Rough to
Smooth
Depth Boost: Switches extra resonance on/off
Dizzle VH
This model is based on the 4th channel of the famous
Diezel® VH4* amp head. Born in 1994, the VH4 set an
incredibly high benchmark for boutique multi-channel
amps, quickly making it a stage and studio standard.
Gain: Controls the gain amount (pre gain)
Presence: Controls the effect headroom
Master: Controls the effect output (post gain)
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
AMP
16
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
AMP
Bass
Ampage
Classic
This model is based on the legendary Ampeg® SVT*
bass amp head. Born in 1969, the rich sounding all-
tube monster basically defined the bass sound of rock
and roll from then on. We modified the Frequency
switch with a modern Ampeg®* design for more tonal
flexibility.
Gain: Controls the gain amount
Master: Controls the effect output
Midrange: Selects the center frequency of Midrange
control: 220Hz/450Hz /800Hz/1.6kHz/3kHz
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Voxy Bass
This model is based on the sound characteristics of the
legendary VOX®* AC-100* amp head, the amp that
McCartney was using in 1965. The operation is simple:
just treble, bass, and volume controls. Using a violin
bass with this amp will totally get you THAT vibe.
Volume: Controls the output volume (post gain)
Bass/Treble: 2-band EQ that controls the effect tone
Ampage Flip
This model is based on the legendary Ampeg® B-15*
"Flip Top" bass amp head. Originally designed by Jess
Oliver, the easy-to-use amp produces incredible round,
full-figured tone for which many have deemed it the
holy grail of bass amps. Now it's finally within reach!
Volume: Controls the effect output
Bass/Treble: 2-band EQ that controls the effect tone
Alchemy Pre
This model is based on the legendary Alembic™ F-2B*
rack-mount bass preamp. It recreates the rich, magical
tube sound that made the F-2B* a classic. This
treatment is not just for bass– it's awesome on guitars
(think Gilmour) and more!
Volume: Controls the effect output
Bright: Switches extra brightness on/off
Bass/Middle/Treble: 3-band EQ that controls the effect
tone
Acoustic
AC Pre 1
This model is an acoustic preamp based on the famous
AER® Colourizer 2*, which makes dull sounds come
alive by enriching your acoustic sound with full
dynamics and harmonics.
Volume: Controls the effect output
Tone Mix: Controls the tone control balance; set to 0 to
disable tone control
Tone Depth: Controls the tone brightness
EQ Freq: Controls the EQ center frequency from 90Hz to
1.6kHz
EQ Q: Controls the EQ bandwidth
EQ Gain: Controls the EQ boost/cut amount; set to 50 to
keep neutral
Enhancer: Controls tone enhancement amount; turn to
minimum (off) to disable enhancer
AC Pre 2
This model is an acoustic preamp based on the famous
AER® Colourizer 2*, which makes dull sounds come
alive by enriching your acoustic sound with full
dynamics and harmonics.
Volume: Controls the effect output
Tone Mix: Controls the tone control balance; set to 0 to
disable tone control
Tone Depth: Controls the tone brightness
EQ Freq: Controls the EQ center frequency from 680Hz to
11kHz
EQ Q: Controls the EQ bandwidth
EQ Gain: Controls the EQ boost/cut amount; set to 50 to
keep neutral
Enhancer: Controls tone enhancement amount; turn to
minimum (off) to disable enhancer
AMP
17
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
CAB
Guitar S
Gibby 1x10
This model is an Based on the sound characteristics of
a Gibson®* 1x10" cabinet.
Volume: Controls the output volume
Low Cut/High Cut: Cuts the low/high frequency
Tweed 1x10
This model is an IR based cab simulator based on the
sound characteristics of a vintage Fender® Tweed*
1x10" combo cabinet.
Tweed 1x12
This model is an IR based cab simulator based on the
sound characteristics of a vintage Fender® Tweed*
1x12" combo cabinet.
Black 1x12
This model is an IR based cab simulator based on the
sound characteristics of a Fender®* 1x12" combo
cabinet.
UK 1x12
This model is an IR based cab simulator based on the
sound characteristics of a Marshall®* 1x12" cabinet.
Tang 1x12
This model is an IR based cab simulator based on the
sound characteristics of a Orange® PPC112* 1x12"
cabinet.
Voxy 1x12
This model is an IR based cab simulator based on the
sound characteristics of a Vox® AC15* 1x12" combo
cabinet.
Black 2x12
This model is an IR based cab simulator based on the
sound characteristics of a Fender® Blackface Twin
Reverb* 2x12" combo cabinet.
Voxy 2x12
This model is an IR based cab simulator based on the
sound characteristics of a Vox® AC30* 2x12" combo
cabinet.
Jazz 2x12
This model is an IR based cab simulator based on the
sound characteristics of the famous "JC clean" 2x12"
cabinet.
Stone 2x12
This model is an IR based cab simulator based on the
sound characteristics of a Two-Rock®* 2x12" cabinet.
Match 2x12
This model is an IR based cab simulator based on the
sound characteristics of a Matchless®* 2x12" cabinet.
UK 2x12
This model is an IR based cab simulator based on the
sound characteristics of a Marshall®* 2x12" cabinet.
CAB
18
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
CAB
Guitar S
Glacian 2x12
This model is an IR based cab simulator based on the
sound characteristics of a Bogner® Shiva* 2x12"
cabinet.
Volume: Controls the output volume
Low Cut/High Cut: Cuts the low/high frequency
Superstar
2x12
This model is an IR based cab simulator based on the
sound characteristics of a Gibson®* 1x10" cabinet.
Messe 2x12
This model is an IR based cab simulator based on the
sound characteristics of a Mesa/Boogie®* 2x12"
cabinet.
Rector 2x12
This model is an IR based cab simulator based on the
sound characteristics of a Mesa/Boogie® Rectifier*
2x12" cabinet.
Guitar L
Tweed 4x10
This model is an IR based cab simulator based on the
sound characteristics of a Fender® Tweed* 4x10"
cabinet.
Volume: Controls the output volume
Low Cut/High Cut: Cuts the low/high frequency
UK 4x10
This model is an IR based cab simulator based on the
sound characteristics of a Marshall® 1965B* 4x10"
cabinet.
Glacian 4x10
This model is an IR based cab simulator based on the
sound characteristics of a Bogner® Shiva* 4x10"
cabinet.
UK 4x12A
This model is an IR based cab simulator based on the
sound characteristics of a Marshall® 1960A* 4x12"
cabinet.
UK 4x12B
This model is an IR based cab simulator based on the
sound characteristics of a Marshall® 1960B* 4x12"
cabinet.
UK 4x12C
This model is an IR based cab simulator based on the
sound characteristics of a vintage Marshall®* 4x12"
cabinet.
UK 4x12D
This model is an IR based cab simulator based on the
sound characteristics of a famous UK-style boutique
4x12" cabinet.
UK T75 4x12
This model is an IR based cab simulator based on the
sound characteristics of a Marshall®* 4x12" cabinet
with four Celestion® G12T-75* speakers.
CAB
19
DES I G N IN S P I RAT I O N
*The mentioned manufacturers and product names are trademarks or registered trademarks of the respective owners. The trademarks were used merely to identify the sound character of this product.
Bluetooth Modeling Amplifier
FX Title
Description
Parameters & Ranges
CAB
Guitar L
Messe 4x12
This model is an IR based cab simulator based on the
sound characteristics of a Mesa/Boogie®* 4x12"
cabinet.
Volume: Controls the output volume
Low Cut/High Cut: Cuts the low/high frequency
Rector 4x12A
This model is an IR based cab simulator based on the
sound characteristics of a Mesa/Boogie® Rectifier®
Standard 4x12"* cabinet.
Rector 4x12B
This model is an IR based cab simulator based on the
sound characteristics of a Mesa/Boogie® Rectifier®
Traditional 4x12"* cabinet.
Eddie 4x12
This model is an IR based cab simulator based on the
sound characteristics of an EVH®* 4x12" cabinet.
Boger 4x12
This model is an IR based cab simulator based on the
sound characteristics of a Bogner®* 4x12" cabinet.
Engle 4x12
This model is an IR based cab simulator based on the
sound characteristics of an ENGL®* 4x12" cabinet.
Soloist 4x12
This model is an IR based cab simulator based on the
sound characteristics of a Soldano®* 4x12" cabinet.
Tang 4x12
This model is an IR based cab simulator based on the
sound characteristics of an Orange® PPC412* 4x12"
cabinet.
Dizzle 4x12
This model is an IR based cab simulator based on the
sound characteristics of a Diezel®* 4x12" cabinet.
Bass
Flip Top 1x15
This model is an IR based cab simulator based on the
sound characteristics of an Ampeg® B-15N* 1x15"
cabinet.
Volume: Controls the output volume
Low Cut/High Cut: Cuts the low/high frequency
Worker 1x15
This model is an IR based cab simulator based on the
sound characteristics of a SWR® Workingman's*
1x15" cabinet.
Ampage
2x10
This model is an IR based cab simulator based on the
sound characteristics of an Ampeg® SVT-210AV*
2x10" cabinet.
CAB

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