Rodgers Cambridge 735 User manual

CAMBl~IDGE
~. .~J
ROILERS
INSTRUMENT CORPORATION
1300 N.E. 25'" AVENUE •HILLSBORO, OREGON 97124 •503/648'4181

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
AWARNING:
TO REDUCE THE RISK
OF FIRE
OR ELECTRIC
SHOCK. DO NOT EXPOSE
THIS APPLIANCE TO
RAIN OR MOISTURE.
PATENTS
G.B. 1312161
F.RG. 22 02 658
CANADIAN 951550
(1974)
CAUTION: TO REDUCE THE RISK OF
ELECTRICALSHOCK,
DO NOT
REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED
SERVICE PERSONNEL.
The lightning flash with arrowhead symbol,
within
an equilateral triangle, is intended to
alert the user to the presence of uninsulated
"dangerous voltage" within the product's
enclosure that may
be of sufficient
magnitude to constitute arisk of electrical
shock to persons.
The exclamation point within an equilateral
triangle
is intended to alert the user to the
presence of important operating
and
maintenance (servicing) instructions in the
literature accompanying the product.
NOTICE TO USERS
Information in this document is subject to change without notice. No
part of this manual may be translated into any language, stored in a
retrieval system, reproduced or transmitted
in any form or by any
means, electronic or mechanical, including photocopying
and
recording, for any purpose without the express written permission of
Rodgers Instrument Corporation.
RODGERS INSTRUMENT CORPORATION
1300 NE 25th Avenue
Hillsboro
OR 97124
[phone]
cCopyright 1991, Rodgers Instrument Corporation. All rights reserved.
Printed in the United States ofAmerica.

Safety Instructions
INSTRUCTIONS PERTAINING TO ARISK OF FIRE, ELECTRIC
SHOCK
OR INJURY TO PERSONS
IMPORTANT SAFETY INSTRUCTIONS
WARNING When using this instrument, always follow basic precautions, including the following:
1)
2)
3)
4)
5)
6)
7)
8)
9)
Read all the instructions before using,
adjusting,
or repairing this instrument.
To reduce the risk of injury, supervise children
closely when children
are around the
instrument.
Use this instrument only in the manner
recommended by Rodgers Instrument Corp.
Do not use this instrument near water, for
example,
near aswimming pool, a damp or wet
room.
Use of this instrument, either alone or in
combination with
an amplifier and headphones
or speakers, may be capable of producing
sound levels that could cause permanent
hearing loss. DO NOT operate for along
period
of time at ahigh volume level or at a
level
that is uncomfortable. If you experience
any hearing loss
or ringing in the ears, you
should consult
an audiologist.
Locate
the instrument so its position does not
interfere with its
proper ventilation.
Locate the instrument away from
heat sources
such as radiators,
heat registers, or other
products that radiate heat directly onto the
IOstrument.
Protect the instrument from dust as much as
possible.
Connect the instrument
to a power source only
of the type described in the operating
instructions
or as marked on the instrument.
Do NOT attempt to defeat the grounding
connection
of the three-prong attachment plug.
This is asafety feature. If you are unable to
insert the plug into the outlet, contact an
electrician to replace
your obsolete outlet. Do
NOT defeat the safety purpose of the plug.
10)
11)
12)
13)
14)
15)
16)
Unplug the power cord
of the instrument from
the
power source when left unused for along
period
of time.
Do not walk on, or place objects on top of the
power cord.
Do not pull the cord, rather hold the I'lug when
unplugglOg the
power cord plug from the
power source.
When setting up with
other instruments or
peripherals, follow the procedures in
accordance with Rodgers' instruction manual.
Take care so that objects do not fall or liquids
spill into the instrument.
Service
the instrument with qualified service
personnel when:
a.
The power cord or plug has been damaged.
b. Objects have fallen
or liquid has spilled into
the instrument.
c. The instrument has been exposed to rain or
other weather damage.
d. The instrument does not appear to operate
normally, or exhibits amarked cbange
in performance.
e.
The instrument has been dropped or the
enclosure damaged.
Do not attempt to service the instrument
beyond
that described in the user maintenance
or technical service manuals. Refer all other
servicing to qualified technical service
personnel.
WARNING: THIS INSTRUMENT MUST BE EARTH GROUNDED.
You must GROUND instruments equipped with aTYPE AC, 3 WIRE GROUND PLUG.
SAVE
THESE
INSTRUCTIONS
i

ii
FCC Notice
Radio and Television Interference
Rodgers Classic Organs TN use and generate small amounts of radio-frequency (RF) energy. The
instrument complies with the limits set for Class Adigital devices. FCC Rules, Part 15, Subpart B
define the limits for radio and television interference in aresidential installation.
Follow the installation and the use instructions in this manual, or the instrument could potentially
cause interference with some radio or television reception. In the unlikely event that this occurs,
we
encourage the user to try the following corrective measures.
•
Turn the instrument OFF to see if it is the actual source of the
interference.
•Disconnect the peripheral devices and their input/output cables one at
atime.
If the interference stops, it is caused by the peripheral device
or its I/O cable.
•Try coiling and uncoiling the instrument's power cord in different
ways.
•Connect the instrument's power cord to apower outlet on adifferent
circuit.
•Move the instrument farther away from the radio or television
receiver.
•
Turn the radio or television receiver until the interference stops.
•Connect the radio or television receiver to adifferent power circuit.
•Reorient
or move the receiver antenna farther away from the
instrument. Consider installing arooftop antenna with coaxial cable
lead-in between the antenna and receiver.
•Consult the nearest Rodgers Classic Organ
TN dealer for more information
if the above corrective measures don't remove the interference.

Table of Contents
CAUTIONS and Notice to Users
Safety Instructions
FCC Notice
Table
of Contents
Overview of the Cambridge 735
BriefTour
Turn antrum Off
Divisions
Selecting
Or Retiring AStop
Four-Memory Combination Action
Couplers
Reversibles
Tremulants
Tutti
Crescendo Pedal
Expressions Pedals
Great To Swell Expression Piston
The Bass Piston
The Melody Piston
Tuning Knob
Transposer
Headphone Jack
Zimbelstem
Antiphonal On/Main
Off
Rodgers Hand-Crafted Pipes
Pipes OfflAncillary On
MIDI
Specifications
Suggested Registrations
Locking
or Unlocking Combination Actions, Crescendo or Tutti
Restoring the Factory Settings
Care and Maintenance
inside cover
i
ii
iii
page 1
page 2
page 2
page 2
page 2
page 3
page 4
page 5
page 5
page 5
page 6
page 7
page 7
page 8
page 9
page 10
page 10
page 10
page 10
page 10
page
11
page 11
page 11
page 12
page 14
page 32
page 34
page 35
111

IOVERVIEW OF THE CAMBRIDGE 735 1
Congratulations on yourpurchase of the Rodgers CAMBRIDGE 735. The CAMBRIDGE 735 is
theindustry'shighestqualitychurchorganbothin sound andin construction, providingyears
of reliable
service.
The CAMBRIDGE 735 is atwo manual classical organ that incorporates an eclectic specification
andauthenticpipeorgan soundsachievedthroughRodgers
PDfThl (ParallelDigitalImaging)technology.
In additiontoitsstandardsix-channelaudiosystem, the CAMBRIDGE735 hasprovisions for additional
amplification and antiphonal (echo) speaker systems.
The CAMBRIDGE735 utilizes lighted drawknob and tilttab stopcontrols. All traditional couplers
(unison, subs and octaves) are included, as well as an adjustabie combination action (pistons) with four
memories and all standard reversibles and other functions.
TheRodgers CAMBRIDGE735 console is constructed
of the finest woods andveneers, suitable in
the most elegant surroundings. It is unsurpassed in beauty and longevity.
Real wind-blown pipe ranks may
be added to the Rodgers CAMBRIDGE 735. There are many
standard and custom configurations available to choose from for expansion
of the organ specification.
TheRodgers CAMBRIDGE735 is completely voiced and tuned for optimum tonal authenticity. A
Rodgers factory-trained technician can provide any additional on-site voicing
or finishing that may be
desired.
The CAMBRIDGE735 offers full MIDI(MusicalInstrumentDigitalInterface) capability, allowing
the organist to control otherMIDI devices (keyboards, sequencers, rhythm units, sound modules, etc.).
MIDI allows the performer full recording and playback capabilities.
Thank youforchoosing the Rodgers CAMBRIDGE 735. Through the most advancedtechonology
available, Rodgers Instrument Corporation delivers proven reliability and atradition
of musical
excellence and innovation, marking our position as The SoundChoice!
1

1.1 iiiBRiiiIEiiiF iiiTOiiiDRiiiiiiiiiiil
To get started, here is abrieftour of the basic operations of the Rodgers CAMBRIDGE 735:
TURN ON/TURN OFF
To turn the organ on, tum the key finnly to the right (clockwise) and hold for 1-2 seconds. Release.
The
power totheorganis on. Totumthe po~er off, tum thekey totheleft(counterclockwise) andrelease
after 1-2 seconds.
DIVISIONS
The following groupings of stops (drawknobs) affect the indicated manuals (keyboards)
or pedalboard:
INTRAMANUAL COUPLERS
INTERMANUAL COUPLERS ~~~~~-~-, ,lr-----------PERCUSSION
SWELL~~~-~---, r-:=====;----:--~~-~~GENERALS
~ ------1-
PEDAL ,~i,~~,::,::~;"t::=~~I~ ,GREAT
<;:O~c(J"'O<I() .., ():>o
¢O1 0() 00800 0GG00e 000(3000061 e • <D Q)
~ J - EJCI
e e0E)(3S eG!c;)000 00G600 (;) @)
PEDAL-
,
SELECTING OR RETIRING ASTOP
I
j
Pull the desireddrawknob toward you. It will light, irldicating itis on. Push the drawknob in to tum
off the stop. The light will go off, indicating the stop i~ off.
2

FOUR MEMORY COMBINATION ACTION
(Pistons)
The CAMBRIDGE 735 features acombination action easily changed by the organist from the
console. The organist can pre-select favorite registrations and make rapid changes in tone color
using this advanced system. All numbered pistons light when pressed.
Rodgers microprocessor combination action is aspecifically refined four memory system. This
gives the organist atotal
of 40 general combinations (activated by pistons and toe studs) and 20
independent divisional combinations each for the Swell, Great and Pedal. Pedal combinations are
activated by toe studs only.
~~==~~~ .. ===:.:..:::.- "'-:-:-=.. =:..::. ..... ~ .. ==--=-:.~ .... ==:=-' "~'t ~==~~
Ilf ... -----------.-~
./ II ~ ~SWELL PISTONS
fGREAT PISTONS'::,.
GENERAL PISTONS == ~ PEDAL PISTONS
~~ f1 ~.~~ Mn/I ~.I II. \ei 5<,~~:
Lg lj fj ~ ~ Illil;Ullilllllllll @ ~ ~ t21
n- HOW TO SET THE PISTONS:
1. Select amemory (one through four) by pushing MI, M2, M3 or M4.
(Note: Apiston cannot be set
if the memory is locked. Please refer to
"Locking orUnlocking Combination Memories, Crescendos or Tutti"
at the back
of this manual.)
2. Select the stops desired.
3. Push the SET piston and hold.
4. While holding the SETpiston, push the desired piston and then release both
pistons simultaneously.
3

4
COUPLERS
There are two types of couplers on the CAMBRIDGE 735: intennanual and intramanual.
~ The intennanual coupler enables stops of one division to be played on
another keyboard or pedalboard. Examples of intermanual couplers are
SWELL TO GREAT 8' and SWELL TO GREAT 4'. These couplers are
located on tilt tabs above the Swell manual.
INTERMANUAL
"& "\'. 1·
.j ;' ~ :~
f .; f ~ ):'
.\ :..
. ! Notes \:,
:l heard with
\8' coupler
added.
Keys played
and heard.
~ The intramanual coupler allows stops to be played at adifferent pitch level or levels
on the manual where the stop is located. Examples
of intramanual couplers are
SWELL 16' and SWELL 4'.
(Note:
The 16' coupler is also known as aSub Octave Coupler,
and the 4' coupleris also known as an Octave Coupler.)
These couplers are located on tilt tabs above the Swell manual.
INTRAMANUAL
\. \ ~; =:::::::::LlT"S!
; ('
(Keys
played
~ and
heard.

REVERsmLES
The CAMBRIDGE 735 is equipped with reversible pistons and toe studs. Tttese control certain
couplers, stops and functions. Press the piston
or toe stud to turn on, and press again to turn off. All
reversible pistons will light (except the zimbelstern) when activated.
TREMULANTS
(Vibrato and/or Tremolo)
Tremulants create achange in pitch (sharp and flat) and in amplitude (volume). The use of the
tremulant adds warmth to solo
or small ensemble combinations and is useful in gospel and romantic
music. The Swell and Great divisions have independent tremulants.
The FLUTE VmRA TO piston
affects all the flute voices
on the manual divisions of the organ. It is adeeper and faster tremulant
than the other tremulants.
Each independent tremulant is adjustable for both speed and depth. It is
recommended that these adjustments be made by Authorized Personnel Only.
TUTTI
There are times when afull organ registration is needed immediately.
The CAMBRIDGE 735 is equipped with aTUTTI piston and aTUTTI
toe stud that can be set with any combination
of stops. Push the TUTTI
piston
or the TUTTI toe stud. This piston and toe stud are reversible,
so simply push again to cancel. When TUTTI is in use, the top
four segments
of the Crescendoffutti indicator will light red to
indicate TUTTI is on.
The Crescendoffutti indicator is located
to the right
of the tilt tabs above the Swell manual.
n, TO VIEW WHAT IS SET ON TUTTI:
While holding the TUTTI piston in, press SET piston. To turn off
indicator, press cancel.
n, TO SET TUTTI:
Setthe desired combination. Whileholding SET in,presstheTUTTI
piston. (Note:TUTTIcannotbesetunlessitisunlocked. Pleaserefer
to "Locking
or Unlocking Combination Memories, Crescendo or
Tutti" at the back of this manual.)
5

CRESCENDO PEDAL
The CAMBRIDGE 735 has aCrescendo Pedal and two Expression Pedals.
The slightly raised pedal on the right is the Crescendo Pedal, which gradually adds afactory
pre-detennined selection
of stops as it is pressed forward. The Crescendo Pedal does not affect the
stops already set up on the organ but merely adds to them. Stops added by the Crescendo Pedal do
not light.
When the Crescendo Pedal is in use, the Crescendorrutti indicator will light green in segments
(from bottom to top), as the pedal is depressed and more stops are added.
Achange in the setting
of the crescendo differing from the sequence set at the factory may be
desired. (Note:
If the original factory setting is ever desired in the future, please refer to the back of
this manual.)
~ HOW TO SET THE CRESCENDO:
1. The Crescendo cannot be set unless it is unlocked. Please refer to "Locking or Unlocking
Combination Memories, Crescendo
or Tutti" at the back of this manual.)
2.
Hold SET and press the GT-SW EXP piston. The GT-SW EXP piston
will flash, and the console display will indicate:
,- II ,-,-,- ,- ,-- - -,- ,-
,--- - -' "", '-
- I' L _, L _, LI I lULl L
CTn ,-Tn,- r7
_'I L' ~I/ nGC I
The stops and couplers currently set on stage one of the 63 stages in the crescendo sequence
will light.
3.
The current sequence may be viewed by advancing through the stages one at a
time using the SELECTknob.
At each stage, the stage number (1 to 63) will be
indicated on the display, and the stops and couplers set on the stage will light.
4. To add one or more stops to the sequence, go to the stage where the stop(s) are to be added,
turn on the stop(s) and press SET.
5.
To deleteastop, go tothefirst stageinwhich the stop turns on, tum off the stop andpress SET.
6

6. Each stop can be turned on at any stage and turned offat any later stage. As
an example, assume the 8' PRINCIPAL is
to go on at stage one and offat stage
25. Go to stage one, turn on the 8' PRINCIPAL and press
SET,. Then go to stage
25, turn
off the 8' PRINCIPAL and press SET.
7.
To clear the entire crescendo sequence (stages 1through 63), hold SET and press
General Cancel. This will also reset the current stage to number one.
8. When building acompletely new sequence, it is advisable to first write the sequence
down, then assign stage numbers from 1to
63 to each stop or group of stops in the
sequence. Usually, there are more stages than stops in the sequence, so
it is necessary
to skip some stages to make the sequence end at or near stage 63.
If this is not
done, the sequence will end before the Crescendo Pedal is fully depressed.
9.
To exit the Crescendo Set Mode at any time, press GENERAL CANCEL. Any changes
in the sequence made up to that point will be saved.
EXPRESSION PEDALS
The pedal in the middle controls the overall volume of the Swell division. The pedal on the left
controls the overall volume
of the Great and Pedal divisions. These pedals are used to give variety
of expression to the music played. Pressing the pedal forward in,creases the volume; drawing back
decreases the volume. .
GREAT TO SWELL EXPRESSION PISTON
The Great to Swell Expression Piston allows both manual divisions to be expressed by using the
middle expression pedal. The Pedal division remains expressive on the left pedal.
7

THE BASS PISTON
The name of this feature is derivedfrom the ancientterm "BassoContinuo," meaningthoroughbass.
When this piston ispushed, itwill light. Any stops
or couplers on in the Pedal division will sound from
the lowestkey beingplayed on the Great manual. This provides apedal bass without having to actually
play the pedalboard with the feet.
Initsnormal setting,theBASS Pistonaffectskeys 1through24
of the Greatmanual, butitsrange
is programmable. As few notes
as·1 through 13, or as many notes as 1through 32 may be programmed.
n. HOW TO SET THE RANGE OF THE BASS PISTON:
1. Hold SET and press the BASS Piston, which will start flashing.
2. Release both pistons.
3. While the BASS Piston is flashing, press akey which corresponds to
the highest note the range is to extend. Any note from key
13 to key
32 may be selected. After the selected key has been pressed, the BASS
Piston will shut off. (Note: When key is pressed to set the range, no sound
will be heard even
if stops are on, so no·disturbance will be made if programming
during aperformance.)
4. To use the new range, press the BASS Piston. (Note: When the organ is
turned off, the range
of the Bass Piston will revert to notes 1through 24.)
e :
8

THE MELODY PISTON
Whenthe MelodyPiston(MELSW) is pushed,itwilllight. Anystop or coupler of theSwell division
will sound from the highestkey being played on the Great manual. This allows asolo melody and an
accompaniment to
be played from the same manual.
Inits normal setting, the Melody Piston affects keys 25 through
61 on theGreatmanual, butits range
is programmable. The range may
be extended down to key 13, or it may stop at key 49.
~ HOW TO SET THE RANGE OF THE MELODY PISTON:
1. Hold SET Piston and press the MEL SW Piston, which starts flashing.
2. Release both pistons.
3. While the MEL SW Piston is flashing, press akey which corresponds to
the lowest note the range is to extend. Any note from key
13 to key 49 may be
selected. After the selected key has been pressed, the MEL
SW Piston will
stop flashing. (Note: When the organ is turned off, the range
of the
MEL
SW Piston will revert to keys 25 through 61.)
.:: I
9

TUNING KNOB
The CAMBRIDGE 735 is equipped with aTUNING knob. This allows the pitch of the organ to
be tuned quickly to apiano or other musical instruments not tuned to standard concert pitch (A 440).
If the TUNING knob is pushed in, the organ remains at standard concert pitch, and turning the knob
will have no effect. To alter the pitch, pull the TUNING knob out until it clicks, then tum the knob
to set the pitch. Turn the TUNING knob to the right (clockwise) to raise the pitch or tum to the left
(counter clockwise) to lower the pitch.
If the CAMBRIDGE 735 is combined with real pipes, the
TUNING Knob can be used to bring the electronics in tune with the pipes.
TRANSPOSER
The TRANSPOSER is the default function for the console display and SELECT knob. Turning
the SELECT knob while "TRANSPOSER" is displayed will raise or lower the pitch
of the organ
four semitones (half steps) in either direction. When akey change is needed to accomodate a
singer's voice range, the TRANSPOSER elinimates the need for the organist to mentally transpose
music on aprinted sheet.
HEADPHONE JACK
The CAMBRIDGE 735 has aHeadphone Jack located under the keydesk to the left in the black
box. When aset
of headphones is plugged into the jack, the speaker system turns off, allowing the
organist privacy when practicing.
If the organ is combined with real pipes, the pipes will also tum
off. It is recommended that you use astandard 8ohm stereo headphone set. Your Headphone Jack
is designed to operate only ONE set
of headphones at atime.
ZIMBELSTERN
The CAMBRIDGE 735 is prepared for aZimbelstem, sometimes called abell star. This
percussive device is most often used in bright music
of the Baroque period. The Zimbelstem
(ZIMBEL) is activated by an unlighted reversible piston and toe stud (push to turn on, push again
to tum oft).
ANTIPHONAL ON/MAIN OFF
The CAMBRIDGE 735 is prepared with ANTIPHONAL ON/MAIN OFF tablets which can
operate an additional speaker system. An antiphonal speaker system is usually installed at the
opposite end
of the building from the main organ, allowing greater musical flexibility. The
ANTIPHONAL ON tilt tab activates this additional speaker system, and the MAIN OFF tablet turns
offthe main organ. (Note:
If the MAIN OFF tablet is depress~d, the ANTIPHONAL ON tablet must
also
be depressed or the organ will not sound through either system.)
10

RODGERS HAND-CRAFTED PIPES
All CAMBRIDGE 735 instruments are designed to incorporate from 1to 5ranks of hand-crafted
pipes. Larger custom sets are also available. These pipes are exquisitely built to Rodgers exacting
standards from the finest metals and woods. Pipe ranks can be included in the specification
of the
CAMBRIDGE 735 at the time
of purchase or as future additions.
PIPES OFF/ANCILLARY ON
When the CAMBRIDGE 735 is equipped with pipe ranks, certain stops will control pipe ranks
and other stops will control electronic ranks. There are two reversible pistons affecting the pipe
stops of the Great and Pedal divisions.
When an ANCILLARY ON piston is pressed, electronic stops are added to the pipe stops.
When both PIPES OFF and ANCILLARY
ON pistons are pressed, the pipes are silenced and only
electronic stops sound. (Note:
If the PIPES OFF piston is turned on without turning on the
ANCILLARY
ON piston, the affected stops will not sound at all.)
MIDI
(Musical Instrument Digital Interface)
The CAMBRIDGE 735 possesses the most advanced MIDI capability in the industry. MIDI
voices are activated on the CAMBRIDGE 735 via three MIDI pistons.
For information on Rodgers
complete MIDI capabilities, please refer to the detailed MIDI Phase III instruction manual available
from your Rodgers Representative.
11

GREAT ORGAN
Principal 8'
Rohrflote 8'
Gemshom 8'
Flute Celeste II 8'
Octave 4'
Spitzflote 4'
Flute Celeste II 4'
Super Octave 2'
Waldflote 2'
Quintflote 11/3'
Foumiture IV rks
Cromome 8'
Harp
Chimes
Tremulant
Swell to Great 16'
Swell to Great 8'
Swell to Great 4'
SWELL ORGAN
Lieblich Bourdon 16'
Viola Pomposa 8'
Viola Celeste II 8'
Bourdon 8'
Prestant 4'
Koppelflote 4'
Nazard 22/3'
Blockflote 2'
Tierce 13/5'
Plein Jeu IV
Contre Basson 16'
Trompette 8'
Hautbois 8'
Clairon 4'
Tremulant
Swell 16'
Swell Unison
Off
Swell 4'
12
11_1111 SPECIFICATIONS II
PEDAL ORGAN
Contre Bourdon 32'
Principal 16'
Subbass 16'
Lieblich Bourdon 16' (exp w/sw)
Octave 8'
Gedackt 8'
Choralbass 4'
Fagott 16'
Trompete 8'
Rohr Schalmei 4'
Great to Pedal
8'
Swell to Pedal 8'
Swell to Pedal 4'
GENERAL
Antiphonal On
Main Off
LIGHTED PISTONS
MIDI on Great
MIDI on Swell
MIDI on Pedal
Pipes Off
Ancillary On
Great
to Swell Expression
Melody Piston
Bass Piston
Flute Vibrato

LIGHTED MEMORY PISTONS
Great
1-2-3~4-5
Swell 1-2-3-4-5
Pedal 1-2-3-4-5 (toe only)
Generals 1-2-3-4-5-6-7-8-9-10 (toe and thumb)
General Cancel
Set
Memory 1
Memory 2
Memory 3
Memory 4
REYERsmLES
Great To Pedal
Swell to Pedal
Zimbelstem
Tutti
EXPRESSION
GreatlPedal
Swell
Crescendo
ACCESSORIES
Tuning Control
Select (Transposer -+4)
13

SUGGESTED
REGISTRATIONS
The following pages of registrations are guidelines for selecting appropriate stops to match broad
suggestions given in most printed organ literature. There will be variances
of registration, depending
upon the music, acoustics
of the room, and the spirit of the performance.
GREAT ORGAN
Given Suggestions
FLUTE
SOFfFLUTE
SlRING
FOUNDATIONSP
FOUNDATIONS mf
FOUNDATIONSf
FOUNDATIONS ff
14
Appropriate registrations
Rohrflote 8'
Flute Celeste II 8'
Gemshom 8'
Rohrflote 8'
Gemshom 8'
Spitzflote 4'
Principal
8'
Gemshom 8'
Spitzflote 4'
Principal
8'
Rohrflote 8'
Gemshom 8'
Octave 4'
Spitzflote 4'
WaldflOte 2'
Principal 8'
Rohrflote 8'
Gemshom 8'
Octave 4'
Spitzflote 4'
Super Octave 2'
Waldflote
2'
FoumitureN

FULL GREAT
Given Suggestions
STOPPED FLUTE
STRINGS
STRING
ENSEMBLE
SOLO REED I mf
SOLO REED II mf
SOLOREEDf
CORNET
FOUNDATIONS mf
Principal8'
Rohrflote 8'
Gemshom 8'
Octave 4'
Spitzflote 4'
Super Octave 21
Waldflote 2'
Quintflote 1 1/3'
Foumiture
IV
Cromome 8'
SWELL ORGAN
Appropriate Registrations
Bourdon 8'
Viola Pomposa 8'
Viola Celeste II 8'
Viola Pomposa 8'
Viola Celeste 118'
Bourdon 81
Koppelflote 4'
Tremulant
Hautbois 8'
Contre Basson 16'
Swell Unison
Off
Swell 4'
Trompette 8'
Bourdon 8'
Koppelflote 4'
Nazard 22/3'
Tierce 13/5'
Viola Pomposa 8'
Bourdon 8'
Koppelflote 4'
15