Revv Owner’s Manual2.3
2.4
Channel One (Crunch)
Selected by: pushing the designated
front panel momentary toggle switch
up until the LED is Red or foot switch
button #1 on the optional foot controller.
Channel Two is equipped with a gain,
treble, mid, bass and volume control as
well as a bright switch. The gain control
on channel one is active in crunch mode
only and will take you from a level above
clean at its lowest setting, to an old
school medium gain crunch at full throt-
tle. The definition of the channel is then
complimented by an array of different
sounds and settings once the passive
EQ controls are adjusted to taste. But as
always, adjustments should be made a
little at a time as the range of control is
very broad. Experimentation will expose
many different combinations of great
crunch tone. Throw the bright switch on
and you have all you need to find your
favorite combination of low to medium
gain tones in one channel! As with the
clean setting, here the wattage selector
switch can then be used to fine many
more tones locked within the 2 different
power settings to enable power tube
break up and character to add to the
tone. Adjust to taste as this will really
add to the versatility of this channels
crunch mode.
Channel Two
Selected by: pushing the designated
front panel momentary toggle switch
down, or foot switch button #2 on the
optional foot switch.
Channel Two is equipped with a gain,
treble, mid, bass and level control as
well as aggression, bright, fat and con-
tour switches. The amount of gain from
the channel can be selected by the re-
lationship between the gain control and
aggression switch. There are 3 levels
of use from the aggression switch that
shifts up the amount of gain, as well as
the saturation and frequency spectrum.
The range of the gain control itself in ei-
ther of the 3 aggression settings is fully
useable and will then dial in the amount
of gain desired from the aggression set-
ting selected. The relationship between
the aggression switch and gain control
will provide anything from a lower gain
rock tone to a saturated metal or lead
tone but still remain super articulate
and well defined.
The EQ controls on this channel are
very broad and a little adjustment at a
time is suggested when experimenting.
The range is large and the channel has
been voiced to provide a huge frequency
spectrum so as to make sure nothing is
left out, but still remain very tight in the
bottom end and not too harsh at higher
frequencies. The midrange bite is very
much present and the amount of cut
can be easily tailored with use of the EQ
controls and contour switch.
The bright and fat switches accentuate
the EQ settings and give the channel
more voice options. They do as they are
described and really give the channel
the added versatility that it was de-
signed for without compromising the
channels character. These switches are
foot switch preset saveable.
The contour switch shifts the upper
frequencies and changes the voice from
that of a darker focused voice to a more
