Korg pss-50 User manual

CM
^
PSS-50
PROGRAMMABLE
SUPER
SECTION
OWNER'S
MANUAL
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SUPER
SECTION
PSS-50
PROGRAMMABLE
SUPER
SECTION
Congratulations
and
thank
you
for
purchasing
the
new
KORG
Super
Section
PSS-50.
With
this
computer
controlled
accompaniment
system
you
can
program
back
up
patterns
consisting
of
drums,
bass
and
instrumental
accompaniment
for
eight
different
songs,
all
stored
in
internal
RAM
memory.
On
playback
the
PSS-50
works
like
a
sequencer
to
play
all
the
backup
parts
while
you
sing
orplayaiong
on
your
instrument.
It's
like
having
your
own
session
musicians
always
ready
for
practice,
recording,
or
performance.
Backup
pattern
and
chord
progressions
are
up
to
your
imagination.
You can
even
re-arrange
the
various
parts
of
the
48
built-in
patterns
to
multiply
the
musical
possibilities
This
manual
has
been
specially
written
to
give
you
an
inside
view
of
the
mu
sical
potential
built
into
this
unique
instrument.
Please
read
it
carefully
to
assure
optimum
performance
and
long-term
reliability.
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FEATURES
OE
1
There
are
40
preset
backup
patterns
plus
8
break
and
ending
options.
You
have
a
wide
variety
of
styles
to
choose
from
including
heavy
metal
and
reggae.
Change
backup
patterns
every
bar
and
change
chords
(and
fill-in
timing)
every
half
bar.
Each
of
the
eight
song
memories
holds
80
bars
so
you
can
have
up
to
640
different
bars
of
music
at
once,
on
board.
Link
the
eight
song
memories
to
form
a
chain
of
up
to
16
steps,
making
a
complete
1280-bar
composition
for
automatic
playback.
Break
and
ending
patterns
are
included.
Fill-ins
can
be
programmed
for
extra
variety.
New
patterns
can
be
arranged
from
the
bass,
drum,
accompaniment,
and
fill-in
parts
of
preset
patterns.
Percussion
sounds
are
amazingly
accurate
because
the
PSS-50
uses
digital
PCM
technology
for
its
percussion
sound
sources.
Drum
output
is
set
in
a
stereo
array
for
greater
realism.
Tape
interface
lets
you
expand
your
song
library
infinitely.
Entire
PSS-50
memory
contents
can
be
changed
in
a few
seconds.
Parts
of
songs
can
be
rearranged
by
using
the
versatile
electronic
editing
facilities.
3O
-3-
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CONTENTS
■
PRECAUTIONS
5
■
FRONT
PANEL
6
■
DEMONSTRATION
7
■
BASIC
USE
8
■
OVERVIEW
11
I
OPERATION
MODES
12
1.
MANUAL
PLAY
12
2.
SONG
WRITE
13
3.
SONG
PLAY
17
4.
SONG
CHAIN
18
5.
FUNCTIONS
(FRONT
PANEL,
REAR
PANEL,
SIDE
PANEL)
20
6.
TUNING
24
7.
BATTERY
CHECK
&
CHANGING
BATTERIES
25
II
FURTHER
APPLICATIONS
26
1.
ARRANGE
26
2.
KEY
TRANSPOSE
29
3.
EDIT
30
4.
CONTINUE
START
37
5.
TAPE
INTERFACE
37
■
SPECIFICATIONS
43
How
to
Use
the
Rest
of
this
Manual
If
you
have
read
this
manual
from
the
beginning,
you
now
have
an
idea
of
what
you
can
do
with
the
PSS-50.
The
next
section
"OPERATION
MODES"
will
go
into
more
detail
about
the
basic
WRITE,
PLA
Y,
and
CHAIN
modes
of
operation.
The
succeeding
"FURTHER
APPLICATIONS"
section
will
explain
the
more
advanced
aspects
of
the
PSS-50,
going
into
particular
detail
about
the
valuable
edit
ing
features.
-4-
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PRECAUTIONS
Please
read
and
observe
the
following
precautions
to
as
sure
reliability
and
safety.
To
avoid
malfunction
do
not
use
this
unit
in
the
following
locations
for
long
periods
of
time:
*
In
direct
sunlight.
*
Exposed
to
extremes
of
temperature
or
humidity.
*
In
sandy
or
dusty
places.
At
freezing
temperature
(32
degrees
F/0
degrees
C)
and
below,
parts
of
the
control
panel
sheet
may
appear
to
warp
or
swell up.
It
may
be
palyed
under
these
conditions
and
its
appearance
will
return
to
normal
when
brought
back
to
ordinary
room
temperature
(68
degrees
F/2D
degrees
C).
^
teui
*
As
a
digital
device
employing
computer
circuitry,
the
PSS-50
is
subject
to
interference
from
other
electri
cal
devices
and
fluorescent
lamps.
Avoid
use
near
other
applicances,
particularly
those
with
motors
If
operation
becomes
erratic,
turn
off
power,
then
turn
it
back
on.
*
The
PSS-50
body
is
made
of
ABS
plastic
which
may
pick
up
a
static
charge
leading
to
erratic
operation.
Therefore,
connect
to
an
amp
or
other
grounded
device
before
turning
on
PSS-50
power.
1
MEMORY
PROTECTION
.
t
«f>
ij
?<
*
To
protect
your
programmed
memory
contents,
always
leave
batteries
in
the
PSS-50,
even
if
using
an
AC
adaptor.
Batteries
back
up
the
power
supply
to
protect
memory
contents
even
when
power
is
off
Memory
contents
may
be
erased
if
batteries
become
depleted
or
are
not
put
in.
*
Memory
contents
will
remain
protected
if
you
do
not
take
longer
than
five
minutes
to
replace
batteries.
*
If
you
have
saved
your
program
data
on
tape,
then
you can
always
load
that
data
if
memory
is
erased.
The
demo
data
tape
can
be
loaded
in
the
same
way.
..-,
:
^.::£^^
Knobs
and
switches
are
designed
to
provide
positive
operation
with
a
light
touch.
Excessive
force
may
cause
damage.
[MAINTENANCE'
.y
Wipe
the
exterior
with
a
soft,
dry
cloth.
Never
use
paint
thinner,
benzene
or
other
solvents.
XJiti
tlfet^
^
n
Requires
eight
size
SUM-3
(15V)
batteries
or
supplied
AC
adaptor
(KORG
KAC-301
9V).
For
fullest
warranty
protection,
return
your
properly
filled
in
warranty
card.
Store
this
manual
in
a
safe
place
for
future
reference.
-5-
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DISPLAY
CONDUCTOR
TEMPO
KNOB
MIXER
PATTERN-
INDEX
f
CHORD
KEYS
CHORD
NAME
=
PATTERN
NO.
12
3
4
D
D
D
D
SAVE
LOAD
VERIFY
CANCEL
I
END
INS
DEL
ISTSTEP
j7
9
dim
Aug
sus4
PATTERN/SONG
KEY-J
NUMBER
KEYS
MASTER
VOLUME
POWER
SWITCH
&
MODE
SELECTOR
CHORD
KEY
PATTERN
KEY
FUNCTION
KEY
CLEAR
(ALL
CLEAR)
KEY
ENTER
KEY
START/STOP
KEY
COUNT
START/RHYTHM
FILL
IN
KEY
Tl
o
H
m
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DEMONSTRATION
First
let's
listen
to
the
sound
of
the
PSS-50.
Follow
the
steps
below.
A)
PREPARATION
1
Set
selector
to
POWER
OFF.
ARRANGE
POWER
/MODE
Set
POWER/MODE
knob
to
SONG
CHAIN.
ARRANGE
POWER
/MODE
I
Set
MIXER
knobs
to
center
positions
as
shown.
!
Make
connections
as
shown
in
diagram.
Rear
panel
Set
TEMPO
knob
to
between
6
&
7.
To
Amp
To
Amp
(Mix/Monaural
Output)
|
AC
Adaptor
Headphones
Stereo
Output
B)
DEMO
OPERATION
1
Confirm
that
rear
panel
TAPE
switch
is
set
to
DISABLE.
TAPE
DISABLE
(~~r
CAUTION:
This
switch
must
be
set
to
disable,
otherwise
no
sound
will
be
produced.
See
TAPE
INTERFACE
on
page
37
for
details.
SLOW
FAST
TEMPO
Press
|
start/stop]
key
to
begin
play.
Adjust
MASTER
VOLUME.
MASTER
VOL
The
demonstration
program
is
about
7-minutes
long.
Play
stops
automatically
at
the
end
of
the
program.
If
you
wish
to
stop
before
the
end,
simply
press
the
|
start/stop
|key
again.
-7-
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BASIC
USE
(How
to
WRITES
PLAY):
Introducing
the
WRITE
and
PLAY
modes.
As
an
example,
we
will
"write"
the
song
shown
below.
16-BEAT
I
CMaj
7
16-BEAT
CMaj
7
CMaj
7
Selecting
backup
pattern
and
chord
sequences.
11
Set
POWER/MODE
knob
to
WRITE.
ARRANGE
POWER
/MODE
I
Confirm
DISPLAY
is
as
shown
below.
(If
not,
press
I
pattern
song
|
key.)
PATTERN
»-
CHORD
NAME
=
PATTERN
NO.
D
□
-«-
□-
MIN
—
This
LED
should
be
on.
Press
one
of
the
NUMBER
keys
[~T~|-
pT~|.
(Here
we'll
press
key
number
1
1
i
.)
Press
the
I
chord
[
and
|
pattern
[keys
so
the
LEDs
light
up
above
both.
iV
These
two
LEDs
should
be
on.
-
I
CHORD
PATTERN
SONG
MEMORY
ACCESS
Press
the
|
clear"]
key
while
holding
down
the
1
function]
key.
(There
will
be
a
click
to
tell
you
that
the
operation
has
been
performed.)
Press
the
|
pattern/song
|
key.
DISPLAY
should
change
to
that
shown
below.
PATTERN
►
CHORD
NAME
=
PATTERN
NO.
□
«-
□
MAJ
□
MIN
SONG
►
SONG
NO.
CHAIN
STEP
BAR
NO.
—
This
LED
should
be
on.
a
You
have
just
cleared
the
memory
contents
of
song
number
1
and
readied
the
PSS-50
for
writing
a
se
quence
of
backup
patterns
and
chords.
1.1
WRITE
OPERATION
Following
our
example,
find
16-BEAT
I
in
the
PATTERN
INDEX.
Its
index
number
is
13
since
it
is
at
the
intersec
tion
of
the
1st
column
and
the
3rd
row.
1
3
Q
Press
NUMBER
keys
to
input
index
number.
Press
I
i
1
,
then
|
3
1
.
Q
Input
the
chord
to
be
played
in
the
first
half
of
the
first
bar
of
the
song.
Following
our
example:
press
|
d
j,
then
I
m7~|.
(The
chord
will
sound.)
O
K
you
want
drum
fill-in
for
the
whole
bar,
now
press
the
|COUNT/HHVTHW
|
Ko
|
start/rILL
,N
|
Key.
Q
Press
|
enter
|.
This
stores
your
data
input
for
the
first
half
of
the
first
bar.
(There
will
be
a
click
to
tell
you
that
the
operation
has
been
performed.)
-8-
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BAS
JUSE
Q
Input
chord
change
for
rest
of
bar.
(Repeat
step
3.)
This
is
not required
if
same
chord
is
to
be
used.
Go
on
to
step
7.
Q
If
you
want
drum
fill-in
only
in
second
half
of
bar,
now
press
COUNT/RHYTHM
|
START/
fill
IN
I
•
0
Press
1
enter
I.
This
stores
your
input
data
for
the
second
half
of
the
first
bar.
(There
will
be
a
click.)
0
Repeat
steps
1-8
above
for
the
rest
of
the
song.
1.2
CORRECT
PROCEDURE
"
If
you
make
a
mistake
while
writing
a
pattern
number,
chord,
fill-in,
etc.,
procede
as
follows.
0
If
you
have
not
yet
pressed
["enter
|:
•
If
a
pattern
number,
simply
press
the
number
keys
for
the
correct
pattern
number.
•
If
a
chord,
simply
press
the
keys
for
the
correct
chord.
•
If
a
fill-in,
press
the
keys
for
that
bar's
pattern
number
again.
This
will
cancel
the
mistaken
fill-in
data.
(For
fill-in
changes
in
the
second
half
of
a
bar,
press
the
I
clear]
key,
then
enter
pattern
number
again.)
^
If
you
pressed
the
|
enter
I
key
(so
the
data
was
written
to
memory):
•
Press
|
clear
|
key.
This
takes
you
back
a
half
bar.
Then
write
in
the
desired
pattern
number
and
chord.
•
For
fill-in
mistakes,
press
the|
clear"]key
twice,
then
speci
fy
pattern
number.
Example:
1st
Bar:
1)
Press
I
1
I,
then
I
3
I.
2)
Press
|
d
I,
then
I
m7
[.
3)
Press
|
enter
[.
4)
Press
|
enter
j.
2nd
Bar:
1)
Press
I
1
|,
then
I
3
|.
2)
Press
I
g
3)
Press
I
enter
|.
4)
Press
I
enter
|.
key,
not
number
key).
3rd
Bar:
1)
Press
I
1
I
,
then
GT
2)
Press
I
e
[,
them
I
m7
3)
Press
I
enter
I.
4)
Press
I
a
|,
then
I
™9
5)
Press
I
enter
I.
4th
Bar:
1)
Press
I
1
I
,
then
2)
Press
I
d
I,
then
I
m7
3)
Press
I
enter
|.
4)
Press
L_G_J,
thenl
COUNT/RHYTHM
/^
|
C\
n-*»^^
COUNT/RHY
5)
Press
|
start/^
6)
Press
I
enter
I.
5th
Bar:
1)
Press
|
1
|
,
then
[jT
2)
Press
I
c
[,
then
I
Maj7
PrOCC
COUNT
/RHYT
rrebb
|
start/
mi
i
4)
Press
I
enter
|.
5)
Press
|
enter
[.
6th
Bar:
1)
Press
I
1
I
,
then
I
3
|,
c
I
,
then
I
Maj7
3)
Press
I
enter
|
.
4)
Press
|
enter
|.
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BASIC
USE
7th
Bar:-
1)
Press
I
1
I.
then
Press
|
pattern/song
|
key
so
DISPLAY
appears
as
shown
here.
2)
Press
I
c
[,
then
I
Maj7
|
3)
Press
I
enter
I.
4)
Press
|
enter
I.
PATTERN
►
CHORD
NAME
PATTERN
NO.
□
'-■-
Q-MIN-
CHAIN
STEP
/
BAR
NO.
This
LED
should
be
on.
8th
Bar:
1)
Press
|
6
|
,
then
FT"
Press
same
NUMBER
key
as you
selected
before
writ
ing
the
song.
(In
our
example,
this
is
key
number
I
1
I.)
3)
Press
I
enter
|.
4)
Press
I
enter
[.
Press
ls?ARNTT/p,ur|
or
I
start/stop
|
key.
Adjust
VOLUME
and
TEMPO.
Now
to
play
what
you
have
written
so
far...
11
After
finishing
writing
the
last
bar
of
the
song,
set
the
POWER/MODE
knob
to
PLAY.
SLOW FAST
MIN
MAX
TEMPO
MASTER
VOL
POWER
/MODE]
Confirm
that
LEDs
are
lit
above
both
the!
chord
land
|
pattern
Ikevs.
(If
not
lit,
press
to
turn
on.)
Both
LEDs
should
be
on.-
SONG
MEMORY
ACCESS
To
stop
play,
press
I
start/stop
|
key
again.
IMPORTANT
NOTE
If
you
want
to
go
back
to
the
WRITE
mode
and
add
to
the
previous
short
"song",
you
will
need
to
know
how
to
use
the
editing
function
keys
(|
function"!
key
plus
MststepI
,
[last
step
1
,
and|
arrow
|
keys).
Otherwise
you
may
find
yourself
writing
at
the
beginning
of
the
song.
Read
OPERATION
MODES
and
FURTHER
AP
PLICATIONS
to
discover
the
full
potential
of
the
PSS-50.
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OVERVIEW
The
PSS-50
represents
both
an
evolution
of
preset
rhythm
machines
and
a
welcome
escape
from
their
limitations.
In
this
unit
you
have
available
every
genre
of
rhythm
section
backup
including
bass
and
accompaniment
as
well
as
the
usual
drums
and
percussion.
Each
preset
pattern
is
com
posed
of
three
separate
basic
parts.
•
Drums:
drums,
and
handclaps.
•
Bass:
electric
bass.
•
Accompaniment:
guitar,
organ,
piano,
keyboard,
strings,
brass,
etc.
You
have
40
preset
backup
patterns
plus
8
fill
in
(break
and
ending)
patterns
to
choose
from.
Each
has
appropriate
in
strument
accompaniment
—
distortion
guitar
for
hard
rock
and
banjo
for
bluegrass,
for
example.
On
top
of
all
this,
you can
rearrange
the
composite
parts
of
the
preset
patterns
to
create
new
original
patterns.
Once
you
have
mastered'the
examples
and
explanations
in
cluded
in
both
principal
sections
of
this
manual
(Basic
Oper
ation
Modes
and
Further
Applications)
you
will
be
able
to
take
advantage
of
the
PSS-50's
full
potential.
-11-
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I.
OPERATION
MODES
MANUAL
PLAY
Instead
of
programming
everything
ahead
of
time,
you
can
play
the
PSS-50
in
real
time.
Any
of
the
backup
patterns
11—68
can
be
used.
11
Set
POWER/MODE
knob
to
PLAY.
POWER
/MODE!
Press
I
chord
land
1
pattern
j
keys
so
the
LEDs
are
off
above
both
keys.
Both
LEDs
should
be
off.
CHORD
PATTERN
SONG
MEMORY
ACCESS
Press!
pattern/song
I
kev
so
PATTERN
mode
is
indi
cated
by
DISPLAY.
i-
Example:
Selecting
16-BEAT
I.
O
16-BEATI
is
pattern
number
13
(1st
row,
3rd
column).
Input
number
13
by
pressing
the
NUMBER
keys.
Press
I
1
I,
then
|
3
|.
DISPLAY
should
show
selected
pattern
number.
^
PATTERN
►
CHORO
NAME
=~~PATTERNNO
If
you
make
a
mistake,
press
the
1
clear
|(ALL
CLEAR)
key
and
input
the
number
again.
TTERN
»
CHORO
NAME
=
PATTERN
NO.
PATTERN
MODE
LED
should
be
on
under
word
"PATTERN"
Select
a
backup
pattern
from
the
index
and
key
in
its
number
with
NUMBER
keys.
Select
a
chord
by
pressing
the
|
chord"]
keys.
-Example:
Selecting
CMaj7.
1.
Press|
c
|key.
(The
chord
will
sound.)
2.
Press
[m^jT]
key.
(The
chord
will
sound.)
Press
I
start,
stop
j
key
to
begin
play.
-12-
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MANUAL
PLAY/SONG WRITE
Adjust
MIXER,
VOLUME,
and
TEMPO
knobs
as
desired.
MAX
MIN*
ACCOMP
O
O
I
"up*
MASltKVUL
SONG
WRITE
In
the
WRITE
mode,
you
can
store
a
sequence
of
backup
patterns
and
accompanying
chord
progression.
There
are
8
"song
memories"
on
the
PSS-50.
Each
of
these
holds
up
to
80
bars
(80
measures).
The
NUMBER
keys
are
used
to
select
song
memories.
Input
of
backup
patterns,
chords,
and
fill-ins
Backup
patterns
can
be
changed
every
bar,
chords
every
half
bar.
©
Press[S/riST
[key
when
you
want
to
insert
fill-ins
dur
ing
play.
Each
pattern
has
its
own
different
fill-in.
S)
Use
steps
4,
5,
and
8,
above,
to
try
the
different
preset
patterns
11—68
and
practice
selecting
chords.
H(Q)
Press
|
start/stop"]
again
to
stop
play.
NOTE:
Pattern
number
61
is
a
1-bar
break
so
no sound
is
produced.
However,
the
l^V^rl
key
wili
produce
sound
even
with
number
61.
Also,
pattern
number
"68"
is
a
backup
pattern
very
often
used
for
jazz
or
rock
endings.
For
most
effec
tive
application
refer
to
section
on
"Using
ending
pattern
68
in
the
CHAIN
PLAY
mode",
on
page
19.
DISPLAY
in
the
WRITE
mode
In
the
WRITE
mode
you
can
check
which
bar
you
are
on
by
switching
the
DISPLAY
to
the
SONG
mode.
Press
|
PATTERN/SONG
|
key.
When
the
DISPLAY
is
in
the
PATTERN
mode,
dots
appear
in
the
PATTERN
NUMBER
section
during
writing
or
play
of
fill-ins.
Indicates
PATTERN
NUMBER
=E
PATTERN
NOT"
Indicates
CHORDS.
Dots
should
be
on.
-13-
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SONG
WRITE
After
you
have
written
the
first
half
of
a
bar,
the
1st
and
3rd
CONDUCTOR
LEDs
will
light
up.
This
indicates
that
you
can
now
write
the
second
half
of
the
bar.
_»
2
3
4
CONDUCTOR
1st
&
3rd
LEDs
are
both
on.
After
writing
the
last
half
of
the
80th
bar,
all
four
CONDUC
TOR
LEDs
will
light
up.
This
means
that
that
particular
song
memory
is
full
and
nothing
more
can
be
written
into
it.
All
four
LEDs
are
on.
Now
input
chord
G7.
(Press
1
g~|,
then|
i
])
You
will
hear
pattern
11
played
repeatedly
with
the
Dm7
chord
followed
by
the
G7
chord
11
Dm7/
G7
2.2
Using
the
WRITE Mode
H
Set
the
POWER/MODE
selector
to
I
write
I.
ARRANGE
■♦
I
WRITE
I
POWER
/MODE!
2.1
Using
START/STOP
in
WRITE
mode
In
the
WRITE
mode
you
can
press
the!
start/stop
[key
to
listen
to
one
bar
at
a
time
of
backup
pattern
and
chords
as
you
write
it.
r
Example:
Writing
a
bar
with...
Pattern
number
Chord
progression
Dm7/
G7
Writing
the
example
t
t
first
half
second
half
0
After
pressing
I
start/stop
1
input
pattern
num
ber
11
and
chord
Dm7.
(Press
|
p
|
,
then
I
m7
|.)
You
will
hear
pattern
11
with
a
Dm7
chord
accom
paniment.
11
Dm7
Confirm
that
LED
is
lit
just
above
the
word
SONG
in
the
left
side
of
the
DISPLAY.
If
it
isn't,
press
the
|
PATTERN/SONG
|
key.
CHORD
NAME
PATTERN
NO.
□
r—
*
n-8-
n-MAj-
□-MIN-
-SONG
side's
LED
should
be
on.
Press
one
of
the
NUMBER
keys
I
1
I
—
pT~l.
This
selects
the
song
number
that
you
will
work
with.
Example:
Press
NUMBER
key
I
i
1.
Press
the
1
chord
|
&
I
pattern
|
keys
together.
LEDs
should
light
up
above
both
keys.
SONG
MEMORY
ACCESS
-14-
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SONG
WRITE
Press
the
[_clearJ
(ALL
CLEAR)
key
while
holding
down
the
1
function
1
key.
(There
will
be
a
click
to
tell
you
that
the
operation
has
been
performed.)
Press
the
|
enter
|
key.
(There
will
be
a
click.)
This
stores
the
backup
pattern
for
the
first
bar
and
the
chord
for
the
first
half
bar
of
your
song.
Press
the
1
pattern/song
|
key.
An
LED
should
light
up
in
the
DISPLAY
section
under
the
word
"PATTERN".
This
changes
the
DISPLAY
to
the
PATTERN
mode.
PATTERN
MODE
2.2-2
INPUTTING
PATTERN
AND
CHORD
>v^*DATAj
'4:W^yi^i>
>
r
,f^
SCORE:
Fill-in
Pattern
number
1
Chords
11
Dm
13
Dm7
rFILLi
G7
-FILL-
H
Choose
a
backup
pattern
from
the
PATTERN
INDEX
for
the
first
bar
of
your
song.
Key
in
the
pattern
num
ber
by
pressing
the
NUMBER
KEYS.
Example:
16-BEAT
I.
Pattern
number
is
13.
Press
I
i
I
then
1
3
|.
^
Press
the
1
chord
1
keys
to
select
chord
for
the
first
half
of
the
first
bar
of
your
song.
Example:
Dm7.
Press
I
d
"1,
then
1
m7
].
(The
chord
will
sound.)
At
this
point
the
DISPLAY
should
be
as
shown
below.
PATTERN
►
CHORO
NAME
PATTERN
NO.
Put
in
the
chord
for
the
remaining
half
of
the
first
bar.
In
our
example
the
same
chord
is
used
throughout
the
first
bar
so
there
is
no
need
to
specify
it
again.
Press
1
enter
1
(There
will
be
click.)
This
completes
in
put
for
the
first
bar.
Repeat
steps
1
through
5
to
write
the
accompaniment
patterns
and
chords
for
the
example.
2.2.3
TO CONTINUE
WRITING
THE
EXAMPLE
mCOmM^MMj
DIRECTIONS
|
Writing
bar
1.
Specify
PATTERN
number.
In
our
example
this
remains
the
same
as
the
previous
bar
so
there
is
no
need
to
input
it
again.
2.
Key
in
chord
G7
for
first
half
of
second
bar.
3.
Press
I
enter
|
key
to
write
first
half
of
second
bar
to
memory.
4.
Chord
is
the
same
(G7)
for
second
half
of
second
bar
so
you
don't
have
to
key
it
in
again.
Just
press
the
I
enter
!
key.
Writing
bar
3
Shows
chord
Dm7.
Shows
pattern
number
13.
1.
PATTERN
number
is
still
13
so
go on
to
next
step.
2.
Input
Em7
(Press
I
e
|f
then)
m7
1)
to
input
chord
for
first
half of
third
bar.
3.
Press
I
enter
|
key.
(Writes
input
data
to
memory.)
4.
Input
Am9.
(Press
|
a
|,
then
|
m9
|.)
5.
Press
1
enter
|.
(Writes
Am9
to
memory
as
second
chord
in
third
bar.)
-15-
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SONG
WRITE
Writing
bar
4
Writing
bar
6
Here
we
will
put
a
fill-in
part
in
the
second
half of
the
bar.
This
bar
uses
BREAK
&
ENDING
pattern
number
68.
1.
PATTERN
number
is
still
13
so
we
can
skip
input
and
go
on
to
step
2.
2.
Use
I
chord~|
keys
to
input
Dm7.
3.
Press
I
enter
|.
(Writes
Dm7
to
memory
as
first
chord
in
fourth
bar.
4.
Input
G7.
5.
Press
Jrhythm
fill
in
|
key.
This
specifies
fill-in
for
se
cond
half
of
bar.
6.
Press
I
enter
|
.
(Completes
fourth
bar.)
Note
that
to
put
in
a
fill-in
part
you
must
press
the
|
rhythm
fill
in
|key
before
pressing
the
!
enter
|
key.
Writing
bar
5
This
bar
uses
pattern
63
which
is
a
"BREAK
&
ENDING"
pattern.
It
also
uses
a
fill-in
part
for
the
whole
bar.
1.
Use
the
NUMBER
keys
to
input
63
as
the
pattern.
2.
Use
the
CHORD
keys
to
input
CMaj7
as
the
chord
for
the
first
half
of
the
5th
bar.
3.
Press
the
I
rhythm
fill
in
Ikev.
Pressing
this
key
at
this
point
makes
the
fill-in
part
continue
for
the
whole
bar.
4.
Press
I
enter
I.
5.
The
second
half
of
pattern
63
is
a
rest
so
nothing
is
played.
CMaj7
is
also
used
for
the
second
half
of
the
bar
so
this
does
not
need
to
be
input
again.
Go
on
to
step
6.
6.
Press
I
enter
|.
(Completes
fifth
bar.)
1.
Use
NUMBER
keys
to
input
pattern
number
68.
2.
Use
the
CHORD
keys
to
input
CMaj7.
3.
Press
I
enter
|.
(Writes
pattern
and
chord
input
data
to
memory.)
4.
Second
half
of
bar
also
uses
CMaj7
so
it
does
not
need
to
be
input
again.
Press
I
ent!r~|
again.
Writing
bar
7
This
is
exactly
the
same
as
the
sixth
bar.
Go
through
the
same
steps
as
above.
Writing
bar
8
This
bar
uses
pattern
number
62.
1.
Use
NUMBER
keys
to
input
pattern
number
62.
2.
Use
CHORD
keys
to
input
CMaj7.
3.
Press
|
enter
|.
(Stores
first
half
of
bar
8
in
memory.)
4.
Nothing
is
played
in
the
second
half of
pattern
62.
Also
the
chord
remains
CMaj7
so
you
can
go
on
to
step
5.
5.
Press
|
enter
|.
(Completes
bar
8.)
Now
that
you have
finished
writing
the
last
bar
in
our
exam
ple,
set
the
POWER/MODE
switch
to
a
different
position.
NOTE:
During
WRITE
operations,
you can
correct
input
er
rors
by
simply
inputting
the
desired
pattern
or
chord
after
the
mistake.
If
you
accidentally
press
the
fill
in
|key,
it
can
be
cancelled
by
inputting
RHYTHM
the
pattern
number
again.
However,
this
is
possible
only
before
you
press
the
I
enter
I
key.
(To
make
corrections
after
pressing
the
|
enter
|
key,
you
must
use
the
|
clear
|
key
to
erase
that
section:
then
input
the
desired
part
again.)
For
more
specific
details
look
up
section
"Correct
Procedures"
on
page
9,
or
"EDIT"
on page
30.
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ITE
SONG
PLAY
In
this
mode
the
PSS-50
automatically
plays
the
accompani
ments
stored
in
the
song
memories.
One
song
memory
number
can
be
selected
at
a
time.
3.1
Using
the
PLAY
mode
a
to
eed
Set
the
POWER/MODE
selector
to
PLAY.
ame
Confirm
that
LEDs
are
lit
above
the
[cHOgDj
and
I
CHORD
|
pattern
[keys.
If
not
lit,
keys
to
turn
on
LEDs.
These
two
LEDs
should
be
on.
CHORD
PATTERN
SONG
MEMORY
ACCESS
y.)
Also
0
5.
<am-
ion.
er-
lord
the
ting
ess
sing
ase
rect
Press
the
I
pattern/soTjcTI
key.
An
LED
should
light
up
in
the
DISPLAY
section
above
the
word
"SONG".
SONG
MODE
□-MAJ-
□-MIM-
SONG
side's
LED
should
be
on.
Press
one
of
the
NUMBER
keys
I
1
I
—I
8
I-
This
selects
the
song
number
that
will
be
played.
In
our
example
we
wrote
in
song
memory
1,
so
press
key
number
I
1
I
.
Press
the
is^V^rl
or
I
start/stop
I
key
to
begin
play.
(I
count
sTART~~|gives
you
a
1-bar
count
before
beginning
play
of
your
song.)
Adjust
VOLUME
and
TEMPO.
In
the
PLAY
mode,
the
PSS-50
plays
your
selected
song
number
repeatedly.
To
stop
play,
simply
press
the
|
start/stop"]
key
again.
Using
the
COUNT
START/RHYTHM
FILL
IN
key
If
play
is
started
by
pressing
the
py
/JET*!
key,
a
one
bar
drumstick
count
will
lead
in
to
the
song.
If
the
same
key
is
pressed
after
play
has
begun,
a
fill-in
will
be
played
within
the
bar
in
play.
The
kind
of
fill-in
depends
on
the
programmed
pattern.
This
function
is
handy
when
playing
with
other
musicians.
Ordinarily
songs
are
played
repeatedly
from
start
to
finish.
Pressing
the
I
start/stop
I
key
will
stop
play.
However,
if
you
write
pattern
number
68
as
the
last
bar
of
a
song,
only
this
last
bar
will
be
repeated.
Then
when
you
press
I
start/stop"]
there
will
be
a
single
drum
beat
and
play
will
stop.
This
feature
is
useful
for
improvisation
since
you
can
play
along
for
as
long
as
like.
The
final
drum
beat
adds
extra
realism
to
your
performance
(particularly
for
rock
and
jazz).
NOTE:
If
68
is
used
in
the
middle
of
a
song,
it
is
handled
like
any
other
pattern:
it
is
played
for
one
bar
and
followed
by
the
next
programmed
pattern.
But,
when
pattern
68
is
written
into
the
last
bar,
along
with a
rhythm
fill-in,
then
after
playing
out
the
final
bar,
play
will
start
again
from
the
first
bar.
Performance
with
68
as
last
bar
in
song
A
Plays
everything
as
usual
from
first
bar
to
bar
before
final
bar.
Q
Repeatedly
plays
last
bar
(pattern
number
68).
A
when
I
start/stop"]
is
pressed,
it
plays
a
single
drum
beat
as
the
ending
phrase.
Play
then
stops.
©
(First
bar
to
bar
I
II.
before
last.
|
""*
||-
Last
bar
"68"
played
repeatedly.
\
If
|
start/stop]
is
pressed
It
plays
a
single
drum
beat
and
stops.
w
-17-
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4
SONG
CHAIN
Song
memories
can
be
linked
together
for
continuous
play.
There
are
eight
song
memories
corresponding
to
NUMBER
keys
1
i
|
—|
8
|.
Both
chain
write
and
chain
play
opera
tions
are
performed
in
the
SONG
CHAIN
mode.
Song
chain
steps
and
DISPLAY
A
song
chain
is
composed
of
steps.
Each
step
is
selected
from
among
the
song
memories.
There
can
be up
to
16
steps.
Each
song
memory
holds
a
maximum
of
80
bars.
That
means
a
total
possible
song
chain
length
of
1280
bars.
Set
the
DISPLAY
to
the
song
mode
to
see
the
chain
step
in
dication.
When
the
number
of
steps
written
equals
16,
all
four
of
the
CONDUCTOR
LEDs
light
up.
This
warns
you
that
you can
not
write
any
more
steps.
Confirm
that
DISPLAY
is
in
SONG
mode
(LED
lit
above
word
"SONG"
in
left
side
of
DISPLAY).
If
not,
press
|
pattern/song
|
key
to
switch
to
SONG
display
mode.
Shows
song
memory
number.
Shows
step
number.
This
led
Indicates
that
you
are
in
the
should
be
on.
SONG
CHAIN
mode.
Press
|
key
while
holding
down
the
|
function
|
key.
(There
will
be
a
click.)
CONDUCTOR
4
LEDs
should
be
light
up.
4.1
SONG
CHAIN
OPERATION
I
A)
Chain
write
preparation.
'ij
Use
ALL
CLEAR
(page
14,1—5)
to
erase
one
of
the
song
memory
numbers
(1—8).
(See
details
about
last
bar
in
last
step.)
B)
Writing
a
song
chain
Set
the
POWER/MODE
selector
to
SONG
CHAIN.
ARRANGE
I
WRITE
I
PLAY
POWER/MOPE
1
Confirm
that
LEDs
are
lit
above
both
the
I
chordT]key
and
thel
pattern"]
key.
If
not
lit,
press
keys
to
turn
on
LEDs.
These
LEDs
x|
'
"
should
be
on.
CHORD
PATTERN
SONG
MEMORY
ACCESS
Press
one
of
the
NUMBER
keys
1
i
1
—1
8
Ito
select
the
song
that
will
form
the
first
part
of
your
composition.
The
DISPLAY
should
be
as
shown
below.
PATTERN
»»
CHORD
NAME
=
PATTERN
NO.
Indicates
the
SONG
NUMBER
selected.
NOTE:
If
you
happen
to
make
an
input
error
here,
first
press
the
1
clear"]
key,
then
input
the
correct
song
number,
and
finally
press
the
j
enter
1
key
once
more.
Press
the
1
enter
|
key.
(This
stores
the
information
that
your
selected
song
number
is
the
first
"step"
in
the
com
position.)—(There
will
be
a
click.)
NOTE:
If
you
make
a
mistake,
press
the
I
clear
1
key,
then
press
the
desired
NUMBER
key
and
finally
the
1
enter
1
key.
u
Press
one
of
the
NUMBER
keys
to
select
the
song
memory
that
will
be
played
as
the
second
step
in
the
chain.
-18-
Scan by Manual Manor
http://www.markglinsky.com/ManualManor.html

SONG
CHAIN
<xB
Press
the
1
enter
[
key.
(This
enters
the
second
step
to
memory.)—(There
will
be
a
click.)
§)
Repeat
steps
5
&
6,
writing
in
song
numbers
in
the
order
that
you
want
them
played.
1(Q)
Finally,
specify
the
all
clear
song
memory
number
(A,
above)
and
press
I
enter
|.
(There
will
be a
click.)
This
completes
setting
of
the
playback
order.
If
you'd
like
immediate
playback,
after
entering
the
necessary
steps
just
press
the
I
count
start
|
or
|
start/stop
|
keys.
Last
bar
in
last
step
When
using
the
chain
write
mode,
the
last
bar
in
the
last
step
should
be
pattern
number
61
or
68
(without
fill-in).
If
you
do
not
have
a
song
number
that
meets
these
final
step
require
ments,
then
create
one
using
"A)
Chain
write
preparation"
and
"B)
Writing
a
song
chain,
step
10."
How
many
steps
or
bars
can
be
performed
at
once?
16
steps
can
be
written.
But
if
the
one
at
the
end
has
been
emptied
with
the
all
clear
funciton,
then
a
total
of
15
steps
can
be
played,
the
equivalent
of
a
maximum
of
1200
bars
(80
bars
times
15
steps).
Press
the
or
I
start/stop
I
kev.
C)
Playing
1
Set
the
POWER/MODE
selector
to
SONG
CHAIN.
POWER
/MODE
I
Confirm
that
LEDs
are
lit
above
both
the
I
chord
1
key
and
thel
pattern
[key.
It
not
lit,
press
keys
to
turn
on
LEDs.
(|
count
start
|gives
a
one
bar
drumstick
count
to
lead
into
the
song.)
eSong
steps
will
be
played
in
the
order
that
you
selected
them.
Play
will
stop
automatically
at
the
end.
To
stop
in
the
middle,
simply
press
the
1
start/stop~1
key
again.
Checking
pattern
numbers
and
chords
during
play
To
check
pattern
numbers
and
chords
during
chain
play,
change
the
DISPLAY
mode
to
the
PATTERN
mode
by
pressing
the
I
pattern/song
[
key
before
you
press
the
|
start/sto"p~|
or
|
count
start
|
key
.
rCAUTION:
———
1)
Thel
CHORD~|and
|
pattern
|
key
LEDs
should
both
be
on
during
chain
write
and
chain
play
operations.
'
These
LEDs
should
be
on.
2)
Be
sure
that
the
DISPLAY
mode
is
set
to
SONG
(LED
above
word
"SONG"
is
on)
during
chain
write
operation.
4.2
Using
"ending
pattern"
68
in
the
CHAIN
PLAY
mode
In
the
CHAIN
PLAY
mode,
the
chain
of
songs
is
played
from
start
to
finish.
Play
stops
automatically
at
the
end
of
the
last
step
in
the
chain.
However,
if
pattern
number
68
is
used
as
the
last
bar
of
a
song,
then
the
play
and
stop
operations
vary
from
normal.
SONG
MEMORY
ACCESS
Pattern
68
as
test
bar
in
last
step
of
At
the
end
of
the
last
step
in
the
chain,
the
PSS-50
will
repeatedly
play
the
final
bar
(pattern
68).
Then
when
you
press
|
start/stop
|
there
will
be
a
single
drum
beat
and
play
will
stop.
-19-
Scan by Manual Manor
http://www.markglinsky.com/ManualManor.html

SONG
CHAIN/FUNCTIONS
Hi
Second
step
;|J
Final
step
song
i
I
First
step
|M|
Second
song
memory.
i|ji
song
memory
I
Final
step
song
memory
(pattern
68)
I
Repeats
final
bar
until!
start/stop
|key
is
pressed.
•
•II
When
1
start/stop
|
js
pressed.
/
\
It
plays
a
single
drum
beat
and
then
stops.
Pattern
68
as
last
bar
in
intermediate
If
pattern
68
occurs
as
the
last
bar
in
a
song
memory
before
the
last
step
then
that
bar
will
be
repeated.
To
go
on
to
the
next
step,
press
the
key.
This
will
cause
the
PSS-50
to
play
a
fill-in
part
and
then
go
on
to
the
next
step
in
the
chain.
Ij
Plays
everything
as
usual
from
first
bar
in
first
step
to
bar
before
final
bar
of
step
I
containing
pattern
68
as
last
bar
in
song
memory.
.
Repeatedly
plays
last
bar
(pattern
number
68).
When
1
rhythm
fill
in
|
kev
js
pressed,
it
plays
a
fill-in
pattern
then
goes on
to
the
next
step.
At
the
end
of
the
last
step,
||
it
stops
automatically.
FUNCTIONS
FRONT
PANEL
POWER/MODE
SELECTOR
CONDUCTOR
POWER/MODE
I
Selects
mode
of
operation
and
turns
power
on
and
off.
Shows
tempo
and
which
beat
is
being
played.
Indicates
which
part
of
bar
is
being
written.
Shows
when
song
memory
or
chain
has
reached
maximum
length.
TEMPO
TEMPO
Adjusts
speed
of
rhythm.
MIXER
I
RHYTHM
ACCOMP
EXT
STEREO
I
Separate
knobs
adjust
relative
volume
balance
of
rhythm,
bass,
accompaniment,
and
external
input.
STEREO
knob
adjusts
intensity
of
stereo
effect
produced
when
PSS-50
output
is
reproduced
through
two
channels.
-20-
Scan by Manual Manor
http://www.markglinsky.com/ManualManor.html
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