Leslie 002-Leslie Pedal User manual

OWNER’S MANUAL
Model: 002-LESLIE PEDAL

2014 Hammond USA LP0612

There is nothing you can fix or adjust inside, so do not open it up. In the rare
instance that this Pedal malfunctions, contact Hammond USA.
Do not let it (or the AC adapter) get wet under any circumstance.
Do not use it, store it, or transport it anywhere near a heat source. That means
direct sunlight, too.
This Pedal can only be used with the provided AC power supply (003-AD-LP1).
Other “Wall Warts” that you can buy will cause malfunction and void your warranty.
Treat it kindly - do not drop it, or expose it to excess vibration. (Although the
excessive Good Vibes you’ll get from playing this pedal are acceptable.)
Pull the plug when not in use - and remove the adapter from the wall socket. Do
not transport the Pedal with the AC adapter plug attached.
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SAFETY INFORMATION
THE LESLIE PEDAL 1

2 HAMMOND USA
THE LESLIE HERITAGE
Congratulations on purchasing the
FIRST EVER Digital Leslie Pedal. If this is
your first LESLIE, Welcome to our family; if
you’re already one of us, welcome home.
The Leslie Speaker was invented by Donald
H. Leslie in 1940 to make the Hammond
Organ sound more like a Theatre Pipe Organ,
but even Don Leslie couldn’t begin to imagine
the impact his invention would have in all
corners of the music world from that day
forward.
The swirling, lush sound of a Leslie speaker
has been applied to almost every instrument
one can think of, including the human voice.
Engineers and tinkerers everywhere have
always come up with ways to “hook up a
Leslie” to their Guitar, Violin, Horn, or Vocal
Mic.

THE LESLIE HERITAGE
The sound was a success, but triumph
becomes bittersweet when faced with the
reality of moving a 150 lb. hardwood cabinet
(without handles or wheels). There had to be
a better way.
Every musical instrument and effect was
successfully duplicated in the digital realm,
except one - The Leslie Speaker. Almost
from the start, there were copies and clones.
As the transistor age dawned, electronic
attempts to duplicate the Leslie effect
appeared, but none had the soul or sound
of the genuine article. When the digital age
began, the goal drew a little closer, but the
true Leslie sound still proved to be elusive.
THE LESLIE PEDAL 3

4 HAMMOND USA
The Hammond and Leslie Engineers, some of which were contemporaries of Don
Leslie himself, set out to do what has seemed impossible - to make a purely Digital
Leslie worthy of that legendary name. In 2012, the Hammond SK1 was released to
instant acclaim, and word spread quickly that the Digital Leslie onboard that 15 pound
wonder truly and finally “nailed” the genuine Leslie sound. Not only nailed it, but made
it user-customizable, with profiles of the many popular Leslies throughout the years.
It seemed selfish to keep that breakthrough only at the hands of keyboardists, and the
LESLIE PEDAL you now own is the fulfillment of the work and research that made the
seemingly impossible, possible. A genuine LESLIE you can move with ease, that will
fit any stage, and has all the power of its big brothers.
Leslie is The Sound, The Soul, The ONE.
Now go take your instrument for a spin!
THE LESLIE HERITAGE

INPUT: The input jack is a STEREO ¼” Tip-Ring-Sleeve jack. It will also accept
standard Mono ¼” cables. When a MONO cable is being used, the Leslie Pedal
will convert the Leslie effected signal into a Stereo output. If you use a Stereo
“Insert Cable” adapter (Male TRS ¼” plug to dual mono ¼” jacks) you can run any
stereo input into the pedal.
POWER 9 VDC: Connect the provided Power Adapter here. Very few AC
adapters are suitable for use with this Leslie Pedal. They are underpowered, and
may damage your pedal. Please USE ONLY the Power Adapter provided.
CU-1 INPUT: This TRS (Tip-Ring-Sleeve) jack accepts the HAMMOND CU-1
traditional “Half Moon” Leslie Speed Switch.
LEFT/RIGHT OUTPUTS: ¼” Jacks with Line-Level Output. Stereo use is
encouraged for best and most accurate results, but if Mono output is needed,
use the LEFT output. NOTE: If you are connected with a MONO cable, the Leslie
Effect will be output in Stereo, but in BYPASS mode, only the Left Channel will be
output.
1.
2.
3.
4.
CONNECTIONS
THE LESLIE PEDAL 5

6 HAMMOND USA
CONNECTIONS
STEREO
INPUT
+
-
GAIN POWER
9VDC
CU-1
INPUT
RIGHT
OUTPUT
LEFT/MONO
OUTPUT
LO HI
DESIGNED AND MANUF ACTURED IN U.S.A.
1234 4
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CONTROLS
THE LESLIE PEDAL 7
8
11 12 13
10
9
5
7
6

DISTANCE: Sets the distance of the Virtual Mic from the Virtual Rotating Elements.
“0” represents the closest position, “10” represents approximately 3 feet away.
RISE & FALL: (Ramp Up/Down) Each of the 3 Rotary Cabinet Profiles has its own
Rise and Fall speeds that are accurate to the actual Leslie model it is based on. You
can increase or decrease these speeds, preserving the individual high/low ratios.
-5 is Slower and +5 is faster. At the center position, the rise and fall time setting is
consistent with that of the actual Leslie model selected by CABINET.
OVERDRIVE: The Leslie Pedal OVERDRIVE function models the classic 40W tube
amplifier front end found in Leslie models 122 and 147. The classic Leslie tube
amplifier is beautifully non-linear, reacting more strongly to louder input signals. Your
Leslie Pedal OVERDRIVE reacts the same way, and is dependent upon the level
of the Leslie Pedal’s input. A larger input signal into the Leslie Pedal effectively
5.
6.
7.
The LESLIE PEDAL provides all the real-time controls needed to tailor the exact
LESLIE effect you desire.
8 HAMMOND USA
CONTROLS

CONTROLS
THE LESLIE PEDAL 9
“pushes” the overdrive harder, thereby creating a more pronounced distortion
effect, proportional to a classic Leslie amplifier. Softer input signals create
significantly less overdrive. To give the OVERDRIVE control more flexibility over a
wider range of input signals, a full 6dB of signal boost can be attained by setting
the GAIN switch to high.
CABINET SELECTOR: The LESLIE PEDAL offers 4 Cabinet Profiles:
MODEL 122A
The “Classic” Leslie, made famous as paired with a 1950s Hammond B-3.
MODEL 147A
A slightly brighter sound, often referred to as the “Rock and Roll” Leslie
MODEL 18V
The Original “Vibratone” Guitar Leslie with one spinning drum
MODEL PR-40
The Original Hammond Organ Tone Cabinet. This cabinet model is a non-
rotary cabinet model. There is no “spinning” effect. The following controls have
no effect in this setting: BRAKE, SLOW/FAST, DISTANCE, RISE/FALL.
8.

MIX: This controls the balance between the Treble (Upper) and Bass (Lower)
Virtual Rotors. -5 favors the Bass and +5 Favors the Treble. Center Position is
equal volume.
LEVEL: Controls the level of the Leslie effect, relative to the bypass level.
BYPASS (FOOTSWITCH): True bypass circuitry directly hardwires the input
to output when bypassed to avoid any loss of fidelity, and engages the effect at
the press of a switch. NOTE: If you are connected with a MONO cable (like a
guitar), the Leslie Effect will be output in Stereo, but in BYPASS mode, only the
Left Channel will be output. A 1/4” mono female to stereo male adapter cable is
available through Hammond USA, which distributes the signal evenly to both sides
of the Stereo input. When the pedal is in BYPASS mode, left_in goes to left_out
and right_in goes to right_out. No bleeding or cross-connections (it is a hard
wired, true bypass). Red LED is lit when BYPASS is engaged.
9.
10.
11.
10 HAMMOND USA
CONTROLS

CONTROLS
THE LESLIE PEDAL 11
BRAKE (FOOTSWITCH): Pressing this button Decelerates the Virtual Rotors to
full stop. The Deceleration is a fixed value, and the Virtual Rotor’s positions at
rest will stop at Center. A convenient feature compared to physical Leslie that will
stop arbitrarily. When the BRAKE is engaged both yellow and green LEDs stop
flashing.
SLOW/FAST (FOOTSWITCH): Toggles between “SLOW” (or “Chorale”) and
FAST (or “Tremolo”) Virtual Rotor Speeds. The accompanying yellow and green
LEDs indicate the Virtual Rotor’s status.
(Note: Yellow = lower rotor speed, Green = upper rotor speed)
GAIN (On Rear Connector Panel): Engaging this switch will boost Output gain by
6db. This higher Gain position is for applications using a dynamic pickup like a
Guitar, Violin, etc. Adjust this switch to best suit your instrument.
12.
13.
14.

12 HAMMOND USA
CONNECTION DIAGRAMS
Keyboard/Instrument/
Other Effects
Outs
LR
Leslie Pedal
InputOuts
LR
Bypass
Input
Amp
Mono Connection
Mono-Stereo Connection
Leslie Pedal
Input
Outs
LR
Inputs
Mixer
Outs
Bypass
LR
1
1/4” Mono Female to
Stereo Male Adapter
Hammond Part #
003-011-059684
2
Keyboard/Instrument/
Other Effects

CONNECTION DIAGRAMS
THE LESLIE PEDAL 13
Outs
LR
InputOuts
Bypass
LR
Inputs
Mixer
12
Stereo Connection
Keyboard/Instrument/
Other Effects
Leslie Pedal
Insert Cable
Male Stereo TRS to
2 Male or Female Mono TS

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CONTROLS
TIPS
Stereo operation is preferred to mono.
When using with a Guitar, insert this Leslie Pedal LAST in your chain, following
anything that induces Overdrive or Distortion.
If you are using a mono input, and require two channels of output in BYPASS
mode, use a mono to stereo splitter on the input jack.
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Signal Processing:
Analog/Digital Conversion:
Digital/Analog Conversion:
Input Sensitivity:
Input Impedance:
Output Impedance:
Output Level:
Dimensions:
Current Draw:
AC Adapter:
Optional Accessories:
SPECIFICATIONS
32-bit 150 MIPs Pittsburgh Digital DSP
24-bit 115dB, PS -87 dBA w/A weighted
24-bit 115dB, PS -87 dBA w/A weighted
0dBV (low gain) and -6dBV (high gain)
500k ohm nominal
150 ohm nominal
+6dBV
7 5/16” (18.7 cm) (L), 2 1/4” (5.6 cm) (H),
4 3/4” (12 cm) (W), 1 lb 9oz (709g)
300 mA (maximum)
007-AD-LP1 (FY0901000 / ZF120A-1201000)
Input: 100-240V, 50/60Hz, 0.25A/0.35A Max,
Output: DC9V, 1000mA
Center Negative
UL and RoHS approved
CU-1 Half Moon Switch
1/4” Mono Female to Stereo Male
Adapter (part # 003-011-059684)
THE LESLIE PEDAL 15

16 HAMMOND USA
We guarantee that your pedal will be free of defects in workmanship for a period of
one (1) year from the date of purchase. We also guarantee the continued operation of
all components for a period of one (1) year from the date of purchase. Within this one
year period Hammond will repair or replace at our discretion any pedal that ceases to
function properly as a result of faulty workmanship or materials.
This warranty can be voided by any of the following:
Removal or replacement of any component,
Prolonged exposure to elements
Abuse above and beyond normal wear and tear
Application of incorrect power supply
No pedal shall be repaired or replaced that shows signs of abuse and/or modification.
It is the sole responsibility of the end user to provide dated proof of purchase to
validate the warranty, if warranty service is requested. All warranty requests MUST be
pre-approved by the appropriate Hammond headquarters.
Model: ______________________ Dealer Purchased From: ______________________________Date Purchased: _____________________
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WARRANTY

Hammond USA maintains a policy of continuously improving and upgrading its
instruments and therefore reserves the right to change specifications without notice.
Although every attempt has been made to insure the accuracy of the descriptive
contents of this manual, total accuracy cannot be guaranteed. Should the owner
require further assistance, inquiries should first be made to your Authorized Hammond
and/or Leslie Dealer. If you still need further assistance, contact the Hammond office
appropriate for your region.
Hammond USA
743 Annoreno Drive
Addison, IL 60101
Phone: [phone]
Fax: [phone]
Email: [email protected]
Website: www.hammondorganco.com
Hammond USA and Hammond Suzuki Europe are wholly-owned subsidiaries of Suzuki Musical Instrument Corp of Japan.
SERVICE
THE LESLIE PEDAL 17
Hammond Suzuki Europe
Ir. D.S. Tuynmanweg 4A
4131 PN Vianen, The Netherlands
Tel: [phone]
Fax: [phone]
Email: [email protected]
Website: www.hammond.eu

Designed and Manufactured in the USA