Peavey XR 600G User manual

XR®600G Operation Manual
For more information on other great Peavey products, go to your local Peavey dealer or online at www.peavey.com

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Intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude to constitute a ris of electric shoc to persons.
Intended to alert the user of the presence of important operating and maintenance (servicing)
instructions in the literature accompanying the product.
CCAAUUTTIIOONN::Ris of electrical shoc — DO NOT OPEN!
CCAAUUTTIIOONN::To reduce the ris of electric shoc , do not remove cover. No user serviceable parts inside.
Refer servicing to qualified service personnel.
WWAARRNNIINNGG::To prevent electrical shoc or fire hazard, do not expose this appliance to rain or moisture.
Before using this appliance, read the operating guide for further warnings.
Este símbolo tiene el propósito, de alertar al usuario de la presencia de “(voltaje) peligroso” sin
aislamiento dentro de la caja del producto y que puede tener una magnitud suficiente como para
constituir riesgo de descarga eléctrica.
Este símbolo tiene el propósito de alertar al usario de la presencia de instruccones importantes sobre la
operación y mantenimiento en la información que viene con el producto.
PPRREECCAAUUCCIIOONN::Riesgo de descarga eléctrica ¡NO ABRIR!
PPRREECCAAUUCCIIOONN::Para disminuír el riesgo de descarga eléctrica, no abra la cubierta. No hay piezas útiles
dentro. Deje todo mantenimiento en manos del personal técnico cualificado.
AADDVVEERRTTEENNCCIIAA::Para evitar descargas eléctricas o peligro de incendio, no deje expuesto a la lluvia o
humedad este aparato Antes de usar este aparato, Iea más advertencias en la guía de operación.
Ce symbole est utilisé dans ce manuel pour indiquer à l’utilisateur la présence d’une tension dangereuse
pouvant être d’amplitude suffisante pour constituer un risque de choc électrique.
Ce symbole est utilisé dans ce manuel pour indiquer à l’utilisateur qu’il ou qu’elle trouvera d’importantes
instructions concernant l’utilisation et l’entretien de l’appareil dans le paragraphe signalé.
AATTTTEENNTTIIOONN::Risques de choc électrique — NE PAS OUVRIR!
AATTTTEENNTTIIOONN::Afin de réduire le risque de choc électrique, ne pas enlever le couvercle. Il ne se trouve à
l’intérieur aucune pièce pouvant être reparée par l’utilisateur. Confiez I’entretien et la réparation de
l’appareil à un réparateur Peavey agréé.
AAVVEERRTTIIEEMMEENNTT: Afin de prévenir les risques de décharge électrique ou de feu, n’exposez pas cet
appareil à la pluie ou à l’humidité. Avant d’utiliser cet appareil, lisez attentivement les avertissements
supplémentaires de ce manuel.
Dieses Symbol soll den Anwender vor unisolierten gefährlichen Spannungen innerhalb des Gehäuses
warnen, die von Ausreichender Stär e sind, um einen ele trischen Schlag verursachen zu önnen.
Dieses Symbol soll den Benutzer auf wichtige Instru tionen in der Bedienungsanleitung aufmer sam
machen, die Handhabung und Wartung des Produ ts betreffen.
VVOORRIICCHHTT:: Risi o — Ele trischer Schlag! Nicht öffnen!
VVOORRIICCHHTT:: Um das Risi o eines ele trischen Schlages zu vermeiden, nicht die Abdec ung enfernen. Es
befinden sich eine Teile darin, die vom Anwender repariert werden önnten. Reparaturen nur von
qualifiziertem Fachpersonal durchführen lassen.
AACCHHTTUUNNGG::Um einen ele trischen Schlag oder Feuergefahr zu vermeiden, sollte dieses Gerät nicht dem
Regen oder Feuchtig eit ausgesetzt werden. Vor Inbetriebnahme unbedingt die Bedienungsanleitung lesen.

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IIMMPPOORRTTAANNTT SSAAFFEETTYY IINNSSTTRRUUCCTTIIOONNSS
WWAARRNNIINNGG::When using electrical products, basic cautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not bloc any of the ventilation openings. Install in accordance with manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including
amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one
wider than the other. A grounding type plug has two blades and a third grounding plug. The wide blade or third
prong is provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
10. Protect the power cord from being wal ed on or pinched, particularly at plugs, convenience receptacles, and the
point they exit from the apparatus.
11. Note for UK only: If the colors of the wires in the mains lead of this unit do not correspond with the terminals in your
plug‚ proceed as follows:
a) The wire that is colored green and yellow must be connected to the terminal that is mar ed by the letter E‚ the
earth symbol‚ colored green or colored green and yellow.
b) The wire that is colored blue must be connected to the terminal that is mar ed with the letter N or the color blac .
c) The wire that is colored brown must be connected to the terminal that is mar ed with the letter L or the color red.
12. Only use attachments/accessories provided by the manufacturer.
13. Use only with a cart, stand, tripod, brac et, or table specified by the manufacturer, or sold with the apparatus. When
a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
14. Unplug this apparatus during lightning storms or when unused for long periods of time.
15. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in
any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the
apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
16. Never brea off the ground pin. Write for our free boo let “Shoc Hazard and Grounding.” Connect only to a power
supply of the type mar ed on the unit adjacent to the power supply cord.
17. If this product is to be mounted in an equipment rac , rear support should be provided.
18. Exposure to extremely high noise levels may cause a permanent hearing loss. Individuals vary considerably in
susceptibility to noise-induced hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently
intense noise for a sufficient time. The U.S. Government’s Occupational and Health Administration (OSHA) has
specified the following permissible noise level exposures:
Duration Per Day In Hours Sound Level dBA, Slow Response
890
692
495
397
2 100
1
1
⁄ 2 102
1 105
1
⁄ 2 110
1
⁄ 4 or less 115
According to OSHA, any exposure in excess of the above permissible limits could result in some hearing loss. Ear plugs or protectors to the
ear canals or over the ears must be worn when operating this amplification system in order to prevent a permanent hearing loss, if exposure
is in excess of the limits as set forth above. To ensure against potentially dangerous exposure to high sound pressure levels, it is
recommended that all persons exposed to equipment capable of producing high sound pressure levels such as this amplification system be
protected by hearing protectors while this unit is in operation.
AAVVEE TTHHEEEE IINNTTRRUUCCTTIIOONN!!

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XR®600G Powered Mixers
Thank you for purchasing the XR600G by Peavey. This powered mixer includes many of the latest technological developments from
Peavey engineers. Incorporating two‚ 200 Watt amplifiers‚ dual 9-band EQ‚ digital effects‚ FLS®(Peavey’s award-winning Feedback
Locating System)‚ DDT™ speaker protection as well as many other features‚ this compact‚ lightweight powered mixer is perfect for
most any application. More power. More features. More reliability. All from Peavey!
Please read this guide carefully to ensure your personal safety as well as the safety of your equipment.
EENNGGLLIISSHH
◆6 low-noise‚ low-Z mic preamps
◆7 line inputs
◆3-band equalization each channel
◆monitor sends on each channel
◆effects send: channels 1–6
◆25 dB pad: channels 1–4
◆switchable 9-band EQ‚ assignable to monitor or channel 1 with FLS™
◆dual main or main/monitor power amp mode switch
◆dedicated 9-band EQ for mains with FLS™
◆DSP-based effects; 16 presets with parameter control
◆signal/clipping indicator on each channel
◆48 Volt phantom power
◆dual 200 Watts per channel internal power amplifiers
◆DDT speaker protection with activity LED
◆mute switch for input channels 1–6
Features

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The standard channels (1–6) feature discrete‚ low-noise mic preamps with globally-switched phantom power and a 3-band EQ.
Channels 1–4 offer balanced 1/4" line-level inputs and feature a full 25 dB pad switch to accommodate a wide range of input signals.
Finally‚ channels (5–7) have dual input jacks (summed) for your tape‚ CD or synth input.
The master section features a DSP-based digital effects processor. This processor includes 16 presets‚ that provide a selection of
effects designed to enhance your sound. There is also a parameter control that allows you to set the Time/Size of the effect.
XR 600G Front Panel
1. Connect speakers to your XR600G. Route speaker cable for safety‚ taping down if necessary.
2. Be certain that all levels are down and your EQ is flat.
3. Connect all microphones and instruments. Turn on power to the XR600G and set master controls to the 12:00
position.
4. Use mode switch to select both power amplifiers for main speakers or one amplifier for mains and one amplifier for
monitors.
5. Adjust channel level controls for proper volume mix. Engage pad switches if a channel distorts or if the channel
becomes loud very quickly as its control is turned up.
6. Adjust graphic and channel EQ as needed.
7. Set and adjust the effects settings and channel send.
8. Now‚ play like you’ve never played before. Have fun!
QUICK SET-UP GUIDE

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Channel Section
Channels 1–4 feature all of the same great controls. Channels 5 and 6 include all of the
features of the first four channels except the -25 dB pad. These two channels also feature
dual 1/4" input jacks (summed to mono); perfect for digital keyboards or other devices with
stereo outputs. Channel 7 is designed primarily for tape players/recorders‚ CD players or
other similar devices.
Channels 1–4
1. Mic Input: XLR balanced‚ low-impedance channel input optimized for a
microphone or other low-impedance source. Pin 2 is the positive input. Due to the
wide range of gain adjustment‚ signal levels as high as +10 dBV (2.45 V RMS) can be
accommodated with the pad switch engaged. When the phantom power is enabled‚
this connector has +48 V on pins 2 and 3 with pin 1 as the ground reference.
2. Line Input: 1/4" balanced TRS inputs. The tip is the positive input which may also
be used for unbalanced inputs. A pad switch is provided to attenuate strong
signals present at this input. Note: The Mic input and the Line input cannot be used
simultaneously within the same channel.
3. Pad: Attenuates the input signal by -25 dB. If you notice distortion from a
particular channel or if the channel becomes loud very quickly‚ try engaging this
switch. In addition to increasing the dynamic range‚ the channel input can now
accommodate a higher input level before clipping occurs. This may be necessary
when close-mic’ing a loud guitar amp or drum kit.
4. Level & Signal/Clipping Indicator: Sets the signal level sent to the main mix.
The bi-color LED is green when signal is present and red when clipping occurs. If
clipping occurs‚ turn the channel Level control (4) down. If the channel clips when
turning the Level control up only slightly‚ try engaging the Pad switch (3).
5. Mon (monitor): Controls the level of each channel signal (pre-EQ) that is added
to the monitor mix.
6. Low EQ: A shelving type of active tone control that varies the bass frequency
levels (±15 dB at 70 Hz). This will add depth to thin-sounding signals or clean up
muddy ones. As with any EQ‚ use sparingly. Too much of this EQ can give you a
booming bottom end.
7. Mid EQ: A band pass (peak/notch) type of active tone control that varies the
mid-range frequencies (±15 dB at 1 kHz).
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7
6
5
3
2
1
8. High EQ: A shelving type of active tone control that varies the treble frequency (±15 dB at 12 kHz). This control is
designed to remove noise or add brilliance to the signal depending on the quality of the source.
9. Efx: This control varies the level into the digital effects processor bus‚ adjusting signal level from the individual channel to
the digital processor. It is post gain and will be affected by the gain control.
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Channel 7
Channels 5–6
10 & 11. Line Inputs: High impedance 1/4" input for line-level signals. The inputs are summed
to mono‚ allowing a stereo source to be input into these channels. In critical
situations‚ two mono line sources can be connected to one input.
12. Line In: This pair of RCA phono jacks accepts a stereo input (nominally
-10 dBV) from the output of a tape deck‚ CD player or other similar device.
The signal is placed on the main channel as well as the monitor mix.
13. Line Out: This pair of RCA phono jacks provides a signal for the recording
inputs of a stereo tape‚ CD player or other similar device.
14. Mute Channels 1–6: What a great feature! Take a break‚ mute channels 1–6
without changing the mic level settings. Use channel 7 for your break music.
Just remember to unmute before beginning your performance.
CAUTION: DO NOT HOOK THE LINE IN AND LINE OUT TO THE
INPUTS AND OUTPUTS OF THE SAME DEVICE. DOING SO WILL
FORM A LOOP THAT CAN CAUSE SEVERE FEEDBACK. USE
SEPARATE DECKS FOR RECORDING AND PLAYBACK.
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11
12
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Master Section
You’ll find enough features in the Master Section of the XR600G to fit most sound reinforcement situations. Our audacious
engineers (these guys are nuts) have been busy adding features to these products that you won’t find in any other powered mixer.
A DSP effects processor‚ 9-band EQ‚ FLS®Feedback Locating System‚ DDT™ speaker protection and much more.
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25
26
27
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293031323334

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15. EFX Defeat: Depressing this button defeats the Effects. The effects may also be defeated via the footswitch input (32).
16. EFX Select: This rotary switch selects one of sixteen available effects. See the table below.
17. Effects Input CLip LED: This red LED illuminates to indicate 6 dB of headroom before the signals being sent to the
effects circuit are clipped. Ideally‚ you want this LED to light only occasionally. An occasional blink indicates that your
levels are set optimally. Listen carefully to the output to determine the final setting.
18. EFX Time: This control adjusts the time of the particular reverb or delay.
19. EFX to Monitor: This control adjusts the amount of effects signal sent to the monitor mix. This allows effects to be
heard from the stage via the monitors. Keep this control as low as possible.
20. EFX to Main: Adjusts the amount of effects sent to the main mix. Controls the amount of effects sent to the front-of-
house mix. ✓Remember: A little goes a long way!
21. FLS®Feedback Locating System: When feedback occurs‚ the corresponding LED of the frequency band that is
feeding back will illuminate over the slider to be adjusted. Slowly bring the corresponding slider down until the feedback
is gone. The LED will remain illuminated for a few seconds after the feedback is gone. If the feedback doesn't return‚ all
the LEDs will become active again acting as a normal EQ.
22. Power LED: This LED illuminates when power is supplied to the XR600G.
23. EQ Assignment: This switch allows you to patch the second (top) EQ to either the Monitor or to Channel 1. The
default position is the Monitor mode. This is indicated by the illuminated green LED. Push the button to change this to
the Channel 1 mode and the yellow LED lights. This is a great feature to use if you have a critical instrument such as an
acoustic guitar or a lead vocal. You can assign the top 9-band EQ to this channel! Although‚ keep in mind that this
eliminates the EQ for your monitors.
Effect Description Application Parameter
1 Hall Rev Medium Concert Hall Ensemble Rev Time
2 Large Hall Rev Larger Concert Hall Darker Gen Reverb Rev Time
3 Room 1 Rev Intimate Room Bright Pop Vocal Rev Time
4 Room 2 Rev Larger Room Darker Drums,Rhythm Rev Time
5 Plate 1 Rev Bright Pop Vocal Rev Time
6 Plate 2 Rev Darker Drums Rev Time
7 Cathedral Large Space, Long and Darker Choir Rev Time
8 Spring Classic Spring Guitar Rev Time
9 Delay 1 Single Delay (Slap-back) Voc/Instr Dly Time
10 Delay 2 Warm Delay with Repeats Instruments Dly Time
11 Delay 3 Dark Delay with Repeats Instruments Dly Time
12 Tape Delay Warm Delay Instruments Dly Time/Feedback
13 Doubler Single Delay, 30 - 120 ms Instruments Dly Time
14 Shimmer Warm Delay with Modulation Instruments Dly Time
15 Vocal Enhancement 1 Brightens and adds Room Reverb Vocals Rev Level
16 Vocal Enhancement 2 Brightens and adds Spring Reverb Vocals Rev Level

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24. DDT™ Speaker Protection: Peavey’s award-winning speaker protection is built into the XR600G. This important
feature allows you to maximize the power amplifiers without fear of distortion.
25. Graphic EQ: These 9-band EQs are fixed on one-octave centers. They are designed for 12 dB of cut or boost. The
equalizers are placed before the Preamp outputs and therefore‚ the Main and monitor preamp outputs are post-EQ.
26. Monitor Level: This control sets the overall level of the monitor signal that is sent to the Monitor output jack. This
control also sets the monitor level going to the power amp when in Main/Mono mode.
27. Power Amp Mode: This button is used to configure the XR600G power amps as either main/main or main/monitor. It is
recessed to prevent accidental switching. Use a non-metallic object to change the switch position (e.g.‚ a toothpick). The
unit is shipped from the factory in the default main/main setting. When the main/main switch is depressed‚ the first
power amp is assigned to the mains and the second amplifier is assigned to the monitor.
28. Main Level: This is the master level control for the main mix sent to the main output jack and corresponding
power amplifier(s). This also controls the main level going to the power amp when in the main/monitor mode.
29. Power Amp 2 In: Plugging into this jack allows a path directly to the power amplifier channel.
30. Power Amp 1 In: Plugging into this jack allows a path directly to the power amplifier channel.
31. Main Output: This 1/4" jack provides a signal from the main system mix after the graphic EQ. This is used primarily to
feed an auxiliary amplifier/speaker system.
32. Monitor Output: This 1/4" jack provides a signal from the monitor mix‚ after the graphic EQ‚ for an external
amplifier/speaker system. The level is determined by the channel monitor and master monitor controls.
33. Effects Defeat: This 1/4" jack accepts an on/off 1/4" footswitch (Peavey Part # 00051000) to defeat effects of both the
Main and Monitor mixes.
34. Phantom Power Switch: This switch‚ when depressed‚ applies 48 VDC to all input XLR connectors to power
microphones that require phantom power.
Caution: When phantom power is switched on‚ make sure that any channel you are plugging a microphone into is turned down
and the Master Main and Monitor controls are set to minimum. Otherwise‚ there will be a loud pop in the system. It is best to
first plug in all microphones into their respective channels before phantom power is switched on. This reduces noise through the
system and reduces the chance of damage to the microphones. If phantom power is used‚ do not connect unbalanced‚ dynamic
microphones or other devices to the XLR inputs that cannot handle this voltage. (Some wireless receivers may be damaged.
Consult their manuals.) The line input jacks are not connected to the phantom supply and are safe for all inputs (balanced or
unbalanced). An unbalanced to balanced impedance converter such as the Peavey 5116 or a Peavey 1:1 Interface Adapter may
also be used to isolate a microphone from phantom voltage.

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35 36 37
35. AC Power Inlet: This is the receptacle for
the supplied IEC line cord. This provides
AC power to the unit. Connect the
supplied line cord to this connector to
provide power to the unit. Damage to the
equipment may result if improper line
voltage is used (see line voltage markings
on the unit).
36. Power: The main power switch for the
XR600G. The power on LED indicator
(front) will light when the unit is powered.
37. Fuse: This is the main safety fuse for the AC line voltage. Only replace with a fuse of the exact type and rating. If the
fuse continues to open‚ do not over fuse. Take the unit to an authorized Peavey service center.
38 39
38 & 39. Main/Monitor and Main Outputs: These 1⁄4" jacks are the amplifier’s outputs. By connecting a speaker cable to
these jacks and to a speaker cabinet‚ you complete the signal chain. You will notice there are two pairs of jacks. The
two pairs are your two amplifier outputs. Two cabinets can be connected to each channel as long as the combined
impedance of the cabinets is not less than 4 ohms. (i.e.‚ two 8 ohm cabinets in parallel = 4 ohms‚ four 16 ohm
cabinets in parallel = 4 ohms‚ etc.)
VENTILATION: ALLOW 6" (15.5 CM) ON ALL SIDES FOR
PROPER VENTILATION.

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Keyboard
XR600G Hookup Diagrams
The following hookup diagrams are only suggestions. This powered mixer provides enough flexibility for a variety of needs. Just use
common sense when hooking up your equipment. When in doubt‚ consult your authorized Peavey dealer.
XR600G Main/Main

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XR600G Monitor/Main Mode
Keyboard

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XR600G · Input Specifications:
Lo-Z Mic (150 ohms)
Line Input
Tape
Main
Monitor
Tape
600
600
10k
+2dBu
+2dBu
-10dBu
+21dBu
+21dBu
+10dBu
Unbal
Unbal
Unbal
1/4" Phono Tip (+)
Sleeve Ground
1/4" Tip (+)
Sleeve Ground
RCA
Function
Function Minimum Load Z (ohms) Bal
Unbal
ConnectorOutput Level
Nominal Max
Input Gain Control
Settings
Bal
Unbal
ConnectorInput Levels
Min** Nominal* Max
2k
22k
20k
Max w/o pad (50dB)
Max w/pad (25dB)
Max w/o pad (30dB)
Max w/pad (5dB)
Max Gain (30dB)
-59dBu
-34dBu
-27dBu
-2dBu
-26dBu
-29dBu
-4dBu
+2dBu
+27dBu
+4dBu
-11dBu
+14dBu
+21dBu
+46dBu
+21dBu
Bal
Unbal
Unbal
XLR Pin 1 Gnd
Pin 2 (+)
Pin 3(-)
1⁄4" TRS; Tip (+)
Ring (-)
Sleeve Gnd
RCA jacks
Input Z
(ohms) Min
** Minimum input level (sensitivity) is the smallest signal that will produce nominal output (4dBu) with channel and master controls set for
maximum gain.
* Nominal settings are defined as all controls set at 0dB (or 50% rotation for rotary pots)
0dBU = 0.775V (RMS)
+2dBU = 0dBV = 1V (RMS)
XR600G · Output Specifications:
Gain:
Mic Input to Main Output 60dB (Max Gain)
Line Input to Main Output 30dB (Max Gain)
Frequency Response:
Mic Input to Main Output 20Hz–20kHz +0dB/-1dB
Line Input to Main Output 20Hz–20kHz +0dB/-1dB
To Power Amplifier Output 20Hz–20kHz +0dB/-1dB
Total Harmonic Distortion:
<0.01% 20Hz–20kHz Mic Input to Main/Monitor Output at Nominal Level (20Hz–80kHz BW)
<0.01% 20Hz–20kHz Line Input to Main/Monitor Output at Nominal Level (20Hz–80kHz BW)
<0.005% Typical @ 1kHz
Graphic Equalizer:
Filter Bandwidth 1 Octave
Filter Frequencies 63‚ 125‚ 250‚ 500‚ 1k‚ 2k‚ 4k‚ 8k‚ 16k
Maximum Boost and Cut +12dB Boost‚ -12dB Cut
XR®600G · Technical Specifications

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Main
Monitor
-100dB
-90dB
-81dB
-100dB
-90dB
-82dB
All controls down
1 channel nominal‚ Master nominal
Master Fader Nominal‚ Channel Faders Nominal‚ Mic Inputs Terminated @ 150ohms
All controls down
1 channel nominal‚ Master nominal
Master Fader Nominal‚ Channel Faders Nominal‚ Mic Inputs Terminated @ 150ohms
Output Residual Noise
Ref: 4dBu
Test Conditions
(Hum and Noise measurements: 22Hz–22kHz BW)
XR600G · Hum and Noise:
XR600G · Power Amplifier Specifications:
S/N Ratio:
>85dB below rated power output‚ Mic/Line to Speaker Output
Equivalent Input Noise (EIN):
-121.5 dBu (Input terminated with 150ohms)
Crosstalk:
>80dB Adjacent Input Channels (20Hz–20kHz)
>70dB Left to Right Outputs (20Hz–20kHz)
Common Mode Rejection Ratio (Mic Input):
50dB minimum (20Hz–20kHz)
60dB typical @ 1kHz
Power Section:
400 SC Module with DDT
Power and Load:
210W RMS per channel into 4 ohms
150W RMS per channel into 8 ohms
Frequency Response:
20Hz–20kHz +0dB/-1dB @ rated
power
Total Harmonic Distortion (THD):
<0.02% @ rated output @ 1kHz
DDT Dynamic Range:
Greater than 26dB
DDT Maximum Distortion:
Below 0.5% THD for 6dB overload
Below 1% THD for 20dB overload
Hum and Noise:
95dB below rated power level (200w)
Damping Factor:
Greater than 100 @ 1kHz‚ 4 ohms
Input Sensitivity:
1.225 V RMS for rated power output
Input Impedance:
11k ohms
Power Requirements:
DOM: 120VAC 60Hz 360W nominal
EXP: 220-230VAC/240VAC 50/60Hz
360W nominal
XR600G · Product Weight and Dimensions:
Width: 19.125" Height: 10.875" Depth: 11.000" Weight: 35.600 lbs

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XR600G Block Diagram

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Mezcladoras Amplificadas XR®600G
Gracias por tu compra de la XR600G de Peavey. Esta mezcladora amplificada incluye muchos de los últimos avances tecnológicos
desarrollados por los ingenieros de Peavey. Incorporando dos amplificadores de 200 Watts, ecualizador dual de 9 bandas, efectos
digitales, FLS®(El reconocido sistema de localización de retroalimentación de Peavey), protección de parlantes DDT™, así como
muchas otras características, esta mezcladora amplificada compacta de bajo peso es perfecta para casi cualquier aplicación. Más
poder. Más características. Más confiabilidad. ¡Todo de Peavey!
Por favor lee la siguiente guía cuidadosamente para asegurar tu seguridad, así como la de tu equipo.
EESSPPAAÑÑOOLL
Características
◆6 preamplificadores de micrófono de bajo ruido y baja impedancia
◆7 entradas de línea
◆Ecualización de 3 bandas en cada canal
◆Envíos de monitor en cada canal
◆Envíos de efectos: canales 1-6
◆Reducción (pad) de 25 dB: canales 1-4
◆Ecualizador de 9 bandas, asignable a monitor o canal 1 con FLS™
◆Modo doble main/monitor de amplificador
◆Ecualizador de 9 bandas para la salida principal (mains) con FLS™
◆Procesador digital de efectos con 16 presets y control de parámetros
◆Indicador de señal/saturación en cada canal
◆Poder phantom de 48V
◆Amplificadores internos de 200 watts por canal
◆Protección de parlantes DDT™ con LED de actividad
◆Interruptor de muteo para los canales 1-6

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Los canales estándar (1-6) cuentan con pre amplificadores de micrófono discretos de bajo ruido con poder phantom global y
ecualización de 3 bandas. Los canales 1-4 incluyen entradas de 1/4" de nivel de línea y un pad (atenuación) de 25 dB para poder
tomar un mayor rango de fuentes de entrada. Finalmente los canales 5-7 incluyen entradas dobles (sumadas) para cinta,
sintetizadores, CDs, etc. La sección maestra incluye un procesador digital de efectos.
Este procesador cuenta con 16 presets, que proveen una buena selección de efectos diseñados para mejorar tu sonido. También
existen dos controles de parámetros que te permiten controlar el Tiempo/Tamaño y Color/Tono del efecto.
XR600G Panel Frontal
1. Conectar los parlantes a la XR600G. Acomodar los cables tomando en cuenta la seguridad, asegurándolos con cinta
adhesiva si es necesario.
2. Asegurarse que todos los niveles están abajo y que el EQ está en posición plana.
3. Conectar todos los micrófonos e instrumentos. Encender la XR600G y ajustar los controles maestros a la posición de
las 12:00.
4. Ajustar el interruptor de modo para seleccionar entre ambos amplificadores para las salidas principales o un
amplificador para las salidas principales y otro para los monitores.
5. Ajustar los controles de volumen para una buena mezcla. Activar reducción (pad) si un canal satura o si está
demasiado elevado de nivel.
6. Ajustar el ecualizador gráfico y ecualizador de cada canal como sea necesario.
7. Ajustar los efectos y niveles de envío de cada canal.
8. Ahora, toca como nunca antes y ¡diviértete!
GUÍA DE INSTALACIÓN RÁPIDA

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Selección de Canales
Los canales 1-4 ofrecen los mismos controles. Los canales 5 y 6 incluyen todas las
características de los primeros cuatro canales excepto la reducción (pad) de -25 dB. Estos
dos canales también ofrecen entradas dobles de 1/4" (sumadas a mono), perfectas para
teclados digitales u otros aparatos con salidas estéreo. El canal 7 ha sido diseñado para
reproductores de cintas, de CDs u otros apartaos similares.
Canales 1–4
1. Entrada de Micrófono: XLR balanceada de baja impedancia optimizada para
micros u otras entradas de baja impedancia. La aguja 2 es la entrada positiva. Dado
el gran rango de ajuste de ganancia, las señales con nivel de hasta + 10 dBV (2,45
VRMS) pueden ser tomadas con el interruptor atenuador (pad) activado. Cuando el
poder phantom es activado, este conectador tiene + 48 V en las agujas 2 y 3 con la
aguja 1 como referencia de tierra.
2. Entrada de Línea: entradas balanceadas de 1/4" TRS. La punta es la entrada
positiva y también puede ser usada como entada no balanceada. Un interruptor de
atenuación (pad) se incluye para reducir el nivel de señales muy fuertes en esta
entrada. Nota: La entrada de Micro y de Línea no pueden ser usadas simultáneamente
en el mismo canal.
3. Atenuador (pad): Reduce la señal de entrada por -25 dB. Si existe distorsión en
un canal particular, o si el canal se pone muy fuerte muy rápidamente, trata de
activar este interruptor. Además de incrementar el rango dinámico, la entrada del
canal ahora puede recibir un nivel de entrada mucho más elevado antes de saturar.
Esto puede ser necesario cuando se microfonea de forma cercana un amplificador
de guitarra o batería.
4. Indicador de Nivel de Señal/Saturación: Ajusta el nivel de señal que se envía a
la mezcla principal. El LED bicolor estará verde cuando haya señal presente y rojo
cuando haya saturación. Si hay saturación hay que bajar el control nivel del canal (4).
Si el canal satura cuando se sube un poco el volumen, se recomienda activar el
interruptor de reducción (3).
5. Mon (monitor): Controla los niveles de la señal de cada canal (pre-eq) que se
añade a la mezcla de monitores.
6. EQ Grave: Un ecualizador de tono activo tipo ‘shelving’ que varía los niveles de las
frecuencias graves (±15 dB a 70 Hz). Esto añadirá profundidad a señales delgadas o
limpiará las lodosas. Como con cualquier ecualizador, se debe usar discretamente.
Demasiado de este control puede resultar en un sonido demasiado ’boomy’.
7. EQ Medio: Un ecualizador de banda activo tipo ‘peak/notch’ que varía los rangos
de frecuencias medias. (±15 dB a 1 kHz).
8. EQ Agudo: Un ecualizador de tono activo tipo ‘shelving’ que varía los niveles de las
frecuencias graves (±15 dB a 12 kHz). Este control ha sido diseñado para quitar
ruido o añadir brillo a la señal dependiendo en la calidad de la señal original.
9. Efx: Este control varía el nivel que va al bus (mezcla) del procesador de efectos
digital, ajustando el nivel de señal de cada canal al procesador digital. Es post
ganancia y se verá afectado por el control de ganancia.
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Canale 7
Canales 5–6
10 & 11 Entradas de Línea: Entradas de alta impedancia de 1/4" para señales de nivel de
línea. Estas entradas son sumadas a mono, permitiendo la conexión de una fuente
estéreo a estos canales. En situaciones críticas, se pueden conectar dos fuentes mono
a una entrada.
12. Entrada de Línea: Este par de conectadores estéreo RCA aceptan una
entrada estéreo (nominal -10 dBV) de la salida de un CD, Reproductor de
cintas u otro aparato similar. La señal es enviada a la salida principal, así como a
la mezcla de monitores.
13. Línea Fuera: Este par de conectadores estéreo RCA envía señal a aparatos de
grabación como grabadoras de cinta, grabadoras digitales, etc.
14. Mute Canales 1-6: Que buena función. Puedes tomarte un tiempo libre,
mutear los canales 1-6 sin cambiar los ajustes o niveles de los micros. Usa el
canal 7 para la música de fondo. Sólo asegúrate de quitar el mute antes de
comenzar la presentación.
CUIDADO: NUNCA SE DEBEN CONECTAR LA ENTRADA DE LÍNEA
Y SALDA DE LÍNEA AL MISMO APARATO. HACERLO CREARÁ UN
CIRCUITO QUE PUEDE CUASAR RETROALIMENTACIÓN SEVERA.
USA DECKS INDEPENDIENTES PARA GRABACIÓN Y
REPRODUCCIÓN.
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