Lanzar Max Pro MAXP 2760 User manual

USER’S MANUAL
AMPLIFIERS:AMPLIFIERS:
R
R
:
::
:
RR
R
::
:
SS
S
S:
S
:
RS
R
S
R
R
MAXP 2760/MAXP 2960/MAXP 4260

TABLE OF CONTENTS
Contents and introdction ------------------------------------------------------ Page 1
Amplifier featuer descriptions -------------------------------------------------
_. Page 2
MAXP2760/MAXP2960 channel amplifier applications- ----------------------------
_. Page 3
MAXP4260 channel amplifier applications-----------------------------------------
Page 4
MAXP4260 channel amplifier applications-----------------------------------------
Page 5
MAXP4260 channel amplifier applications-----------------------------------------
Page 6
Setting
up systems after installation for best performance -------------------------- _. Page 7
Max pro series amplifier specifications --------------------------------------------
Page 8
Troubleshooting --------------------------------------------------------------
Page 9
INTRODUCTION
Thank you for purchasing the Lanzar MAXP PRO series amplifier. Rest assured you have purchased a quality
product designed and engineered 0 give you many years of uncompromised musical service.
The MAXP
PRO series amplifier has been desigl"iled using the latest in electronic technology available today
This mono subwooferamplifer is theresult of adVanced high speed switching technologythatovercomes the
less-efficient ciassA8 design. Tliie MAXP
PRO series amplifier reflects your true appreciation for powerful bass
reproduction in the mobile enviro ment.
This
amplifier is designed for 10 -frequency information only and it is not capable of reproducing any
mid/high-frequency information.
This is due to thenoise intro'duced intothe
filtered out of theaudiosignal
-

AMPLIFIER FEATUER DESCRIPTIONS
~Z760fNU'XPZ960 Z CHANNELAMPUFIERS
The X..oVER slide switch selects the intermal crossover functions:
-The input signal is routed directiy to the UNE OUT RCA jacks. regardless of the
X-OVER setting simplifying daisychaining of amplifiers.
• HP: Selects the built in HIGH PASS filter. variable from 40 Hz to 2KHz.
• FlAT: Bypasses all crossovers for full frequencyrange operation.
LP: Selects the built in LOW PASS filer. variable from 30 Hz to 150Hz.
Note that the LOW PASS signal is MONO
-In the LP position. the HIGH PASS filter acts as a subsonic filter.
When the LP mode is selected. a 0 to +I0 dB. at 45 Hz. BASS EO is
also switched in.
The REMOTE jack enables dash mount level control of the LOW PASS signal.
~4Z60
4 CHANNEL AMPLIFIERS
TheAMPLIFIER CH I/ZCH X-OVER slide switch selects the input signal for
channel pair 1& 2:
• HP: Selects the built in HIGH PASS filter. variabe from 40 Hz to 2KHz.
· FULL: Bypasses all crossovers for full frequency range operation.
· LP: Selects the built in LOW PASS filter. variabe from 30 Hz to 150Hz.
Note that the LOW PASS signal is MONO.
-In the LP position. the HIGH PASS filteracts as a subsonic filter.
-
When the LP mode is selected. a 0 to +I0 dB. at 45 Hz. BASS EO is also
switched in.
-
TheAMPLIFIER CH 3/CH 4 X-OVER slide switch selects the input signal
for channel pair 3&4
• HP: Selects the built in HIGH PASS fiter. variable from 40 Hz to 2KHz.
· FULL: Bypasses all crossovers for full frequency range operation.
· LP: Selects the built in LOW PASS filter. variabe from 30 Hz to 150Hz.
Note that the LOW PASS signal is MONO.
-In the LP position. the HIGH PASS filter acts as a subsonic filter.
-
When the LP mode is selected. a 0 to +I0 dB. at 45 Hz. BASS EO is also
switched in.
-Full range signal from channels I I 2 inputs are routed to the Une OUT RCA
jacks. regardless of the setting of the X-OVER switches.
-The REMOTE
jack enables dash mount level control of the LOW PASS Signal.
CH3/40nly.
FEATURES
• Bass Boost Circuit
• Variable low Pass Crossover
• Anti-Thump Turn-On
• Tri-Mode Configurable
• Soft Turn
On/Off
• RCA Une Input
• Blue light Illuminated lanzar Logo
• Power Protection LED Indicators
• Advanced Protection Circuitry
• Bass Boost Remote Control
• THD: <0.05%
• SIN Ratio: >95dB
• Frequency Response: 10Hz-40KHz

MAXP2760/MAXP2960 2 CHANNEL AMPLIFIER APPLICATIONS
FULL RANGE STEREO
This ;s the most basic application for the MAX PRO
Series 2
channel amplifiers.
1. Interconnect cable checklist:
Connect the UNE INPUTS to the Radio/CD with
good quality RCA cables.
Z. Crossover Switch:
The X-OVER switch must be in the FlAT position.
3. Crossover frequency control checklist:
N/ A for full range operation.
4.Linelevel:
Refer to the section "Setting up systems after installation
for best performance-
S. Bass Remote:
Plug in the Bass Remote to the amplifier -REMOTE-jack.
NOTE: Minmum tinalloudspeaker impedances:
4 & Z Ohms stereo mode or 4-Ohms mono mode
This amplifier will not do I Ohm stereo or Zli
Ohm mono operation.
FULL RANGE MONO
This application illustrate the basic mono bridging method
fat alllanzar amplifiers.
Interconnect cable checklist:
A MONO signal source is required. such as would be
available from the mono sub bass output of an active
crossover, whether stand alone. or built into a head
unit or equalizer. Important: Do not be tempted to
connect the hot, or positive outputs. from any source
together to obtain a mono signal, as this CQuid very
well damage the output stage of that source. It is
necessary to feed the SAME signal to both left and right
inputs via a Y-adapter RCA cable. Connect the mono
speakerpositive terminal to the LEFT+, and its negative
terminal to RIGHT-.
Switch setting checklist:
-The AMPUFIER X-OVER switch must be in the FUU
position.
Crossover frequency control setting checklist:
N/ A for full range operation.
np: If you are using the mono sub bass output of an
active crossover, there isnothing wrong with switching
in the low pass filter in these amplifiers for a steeper
low pass rolloff.
Minimum fin •• loudspeaker impedance:
-4 ohm mono.
Q
FUIl.R.\NGE
STEREO UNE INPUT
VIA. Y-I!.DAPTER
FROM MONO SOURC
Q
VQ
I
f~:
b£([J1flf1:Ecm[!D
11'11
;e:
ilSl '
:6),
foo/
"C.
1
<!!I
=-c
~
~i, <!!l
I
f~:
;e:
ilSl ' b£([J1flf1:Ecm[!D
:6),
foo/
~ C ~ I
~.
<!!I
~
=-r
~ r
~ t
~ r ~
L """,
L
~ :.
iii
u--=
~
iii
~
~ r~
~ t~
0
~ r ~
L IlC:>IJ
L
~ :.
iii
01
~
n...= -
FUll. RANGE
SPEAKERS
ro
ro
TO BAITER'Y +I2V
VIA FUSE
REMOTE TIJRN-ON
CHASSIS GROUND
TO
FUllAANGE
ONOSPEAKER M
BA TTER'Y +I2V
VIA FUSE
OTE TIJRN-ON
SIS GROUND
REM
CHAS

MAXP4260 4 CHANNEL AMPLIFIER APPLICATIONS
4 CHANNEL FULL RANGE SYS TEM
Here we show how to use the 4 channelamplifiers as
straightforward discrete 4 channel full range units.
Interconnect c.ble checldlst:
-Connect the four inputs of the amplifierto a Radio/CD FUIl..RANGE co
with quality RCA cables, STERfOUNE '"
SWItch .enlng checklist:
-ljZCH X'()VER: FULL -3/4CH X'()VER: FULL
Crossover frequency control checklist:
Channel. I/Z:
Channel. 3/4:
-HIGH PASS: NfA
-HIGH PASS: NfA
-LOW PASS: NfA
-LOW PASS: NfA
Level control checklist:
-Refer to the section "setting up systems after installation for
best performance"
Minimum flnalloud ....... ker Impedance.:
.. Z ohm per ch.nnel.
Z or 3 CHANNEL FULL RANGE SYSTEM
Here we show how to use the 4 channel amplifiers as full range
2 or3 channel units by takingadvantage of the mono bridging
capability of alllanzar MAX PRO series amplifiers.
The
follwing example shows how to create a 3 channel system
INPUTS
~
by mono bridging channel pair 3/4. In order to create a 2 channel
system. simply follow the example to also mono bridge channel pair 1f2,
Interconnect cable checklist:
-Connect the inputs of channel pair 1/2 to a suitable stereo source,
e.g. a head
unit with good quality RCA cables.
-A
MONO signal source is required to bridge channel pair3/4,such
as would be available from the mono sub bass output of an active
crossover,
whether standalone, or built into a head unit or equalizer.
Important: Do not be tempted to connect the hot. or positive
outputs, from
any source together to obtain a mono signal, as this
could verywell damage the outout stage of that source,
-
It is necessary to feed the SAME signal to both lettand right inputs
via a Y-adapter RCA cable.
-Connect
the mono speaker positive terminal to the RIGHT +, and
its negativeterminal to LEFT - as shown.
SWItch .enlng checklist:
-I/ZCH X'()VER: FULL -3/4CH X'()VER: FULL
Cros.over frequency control checkli.t:
chennel. I/Z: channel. 3/4:
-HIGH PASS: NfA _ HIGH PASS: NfA
- LOW PASS: NfA _ LOW PASS: NfA
-
1 STEREO
I MONO
FUll.
RANGE
UNE INPI./n
='-
"~
~
j
FUll RANGE
SPEMERS
I"
..
Ji
tO
" ~
~ '~.~"
~ f!
to
~ I~· .2 L
P i
~ [1
D
to
~.
~
~COl~6(fJLrr ~ [:g
to
~I
~ I
TOBATTERY+I2V
VIII FUSE
looJ
~ :.
REMOTE TURN-ON
0 :Ii
~~I
CHI\S5IS GROUND
I~
"
~
or
~
l ~
u =-r
=
TIP: If you are using the mono sub bass output of an active crossover, there is nothing wrong
with switching in the low pass filter in these amplifiers for a steeper low pass rolloff.
Level control checkli.t:
-Refer to the section "Setting up systems after installation for bestperformance"
Minmum final loudspeaker impedances:
-2 ohm per channel in stereo mode. -4 ohm mono bridged.
STEREO
!tj
FULL AANGE
OR HIGHS
• SPENCERS
ffi
STEREO
FUll. RANGE
+ ORHIGHS
SPEAKERS
TO Bll.TTERY+1ZV
VIA FUSE
REMOTE TURN-ON
CHASSIS GROUND

MAXP4260 4 CHANNEL AMPLIFIER APPLICATIONS
2 way active, or b.... mpllfted system with mono bass
This application shows how easilya 2 way active system can be
implemented using a MAX PRO series 4 channelamplifier. Channels
I and 2 will be used for highs, and channels 3 and 4 for mono bass.
Interconnect cable checklist:
- We need to feed the same signal to both sets of channels, so
must use 2 Y-adapters, one to feed the LEFT signal to channels
I and 3, and the right signal to channels 2and 4, as shown.
Mono bass woofer wiring
-Connect the mono speaker positive terminal to the RIGHT +,
and its negaitive terminal to LEFT -.
Switch setting checklist:
• 1/2CH X-oVER: HP
• 3/4CH X-oVER: lP
Crossover frequency control checklist:
channels 1/2
·HIGH PASS: 100 Hz
-LOW PASS: NfA
Channels 3/4:
• HIGH PASS (subsonic!: 20 Hz
• Low PASS: 100 Hz
Please note that these frequency points only. Refer to the
loudspeaker manufacturerspecifications and the section
"setting up system after installation for bestperformance-
2 way active, or bl-ampllfted system with mono bass,
and faded highsj 10_
Here we presenta variation of the previous system. Since
this
is a 2 way system, wecan use the front outputs from
a head unit to drive the highs, and the rear output to drive
the bass This method allows the listener to easilyadjust
the relative levels of bass to highs, with the front to rear
fade
on the head unit. Channels 1 anf 2 will be used for
highs, and channels 3 and 4 for mono bass.
interconnect cable checklist:
-Use good quality RCA leads to connect the inputs of the
amplifier to the source as shown.
- Follow the instructions as per the previous system for
switch and crossover settings.
Level control checklist:
Refer to the section "setting up systems after in stall ation for best performance"
Mlnmum ftnalloudspeaker Impedances:
·2 ohm per channel in stero mode
·4 ohm mono bridged.
LEFT TO Cfi..\NNELS
I AND 3
FU1J.RANGE
STEREOUNE
INPUTS
-
STEREO
~
FULLMNGE
OR HIGHS
+ SPEAKERS
!O
STEREO
FUURANGE
+ OR HIGHS
SPENCERS
~ MONO
f{tI OR SUB s.\SS
SPENCERS
TO M. TTEIn' + 12V
VIA FUSE
REMOTE TURN-ON
CH.\SSIS GROUND
rn
STEREO
FUll. RANGE
+ OR HIGHS
SPENCERS
~STEREO
~FUURANGE
OR HIGHS
r1\ SPENCERS
!iJ MONO
OR SUB MSS
SPENCERS

MAXP42604 CHANNEL AMPLIFIER APPLICATIONS
Front/ear high pass, using a Z channel amplifier
for mono sub bass
The combination of a 2 and a 4 channel amplifier, utilizing their
built in crossovers. makes it a snap to put togethera full system
with front and rear highs. with mono sub bass.
Interconnectcablechecklist:
-Using good quality RCA cables. feed the front and rear outputs
of a head unit to the inputs of the 4 channel amplifier as shown.
-Also connect the LINE OUT of the 4 channel amplifier to the
LINE INPUT of the 2 channel amplifier as shown.
Mono bass wooferwiring:
Connect the mono speaker positive terminal to the LEFT +,
and its negative terminal to RIGHT -.
Switch .etting checklist.
4 channel high. amplifier:
• 1/2CH X'()VER: HP
• 3/4CH X-OVER: HP
Z channel bilss amplifier:
•X'()VER switch: LP
Crossover frequency control checklist:
•4 channel high. amplifier:
Channel. 1/2
• HIGH PASS: 100Hz
LOW PASS: NfA
Channel. 3/4
•HIGH PASS: 100Hz
LOW PASS: NjA
2 channel bas. amplifier:
• HIGH PASS ISubsonlc filter,: 10Hz to 40Hz
Please note that thesefrequency points are suggestions only.
Refer to the loudspeaker manufacturerspecifications and
the section 'Setting up systems afterinstallation for best
performance"
Level control checklist:
-Refter to the section "Setting up systems after installation
for bestperformance-
Minimun finalloud.peaker impedances:
• Z ohm per channel in .tereo mode.
·4 ohm mono bridged.
-
FRONT
INPlm
REJlR
INPlm
""'0
INlERCONNECT
RCII,"""
( :g
FUll RIoNGE
SPEAKERS
TOBATTERY+I'lV
VIA FUSE
-REMIOTE TURN-ON
FULlRloNGE
MONO SPEAKER
TOBATTERY+I'lV
VIA FUSE

SETTING UP SYSTEMS AFTER INSTALLATION FOR BEST PERFORMANCE
General:
At this pointyou are ready to get more specific on the settings for your amplifier.
HIgh Pass:
-When in Hi Pass operation, this setting acts as a low frequency cut offfor your system reproduction. The point thatyou set it at cuts off anyfrequencies from reproduction
beyond this point. The 12 o'clock position is a greatstarting point. EXAMPLE: If you adjust the High Pass to 100Hz. the amplifier will not playtrequencies below 100Hz but
will playtrequencies trom 100Hz to the chosen Low Pass trequency.
-When in Low Pass/Bandpass operation, this setting acts as a low frequency cut offfor your system reproduction aka Subsonic Filter. The point thatyou set it at cuts offany
trequencies trom reproduction beyond this point. The 12 o'clockposition is a greatstarting point. EXAMPLE: If you adjust the High Pass to 25Hz. the amplifier will not play
trequencies below 25Hz but will playfrequencies from 25Hz to the chosen Low Pass frequency.
-When in Flat/Full operation, the High Pass crossover is bypassed.
BassEQ:
This setting is a fIXed bass boost at 45Hz that is variable from 0-1 OdB. This feature provides impact to your bass, but if not adjusted correctly. it can be over used and cause
damage toyour
speakers and amplifiers. It is best to slowly turn this setting clockwise until the desired punch is felt. it is not recommended to exceed the 12 o'clock position
unless listening at a low volume or a low recording quali1y as this can result in high distortion and possibly clipping.
Low Pass:
The Low Pass control acts as a ceiling and doesn't allowfrequencies to the right of the desired setting to be reproduced. Turning the potentiometerall the way to the right
is a greatstarting point. EXAMPLE: If you adjust the Low Pass to 120Hz. the amplifier will not playfTequencies above 120Hz but will playfrequencies from 120Hz to the
chosen Hi Pass or Subsonic trequency.
-When in Hi Pass operation, this setting is bypassed.
LevelControl Setup:
Ensuse that the level is turned completely to the left prior to turning the syetem on. Nextyou should insert a CD or cassette thatyou are familiar with to use as a reference,
and turn the head unit volume control to about 80% of its full setting. The system sound level will of course bevery low. and the following procedures will help you to match
the amplifier input sensitivities properlyto the head unit output signal level.
It is important to match the amplifier LEVEL input sensitMty to the Radio/CD output sensitivity. This can be located in the Radio/CD manual.
If the Radio/CD output sensitivi1y is 2 volts. then adjust the amplifier LEVEL input to 2 volts.
If you are not sure what the Radio output sensitivi1y is. follow these general guidelines:
Turn the level control up SlOWly, till you hear distortion, then back offa few degrrees on the control. If at anypointyour amplifier goes into protection, you will need to turn
the level to the left a bit and then
try again. Ifyou reach a point where the output does not increase, stop turning the level control to the righe as the amplifier/speaker
combo
has reached its maxx output in this application.
Z or:l way active systems lalll:
Always start with the bass. or low frequencyamplifier as a reference. by turning its control up to the point where distortion is audible. and back it olf some. Now adjust the
level control for the highs or tweeter channels in a 2 way active system. to balance the highs to lows.
In a 3 way active system, match the midrange level to the bass, and then the highs to the midrange and bass. It may be necessary to perform a few iterations of the midrange
and highs level control settings to achieve a satisfactory sound balance.
Sit bIIck and enjoy the music! -

Lanzar MAX PRO SERIES AMPLIFIER FEATURES
MODEL MAXP2760 MAXP2960 MAXP4260
Out Power Rating
RMSat40hms 500Wx2 750Wx2 250Wx4
MAX at 4 Ohms 1000Wx2 1500Wx2 500Wx4
MAX at 4 Ohms Bridced 1200Wxl 3000Wxl 1000Wx2
RMSat 2 Ohms BOOWx2 1200Wx2 400Wx4
Miscellaneous Spec
Soft Start Sound Yes Yes Yes
FrequencyResponse -3dB
10Hz-40KHz 10Hz-40KHz 10Hz-40KHz
Dampinc Factor >200 >200 >200
SIN Ratio(A-Weight) > 95dB > 95dB > 95dB
THD & Noise
<0.05% <0.05% <0.05%
Channel Separation at I KHz >70dB >70dB >70dB
Varible Input Level Control 0.2V-6.0V 0.2V-6.0V 0.2V-6.0V
Input Impedance 20kQ 20kQ 20kQ
Power and Diagnostic LED Power/Protect Power/Protect Power/Protect
Protection(DC, Short, Thermal, Overload)
Yes Yes Yes
Power Supply. all MOSFET PWM Yes Yes Yes
MOSFET Outputs Yes Yes Yes
Crossover and Swlthchlng
Input Selector Switch
CrossoverSfWfor I +Z channel
Hp/FULljLP-BP Hp/FULljLP-BP Hp/FULljLP-BP
Variable Hi-pass/ Subsonic Filter 40Hz- 2kHz 40Hz- 2kHz 40Hz- 2kHz
Variable Low-pass (Mono 24dB) 30Hz- 150Hz 30Hz- 150Hz 30Hz- 150Hz
Bass Boost at 45Hz
0- 10dB 0- 10dB 0- 10dB
CrossoverSfWfor 3+4 channel
Variable Hi-pass 40Hz- 2kHz 40Hz- 2kHz 40Hz- 2kHz
Variable Low-pass/ (Mono 24dB) 30Hz- 150Hz 30Hz- 150Hz 30Hz- 150Hz
Bass Boost at 45Hz
0- 10dB 0- 10dB 0- 10dB
UneOutput
Full Rance Full Rance Full Rance
Unbalanced InputlRCAJackJ
Yes Yes Yes
Remote Control
Yes Yes Yes
Power Terminal 4-GA 4-GA 4-GA
Speaker Terminal 8-GA 8-GA 8-GA
Fuse Size
20Ax3 30Ax3 40Ax2
Dimensions (W x H x L) Inches
10. I6-x2.56-xl3.86- 10. 16-x2.56-xl5.83-
10. 16-x2.56-xl2.8-
Note: Features subject to change without notice
-

TROUBLESHOOTING
Before removing your amplifier, refer to the list below and follow the suggested procedures. Always test the speakers and their wires first.
AMPLIFIER WILL NOT POWER UP.
Check for good ground connection.
Check that remote DC terminal has at least 13.8v DC.
Check that there is battery power on the +terminal.
Check all fuses.
Check that Protection LED is not lit If it is lit. shut off amplifierbriefly and then repower it.
HIGH HISS OR ENGINE NOISE (ALTERNATOR WHINEI IN SPEAKERS.
Disconnect all RCA inputstotheamplifierlsj-ifhiss/noisedisappea,,- then plug inthe component drMng theamplifierand unplug its inputs. If hiss / noise
disappea,,- go on untilthefaulty/noisycomponent is found.
It is best to set the amplifier's input level as insensitive as possible. The best suQjective SIN ratio is obtainable this way. Try todrive as higha signal level
from the head unit as possible.
PROTECTION LED COMES ON W EN THE AMPLIFIER IS POWERED UP.
Check forshorts on speaker leads.
Check that the volume control on th head unit is turne(j down low.
Remove speaker leads. and reset the a plifier. If the Protection LED still comes on. then the amplifier is faulty.
AMPLIFIER(SI GETS VERY HOT.
Check that the minimum spe7 er im edance for that model is correct.
Check forspeaker shorts.
Check that there is good airftow a r: ound the amplifier. In some applications, an external cooling fan may be required.
DISTORTED SOUND
Check that the Level controlls) is set to match the signal"level of t ' he ad unlu '-
Check that all crossover
Check forshorts on the sP!'aker leads.
-


!!!"#$%&'
())*+*