Rhodes MK-80 User manual

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mk-8o

CAUTION
RISK OF ELECTRIC SHOCK
BO eee ae OPEN
ATTENTION: RISQUE OE CHOC ELECTRIQUE
ae
NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
A |A
The lightning flash with arrowhead symbol. within an equilateral
triangle, is intended to alert the user to the presence of un-
insulated “dangerous voltage” within the product's enclosure
that may be of sufficient magnitude to constitute a risk of
electric shock to persons.
The exclamation point within an equilateral tnangle is intended
to alert the user ta the presence of important operating and
maintenance (servicing) instructions in the literature accom-
panying the product.
IMPORTANT SAFETY INSTRUCTIONS
“WARNING — When using electric products, basic precautions should always be followed, including the following:
. Read all the instructions before using the product.
. Do not use this product near water — for example, near a
bathtub, washbowl, kitchen sink, in a wet basement, or near
a swimming pool, or the like.
. This product should be used only with a cart or stand that is
recommended by the manufacturer.
. This product, either alone or in combination with an amplifier
and headphones or speakers, may be capable of producing
sound levels that could cause permanent hearing loss. Do
not operate for a long period of time at a high volume level
or at a level that is uncomfortable. If you experience any
hearing loss or ringing in the ears, you should consult an
audiologist.
. The product should be iopalad’s $0 that its location or position
does not interfere with its proper ventilation.
. The product should be located away from heat sources such as
radiators, heat registers, or other products that produce heat.
. Avoid using the product where it may be effected by
dust.
. The product should be connected to a power supply only of
the type described in the operating instructions or as marked
on the product.
9.
10.
11.
12.
13.
14.
15.
The power-supply cord of the product should be unplugged
from the outlet when left unused for a long period of time.
Do not tread on the power-supply cord.
Do not pull the cord but hold the plug when unplugging.
When ’setting up with any other instruments, the procedure
should be followed in accordance with instruction manual.
Care should be taken so that objects do not fall and liquids
are not spilled into the enclosure through openings.
The product should be serviced by qualified service per-
sonnel when:
A. The power-supply cord or the plug has been damaged;
or
Objects have fallen, or liquid has been eciled into the
product; or
The product has been exposed to rain; or
The. product does not appear to operate normally or
exhibits a marked change in performance; or
The product has been dropped, or the enclosure dam-
aged. ;
Do not attempt to service the product beyond, that described
in the user-maintenance instructions. All other servicing
should be referred to qualified service persannel. ;
m oo p
SAVE THESE INSTRUCTIONS |
WARNING:
THIS APPARATUS MUST BE EARTHED —
For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug proceed as follows:
The wire which is coloured GREEN-ANO-YELLOW must be connected to the terminal in the plug which is marked by
the letter E or by the safety earth symbol Q or coloured GREEN or GREEN-AND-YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
The product which is equipped with a THREE WIRE GROUNDING TYPE AC PLUG must be grounded
praranceeer renter tener ine oAeetes
Copyright © 1989 by ROLAND CORPORATION
All
rights
reserved.
No
part
of
this
publication
may
be
reproduced
in
any
form
without
the
written
permission
of
ROLAND
CORPORATION.

Rhodes WMiK-#HO
Owner’s Manual
Thank you, and congratulations on your purchase of the Rhodes MK-80.
The MK-80 is an electronic keyboard instrument that is equally suited to both live
performance and recording situations.
In order that you may better understand the complete range of superior functions
provided, and to assure long reliable service, we recommend that you read this
owner’s manual in its entirety.
Explanation of symbols used in this manual
This indicates an important point that should be remembered.
This indicates that you should refer to other pages for additional information.

CONTENTS
CONTENTS Ce rr ar es 4
PANEL DESCRIPTIONS ------------++- 5
IMPORTANT NOTES a ee eee ee ee ee oe ee 7
1. Outline of the MK-80 .------------ 8
2. Getting Ready sibranaad weave -eaueary evavexevecs 9
1. Connections Ce re ee 9
2. Power up Scale bow a: Sy eh er Sew eer ers) e wece ete a.) ete 9
3. Play artevin a rekioneleeigie eo ola w &, oie ibe tet pratsb Te toewrasere 10
1. Changing timbres (variations) +--+ ++-+-+-° 10
@ About Variations «+--+ ees ete: 10
2. Adjusting the master tuning ------+++°: 12
3. Performance functions ------+++-+++°: 12
Use of the bender lever --+ ++ +++ rrrsss 12
Use of the slider controllers: + +--+ +--+++- 13
Choosing how the four control sliders work 13
Use of the supplied Pedal -+--*----+--- 14
On/Off of effects ee a ed 14
4. Creation of a new variation. :--- 15
Procedure 2 15
1. Changing the tone of a variation ------- 16
Punch rr 16
Tightness i 16
Bodysstrctrtt settee reece eter eran 16
Brightness: +++ +++ +e rere rere errr eee 16
Bender Depth «+++ +++ ssertereeeeeees 16
Modulation CY 16
Auto Bend a ey a a a es 17
2. Changing Effects for Variations ----:---- 18
Tremolo Ce 18
Phaser Bem er ee wae wes arene e rer eee ese 18
Chorus Cr 19
Equalizers: +++ +++ errr ttre terete eres 19
3. Changing the Stretch for a Variation ---- 21
Stretch (Tuning Curve) --++ +++ rc rte 21
4. Changing Performance Controls
of Variations ----- 22
Keyboard Range «+++ sss reece eee eee 22
Velocity Curve -s scr c rr ttre reese 22
Action of the Controllers: +--+ ++-+++--- 23
Control Pedal ee 24
The Write Procedure Cr) 25
5. Use as a MIDI Keyboard -..----- 26
Connections «ccc c ccc ttt eee 26
1. Transmitting Program Changes
in real time-:--- 26
2. Changing MIDI channels in real time-- - - 27
3. Configuring outgoing MIDI communication;
Bulk dumping/saving ----- 28
Transpose Ce 28
Settings for external control ----+---+-++-> 28
Bulk Dump Save CC 29
4. Configuring outgoing MIDI commu-
nication on a per variation basis ---- 30
Action of the Slider Controllers and
Control Pedal: - 30
Keyboard Range ---- 7+ +s ccc rrr rere 32
Transmitted Program Change Number °:- 32
MIDI Transmit Channel ++ +++---++++-- 2
Transmitted Velocity Curve --++++-++ +> 32
6. Other Controls.-.----- +. ree eee ee 33
1. Temporarily releasing settings
for key range made in a variation: - - 33
2. Temporarily stopping transmission
of MIDI messages 33
7. Concerning MIDI .---.-.-----+--- 34
1. The MIDI message flow ---------+-+-> 34
a. Connections Ce Pd 34
b. MIDI Channels Cr 35
2. MIDI Messages Recognized
by the MK-80----- 36
8. Troubleshooting -:.------------- 37
9. Types Of Data --. 16-0 cence ee anes 38
1. Data for which settings are
made in common (global memory) - - 38
2. Data for which settings are
made for each variation ----:------ 39
Reference Chart :
Functions that are assignable to the controllers * > 40
3. Preset Variation Setting Chart --------- 41
Roland Exclusive Messages -------- 42
MIDI Implementation Chart:--------- 46
MIDI Implementation ---+--------+++- 47
Specifications Bite. oF Ble br ie na atua Te ed entee ea ses aha lS 51

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IMPORTANT NOTES
In addition to the items listed under Safety
Precautions, on page 2, we request that you please
read and adhere to the following.
(Ofolarercigallarem inion erenuicumsiel eh)
@ Whenever you make any connections with other
devices, always turn off the power to all
equipment first. This will help in preventing
malfunction, and damage to speakers.
@ Do not force the unit to share the same power
outlet as one used for distortion producing devices
(such as motors, variable lighting devices). Be
sure to use a separate power outlet.
Concerning placement
@ Placing the unit near power amplifiers or other
equipment containing large transformers may
induce hum.
@ Should the unit be operated nearby television or
radio receivers, TV pictures may show signs of
interference, and static might be heard on radios.
In such cases, move the unit out of proximity with
such devices.
Witetlayecratelalers)
@ For everyday cleaning, wipe the unit with a soft
dry cloth, or one that is dampened slightly. To
remove dirt that is more stubborn, wipe using a
mild, neutral detergent. Afterwards, make sure to
wipe thoroughly with a soft cloth.
@ Never apply benzene, thinners, alcohol or any like
agents, to avoid the risk of discoloration and
deformation.
Other Precautions
@ Protect the unit from strong impact.
@ Never apply strong pressure to the display, or
strike it in any way.
@ A certain small amount of heat will be radiated
from the unit, and thus should not be considered
abnormal.
@ Before using the unit in a foreign country, check
first with your local Roland Service Station.
Concerning memory backup
@ Within the unit is contained a battery which serves
in maintaining the contents of memory while the
main power is off. The normal life of this battery
is 5 years or more, but it is strongly recommend-
ed that you change it every 5 years as a tule.
When it is time to change the battery, contact a
Roland Service Station.
* The first time you need to change the battery could occur
before 5 years have passed.
@ When the battery gets weak the following will
appear in the display. By this time, it is possible
that the contents of memory have already been
lost.
“Battery Low”
@ Please be aware that the contents of memory may
at times be lost; when sent for repairs or when by
some chance a malfunction has occurred.
Important data should be saved by bulk dumping
(saving) it to a sequencer, or should be written
down on paper. During repairs, due care is taken
to avoid the loss of data, however, in certain cases,
such as when circuitry related to memory itself is
out of order, we regret that it may be impossible to
restore the data.

1. Outline of the MK-80
The MK-80 is an electronic keyboard instrument offering a wealth of expression, and a great variety of
functions.
S/A Process Sound
Source
Realistic Preset Sounds
Effects
Performance Controllers
Performs also as MIDI
keyboard
S/A sound sources were developed in a striving for a much higher level of
sensitivity and realism for sounds. It represents a uniquely new process for music
synthesis, and relies on proprietary digital signal processing technology.
In addition to four Rhodes type sounds, the MK-80 includes other realistic tones
including piano, clavichord, and vibraphone, to make a total of 8 presets. (Any
desired changes can be made in each tone, and up to 7 of such altered sounds can
be stored for each one.)
Tremolo, Phaser, Chorus, Equalizer and other effects are available to enhance your
performances. Moreover, you can change at will the way such effects will work
while you play.
< Chorus
An effect which gives breadth and thickness to a sound.
© Tremolo
An effect which applies periodic changes to sound volume, thus allowing
you to apply an undulating-sounding, or other tremolo-like effects.
©} Phaser
Along with Chorus, it is used to add a feeling of depth and breadth to
sound,
©} Equalizer
Allows you to apply a great range of changes to sound. It is configured to
include one band (MID) having a variable coefficient of resonance and
variable resonance frequency; and two fixed type bands (HI, LOW), for a
total of 3 bands.
The four slider controllers on the front panel allow for real-time control during
performance over available effects, MIDI Control Changes, and other functions.
This reflects the emphasis placed on performance qualities in the design.
The unit is equipped with the full range of functions useful for performing as a
MIDI keyboard.

2. Getting Ready
2. Getting Ready
1. Connections
2. Power up
PEDAL OUTPUT
DAMPER CONTROL R STEREO L PHONES
YadWY¥O
Headphones
Supplied
Pedal
To
a
Mixer,
Power
Amplifier
After confirming that all connections with external devices have been made
properly, turn on the power switch on the unit.
You will see the following displayed:
Variation number
Variation name
Wii CLASSIC 1
TREEMN-FHSE All Or
—~ CONTROLLERS ASSIGNMENT — iNT RANGE MIDI OUT
Indicates action of control sliders On/Off status of MIDI transmission (co p, 33)
Specification of key range,“ whole keyboard (a p. 33)
* This screen is referred to as the Play Screen.
@ Since the unit is equipped with a circuit protection device, it requires a brief interval after
power is turned on before it can be operated.

3. Play
1. Changing timbres (variations)
@Select the tone.
@Select the variation.
To change the variation, perform the following steps:
TONE SELECT
1 2 3 4 5 6 7 8
CLASSIC SPECIAL BLEND CONTEMPO. A. PIANO 3 A. PIANO 2 CLAVE VIBRAPHONE
RARY
1
cocseacscacacs
PRESET << USER MEMORY 7
Preset variation Programmable variation
@ About Variations
Variation 1
(Preset Variation)
Variations 2 through 8
(Programmable Variations)
Tone forming the basis
Variation 1
(Preset Variation)
Variations 2 ~ 8
(Programmable Variations)
A variation consists of a combination of a tone, information of how effects are to
be applied, and other settings such as those for MIDI.
VARIATION
Effects settings Stretch settings
Internal settings External settings
Here set are the basic effects that are applied, and settings for MIDI, with respect
to each tone. Although the contents of Variation 1 can be altered, it will revert to
the basic settings after power has been turned off.
*Except internal setting and external MIDI setting.
With these, you can make precision changes in the tone, and apply effects in any
manner you wish. Once the variation is stored in memory, it will not change until
you specifically store it again, even while power is off.
| { ; i ; { }
2 EES) EEE] ES] GE EE] |
fee ee eye ced eters uae =i
[ees I
| eer | Bae
Mee alt:
| II
| re aes
me IL

3. Play
Procedure for switching to a different Variation
{Example]
To
change
from
11
(variation
1
under
CLASSIC)
to
32
(variation
2
under
BLEND):
@ Press[3] under TONE SELECT.
= A change to 31 takes place.
od BELEHD 1
BLEND
TEEM
“PHSE
All
On
CONTROLLERS ASSIGNMENT -— INT RA&NGE = MID! OUT
@ Press[2] in USER MEMORY.
=> The change to 32 is thus completed.
Variation Number Variation Name
beet ae BLEMD 2
TREM“FPHSE All
| let
—- CONTROLLERS ASSIGNMENT -— INT RANGE MIDI OUT
@ Voice Preserve function
( If you change the variation while sound is being produced (while any key is
depressed, or the damper pedal is down), the number and name of the newly
selected variation will be displayed, but actual change of sound will not take
place. Only afterwards, when no longer in a state of play (your fingers are not
on the keys, and your foot is off the damper pedal) will the change in the sound
take effect.

3. Play
2. Adjusting the master tuning
The following allows you to adjust the master tuning when needed for matching
the pitch with that of other instruments.
@® Press[TUNE/MiDI J.
USER TUNE/MIOI PROG. CHG TX. CH
ma | esa | | ||
TREM/PHSR CHORUS
> The following will then appear in the display:
The Frequency Value of A4
@ By pressing [A] or [W], the master tuning can be adjusted within the range of
425.0 to 455.0 Hz for C4 (in units of 0.1 Hz).
You need not perform a write of the setting made for master tuning for it to be
i stored; and it is retained while power is off.
@) Press [PLAY ] to return to the play screen.
3. Performance functions
A variety of controllers can be used for real-time control over timbre during
performance.
Use of the bender lever By moving the bender lever, you can makes changes in pitch or add vibrato.
Add vibrato
Bend up
~ BENDER ad
The
depth
of
change
obtained
with
pitch
or
vibrato
will
vary
depending
on
the
=a
settings
for
the
variation
selected.
To
memorize
this
setting
in
the
variation,
see
p.16.

3. Play
‘RCS kA RA NOLES SENSES ACMA. AACE ACL COEE DONE ALAS SAS SIE NOAA SESE CONIA CSN AL AARC DASCEBEDNE ILE BALAN NA CRESPO AAE AIA LE ABCA AIDE LEANN E LEDER NL ALLE IELTS IE ECE LEO IIE SAE EE IEEE LENIN ENE CEN ALLE AAS CE DALE SSERESELALLELAAEDLALALSI SLED LIAL,
Use of the slider A variety of results, such as the effects obtained from the internal effects units, can
controllers be controlled in real time by means of the four controllers on the front panel.
Choosing how the four The action of the four control sliders is selected by pressing the relevant Controller
control sliders work Assignment buttons.
Controllers Controller Assignment Buttons
CONTROLLERS
Controller used for the
i 2 3 4
tremolo and phaser effects Controlicr used for
C_] C4 CI equalization
Cl | Cl Used to assign desited
co | CI Controller used for chorus functions to the 4 sliders. and
Co EJ effects store that information to a
| {pa | te} varialion
= = = Spaiew ade gecsl ck
E33 C.J fo) TREM/PHSR = CHORUS EQ USER
= Sj oS
£3 C3 cE} ;
| | = A L |
RATE TREMOLO DEPTH RATE PHASER DEPTH
RATE CHORUS 1 DEPTH RATE CHORUS 2 DEPTH
BASS MIDDLE MiD. FREQ TREBLE
Action of the sliders
aa el
Tremolo Depth Phaser Depth
Sine Wave
Chorus Rate
Sine Wave
Chorus Depth
Triangle Wave
Chorus Rate
Triangle Wave
Chorus Depth
Equalizer Bass
Level
Equalizer Mid
Level
Equalizer Mid
Frequency
Equalizer
Treble Level
User assignable } User assignable
(p. 23,) (Fp. 23,)
User assignable | User assignable
(& p. 23,) (fp. 23.)
TREM/PHSR
a
CLASSIC
1
dr
“ASR
AL]
On
— CONTROLLERS ASSIGNMENT — INT RANSE = MID} OUT
Indicates that the controller is set to TREM.“PHSR (Tremolo, Phaser).
@ The selections made with the buttons are retained in memory even while power is off.
vi @ When the action of the controllers is set to TREM/PHSR, CHORUS, or EQ, their action will
not change even if you switch to different variations.
@ When USER is selected as the action of controllers, they can be used in different ways
depending on the function assigned and stored with respect to each variation.
(see page 23, 30.)

3. Play
Use of the supplied Pedal Connect the supplied pedal to the Damper Pedal Jack and Control Pedal Jack.
Damper Pedal Jack Control Pedal Jack
MIDI & PEDAL of ______ output
Leo ——
THRU CONTRAST DAMPER CONTROL R STEREO Lt PHONES
out iN
ud iw) wu
° ° ° fo} a fe} O
° o ° fa) fe) °
fe] re} re)
A a
O O O
O O
Damper Pedal (Right) ©When the pedal on the right side is depressed, the sound will decay gradually.
(an effect identical to that of the pedal to the right on a piano)
Control Pedal (Left) ©The function of the pedal on the left side (contro! pedal) is assignable by the
user .The assignable functions are shown in the table on page. 24.
@By connecting an expression pedal (Roland EV-5, BOSS EV-10) to the control
1 pedal jack, it can be used for transmitting MIDI Control Change information.
See page 31 for information on assignment of MIDI Control Change numbers.
On/Off of effects
Control Switches : . .
} The corresponding effect is obtained whenever a control
FREKIOLO switch is pressed and its red-colored indicator is lit.
ee
*The action of the control switches is fixed, and cannot be
PHASER changed.
| *These switches can not transmit MIDI Control Change Messages.
CHORUS
ae

4.
Creation
of
a
new
variation
Variations
can
be
stored
containing
settings
for
the
precise
nuance
you
want
for
a
tone,
and
with
functions
set
to
operate
in
the
most
convenient
way
for
you.
Then,
simply
by
changing
variations,
those
settings
can
be
re-created.
In
making
a
variation,
you
first
need
to
select
an
existing,
source
variation.
Its
contents
are
then
changed
(edited)
and it is written to one of the variation locations, from 2 to 8.
Procedure
@Select the source
variation
Select the tone
Select the variation
@Select the item to be
changed.
(3) Change the settings
@ Write it
First
select
the
variation
that
is
to
be
the
source.
For
example,
to
select
BLEND
number 4: Press [BLEND], then [4].
TONE SELECT
1
2
3
4
5 6
7
8
CLASSIC
SPECIAL
=e
CONTEMPO-
A.
PIANO
1
A,
PIANO
2
CLAM
VIBRAPHONE
mae
rece
ja
ees
PRESET MEMORY
Select
the
item
for
which
changes
are
to
be
made.
While
pressing
[EDIT],
press
the
button
for
the
desired
item.
ee ee ee ee ee
[PLAY]
WRITE
INT
TONE
EFFECTS
STRETCH
CET
|
To
make
settings
determining
how
4 rt rt rn a
control
over
a
MIDI
sound
module
:
H
will take place when connected to =~ :
ce
es
veer
hes
To
make
settings
for
the:
Tu
change
the
To
change
the
:
While
this
is
performance controls. (Such as tone. (seep. 16) effects. (seep. 18): held down...
how the various functions are :
controlled, the keyboard range
over which sound is produced. or lo change the
transposition.) (see p. 22} stretch (tuning,
curve). (see p. 21)
Press either [<4] or [b>] to call up the required screen.
For detailed explanation of each item, refer to pages 16 through 32.
Press [A] or [W] as needed to change the settings.
To
inclement
or
declement
the
value
faster,
first
hold
down
[A]
CW),
then
hold
down
[vy]
(a)
*The control sliders are inactive while editing.
By repeating steps @) and @ the variation is created to your liking.
While
holding
down[EDIT],
press[WRITE].
This
will
store
(write)
it
into
memory.
For
further
details
on
the
write
procedure,
refer
to
page
25.
@ You should always immediately write any variation once it has been edited. Otherwise, if
you
change
to
another
variation,
or
turn
off
power,
the
variation
reverts
to
its
original
settings, and thus your effort in making the settings could be wasted.
@Y ou can press during the editing process to return to the play screen.
5

4. Creation of a new variation
1. Changing the tone of a variation.
@ While holding down [EDIT | , press [TONE ].
EsSee Bei a Ld [see | Sete | ESE a
[PLAY] WRITE
TONE EFFECTS
(
STRETCH
While this is held down...
@ Press either [<4] or [>] to call up the relevant screen, then make the changes in the
settings by pressing either [a] or [vi].
Punch
Tightness
Body
Brightness
Bender Depth
MODULATION
@ Modulation Rate
@ Modulation Depth
Wid Purch
14
Wid Tisdhtress
Eineds
Brighten
Beppe
Tee thy 12
UL.
Sets the level of the attack. The lower the value, the
softer the attack becomes.
*This function do not work for CONTEMPORARY
and VIBRAPHONE sound.
Range: [0] — [32]
Sets the length of time sound will linger. (attenuating
time)The lower the value, the shorter the time sound
lingers.
Range: [0] — [32}
Sets the amplitude of the fundamental and a few of
the overtones in the proximity of the fundamental.
As a result, the formants and the harmonic compo-
sition will change.
Higher values produce sounds that are thicker.
Range: [0] — [32]
Sets the amplitude of the upper harmonics.
As a result, the formants and the harmonic compo-
sition will change.
The higher the value, the brighter the sound.
Range: [0] — [32]
Pitch is changed by moving the bender-modulation
lever to the right or left. Set here is the limit of
change obtained at the extreme positions; as selected
in semitone steps.
Range:[0] — [12]
When the bender-modulation lever is pushed forward, you can apply vibrato
(periodic changes in pitch) to the sound.
Ui Moadulatior
Fate Les
ate!
uit
Pocdul
abiori
Dee
Lh
iz
Sets the speed of the vibrato pulsations obtained
when the lever is pushed to the extreme.
Range:[1] — [100]
Sets the depth of the vibrato pulsations obtained
when the lever is pushed to the extreme.
Range: [0] — [12]

4. Creation of a new variation
AUTO BEND
@ Auto Bend On/Off
Using “auto bend”, a change in pitch can be obtained whenever the keyboard is
played. At the instant a key is pressed, the note is sounded at an altered pitch, and
then following a natural curve it returns to the normal pitch.
It is useful for
expressing sounds such as that of a plucked string.
Ui. Auto
Boeri
or
@ Auto Bend Depth ~
Auto Beri
Derik +158
@ Auto Bend Time
Wit Auto Beric
@ Auto Bend Key
Follow
Wha
Eerie
ollow &
@ Auto Bend Velocity
pitch alteration.
0
| fee
2
3
The amount of 4 ~~
AQ<—The key position—>C8
Wil Aube Beri
Weldlo Tyre &
0
The amount of
pitch alteration.
> wh —
Touch strength-—>
Determines whether auto bend is to be used or not.
Range: [On] / [Off]
Sets the amount of pitch alteration obtained at the
instant a key is depressed. At 100, the note starts an
octave above, then descends toward the normal
pitch. At -100 the note starts an octave below
normal, then ascends.
Range: [-100] — [+100]
Sets the span of time over which the return to the
normal pitch occurs. At 100, it will take about 4
second.
Range: [0] — [100]
Adjusts the amount of pitch alteration for auto bend
depending on the location of the key being played.
Range:[0] — [4]
+—-The value set for Auto Bend Depth.
Accepts setting determining whether or not changes
in the depth of the pitch alteration will occur
depending on the velocity (strength at which a key is
pressed). When set to “0”, regardless of any variety
of playing strengths, the alteration will conform
exactly to that set for Auto Bend Depth. When set to
from 1 through 4, the alteration in the pitch will
vary as shown in the illustration below, with the least
change obtained when the Keys are lightly depressed.
Range: [0] — [4]
+— The value set for Auto Bend Depth.
17

4, Creation of a new variation
2. Changing Effects for Variations
) While holding down , press [EFFECTS |.
ee |e a —— el ae Dae ee
[Ptay | WRITE TONE EFFECTS STRETCH
c) i
While this is held down...
@) Press either [<] or [>] to call up the screen you need, then make changes by pressing
(aor [¥}.
TREMOLO Tremolo is an effect which applies periodic changes to sound volume.
@ Tremolo On/Off Determines whether the tremolo effect is to be on or
Wit Treerudoa off.
ata
Range: [On] / [Off]
@ Tremolo Rate
Sets the speed of the tremolo effect.
W410
Trerrodin
Beate:
Bey
has
1a
ange:
[1]
—
[100]
@ Tremolo Depth Sets the depth of the tremolo effect.
Wid Tremolo
R : [0] —- [100
Deeth sa | Sang l~ (tool
PHASER The phaser is an effect which applies changes in the phase of a sound. As a result,
you can obtain sounds with a feeling of gyration, and greater depth. It provides
you with the means for controlling a rich palette of vibrant, pulsating sounds; from
jet-like sounds to those similar to a tremolo effect.
@ Phaser On/Off ip Determines whether the phaser is to be on or off.
me 1 1 F I beter" si fuets Range: [On] / [of]
Lid +
@ Phaser Rate r M1 FI | Sets the speed of the phaser effect.
Ld LSS |
| Range: [1] — [100
Pate ie | ge: [1] — [100]
@ Phaser Depth Udi PP | Sets the depth of the phaser effect.
Me Leen rol i
" i R : (0) — [100
pee
th
Safi
oe
ee
@ Phaser Feedback ; ; i Sets the amount of feedback for the phaser effect.
ULL Praser Range: [0] — [7]
Feed Back 7 |

4. Creation of a new variation
‘SO
CLS
OSLO
NS
SCR
LCOS
SELLE
EA
SEEMS
LECH
UCASLESSSLELEN
ENR
SAEL
ERLE
SELLE
AERA
EOE
NOSDUBL
AENEAN
ASEAN
NCSBN
EEDAES
NEES
ES
NSEC
OLDE
ELLE
LEOOE
EOL
LSE
DEIELEO
DESL
AEELLEL
NEEL
AE
DEEN
ELLE
LLL
ASE
LL
DLV
LASSE
LVS
DASE
SEALS
CHORUS
@ Chorus On/Off
@ Chorus Mode
@ Triangle Wave
Chorus Rate
@ Triangle Wave
Chorus Depth
@ Sine Wave Chorus
Rate
@ Sine Wave Chorus
Depth
EQUALIZER
@ Equalizer Bass Level
@ Equalizer Mid Level
@ Equalizer Mid
Frequency
Chorus
is
an
effect
which
applies
breadth
and
thickness
to
a
sound.
Mellower
sounds,
in
comparison
with
the
phaser,
can
be
obtained.
Two
LFOs
are
provided
for
obtaining
the
chorus
effect
(triangle
wave,
sinc
wave),
which
can
be
combined
in
any
desired
way
to
obtain
a
wide
range
of
effects.
(The
ratio
between
the
triangle
wave
and
sine
wave,
when
the
depth
is
at
the
maximum
value, is 80 : 20.)
Wid Oheorus
| iv a
Wad Chorus
Mengde 1
Wid Chorus
oe Pls h 18
rm ki Cap pS.
eae
[ree
hk
Bea
Wadd) Oko
“Rate
B1
Ln mii tectints
Wd
Wid Chearus
oa bereih 2A
Turns chorus on or off.
Range: [On] / [Off]
With Mode 1, stereo-chorus is created. This is apt for
a situation where two speakers being used are wide
apart or the room is acoustically dead.
With Mode 2, only output L gets the chorusing
effect. This mode is apt for a situation where two
speakers used are close together, or the room is
acoustically alive.
When the output is MONO only (output L), the
mode is irrelevant.
Range: [1}/[2]
Sets the speed of the effect obtained with the triangle
wave chorus.
Range: [1] — [100]
Sets the depth of the effect obtained with the triangle
wave chorus.
Range: [0] — [80]
Sets the speed of the chorus effect obtained with the
sine wave chorus.
Range: [1] — [100]
Sets the depth of the chorus effect obtained with the
sine wave chorus.
Range: [0] — [20]
The equalizer is an effect which allows you to make changes in volume specific to
certain ranges in frequency.
* The Mid range equalizer of MK-80 is a parametric equalizer which provides for alteration
within the range of 200 Hz to 4000 Hz for the frequency at mid-range.
Wil Esalimer
Wit Esuslizer
Maid +E
Wid Esuaelizer
Mid Frees 4G He
Sets the volume of the lower range respective to
other ranges.
Range: [-100] — [+100]
Sets the volume of the middle range respective to
other ranges.
Range: [-100] — [+100}
Sets the frequency of the middle range.
Range: {200] — [4000] hertz

4, Creation of a new variation
@ Equalizer Mid :
Bandwidth
Wil
Exualizer
Mid EB. blidtkh
@
Equalizer
Treble
Level
Wii
Eswalizer
Trek]
=
20
Accepts setting for Q, the bandwidth of the middle
range. The higher the value is set, the narrower
becomes the frequency range to which equalization is
applied; and thus a steeper frequency response is
obtained.
Range: [1] — [8]
Sets the volume of the upper range respective to
other ranges.
Range: [-100] — [+100]