manuals.online logo
Brands
  1. Home
  2. •
  3. Brands
  4. •
  5. Peavey
  6. •
  7. Music Mixer
  8. •
  9. Peavey XR-AT User manual

Peavey XR-AT User manual

Other Peavey Music Mixer manuals

Peavey XR 1220 User manual

Peavey

Peavey XR 1220 User manual

Peavey XR 600F User manual

Peavey

Peavey XR 600F User manual

Peavey XR 8300 User manual

Peavey

Peavey XR 8300 User manual

Peavey RQ 3014 User manual

Peavey

Peavey RQ 3014 User manual

Peavey R6M 6*4 User manual

Peavey

Peavey R6M 6*4 User manual

Peavey 600 Mixer User manual

Peavey

Peavey 600 Mixer User manual

Peavey SMR 821 User manual

Peavey

Peavey SMR 821 User manual

Peavey XR 500C User manual

Peavey

Peavey XR 500C User manual

Peavey UMA 352 User manual

Peavey

Peavey UMA 352 User manual

Peavey PV 20 User manual

Peavey

Peavey PV 20 User manual

Peavey XR 684 User manual

Peavey

Peavey XR 684 User manual

Peavey PV 10AT User manual

Peavey

Peavey PV 10AT User manual

Peavey 900 Mixer User manual

Peavey

Peavey 900 Mixer User manual

Peavey S-24 User manual

Peavey

Peavey S-24 User manual

Peavey PVi 8 User manual

Peavey

Peavey PVi 8 User manual

Peavey 1002-8 RQ User manual

Peavey

Peavey 1002-8 RQ User manual

Peavey Architectural Acoustics MMA 800T User manual

Peavey

Peavey Architectural Acoustics MMA 800T User manual

Peavey MP 400 User manual

Peavey

Peavey MP 400 User manual

Peavey MP 400 User manual

Peavey

Peavey MP 400 User manual

Peavey Linemix 8 User manual

Peavey

Peavey Linemix 8 User manual

Peavey DSM 752 User manual

Peavey

Peavey DSM 752 User manual

Peavey XR 696 User manual

Peavey

Peavey XR 696 User manual

Peavey Automix 4 User manual

Peavey

Peavey Automix 4 User manual

Peavey Architectural Acoustics AAM 2443 User manual

Peavey

Peavey Architectural Acoustics AAM 2443 User manual

Popular Music Mixer manuals by other brands

Denon DN-HC5000 - Serato ITCH Hardware/Software... Service manual

Denon

Denon DN-HC5000 - Serato ITCH Hardware/Software... Service manual

Yamaha WC42260 owner's manual

Yamaha

Yamaha WC42260 owner's manual

Vertiv KMMLED156 Quick installation guide

Vertiv

Vertiv KMMLED156 Quick installation guide

Yamaha EMX3000 user manual

Yamaha

Yamaha EMX3000 user manual

Mackie Onyx Analogue Mixer brochure

Mackie

Mackie Onyx Analogue Mixer brochure

Rane MP 4 Operator's manual

Rane

Rane MP 4 Operator's manual

True T9 Touchscreen Console owner's manual

True

True T9 Touchscreen Console owner's manual

Studiomaster Air Pro 24 instruction manual

Studiomaster

Studiomaster Air Pro 24 instruction manual

Yamaha MV802 owner's manual

Yamaha

Yamaha MV802 owner's manual

Roland SoundCanvas SC-8820 owner's manual

Roland

Roland SoundCanvas SC-8820 owner's manual

Roland M-160 owner's manual

Roland

Roland M-160 owner's manual

Yamaha MR1642 Operation manual

Yamaha

Yamaha MR1642 Operation manual

Pioneer DJM 909 - Battle Mixer W/Effects operating instructions

Pioneer

Pioneer DJM 909 - Battle Mixer W/Effects operating instructions

Veeder-Root TLS-350 Series System setup manual

Veeder-Root

Veeder-Root TLS-350 Series System setup manual

Alto APM80.QUAD user manual

Alto

Alto APM80.QUAD user manual

Omnitronic PM-211 user manual

Omnitronic

Omnitronic PM-211 user manual

SoundCraft B400 user guide

SoundCraft

SoundCraft B400 user guide

CARVIN RX 1200 operating manual

CARVIN

CARVIN RX 1200 operating manual

manuals.online logo
manuals.online logoBrands
  • About & Mission
  • Contact us
  • Privacy Policy
  • Terms and Conditions

Copyright 2025 Manuals.Online. All Rights Reserved.

www.peavey.com
XR®-AT
Powered Mixer
Operating
Manual

FCC/ICESCompliancyStatement
ThisdevicecomplieswithPart15oftheFCCrulesandIndustryCanadalicense‐exemptRSSStandard(s).Operationis
subjecttothefollowingtwoconditions:(1)thisdevicemaynotcauseharmfulinterference,and(2)thisdevicemust
acceptanyinterferencereceived,thatmaycauseundesiredoperation.
LeprésentappareilestconformeauxCNRd’lndustrieCanadaapplicablesauxappareilsradioexemptsde
licence.L’exploitationestautoriséeauxdeuxconditionssuivantes:(1)I’appareilnedoitpasproduirede
brouillage,et(2)I’utilisateurdeI’appareildoitacceptertoutbrouillageradioélectriquesubi,mêmesile
brouillageestsusceptibled’encompromettrelefonctionnement.

Warning:ChangesormodificationstotheequipmentnotapprovedbyPeaveyElectronicsCorp.canvoidthe
user’sauthoritytousetheequipment.

Note–ThisequipmenthasbeentestedandfoundtocomplywiththelimitsforaClassBdigitaldevice,
pursuanttoPart15oftheFCCRules.Theselimitsaredesignedtoprovidereasonableprotectionagainst
harmfulinterferenceinaresidentialinstallation.Thisequipmentgenerates,uses,andcanradiateradio
frequencyenergyand,ifnotinstalledandusedinaccordancewiththeinstructions,maycauseharmful
interferencetoradiocommunications.However,thereisnoguaranteethatinterferencewillnotoccurina
particularinstallation.Ifthisequipmentdoescauseharmfulinterferencetoradioortelevisionreception,
whichcanbedeterminedbyturningtheequipmentoffandon,theuserisencouragedtotryandcorrectthe
interferencebyoneormoreofthefollowingmeasures.
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is
connected.
Consult the dealer or an experienced radio/TV technician for help.
Caution
The equipment complies with FCC radiation exposure limits set forth for an uncontrolled
environment.


FCC Compliancy Statement
This device complies with Part 15 of the FCC rules. Operation is subject to the following two
conditions: (1) this device may not cause harmful interference, and (2) this device must accept any
interference received, that may cause undesired operation.
Warning: Changes or modications to the equipment not approved by Peavey Electronics Corp. can
void the user’s authority to use the equipment.
Note - This equipment has been tested and found to comply with the limits for a Class B digital device,
pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection
against harmful interference in a residential installation. This equipment generates, uses and can radiate
radio frequency energy and, if not installed and used in accordance with the instructions, may cause
harmful interference to radio communications. However, there is no guarantee that interference will not
occur in a particular installation. If this equipment does cause harmful interference to radio or television
reception, which can be determined by turning the equipment off and on, the user is encouraged to try
and correct the interference by one or more of the following measures.
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is
connected.
• Consult the dealer or an experienced radio/TV technician for help.
Peavey Electronics Corporation • 5022 Hartley Peavey Drive • Meridian, MS • 39305
(601) 483-5365 • FAX (601) 486-1278 • www.peavey.com • 80305780 • ©2011
ENGLISH
XR®- AT
Powered Mixer
Congratulations on the purchase of your new XR® -AT powered mixer from Peavey®. The Peavey XR-AT is a revolutionary all-in-one
powered mixer that provides everything a musician or DJ needs, including up to eight combination XLR and 1/4" inputs using
Peavey’s award winning mic preamps and dual 500 Watt amplifiers for crystal clear audio reproduction. Plus, for the first time ever,
the XR-AT mixer includes Antares® Auto-Tune® pitch correction technology. This technology can literally help anyone sing in key
and is used on professional recordings and live performances throughout the world.
The Peavey XR-AT uses exclusive features like Midmorph® to accurately improve tone and clarity of vocals. Feedback is quickly
and easily identified and removed with Peavey’s dual 9-band graphic EQ’s combined with our patented and revolutionary FLS®
Feedback Locating System. The XR-AT is equipped with Peavey’s exclusive Kosmos®-C technology, which drastically enhances the
low end of the audio spectrum. Built-in 24-bit digital effects complement the already feature-packed unit.
Before you begin using your powered mixer it is very important to ensure that the product has the proper AC voltage
supplied. You can find the proper voltage for your amp printed next to the IEC line (power) cord on the rear panel of the unit.
Features:
• FLS® Feedback Locating System
• Midmorph® EQ
• Kosmos®-C
• On-board 24-bit digital effects with mute button
• Digital effects parameter control
• Combination XLR and 1/4" input jacks
• Dual 9-band graphic EQ with FLS®
• Master mic mute
• Footswitchable Effects Defeat
• Global 48 volt phantom power
• RCA, 3.5mm media Inputs
• Bluetooth® streaming
• USB Audio playback
• Selectable main or monitor dual power amp
• RCA record outputs
• LED meter bridge
• Power amp sub-sonic filter
• Clip and signal present indicators
• Main and monitor 1/4" line level outputs
• DDT™ speaker protection circuit
• Three channels of Antares® Auto-Tune® pitch correction
VENTILATION: For proper ventilation, allow 6" (15.5 cm) clearance on all sides.
MIC/LINE INPUT (CH.1-8)
This combination input jack can
accept either a 1/4" (balanced
or unbalanced) input or an
XLR balanced, low-impedance
connection. The tip is positive on
the 1/4" balanced input, and pin 2
is positive on the XLR
PAD (CH. 1-7)
When engaged, the pad reduces
the input signal by 25dB. If you
notice distortion from a particular
channel or if the channel becomes
loud very quickly, try engaging
this switch. In addition to
increasing the dynamic range, the
channel can now accommodate a
higher input level before clipping
occurs, which may be helpful
when close-mic’ing a loud guitar
amp or drum kit, for example.
MEDIA INPUTS (CH.8 RCA and
3.5mm)
These inputs, both RCA and
3.5mm jacks accept a stereo input
from the output of an MP3 Player,
CD player, tape deck or other
similar device.
INPUT SELECT SWITCH (CH. 8)
This switch allows the user to
select the input signal being sent
to channel 8. In the “up” position,
the Mic-Line preamp is active. In
the “down” position, the RCA-
3.5mm media inputs are active.
AUTO-TUNE ON/OFF (CH 1-3)
Each of the first three channels of
the XR-AT can be routed through
the world famous Auto-Tune®
processing for automatic pitch
correction. These three backlit
switches indicate the status of the
Auto-Tune in each channel. They
also allow the Auto-Tune process
to be bypassed with the push of
a button. When the switch is lit,
Auto-Tune is active. When it is
dark, the Auto-Tune process is
bypassed.
COMPRESSOR AND COMP LED
(CH 1-7)
This knob adjusts the amount
of compression applied to the
channel. As the knob is turned to
the right, the mixer automatically
raises the compression ratio
while adjusting the output gain
accordingly. The result is a
narrower, more even dynamic
range, as louder signals are
softened while the overall level
is boosted. Avoid setting the
knob too high, however, as
excess compression may lead
to feedback. The LED will light
red when the signal level is
high enough to activate the
compression.
HIGH EQ
This High EQ shelving type of
active tone control varies the
treble frequencies (+/- 15 dB at
12kHz) and is designed to remove
noise or add brilliance to the
signal, depending on the quality
of the source.
MID-MORPH EQ (CH. 1-7)
Where most mid-range controls
work at just one frequency, the
Mid-Morph® works at two. When
turned counterclockwise, it cuts at
250Hz to reduce frequencies that
muddy the sound. When turned
clockwise, it boosts at 4kHz to
add intelligibility to vocals. Either
way, improved vocal or instrument
definition can be achieved.
1 4
2
5
7
36
8
Channel Controls
PAD
1
PAD
2
PAD
3
PAD
4
PAD
5
PAD
6
PAD
7 8
L
R
MEDIA
INPUTS
RCA 3.5mm
TRS
SUB OUT
TRS BAL
TRS BAL
MAIN OUT
TRS BAL
MONITOR OUT
NON-POWERED OUTPUTS
L
R
RECORD OUT
UNBAL
AMP 2
AMP 1
POWER AMP IN
ENABLE
ACTIVE
GLOBAL
PHANTOM
POWER
INPUT SELECT
MEDIAXLR-1/4”
PAD
1
PAD
2
PAD
3
PAD
4
PAD
5
PAD
6
PAD
7
8
L
R
MEDIA
INPUTS
RCA 3.5mm
TRS
SUB OUT
TRS BAL
TRS BAL
MAIN OUT
TRS BAL
MONITOR OUT
NON-POWERED OUTPUTS
L
R
RECORD OUT
UNBAL
AMP 2
AMP 1
POWER AMP IN
ENABLE
ACTIVE
GLOBAL
PHANTOM
POWER
INPUT SELECT
MEDIAXLR-1/4”
comp
Auto-Tune
HIGHMID-MORPHLOW
LOW MID HIGH
LOW MID HIGH
MONITOREFFECTS COMPRESSOR
CH. 1
LEVEL
min max
min max
min max
min max
min max
comp
Auto-Tune
CH. 2
min max
min max
min max
min max
min max
high
min max
clip
sig
clip
sig
comp
Auto-Tune
CH. 3
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 4
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 5
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 6
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 7
min max
min max
min max
min max
min max
high
min max
clip
sig
CH. 8
min max
min max
min max
min max
min max
clip
sig
CH. 9
min max
min max min max
min max
min max
min max
clip
sig
LEVEL
MAIN
min max
+12
+6
0
-6
-12
63 125 250 500 1K 2K 4K 8K 12K
FLS FEEDBACK LOCATING SYSTEM
min max
high
LEVEL
MONITOR
min max
+12
+6
0
-6
-12
63 125 250 500 1K 2K 4K 8K 12K
FLS FEEDBACK LOCATING SYSTEM
SIGNAL
MON
MAIN
POWER AMP2 ASSIGN
EFX TO MON
Enable
KOSMOS-C
min max
min max
USB
MIC
LOW
HIGH
EFX
Edit
Auto-
Tune
Press to Select
Press to Select
efx clip
EFX/AUTO-TUNE
MEDIA SELECT
CH 9 INPUT
USB MEDIA PLAYBACK
DIGITAL EFFECTS
MUTE DEFEAT
ANALOG
MEDIA
CHANNEL
DIGITAL
MEDIA
CHANNEL
USB MEDIA
-6
-12
LIMIT
-18
-24
-30
SIGNAL
-6
-12
LIMIT
-18
-24
-30
Auto-Tune
Auto-Tune
Auto-Tune
1
6
7
8
2
4
5
3
Channel Controls
MID EQ (CH. 8 & 9)
The mid EQ is a band-pass
(peak/notch) type of active tone
control that varies the mid-range
frequencies (+/-15dB at 450Hz).
LOW EQ
A shelving type of EQ that varies
the bass frequency levels (+/- 15dB
at 80Hz). Low EQ adds depth to
thin-sounding signals or cleans up
the muddy ones. As with any EQ,
use sparingly. Too much of this EQ
can give you a booming bottom
end.
MONITOR SEND
The monitor send adjusts the level
of the channel signal added to the
monitor mix.
AUTO-TUNE TO MONITOR BUTTON
(CH. 1-3)
This allows the user to select
whether to send the dry signal
or the Auto-Tuned signal to the
monitors in the Auto-Tune® capable
channels.
EFFECTS SEND (CH. 1-8)
This control adjusts the level of the
channel signal added to the effects
mix. The signal is sent to the
internal effects processor. Turning
the knob to the left (0) will turn
off the effects on the associated
channel, while turning the knob to
the right will increase the amount
of the selected effect.
LEVEL
This control sets the signal level
sent to the main mix.
CLIP
When this LED turns on or blinks
red, it is an indication that the
signal in the channel is potentially
too strong and could cause
distortion. Turn down the Level
control (14) until the Clip light is no
longer present. If you are having
difficulty getting a clean signal, try
varying the output of the connected
device, if possible.
SIG
When this LED is green, it is an
indication the mixer is receiving
signal at the input of the channel.
If you are having trouble getting
sound out of the mixer and this LED
is not on, check the microphone,
instrument or cable that is
connected to the channel.
USB MEDIA JACK (CH. 9)
A-type USB connector to which a
removable data storage device can
be connected to play back music.
9 13
10
14
16
11
12
15
17
comp
Auto-Tune
HIGHMID-MORPHLOW
LOW MID HIGH
LOW MID HIGH
MONITOREFFECTS COMPRESSOR
CH. 1
LEVEL
min max
min max
min max
min max
min max
comp
Auto-Tune
CH. 2
min max
min max
min max
min max
min max
high
min max
clip
sig
clip
sig
comp
Auto-Tune
CH. 3
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 4
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 5
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 6
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 7
min max
min max
min max
min max
min max
high
min max
clip
sig
CH. 8
min max
min max
min max
min max
min max
clip
sig
CH. 9
min max
min max min max
min max
min max
min max
clip
sig
LEVEL
MAIN
min max
+12
+6
0
-6
-12
63 125 250 500 1K 2K 4K 8K 12K
FLS FEEDBACK LOCATING SYSTEM
min max
high
LEVEL
MONITOR
min max
+12
+6
0
-6
-12
63 125 250 500 1K 2K 4K 8K 12K
FLS FEEDBACK LOCATING SYSTEM
SIGNAL
MON
MAIN
POWER AMP2 ASSIGN
EFX TO MON
Enable
KOSMOS-C
min max
min max
USB
MIC
LOW
HIGH
EFX
Edit
Auto-
Tune
Press to Select
Press to Select
efx clip
EFX/AUTO-TUNE
MEDIA SELECT
CH 9 INPUT
USB MEDIA PLAYBACK
DIGITAL EFFECTS
MUTE DEFEAT
ANALOG
MEDIA
CHANNEL
DIGITAL
MEDIA
CHANNEL
USB MEDIA
-6
-12
LIMIT
-18
-24
-30
SIGNAL
-6
-12
LIMIT
-18
-24
-30
Auto-Tune
Auto-Tune
Auto-Tune
10
11
13
14
17
12
15
16
9
USB PLAYBACK:
First, make sure channel 9 is in
USB playback mode by checking
the status of the Ch 9 INPUT button
(37). When the switch is dark,
channel 9 is in USB playback mode.
If it is blinking or solid blue, it is in
Bluetooth mode. The bottom of the
LCD display will say “Insert USB
Drive” when in USB playback mode.
Insert your USB drive in the USB
Media Jack (17) at the top of
channel 9. The mixer will now go
into folder navigation mode.
In folder navigation mode, you can
navigate through all of the folders
present in the USB drive. The
first folder in the list will always
be “<ROOT>”. This is the root
directory of the USB drive and will
contain any songs that are not in
a specific folder. To navigate, use
the “Media Select” encoder (36).
To select a folder, press the “Media
Select” encoder. Once you select
a folder, the mixer will enter song
navigation mode and will display all
of the playable songs in that folder.
In song navigation mode, you
can select a song by turning and
pressing the “Media Select”
encoder or by pressing the “Next”
and “Previous” switches. If you
were currently playing a song and
selected a new song, the mixer
will automatically start playing the
new song. If you were paused or
stopped, the mixer will select the
new song and remain stopped.
To fast forward a song, press and
hold the “Next” switch, and to
rewind a song, press and hold the
“Previous” switch.
To go back to folder navigation
mode, scroll all the way to the left
and there will be an option called
“<FOLDERS>”. Selecting this
item will enter folder navigation
mode, where you can select
another folder of songs.
If a folder is selected that has no
playable songs, “No Songs” will be
displayed on the LCD. Scroll to the
left and select “<FOLDERS>” to
go back to folder navigation mode
and select another folder.
MASTER CONTROLS
FLS
When feedback occurs, the
corresponding LED of the frequency
that is closest to the frequency that
is feeding back will illuminate the
slider to be adjusted. Slowly bring
the corresponding slider down
until feedback is gone. The LED
will remain illuminated for a few
seconds after the feedback is gone.
If the feedback doesn’t return, all
of the LEDs will become active
again.
GRAPHIC EQ
These nine-band Equalizers are
designed to either be used to
reduce feedback or to adjust the
overall frequency response of the
signal being sent to the amplifiers.
Subtle adjustments made with
the graphic equalizer can improve
the way your loudspeaker
system sounds in the room. You
should be aware however, that
setting large amounts of boost
or arbitrary curves can reduce
amplifier headroom, leading to
early distortion or just plain bad or
unintelligible sound. Working with
the FLS, the graphic EQ can also
be used to reduce feedback. Each
band of EQ can supply up to 12dB
of boost or cut.
LEVEL LED LADDER
These LEDs indicate the signal level
of the main mix and the monitor
mix. The top LED indicates LIMIT
and activation of our revolutionary
DDT speaker protection circuit.
Peavey’s award winning speaker
protection is built into the XR-AT
powered mixer and is activated
automatically to maximize the
power amplifier without fear of
distortion.
MAIN LEVEL
The Main level control sets the
level of the main mix and the
overall volume of the powered
mixer.
MONITOR LEVEL
The Monitor level control adjusts
the level of the signal coming out
of the Monitor send 1/4" jack (41).
It can also be assigned to feed
the 2nd power amplifier via the
selector switch (24).
Master Controls
18
19
20
21
comp
Auto-Tune
HIGHMID-MORPHLOW
LOW MID HIGH
LOW MID HIGH
MONITOREFFECTS COMPRESSOR
CH. 1
LEVEL
min max
min max
min max
min max
min max
comp
Auto-Tune
CH. 2
min max
min max
min max
min max
min max
high
min max
clip
sig
clip
sig
comp
Auto-Tune
CH. 3
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 4
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 5
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 6
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 7
min max
min max
min max
min max
min max
high
min max
clip
sig
CH. 8
min max
min max
min max
min max
min max
clip
sig
CH. 9
min max
min max min max
min max
min max
min max
clip
sig
LEVEL
MAIN
min max
+12
+6
0
-6
-12
63 125 250 500 1K 2K 4K 8K 12K
FLS FEEDBACK LOCATING SYSTEM
min max
high
LEVEL
MONITOR
min max
+12
+6
0
-6
-12
63 125 250 500 1K 2K 4K 8K 12K
FLS FEEDBACK LOCATING SYSTEM
SIGNAL
MON
MAIN
POWER AMP2 ASSIGN
EFX TO MON
Enable
KOSMOS-C
min max
min max
USB
MIC
LOW
HIGH
EFX
Edit
Auto-
Tune
Press to Select
Press to Select
efx clip
EFX/AUTO-TUNE
MEDIA SELECT
CH 9 INPUT
USB MEDIA PLAYBACK
DIGITAL EFFECTS
MUTE DEFEAT
ANALOG
MEDIA
CHANNEL
DIGITAL
MEDIA
CHANNEL
USB MEDIA
-6
-12
LIMIT
-18
-24
-30
SIGNAL
-6
-12
LIMIT
-18
-24
-30
Auto-Tune
Auto-Tune
Auto-Tune
18
18
19
19
35
3430
36
282726
31
32
33
25
29
37
23
22
20
24
21
22
EFX TO MON
This switch toggles the EFX return
signal being sent to the monitors.
When it is lit, the effects signal is
being sent to the monitors.
POWER AMP 2 ASSIGN
This switch allows the user to
select the signal that is assigned
to power amp 2 (49). The user can
elect to send either the Main mix
signal or the Monitor mix signal
to the second internal power
amplifier. This allows the user to
run both power amps for mains
or use power amp 1 for mains and
power amp 2 for monitors.
KOSMOS-C
The Kosmos®-C uses special
circuitry to enrich the sound of your
system. This is not just a simple
bass boost. It provides “natural
bass enhancement” by adding
harmonically related bass signals
that track the envelope of the
original signal. The Kosmos-C high
control can be used to add clarity
to dull signals.
KOSMOS ENABLE
When lit, the Kosmos enhanced
signal is added to the main mix.
This allows you to compare the
enhanced signal with the dry with
the press of a button.
MIC MUTE
Depressing this button mutes the
mic/line inputs in all 8 channels.
The media input jacks (RCA and
3.5mm) on channel 8 and the
USB/BT inputs on channel 9 are
still “live”. This allows you to play
break music, while muting all of the
microphone inputs.
EFX DEFEAT
This button mutes the effects being
sent to the main mix, allowing the
user to listen to a dry signal at the
main outputs. When muted, the
switch will be red. This can also
be activated with a momentary
footswitch. See (50).
EFX CLIP
This LED blinks red when the signal
being sent to the effects section is
too high and is causing distortion.
Find the source of the hot signal by
reducing the EFX send (13) on each
channel until the LED is no longer
lighting (blinking red).
LCD DISPLAY
The top row of this LCD displays
the currently selected EFX preset
or Auto-Tune® preset and the
bottom row displays the status
of the media inputs of channel 9.
If channel 9 is in USB Playback
Mode, it can also be used for
navigating the folders on the USB
drive or displaying the current song
playing.
REW/PREV
A short press will rewind to the
beginning of the current song.
Pressing this button twice will take
you to the previous song on the
USB drive. A long press will rewind
through the current song; release
to play when you reach the desired
spot in the song.
PLAY/PAUSE
The play/pause button toggles the
current song between play and
pause. When the > II is displayed,
the song will be playing. When II
is displayed, the song is paused.
When [] is displayed, the song is
stopped.
FF/NEXT
A short press will advance the
media player to the next song on
the USB drive. A long press will fast
forward through the current song;
release to play when you reach the
desired spot in the song.
EFX SELECT/AUTO-TUNE ADJUST
The EFX Select/Auto-Tune Adjust
knob is a dual function control. It
can be used to navigate and select
the desired effect preset. In the
Auto-Tune edit mode, it can be
used to select presets and navigate
the Auto-Tune edit functions.
Please see the "Operating
the DSP" section for further
information.
Master Controls
28
23
24
25
29
30
26
27
31
32
33
34
comp
Auto-Tune
HIGHMID-MORPHLOW
LOW MID HIGH
LOW MID HIGH
MONITOREFFECTS COMPRESSOR
CH. 1
LEVEL
min max
min max
min max
min max
min max
comp
Auto-Tune
CH. 2
min max
min max
min max
min max
min max
high
min max
clip
sig
clip
sig
comp
Auto-Tune
CH. 3
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 4
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 5
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 6
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 7
min max
min max
min max
min max
min max
high
min max
clip
sig
CH. 8
min max
min max
min max
min max
min max
clip
sig
CH. 9
min max
min max min max
min max
min max
min max
clip
sig
LEVEL
MAIN
min max
+12
+6
0
-6
-12
63 125 250 500 1K 2K 4K 8K 12K
FLS FEEDBACK LOCATING SYSTEM
min max
high
LEVEL
MONITOR
min max
+12
+6
0
-6
-12
63 125 250 500 1K 2K 4K 8K 12K
FLS FEEDBACK LOCATING SYSTEM
SIGNAL
MON
MAIN
POWER AMP2 ASSIGN
EFX TO MON
Enable
KOSMOS-C
min max
min max
USB
MIC
LOW
HIGH
EFX
Edit
Auto-
Tune
Press to Select
Press to Select
efx clip
EFX/AUTO-TUNE
MEDIA SELECT
CH 9 INPUT
USB MEDIA PLAYBACK
DIGITAL EFFECTS
MUTE DEFEAT
ANALOG
MEDIA
CHANNEL
DIGITAL
MEDIA
CHANNEL
USB MEDIA
-6
-12
LIMIT
-18
-24
-30
SIGNAL
-6
-12
LIMIT
-18
-24
-30
Auto-Tune
Auto-Tune
Auto-Tune
18
18
19
19
35
3430
36
282726
31
32
33
25
29
37
23
22
20
24
21
EDIT AUTO-TUNE
The Edit Auto-Tune® switch is used
to enter Auto-Tune editing mode.
When it is engaged (lit), the current
Auto-Tune preset will be displayed
on the LCD. When it is disengaged
(dark), the current EFX preset will
be displayed on the LCD.
MEDIA SELECT
This encoder is used to control
USB playback navigation. For
more information on this, see “USB
Playback.”
CH 9 INPUT SELECT (USB/BLUETOOTH)
This switch allows the user to
select the input signal being sent
to channel 9. It can select between
the USB A connector or a wireless
Bluetooth® connection from an
external device (Smart phone, iPod,
or tablet).
BLUETOOTH ACTIVE LED
The CH 9 INPUT button will
also function as the Bluetooth
Status LED. The blue backlit
switch indicates the status of the
Bluetooth connection. If the LED
is off, the Bluetooth module is
powered off and channel 9 is in
USB Playback Mode. If the LED
is slowly flashing, the XR-AT is
not paired with any device, but is
available for connection. When the
LED is lit solid, the source device
is properly paired to the mixer and
ready to play.
BLUETOOTH OPERATION
To listen to music via the Bluetooth
wireless connection, you must first
pair (link) your XR-AT mixer with
your Bluetooth phone and/or music
device.
Turn off any Bluetooth devices
previously paired with the XR-AT
mixer.
Turn on the Bluetooth feature on
your phone or music device.
Make sure the XR-AT is ready for a
Bluetooth connection.
The Bluetooth Active LED should
be blinking and the LCD will say,
“Bluetooth Input.”
Place your phone or music device in
Bluetooth search mode. The phone
or music device will begin searching
for the XR-AT.
Select “Peavey Mixer” from the
search results on your phone or
music device.
You will be prompted to enter a pin
number. Enter the pin#, it is 7878 (or
“PVPV” on a phone number pad).
If the pairing is successful, the
Bluetooth Active LED will blink
rapidly 5 times and then remain lit.
You are now ready to begin
streaming through Bluetooth to the
mixer. The level can be adjusted
from the connected source or by
the level control in Channel 9.
The XR-AT mixer will remember up
to 10 devices that it was previously
paired with and will automatically
connect to the last device with
which it was paired when turned
on. To clear the paired device
memory, make sure the mixer is
in Bluetooth mode and press and
hold the Ch 9 Input Select Button
(37) for 5 seconds. The XR-AT mixer
will ask if you would like to clear
the Bluetooth memory. Select "Y"
using the Media Select knob to
clear the memory. The XR-AT mixer
will go through the process of
clearing the memory, which should
take approximately 15 seconds.
Master Controls
35
36
37
comp
Auto-Tune
HIGHMID-MORPHLOW
LOW MID HIGH
LOW MID HIGH
MONITOREFFECTS COMPRESSOR
CH. 1
LEVEL
min max
min max
min max
min max
min max
comp
Auto-Tune
CH. 2
min max
min max
min max
min max
min max
high
min max
clip
sig
clip
sig
comp
Auto-Tune
CH. 3
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 4
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 5
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 6
min max
min max
min max
min max
min max
high
min max
clip
sig
comp
CH. 7
min max
min max
min max
min max
min max
high
min max
clip
sig
CH. 8
min max
min max
min max
min max
min max
clip
sig
CH. 9
min max
min max min max
min max
min max
min max
clip
sig
LEVEL
MAIN
min max
+12
+6
0
-6
-12
63 125 250 500 1K 2K 4K 8K 12K
FLS FEEDBACK LOCATING SYSTEM
min max
high
LEVEL
MONITOR
min max
+12
+6
0
-6
-12
63 125 250 500 1K 2K 4K 8K 12K
FLS FEEDBACK LOCATING SYSTEM
SIGNAL
MON
MAIN
POWER AMP2 ASSIGN
EFX TO MON
Enable
KOSMOS-C
min max
min max
USB
MIC
LOW
HIGH
EFX
Edit
Auto-
Tune
Press to Select
Press to Select
efx clip
EFX/AUTO-TUNE
MEDIA SELECT
CH 9 INPUT
USB MEDIA PLAYBACK
DIGITAL EFFECTS
MUTE DEFEAT
ANALOG
MEDIA
CHANNEL
DIGITAL
MEDIA
CHANNEL
USB MEDIA
-6
-12
LIMIT
-18
-24
-30
SIGNAL
-6
-12
LIMIT
-18
-24
-30
Auto-Tune
Auto-Tune
Auto-Tune
18
18
19
19
35
3430
36
282726
31
32
33
25
29
37
23
22
20
24
21
EFFECTS EDIT MODE:
In EFX Edit Mode, the EFX Select knob
is used to navigate through the EFX
presets. Turning the knob changes
the EFX preset in the display. The
new selection will be blinking in the
display; push the EFX Select knob
to choose the new effect. Once the
effect has been selected, you can
now edit the effect. To do this, press
the EFX Select knob and the display
will change to the current parameter
setting of the preset. Turn the EFX
Select knob to edit the parameter.
Press the knob again to exit EFX
preset edit mode. To restore the EFX
presets back to factory settings,
press and hold the EFX Select knob
for 5 seconds and select "Y" when
prompted.
AUTO-TUNE EDIT MODE:
In Auto-Tune® Edit Mode the EFX
Select knob is used to navigate
through the Auto-Tune presets.
Turning the knob changes the
Auto-Tune preset in the display. The
new selection will be blinking in the
display; push the EFX Select knob to
choose the new Auto-Tune preset.
Once the preset has been selected,
you can edit the preset by pressing
the EFX Select knob. The display will
change to the current Key setting.
Turn the EFX Select knob to change
the key and push the EFX Select knob
when you have chosen the key you
desire. The Key setting determines
which notes are enabled in the
Auto-Tune process. For example, in
the key of CMaj, the notes C, D, E, F,
G, A, and B are enabled, and all other
notes are disabled. To see which
notes are enabled or disabled for
each key, see the Key Table.
NOTE: If Custom Key is selected, the
display will enter Custom Key Edit
Mode. In this mode, you can create
a custom Auto-Tune Key. Use the
EFX Select knob to select the Root
(labeled "RT"). This will be the note
on which the custom key is based.
Then use the Media Select knob to
move the cursor and use the EFX
Select knob to activate or deactivate
the 12 notes in the key. Once you
have finished editing the custom key,
press the EFX Select knob to exit
Custom Key Edit Mode. The mixer is
capable of storing 9 different custom
keys, one for each preset slot.
The scale degrees are numbered across the
top, with half-steps indicated by a dash.
"+" indicates the note will be allowed.
"-" indicates the note will not be allowed.
By looking at the sequence of
allowed and disallowed notes above,
this is a whole tone scale. There are
only two of those, so you can have
the other one just by changing the
root to C# or B.
*This screen cap shows an A blues scale. You
don't have to edit the whole scale to change
keys - just change the root.
Once you have selected the key and
pressed the EFX Select knob, the
display will change to the current
Speed setting. Turn the EFX Select
knob to change the Speed setting.
The Speed setting determines
how quickly and aggressively the
Auto-Tune will correct the pitch.
The range for this setting is 0 to 25,
where 0 is the quickest and 25 is the
slowest. Push the EFX Select knob
when you are done editing the speed
parameter.
The display will now change to
the current Detune setting. Turn
the EFX Select knob to change the
Detune setting. The Detune setting
determines how the Auto-Tune pitch
correction is calibrated. When the
Detune setting is 0 cents, this means
the Auto-Tune is calibrated to the
standard A440, or where the note
A4 equals 440 Hz. The range of the
Detune setting is -64 to 63 cents,
a width of 128 cents. The distance
between two notes, or semitones,
is 100 cents, which means that the
Auto-Tune can be detuned to fit any
possible environment.
NOTE: Detuning the Auto-Tune can
be very useful, especially when
being used in conjunction with an
instrument that is not easily tuned
on-the-fly. For example, if a piano is
accompanying Auto-Tuned vocals
and the piano is slightly out of tune
from the A440 standard, simply
change the Detune setting in the
Auto-Tune setting. This is much
easier and takes much less time
than having someone tune the entire
piano! Also, although the Detune
setting is changed in the Auto-Tune
preset edit mode, this is a global
parameter. This means if you change
the Detune setting and then later
change the Auto-Tune preset, the
Detune setting will not change.
Once you have selected the
appropriate Detune setting, press
the EFX Select knob to exit Auto-Tune
preset edit mode. To restore all
Auto-Tune presets back to factory
settings, press and hold the EFX
Select knob for 5 seconds and select
"Y" when prompted.
NOTE: Preset 9 is chromatic with
speed set to 7. It is recommended
for general purpose, safe, easy
use of Auto-Tune, without having
to adjust any settings. The slower
speed setting does not produce a
robotic effect on the voice, and all
twelve semitones are allowed. Just
remember to use footswitch #2 to
bypass Auto-Tune between songs,
otherwise your speaking will be
Auto-Tuned!
Operating The DSP
RT=Root or Key
*indicates the root or key is C
RT
*
Auto-Tune Key Table
Key Display Note Number (n)=
Key 0 1 2 3 4 5 6 7 8 9 10 11
Chrom C C# D D# E F F# G G# A A# B
C Maj C D E F G A B
C Mnr C D D# F G G# A#
C#Maj C C# D# F F# G# A#
C#Mnr C# D# E F# G# A B
D Maj C# D E F# G A B
D Mnr C D E F G A A#
D#Maj C D D# F G G# A#
D#Mnr C# D# F F# G# A# B
E Maj C# D# E F# G# A B
E Mnr C D E F# G A B
F Maj C D E F G A A#
F Mnr C C# D# F G G# A#
F#Maj C# D# F F# G# A# B
F#Mnr C# D E F# G# A B
G Maj C D E F# G A B
G Mnr C D D# F G A A#
G#Maj C C# D# F G G# A#
G#Mnr C# D# E F# G# A# B
A Maj C# D E F# G# A B
A Mnr C D E F G A B
A#Maj C D D# F G A A#
A#Mnr C C# D# F F# G# A#
B Maj C# D# E F# G# A#
B Mnr C# D E F# G A B