Topp Music Gear MX series User manual

USER' S MANUALUSER' S MANUAL
MX SER IES
MX SERIES MIXER
TAPE/USB
TO MIX
NF03483-1.0

SAFETY RELATED SYMBOLS
This symbol, wherever used, alerts you to the
presence of un-insulated and dangerous voltages
within the product enclosure. These are voltages
that may be sufficient to constitute the risk of
electric shock or death.
This symbol, wherever used, alerts you to important
operating and maintenance instructions.
Please read.
Protective Ground Terminal
AC mains (Alternating Current)
AC mains (Alternating Current)
Denotes the product is turned on.
Denotes the product is turned off.
WARNING
Describes precautions that should be observed to
prevent the possibility of death or injury to the user.
CAUTION
Describes precautions that should be observed to
prevent damage to the product.
WARNING
Power Supply
Ensure that the mains source voltage (AC outlet)
matches the voltage rating of the product. Failure to
do so could result in damage to the product and
possibly the user. Unplug the product before electrical
storms occur and when unused for long periods of time
to reduce the risk of electric shock or fire.
External Connection
Always use proper ready-made insulated mains
cabling (power cord). Failure to do so could result in
shock/death or fire. If in doubt, seek advice from a
registered electrician.
Do Not Remove Any Covers
Within the product are areas where high voltages may
present. To reduce the risk of electric shock do not
remove any covers unless the AC mains power cord is
removed. Covers should be removed by qualified service
personnel only.
No user serviceable parts inside.
Fuse
To prevent fire and damage to the product, use only
the recommended fuse type as indicated in this
manual. Do not short-circuit the fuse holder. Before
replacing the fuse, make sure that the product is OFF
and disconnected from the AC outlet.
Protective Ground
Before turning the unit ON, make sure that it is connected
to Ground. This is to prevent the risk of electric shock.
Never cut internal or external Ground wires. Likewise, never
remove Ground wiring from the Protective Ground Terminal.
Operating Conditions
Always install in accordance with the manufacturer's
instructions.
To avoid the risk of electric shock and damage, do not
subject this product to any liquid/rain or moisture.
Do not use this product when in close proximity to water.
Do not install this product near any direct heat source.
Do not block areas of ventilation. Failure to do so could
result in fire.
Keep product away from naked flames.
Disposing of this product should not be placed in
municipal waste but rather in a separate collection.
IMPORTANT SAFETY INSTRUCTIONS
Read these instructions
Follow all instructions
Keep these instructions. Do not discard.
Heed all warnings.
Only use attachments / accessories specified by the
manufacturer.
Power Cord and Plug
Do not tamper with the power cord or plug. These are
designed for your safety.
Do not remove Ground connections!
If the plug does not fit your AC outlet seek advice
from a qualified electrician.
Protect the power cord and plug from any physical
stress to avoid risk of electric shock.
Do not place heavy objects on the power cord. This
could cause electric shock or fire.
Cleaning
When required, either blow off dust from the product
or use a dry cloth.
Do not use any solvents such as Benzol or Alcohol.
For safety, keep product clean and free from dust.
Servicing
Refer all servicing to qualified service personnel only.
Do not perform any servicing other than those instruct
-ions contained within the User's Manual.
Carts and stands - The
component should be used
only with a cart or stand
that is recommended by
the manufacturer.
A component and cart
combination should be
moved with care. Quick
stops, excessive force,
and uneven surfaces may
cause the componentand
cart combination to overturn.

TABLE OF CONTENTS
1. INTRODUCTION..................................................................................1
2. FEATURES..........................................................................................1
4. CONTROLELEMENTS.........................................................................3
6. WIRECONNECTIONS...... ...................................................................9
3. USEFULDATA......................................................................................1
5. INSTALLATIONTIPS ...........................................................................8
7. BLOCKDIAGRAM ..............................................................................10
8. TECHNICALSPECIFICATION.............................................................14
9. GUARANTEE....................................................................................15

INTRODUCTION
FEATURES
USEFUL DATA
Please write your serialnumber here for futurereference.
Serial Number:
Data of Purchase:
Purchased at:
Thank you for purchasingthe MX series mixingconsole. This seriesinclude four mixers
(MX.5/MX.6USB/MX.10USB/MX.12USB). There is2-band EQ on allmono channels (MX.5),
and3-band EQ on monochannels and stereo channels(MX.6USB/MX.10USB/MX.12USB).
These mixers are reallyideal for small clubgigs.
Please read this manualcarefully so you cantake advantages of allthe features of theMX.
series. Thank you againfor making the rightchoice in purchasing theTOPP PROMUSIC
GEAR.
1 mono inputs with gold plated XLR and Balanced TRS jack
2 stereo inputs with Balanced TRS jack
2-band EQ on all mono channels
2-Track IN/OUT
Balanced XLR & TRS jack output
MX.5
2 mono inputs (4 for MX.12 USB) with gold plated XLR and Balanced TRS jack
4 (2 for MX.6 USB) stereo inputs with Balanced TRS jack
GAIN control and +48V phantom power for mono inputs
3-band EQ on all mono channels and stereo channels
3-band EQ (plus 75Hz low cut filter) on all mono channels (For MX.10 USB & MX.12 USB)
1 POST-faderAUX send for effect sends can be changed in PRE-fader for monitoring
Peak LED in each channel
2-Track IN/OUT with discrete switches for routing to Control Room and to Main Mix
MX.6 USB/MX.10 USB/MX.12 USB

TAPE/USB
TO MIX
TAPE/USB
TO MIX
HOOKUP DIAGRAM
Computer Set-up
Direct Box
Guitar
Digital Audio Interface
Digital Audio
Workstation
Headphones
Microphones
Drum Machine
Active Studio Monitors
Small Club Gig
Headphones
Microphones 1 and2
Mono in/Stereo outReverb
Active Speakers
CD Player
DAT
DATRecorder
Drum Machine
Keyboard

CONTROL ELEMENTS
1- Mono MIC Input
1
2- LINE INPUTS
3- GAIN CONTROL
EQUALIZATION
The MX series has 3-band EQ on all mono channels (except MX.5 has
2-band EQ). And only the MX.6 USB has EQ controls on stereo channels.All bands provide up to 15
dB boost or cut.
The MX series is equipped with one or more low-noise microphone pre-
amplifiers with optional phantom power providing up to 50dB of amplification.
You can connect almost any type of microphone. Dynamic microphones
do not need phantom power. Use phantom power only with condenser
microphones but make sure that the phantom power switch is disengaged
before connecting the microphone. Phantom power will not damage your
dynamic microphones but it may damage tube or ribbon microphones so
make sure to read the microphone instructions manual before engaging
phantom power switch. There are also equipped with 1/4" TRS balanced
and TS unbalanced LINE IN plug, you can connect with line-level instruments,
such as synthesizers, keyboards, drum machines or effect devices.
NOTE: Never try to connect a line-level signal to the XLR MIC input when
the phantom power is engaged,doing this you may seriously damage your
equipment.
They are organized in stereo pair and provided with 1/4" TRS sockets.
It is used to connect the stereo device, plug both the left input and the
right input. Using the left input if connect a mono input signal to the
STEREO INPUT, the signal will appear on both sides.
This GAIN control is used to control the input sensitivity of the MIC
and LINE inputs. The adjustable range goes from 0 dB to 50dB.
2
3
4
5
6
4
5
4- HIGH
This is the treble control. You can use it to get rid of high frequency of the human voice. The gain range
goes from -15 dB to +15 dB with a centre frequency of 12 kHz.
5- MID EQ (except MX.5)
This control provides 15 dB boost or cut at 2.5 kHz. It can affect most fundamental frequencies of all musical
instruments and human voice.
6- LOW EQ
This is the bass control. It is used to
boost male voice, kick-drum or bass
guitar. Your system will sound much
bigger than what it is. The gain range
goes from -15 dB to +15 dB and the
center frequency is 80 Hz.

CONTROL ELEMENTS
7- 75 Hz Low-Cut Switch (MX.10 USB/MX.12 USB only)
8- +4/-10 Switch (MX.10 USB/MX.12 USBonly)
9- AUX Send (except MX.5)
These switches are used to select the input sensitivity of the line inputs on the stereo
channels. +4 dBu is suitable for professional audio devices and -10 dBv is suitable
for general devices. If not sure to use which setting, try +4 dBu first, then change it
to -10 dBv if the volume is too small to be satisfied.
By pressing this button you will activate a 75Hz low frequency filter that cuts the bass
frequency below 75Hz. You can use this switch to reduce the hum noise caused by the
mains power supply, or the stage rumble while using a microphone.
This control is used to feed the mono input of parallel effects devices or the input of a stage
monitor amplifier via the AUX SEND output jack. All the channel controls (except PAN or BAL)
will affect theAUX signal. The signal is tapped off after the LEVELcontrol. The output from an
external processor can come back via the STEREO AUX RETURN inputs (on the MX.6USB)
or stereo channel (MX.10USB/MX.12USB), and be added to the main mix.
78
99
10 10
11 11
12 12
12- LEVEL
This control will adjust the overall level of this channel. If you set the LEVEL control in max,
it's usually a sign that your GAIN is set too low. If set the LEVELcontrol in min, your GAIN
may be too high.
10- PAN/BAL
Abbreviation of PANORAMA control for mono channels, for the stereo channels, always
says, BALANCE control. You canadjust the stereo image of the signal via this control.
For mono MIC/LINE channels, keep PAN control in centre position and your signal will be
positioned in the middle of stage that is to say the mono signal appears equally in both
sides. Turn this control fully counterclockwise and the signal will be present only on the
left speaker and vice-versa. For stereo channels, by rotating the BAL control, you can
attenuate the signal of left or right. It means if turn the control to left, the right channel will
be attenuated; if turned to right, the left channel will be attenuated.
11- PEAKLED
When this LED blinks, it warns you that you are reaching signal saturation and possible distortion.
From this LED you can adjust the correct level, not too strong to cause distortion and not too
weak to be lost in noise.

CONTROL ELEMENTS
13
14 15
16 17 18 19
2021
TAPE/USB
TO MIX
These RCA jacks will assign the main out signal to a tape recorder or DAT. The TAPE OUT level is
affected by MAIN MIX control.
14- TAPE OUTPUTS
13- CD/TAPE INPUTS
Use the Tape Input if you wish to listen to your mixer from a Taper Recorder or DAT. When the
TAPE TO MIX switch is pushed in, the signal coming from Taper Recorder will assign to main mix;
when the CD/TAPE switch which on the front panel is engaged in the signal can also be assigned
to the CONTROL ROOM/PHONES outputs. If you connect a mono device, you will need a "Y-
splitter" RCA adapter.
18- CTRL ROOM/PHONES Control(PHONES control on theMX.5)
This control is usedto adjust the signallevel going to theCONTROL ROOM/PHONES outputs.
And it won't affectthe Main Mix output.
19- MASTER AUXSEND Control (except MX.5)
This knob is used to determine the master AUX SEND levels. The adjustable range is from - to
+15 dB. When the external effect unit connected to mixer has no input gain control, you can get a
further +15 dB gain available from these AUX SEND outputs.
16- TAPE TO CTRLRM/PHONES Switch (TAPE TO PHONES onMX.5)
Switch is used toselect the signal sourcefor the CONTROLROOM outputs, PHONES, and
METERS. Release this switch,they all receive themain mix signal tappedafter the MAIN MIX
control. Engage this switch,they all receive theCD/TAPEInput signal. Turn down the CTRL
ROOM/PHONES control (just PHONESon the MX.5)before engaging.
15- TAPE / USB TO MIX Switch
Connect a CD or Tape Deck to the CD/TAPE inputs, and push down this switch to add the CD/TAPE
signal to the main mix. The volume level is controlled by MAIN MIX control.
17- FX TOCTRL ROOM Switch (MX.10USB/MX.12 USB only)
Engage this switch tomonitor the aux sendsignal in the ControlRoom/Phones outputs.
20- POWER LED
This LED lights up when the power switch is turned on.
21- PHANTOM 48VSwitch and LED
This +48VDC Phantom Power switch only apply to the XLR microphone inputs. Never connect
microphones when the phantom power is on already. The LED near to this switch will light up when
the phantom power is switched on.
NOTE: Turn down all output levels before operating this switch to avoid the possibility of "pop" in
your speakers. Do not use phantom power with tube or ribbon microphones, as this may cause
damage.

CONTROL ELEMENTS
22- METERS
This stereo LED meter will indicate the level of the overall output signal.
23- MAIN MIX
This control sets the level of main mix signals sent to the Main Outputs,
Tape Outputs, CONTROL PHONES, and LED Display. On the
MX.5 and MX.6 USB, this is a rotary control; on MX.10 USB and
MX.12 USB, this is a fader.
Note: When connecting a speaker to the speaker output jacks, please
pay more attention to the level setting for avoiding damaging the speaker.
Generally speaking, the faders will be positioned between 0 dB and the +5 dB.
ROOM, the
-60
-50
-40
-30
-20
-10
-5
0
5
10
22
23
25- CTRL ROOMOUT
26- AUX SENDOUT
27- PHONES OUTPUT
These 1/4" TRS are used to assign the control room signal to the studio monitor speakers.
They can also be used to provide another main mix output, or to monitor the CD/TAPE
Inputs (when engage the TAPE TO CTRL RM/PHONES switch), or to monitor the aux
send signal (MX.10 USB/MX.12 USB only with FX TO CTRL ROOM switch is engaged)
These 1/4" TRS are used to send out the signal from the AUX bus to external device such
as effects equipment. Each channel has an AUX SEND control knob that adjusts how much
of that channel's signal appear at each of the output. This output is affected by the channel
LEVEL, but not MAIN MIX control.
This jack is used to send out the mix signal to a pair of headphones, and the signal is the same as
the CTRL RM OUTS outputs. The level is controlled by the CTRL ROOM/PHONES knob. You can
listen to the Main Mix, the CD/TAPE, or the AUX SEND (MX.10USB/MX 12USB ) depending upon
the position of the TAPE TO CTRL RM/PHONES switch and FX TO CTRL ROOM switch.
24- MAIN OUT
These 1/4" TRSjacks represent the endof the mixer chain,where your fully mixedstereo
signal enters the real world. Connect these outputs to the inputsof your amplifiers, powered
speakers, or serial effects processor (graphic equalizer, for example).
24 25
26
27
Rear Panel
This connection is where you connect the supplied external AC power supply to provideAC
power to the mixer. Connect the external power supply to your mixer first, then plug the power
supply into a suitable and properly rated AC outlet.
NOTE: Make sure you use the correct external power supply cable of providing 18.5 VACx2at
milliamps.
28- POWERIN
28
MX.12 USB
29
POWER

INSTALLATION TIPS
1- Speakers should be placed ina position that allowsfor unobstructe sound projection.In many
instances is beneficial forspeakers to be elevatedon tripod stands toachieve maximum
dispersion and reach.
2- Use professional adviceor service when hangingand installing speakers. Please take
precautions to secure them toprevent them from falling and hurting someone. Care should be
taken as to notdamage the cabinet orits components. Please complywith all pertinent
Regulations.
3- Use quality cables.Using quality cables will ensure the best possiblesound.
INSTALLATION TIPS
29- USBinterface
The USB interface provides a digital audio connection to PC/MAC.
USB use
With this interface you can use the MX.6USB/10USB/12USB like sound card for recording
at 16bit/44.1kHz and playback audio file(wave, aiff, mp3 etc.) With Windows and Macintosh
computers. Use the computer built-in audio recorder or use dedicated Digital Audio Work
station software (DAW) to record and playback CD-quality audio within your computer. For
connection MX.6USB/10USB/12USB to computer TOPP PRO suggested a standard A
MALE/B MALE USB cable TOPP PRO recommend that you do not use hubs and other
extenders, that often cause glitches and other problems. The USB port sends the MAIN MIX
left and right signals to the computer. The USB port receives a stereo audio stream from the
computer and assigns it to the 2-TRACK INPUT left and right channels of your mixer.
MX.6USB/10USB/12USB
MX.6USB/10USB/12USB MX.6USB/10 USB/12USB
Note: if a device is connected to the 2-TRACK INPUT, the signal from this device is merged
with the signal from the computer.
To ensure that the is recognized correctly by your computer, always
turn the mixer on a few seconds before inserting the USB cable into the computer. When
powering up both your computer and the , turn on the mixer first and
the computer second. When powering down your computer and the ,
turn off the computer first. Wait to turn off the mixer until the computer has completed the
shutdown process.
4- For best resultsmatch the speakers toa good amplifier thatmatches the wattage and
impedance ofyourspeakers. Proper amplificationpower results in goodquality audio
and longer component life. Check out the power requirement foryour cabinet.
5- Avoid pointing a microphonedirectly at an amplified speaker doing so, could cause
feedbackpossibly damaging speaker componentsand your hearing.
Enjoy the sound!
-60
-50
-40
-30
-20
-10
-5
0
5
10
22
23
24 25
26
27
28
MX.12 USB
29
POWER

WIRE CONNECTIONS
Either the 1/4" TRS phone jack or XLR connector can be wired in balanced and unbalanced modes,
which will be determined by the actual application status, please wire your system as the following
wiring examples:
XLR Type Unbalanced
Pin3 (-)
Pin2 (+)
Pin1 ( )
(Linked to Pin1 manually, )
XLR Type Balanced
Pin1 ( )
Pin2 (+)
Pin3 (-)
Tip
Ring
Sleeve
Tip
Ring
Sleeve
Tip
Ring
Sleeve
1
2
3
1
2
3
1
2
3
TIP RING SLEEVE SLEEVE RINGTIP
TIP RING SLEEVE
21
3
12
3
12
3
Tip
Ring
Sleeve
Tip
Ring
Sleeve
Tip
Sleeve
Tip
Sleeve
Tip
Sleeve
Center
Center
Centre
Screen
Screen
Screen
1
2
3
Tip
Ring
Sleeve
1
2
3
1
2
3
Tip
Ring
Sleeve
1
2
3
Tip
Sleeve
1
2
3
TIP SLEEVE
TIP SLEEVE
TIP RING SLEEVE
TIP RING SLEEVE
12
3
21
3
21
3
TIP RING SLEEVE
TIP SLEEVE
12
3
12
3
SLEEVE TIP
SLEEVE RINGTIP
For these applications the unit provides 1/4" TRS and XLR connectors to easily interface with most
professional audio devices. Follow the configuration examples below for your particular connection.
Unbalanced
In-line ConnectionIn-line Connection
Balanced
TRS Type Balanced
Tip
Ring Sleeve
+
-
TRS Type Unbalanced
Tip
Ring Sleeve
+
TS Type Unbalanced
Sleeve
Tip
+
For 1/4" Phone jack
For XLR Connector
13
14 15
16 17 18 19
2021
TAPE/USB
TO MIX

BLOCK DIAGRAM
MX.5
78
99
10 10
11 11
12 12

BLOCK DIAGRAM

TAPE/USB
TO MIX
TAPE/USB
TO MIX
DAT
BLOCK DIAGRAM

BLOCK DIAGRAM

TECHNICAL SPECIFICATION
Model Number
MX Series Mixer
Frequency Response
Input Gain Control Range
Equalization
Mixer Rated Output
Mic Input to any Output (Trim at 0 dB)
+0, -1 dB
-3 dB
THD and SMPTE IMD
10 Hz to 150 kHz
Mic Input to Main Output <0.005% @+4 dBu output
20 Hz to 20 kHz BW (150 Ohm source impedance)
Equivalent Input Noise (EIN) -129 dBu
Residual Output Noise
Mic In 60 dB@1 kHz, Gain@ maximum
Adjacent Inputs or Input to Output -90 dB@1 kHz
0 dB to 50 dB
Phantom Power +48 VDC
Main, Ctrl Room, Phones -106 dBu
10 Hz to 200 kHz
Distortion
20 Hz to 20 kHz
Noise
CMRR
Crosstalk
High +/-15 dB@12 kHz
Low +/-15 dB@80 Hz
Main, Aux, Control Room +4 dBu
Maximum Rated Output +22 dBu
Maximum Input Levels
Mic Input +12 dBu, Gain @+10 dB
Line Input +30 dBu, Gain @+10 dB
Tape Input and Aux Return +22 dBu
Input Impedance
2.6 k , balanced
Mic Input
Line Input 20 k , balanced
Stereo Aux Returns 20 k , balanced
CD/Tape In 24 k , unbalanced
Output Impedance
Main 240 , balanced; 120 , unbalanced
Ctrl Room, Aux Sends 120
Tape Output 1 k
Phones Output 25
VU Meters
Main Left and Right (4-segment) Clip (+18), +6, 0, -20 (0 LED=0 dBu)
AC Power Requirements
External Power Supply Ourput 18.5 VAC 2@150 mA (3-pinAC power connection
External Power Supply AC Input
U.S. 120 VAC, 60 Hz
Europe 240 VAC, 50 Hz
Japan 100 VAC, 50/60 Hz
Korea 220 VAC, 60 Hz
Physical
Dimensions (H x W x D)
MX.5
MX.6 USB
MX.10 USB
MX.12 USB
Weight
MX.5 N.W. 0.7 Kg (1.6 lb)
MX.6 USB N.W.5.2 Kg G.W. 10.1 Kg
Sampling rate 8kHz, 16kHz,32kHz,11.025kHz,22.05kHz, 44.1kHz & 48kHz
Distortion(THD&N)
Sensitivity. 0 dBu
Max. Input +10 dBu
USB Section
0.9% at1 kHz
41 x 133 x 203 mm (1.6" x 5.2" x 8.0")
244 x 182 x 53 mm (9.6" x 7.2" x 2.1")
250.5 x 209 x 53 mm (9.7" x 8.2" x 2.1")
250.5 x 265 x 53 mm (9.7" x 10.4" x 2.1")
(Except for MX.5)
MX.10 USB N.W.5.8 Kg G.W. 11.4 Kg
MX.12 USB N.W.6.9 Kg G.W. 13 Kg

9
GUARANTEE
ToppPro guarantees the normal operationof the product against any defect of manufacture
and/or vice of material, by the term of (12) months, counted as of the dateof purchase on thepart
of the user, committing itself to repair orto change, to its election, without position some, any
piece or component that will fail in normal conditions of usewithin the mentioned period.
This guarantee is validif the original buyer will have to present /display this certificate properly
sealedand signed bythe selling house, accompanied bythe corresponding invoice of purchase
where it consisted themodel and serial numberof the acquired equipment.
With the object ofits correct operation, and of the validity ofthis one guarantee, thisproduct
will have to beinstalled and to be used according to theinstructions that are detailedin the
manual associate or thepackage of the product.
This unit will beable to appear forits repair,next to the invoice of purchase (or any other
comprobante where the dateof purchase consists), toits authorized distributer ToppPro or an
authorized technical center onwatch by ToppPro.
Exclusion of damages:
Some states do notallow to exclusion orthe limitation to thefortuitous or consequent damages,
so the aforesaid limitationcan not be appliedto you.
This guarantee gives specificlegal rights him, youcan also have otherright that varies ofstate
to state.
The guarantee does notcover:
-Damagescausedby theillegaluse ofthe product, repair and/ornonauthorized modification
conducted by people byTopp Pro.
-Damages caused by theconnection of the equipmentto other equipment different from the
specified ones in themanual of use, orby bad connection tothese last ones.
-Damages caused by electricalstorms, blows and /or incorrect transport.
-Damagescausedby excesses or falls of tensionin the network orby connection to networks
with a tension differentfrom the required oneby the unit.
-Damages caused by thepresence of sand, acid of batteries, water, or any strangeelement
inside the equipment.
-Deteriorations produced by thecourse of the time, use and/or normal wearof the unit.
-Alteraion or absence ofthe serial number of factory of the equipment.
The repairs could onlybe carried out the authorized technical service byToppPro, that will
inform about the termand other details intothe repairs to takeplace according to thisguarantee.
Topppro, will repair this unit in counted a termnongreater to 30 daysas of the dateof entrance
of the unit tothe Technical Service. In thosecases in that due to the particularity ofthe spare
part, outside necessary theirimport, the repair timeand the viability of the same one willbe
subject to the effective norms for theimport of parts, inwhich case one will inquire to the user
about the term andpossibility into repair.
THE RESPONSIBILITY OF TOPP PRO BY ANY DEFECTIVE PRODUCTIS LIMITEDTHE REPAIR
OR THE REPLACEMENTOF HEHIMSELF, TOTOPP OPTION PRO.IF WECHOSETO REPLACE
THE PRODUCT, THE REPLACEMENT CANBE ARECONDITIONATED UNIT. TOPP PRO WILL
NOT BE RESPONSIBLE BY THEDAMAGES BASED ON THE LOST,INCONVENIENCE,LOSS
OF USE, BENEFITS, LOST SAVINGS, BYTHEDAMAGETOOTHER EQUIPMENTOR OTHER
ARTICLES IN THE USE SITE, OR BY ANY OTHER DAMAGE IF HE IS FORTUITOUS,
CONSEQUENT OR OF ANOTHER TYPE, ALTHOUGH TOPP PRO HASBEEN NOTICED OF THE
POSSIBILITY OF SUCHDAMAGES.

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