XK 3.1 series User manual

3.1
GRAPHIC EQUALIZER
OK
KARAOKE EFFECT PROCESSOR FOR AUDIO SYSTEM
ENGLISH
Owner,s Manual
Bedienungsanleitung
Mode d,emploi
Manual de instrucciones
POWER
ON
CLIP
VU/dB
+10
+5
0
-5
-10 MIC INPUT MIC VOL MIC EQ MUSIC EQECHO
MIC 2MIC 1 MIC 1 MIC 1 ECHO REPEAT DELAY PRESET
MIC LEVEL MUSIC LEVEL
MIN MIN
AUX1
AUX2
MAX MAX
BASS BASSTREBLE TREBLEMIC 1
10 10 10 10 10 10+10 +10+10 +101000 0000-10 -10-10 -100
MIC 3
OFF
BALANCE
100
PRESET
SETECT
Professional Mixer
Digital Echo
100
XK
3.1
GRAPHIC EQUALIZER
OK
KARAOKE EFFECT PROCESSOR FOR AUDIO SYSTEM
XK
INPUT
FREQ BASS VOL MUSIC MIC 3 MIC 2
MIC INPUT FUSE
T0.5A 250V
RATEDPOWER
CONSUMPTION 10W AC IN
MIC 1
BASS
BGM
NO:
L
OFF
ON
MIC
CEN VOL
AUX 1 BASS OUTPUT R OUTPUT LOUTPUT COUTPUT
R
AUX 2
WARNING:TOREDUCE THE RISK OF FIRE OR ELECTRIC
SHOCKDO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE
Manufactured in the PRC AC 220V-240V
50/60Hz
250Hz 10 10
25Hz 0 0
BASS CONTROL
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
10
0


IMPORTANT SAFETY INS TRUC TIONS
1. Read these instructions before operating this apparatus.
2. Keep these instructions for future reference.
3. Heed all warnings to ensure safe operation.
4. Follow all instructions provided in this document.
5. Do not use this apparatus near water or in locations where condensation may occur.
6. Clean only with dry cloth. Do not use aerosol or liquid cleaners. Unplug this apparatus before cleaning.
7. Do not block any of the ventilation openings. Install in accordance with the manufacturer,s instructions.
8. Do not install near any heat sourecs such as ra diators, heat registers, stoves, or other apparatus (including a mplifiers)
that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. Apolarized plug has two blades with one wider
than the other.A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong is
provided for your safety. If the provided plug dose not fit into your outlet, oonnsult an electrician for repla cement of the
obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plug, convenience receptacles, and the point
where they exit from the apparatus.
11. Only use attachments/acce ssories specified by the manufacturer.
12. Use only with a cart, stand, tripod, bracket, or table specified by the
manufacturer, or sold with the apparatus.When a cart is used, use
caution when moving the cart/ apparatus combination to avoid injury from tip-over.
13. Un plug fthis apparatus during lighting storms or when unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any
Way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the
apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
CAUTION: Use of controls or adjustments or performance of procedures other than those specifi ed
may result in hazardous radiation exposure.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
The exclamation point with in an equilateral triangle is intended to alert the user to the presence of important
operating and main te nance(servicing) instructions in the literature accompanying the appliance.
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the
presence of uninsulated dangerous voltage within the products enclosure that may be of suffi cient
mag ni tude to constiute a risk of electric shock to persons.
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK)
NO USER SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED PERSONNEL
RISK OF ELECTRIC SHOCK
DO NOT OPEN
1
CAUTION
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PREFACE
The Installation is the most powerful karaoke effect pro cessor. Up to six microphones can be used at one time, letting you
and your friends sing karaoke like never before. The channel Mic inputs have full EQ, echo effects and gain controls. An on-
board 24-bit provides reverd and echo effect.
The Installation can be rack monuted and is excellent for use by touring groups, on stage, in schools, resorts, large confere-
ncehalls and parks.
2
FEATURES
Aluminum front panel. Steel housing
Use hidden or adjusting, reliable function lock
High performance Mic/Line preamplifier optimized for vocal proce ssing
6 so ckets of microphone
High-quality performance with extremely low noise
Intermediaries voice access
Karaoke inspiration function
Professional level 24 Bit rev erberation echo
Discrete transistor input for vocals and instruments
2-band parametric EQ for instruments and vocals
External jack of cative subwoofer
Cro ssover frequencies continuously variable from 25-250Hz Subsonic output
6-segment LED meter with clip warning for output
Balanced XLR and 1/4,, TRS inputs and o utputs
Illuminated buttons for easy monitoring of operation status
Shielded toroidal power transformer ensures minimal interference noise
1rackunithigh
GETTING STARTED
Check the AC voltage before connecting the plug The unit must be properly g rounded to avoid electrical shock to the
operator. Choose the main supply for the sound system with care, and do not share sockets or g rounding with light
dimmers.
Separate audio cables from dimmer wiring using balanced lines wherever possible lf feasible, cross a udio and lighting
cables at right angles to minimize the possibility of interference Keep unbalanced cables as short as possible.
Check your cables regularly and label each end for easy identification.
Before switching on the main power, set the input level control to its minimum setting Doing so will prevent excessive
noise caused by bad level adjustment, faulty wiring, defective cables, or bad connections.
Always turn the unit on before turning on the power amplifier; always turn it off after turning off the amplifier.
Always turn off the main power before connecting or disconnecting the unit.
Never use solvents to clean the unit Clean the unit with a soft, dry cloth.
11
1/ 4,,TRS balanced, line level
2K ohms
-20 dBu unbalanced
20Hz to 30kHz, +/-1 dB (max/min)
0.007% typical at + 4 dBu, 1 kHz
-80 dB
+/-12dB/10KHz
+/-12dB/100Hz
<
Line input
56K ohms
+18 dBu unbalanced
20Hz to 50kHz, +/-1 dB (max/min)
0.004% typical at + 4 dBu, 1 kHz
-87 dB
-60 dB
+/-10dB/10KHz
+/-10dB/100Hz
<
<
25Hz~250 Hz variable, -18 dB/oct
0.004% typical at + 4 dBu, 1 kHz
-82 dB<
XLR&1/4
,, TRS balanced, line level
100 ohms
+18 dBu unbalanced
10W
240V,230V,220V, 120Vor 100V; 50...60Hz( )
483mmx44mmx175mm(19,, x1.75,, x6.9,, )
2.7kg(6bs)
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INSTALLATION
The Phonic Installation fits into standard rack, and takes one unit height of space(1 3/ 4,, )Additional 4,, depth for the con-
nectors on the back panel is needed Be sure that there is enough air space around the unit for cooling and please do not
place the Installation in contact to or directly on top of high tem perature devices such as power amplifiers etc to avoid
overheating
RACK MOUNTNG
The Installation has to be connected with 1/4,, TRS plugs Although the inputs and outputs are fully balanced, the active
servo circ uitry can be wired with unbalanced soureces and loads as well
CONNECTORS
Both of the inputs impedance are 20k Ohms and can be driven by most sources lf a device,s output requires a match load of
600 Ohms(mostly from output transformers), 600 Ohms resistor should be tied across pin 2 and 3 on the input connectors
As standard the outputs of the Installation are electronically bala nced and have an output impedance lower than 100 ohms
When driving transformer coupled loads it may be ne cessary to create a 600 Ohm source impedance For this purpose install
two 247 0hms resistors in series with Pin 2 and 3
Impedance
Most of the mistakes in audio installations are incorrect and defective audio connections In order to perfectly complete your
installation, please pay special attention to the following section unless you are already familiar with balanced/unbalanced
operation
Unbalanced/Balanced Connection
You can find this system in most of home audio-video system It got one conductor to carry the signal, and the other
conductor for ground Normally for lower level signal, the signal conductor is shielded by the ground Conductor
What is an unbalanced system?
Balanced system transmits the signal via 2 conductors plus one ground shielding conductor The 2 signal conductors carry
the same signal but out of phase For the balanced input stage, the amplifier will boost the difference of the 2 signal
conductors and remove the identical pa rt (known as common mode signal) of the 2 signal conductors Because of the real
signal is carried by the 2 conductors out of phase, so it is perfectly carry to the input At the same time, the inte rference
occurs during transmission will be identical part(common mode), beca use the signal conductors are run together, there is
no chance they can be different, and all the interfere nce will be removed by the bala nced input amplifier
What is a balabced ststen?
Because the common mode interference immunity of balanced system, and at the same time, the ground conductor
doe sn,t need to carry any electrical current so that it means the ground of the 2 connected units has identical ground level
which is vital to interference free system
Let, s look back to unbalanced system, the signal electrical current is from signal conductor to ground conductor, and that
means the ground level of 2 connected units are not identical This means the system is much more easier to be interfered
with noise
Running long cables is easy for bala nced system but difficult for unbalanced system, and lower noise is always
characterized in balanced system
B ecause balanced system needs 2 cond uctors for signal and 1 conductor for ground minimum 3 conductors are needed for
wiring balanced system So dedicated system separates ground and shield as 2 conductors
Please read following section for proper wiring balanced and unbalanced system:
The difference in between 2 operations:
Normal-phase signal
+ normal-phase noise.
Desired signal
with no noise.
Normal-phase signal
+ reverse-phase noise.
Unbalanced lines are fine if you,re in
a relatively noise-free environment.
The ambient electromagnetic noise
level will be the ultimate deciding
factor, but balanced is best.
Shorft line-level runs:
Long line-level runs:
310
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CONNEC TIONS
With balanced XLR and TRS 1/ 4,, nput lacks you could use either XLR or TRS L ine input Jack for connection These input
Jacks a ccept balan ced as well as unbalanced input When sending unbalanced signal, the Ring and the Sleeve of the TRS
Jack must be conceded, the 3rd pin and the 1 st pin of the XLR connector should be connected as well, or simply use a TS
phone jack for making the connection.
4
The name phone jack arose simply because this configuration was first used in telephone switchboards. Phone jacks
can be tricky because you can ,t always tell what type of signal they ,re designed to handle just by looking at them, It
could be unbalanced mono, unbalanced stereo, balanced mono, or an insert patch point. The connector ,slabel
will usually tell you what type of signal it handles, as will the owner,smanual (you do keep your manuals in a safe place,
Don, tyou?). Aphone jack that is set up to handle balanced signals is also ofter referred to asa TRS phone jack.
TRS stands for Tip-Ring-Sleeve, which describes the configuration of the phone plug used.
Balanced XLR connectors
input output
For unbalanced use pin 1 and pin 3 have to be bridged
1=ground/shield
2=hot(+ve)
3=cold(-ve)
1
2
3
1
2
3
For connection of balanced and unbalanced plugs.
Ring and sleeve have to be bridged at the stereo plug.
Balanced 1 /4,, TRS connector
strain relief calmp sleeve
ground/shield
tip
ring
hot(+ve)
Cold (-ve)
tip
ring
sleeve
Unbalanced 1 /4,, TS connector
strain relief clamp
sleeve
tip
sleeve
ground/shield
tip
Signal
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AUX 1
INPUT
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R
AUX 2
FREQ
WARNING:TOREDUCE THE RISK OF FIRE OR ELECTRIC
SHOCKDO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE
BASS VOL MUSIC MIC 3 MIC 2
Manufactured in the PRC
MIC INPUT FUSE
T0.5A 250V
RATEDPOWER
CONSUMPTION 10W AC IN
AC 220V-240V
50/60Hz
MIC 1
BASS
BGM
250Hz 10 10
25Hz 0 0
BASS CONTROL
NO:
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
L
OFF
ON
12 1413
15
16 17 18 19
20 23
21
22
MIC
10
0
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INSTALLATION
Always connect the main power with 3-prong plug Make sure the power system ground is properly done Don, t use ground
insulator plug adapter without properly connect the ground individually This is vital to a successful audio system
connection
Always connect the ground pin(PIN I in 1/ 4,, TRS)to the source unit, and disconnect this pin at the destination unit This
connection topology is to avoid grounding loop created by both connection of signal and power ground To utilize only the
power ground, is because it always has lower resistance and better distribution than signal ground
If there is hum a very possible cause is bad grounding connection in the system In case you can not find the cause , try to
connect the ground pin of the input connectors if the hum is reduced or eliminated, check your power grounding system
Special attention while distant equipment racks, and/or large quantity of power amplifiers are used Check the power
ground between the racks and power distribution strips with your electricity engineer Do make sure there is one and only
one proper ground point in the audio system(or connected video System)
5
The Correct Wiring for Balanced Operation
this Installation is equipped with electrionically balanced inputs and outputs which also function unbalanced inputs and
outputs The cross-feedback circuitry recognizes the connection of unbalanced loads and compensates 6 dB level difference
when one of the sig nal is shorted to the ground For connecting with unbalanced source to the input of Installation connect PIN
2Of1/4
,,TRS connector to the Source signal and the PIN 1 and 3 of 1/ 4,, TRS connector of Installation to the Source around
For connected with unbalanced load to Installation there are 2 possible wiring methods
(1)Connect PIN 2 of 1/ 4,, TRS connector to the load input, and connect PIN 1 OF 1/ 4,, TRS connector to the load ground
(2)Connect PIN 2 of 1/ 4,, TRS connector to the load input, and connect PIN 1 and 3 of 1/ 4,,TRS connector to the load
Ground
Unbalanced Operation
The electrically balanced connections have the ben efit of Common Mode Rejection which eliminates externally induced
inte rference such as mains hum etc Balancing is especially useful when long calbe runs are used between pieces of
equipment
For connecting with balanced source to the input of Installation, connect PIN 2 of 1/ 4,,TRS connector to the source signal
Hot(+), the PIN 3 to the source signal Cold(-)and the PIN 1 to the source Ground
Balanced Operation
The mains connection of the Installation is made by using a standard IEC receptacle and an universal mains cable lt meets all
the requirements of the international safety certification
Make sure all the units in the sound system are properly grounded with good connection For your own safety, do not to
remove the ground connection within the units Or at the supply or fall to make this connection at all
The audio around of the Installation is capacitor de-Coupled and isolate it from the power around Do not attempt to solve ground
loop problem by disco nnecting the power ground
MANS CONNECTON
A safety fuse protects the unit from serious malfunction The fuse wblows in case of power problem Or loading short circuits
After removing the cause and the identical spe cification fuse blows right after a new one replaced there must be something
wrong in the unit
NEVER use fuses higher or loer ratings fuses or other metal material This can cause fire and electric shocks and
wheaten you life and the lies of others
Safety Fuse Replacement
8
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POWER
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CLIP
VU/dB
+10
+5
0
-5
-10 MIC INPUT MICVOL MIC EQ MUSIC EQECHO
MIC 2MIC 1 MIC 1 MIC1 ECHO REPEAT DELAY PRESET
MIC LEVEL MUSIC LEVEL
MIN MIN
AUX1
AUX2
MAX MAX
BASS BASSTREBLE TREBLEMIC 1
10 10 10 10 10 10+10 +10+10 +101000 0000-10 -10-10 -100
MIC 3
OFF
BALANCE
100
PRESET
SETECT
100
Professional Mixer
Digital Echo
78910
11

DESIGN YOUR SPEAKER SYSTEM WITH
when designing the speaker system, first determine the frequency ban dwidth you want to cover and the maximum sound
pressure level you want to achieve Select those components that meet your demand Care fully note the frequency range
each driver covered. (3-WAY SYSTEM)
6
12,, 2-way speaker12,, 2-way speaker
18,, Subwoofer18,, Subwoofer
0
10
0
10
0
10
0
10
CK-3800
Amplifier
0
10
0
10
0
10
0
10
CK-3800
Amplifier
L
Sterec Graphic EQ
Karaoke effect processor
BASS
R
PARALLEL
AUX1
AUX2
POWER
ON
CLIP
VU/dB
+10
+5
0
-5
-10 MICINPUT MICVOL MICEQ MUSICEQECHO
MIC2MIC1 MIC1 MIC1 ECHO REPEAT DELAY PRESET
MICLEVEL MUSICLEVEL
MIN MINMAX MAX
BASS BASSTREBLE TREBLEMIC1
MIC3
OFF
BALANCE PRESET
SETECT
ProfessionalMixer
DigitalEcho
XK-2
10 10 10 10 10 10+10 +10+10 +101000 0000-10 -10-10 -100100100
7
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Karaoke effect processor
0
10
0
10
0
10
0
10
CK-3800
0
10
0
10
0
10
0
10
CK-3800
18,, Subwoofer
10,, 2-way speaker
12,, 2-way speaker
12,, 2-way speaker
Amplifier
Amplifier
L
R
BASS
Sterec Graphic EQ
CENTER
AUX1
INPUT
BASSOUTPUT ROUTPUT LOUTPUT COUTPUT
R
AUX2
FREQ
WARNING:TOREDUCETHERISKOF FIRE OR ELECTRIC
SHOCKDONOTEXPOSETHIS EQUIPMENT TO RAIN OR MOISTURE
BASSVOL MUSIC MIC 3 MIC2
Manufacturedinthe PRC
MICINPUT FUSE
T0.5A250V
DESIGNINU.S.A
RATEDPOWER
CONSUMPTION10W ACIN
AC220V-240V
50/60Hz
MIC1
BASS
BGM
250Hz 10 10
25Hz 0 0
BASSCONTROL
NO:
RISKOF ELECTRIC SHOCK
DONOT OPEN
CAUTION
L
OFF
ON
MIC
10
0
CENVOL

AUX1
INPUT
BASSOUTPUT ROUTPUT LOUTPUT COUTPUT
R
AUX2
FREQ
WARNING:TOREDUCETHERISKOF FIRE OR ELECTRIC
SHOCKDONOTEXPOSETHIS EQUIPMENT TO RAIN OR MOISTURE
BASSVOL MUSIC MIC 3 MIC2
Manufacturedinthe PRC
MICINPUT FUSE
T0.5A250V
DESIGNINU.S.A
RATEDPOWER
CONSUMPTION10W ACIN
AC220V-240V
50/60Hz
MIC1
BASS
BGM
250Hz 10 10
25Hz 0 0
BASSCONTROL
NO:
RISKOF ELECTRIC SHOCK
DONOT OPEN
CAUTION
L
OFF
ON
MIC
10
0
CENVOL
DESIGN YOUR SPEAKER SYSTEM WITH
when designing the speaker system, first determine the frequency ban dwidth you want to cover and the maximum sound
pressure level you want to achieve Select those components that meet your demand Care fully note the frequency range
each driver covered. (4-WAY SYSTEM)
7
0
10
0
10
0
10
0
10
CK-3800
0
10
0
10
0
10
0
10
CK-3800
18,, Subwoofer
10,, 2-way speaker
12,, 2-way speaker
12,, 2-way speaker
Amplifier
Amplifier
L
R
BASS
Sterec Graphic EQ
CENTER
6
µ
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12,, 2-way speaker12,, 2-way speaker
18,, Subwoofer18,, Subwoofer
0
10
0
10
0
10
0
10
CK-3800
Amplifier
0
10
0
10
0
10
0
10
CK-3800
Amplifier
L
Sterec Graphic EQ
Karaoke effect processor
BASS
R
ÿp
AUX1
AUX2
POWER
ON
CLIP
VU/dB
+10
+5
0
-5
-10 MICINPUT MICVOL MICEQ MUSICEQECHO
MIC2MIC1 MIC1 MIC1 ECHO REPEAT DELAY PRESET
MICLEVEL MUSICLEVEL
MIN MINMAX MAX
BASS BASSTREBLE TREBLEMIC1
MIC3
OFF
BALANCE PRESET
SETECT
ProfessionalMixer
DigitalEcho
XK-2
10 10 10 10 10 10+10 +10+10 +101000 0000-10 -10-10 -100100100
Karaoke effect processor

FRONT PANEL DESCRIPTION
Use this switch to turn the Installation on and off Turn the Installation on before turning on the power amplifier; doing SO
will prevent loud transients which can damage your speakers and create noises unpleasant for your a udience.
8
1. POWER switch
These Jacks accept typical 3-pin 1/ 4,,TRS inputs for balanced and unbalanced signals They can be used in conjunction
with microphonessuch as professional condenser dynamic or ribbon microphoneswith standard 1/ 4,, TRS male
connectors and feature low noise preamplifiers.
3. 1/ 4,, TRS Microphone Jacks
The MIC INPUT level control allows you to adjust the input signal level(volume).
4. Line/Mic Gain Control
This contrll is cut of 10dB to high frequency (10KHz)sounds.This will adjust the amount of treble included.In the audio
of the channel adding strength and crispness to sounds such as guitars, cymbals. This control is cut of 10dB to low
frequency (100 Hz) sounds. This will adjust the amount of bass included in the audio of the charnel.
5. MIC EQ Control
This control is final level control for the main mic outp ut audio feed.
7. Main MIC output Control
The effect of this the team of knob-operated control reverberation The dimension of ECHO's control reverberation effect
The times that REPEAT's control is reverberateed The time of DELAY's control reverberation ..
6. ECHO Control
The LEVEL METER provides instant monitoring of output signal level To avoid possible distortion, reduce the input level if
the CLIP LED llights up For the LED to blink briefly during the loudest parts of your program is acceptable; if it stays on for
several seconds, however, distortion may begin to occur.
2. LEVEL METER with CLIP LED
This alternates the degree or level of audio that the left and right side of the main mix should receive.
8. Pan/Balance Control
This control is cut of 10dB to high frequency (10KHz)sounds. This will adjust the amount of treble included. This control
is cut of 10dB to low frequency (100Hz)sounds. This will adjust the amount of bass included in the audio of the charnel.
9. STEREO EQ Control
This control is final level control for the main stereo output audio feed.
10. STEREO output Control
11. STEREO selector button
12 3 4 5678910
11
POWER
ON
CLIP
VU/dB
+10
+5
0
-5
-10 MIC INPUT MICVOL MIC EQ MUSIC EQECHO
MIC 2MIC 1 MIC 1 MIC1 ECHO REPEAT DELAY PRESET
MIC LEVEL MUSIC LEVEL
MIN MIN
AUX1
AUX2
MAX MAX
BASS BASSTREBLE TREBLEMIC 1
10 10 10 10 10 10+10 +10+10 +101000 0000-10 -10-10 -100
MIC 3
OFF
BALANCE
100
PRESET
SETECT
100
Professional Mixer
Digital Echo
5
ò
1
2 3PIN 2PIN
31/4
,,TRS ,
4
100
5
6
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6dB
1/ 4,,TRS PIN 2 1/ 4,,TRS PIN 1 IN3
11/4
,,TRS PIN2 1/ 4 ,,TRS PIN 1
21/4
,,TRS PIN2 1/ 4 ,,TRS PIN 1 PIN 3
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1/ 4,,TRS PIN2 PIN 3
PIN1
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REAR PANEL DESCRIPTION
There are various numbers of these inputs depending which mixer you are using. They can be used in conjunction with
various line level devices.
9
12. STEREO Line inputs
There are the precision crossover frequency control knobs to set the crossover points 20Hz~250Hz.
13. CROSSOVER
This control is final level control for the main bass output audio feed.
14. BASS output Control
BGM mode, BASS mode.Depress this button to it will light up yellow Release it to
15. BGM/BASS
Each channel has an XLR female connector for output connection.
16. BASS OUTPUT
These two ports will output the final stereo balanced line level signal sent from the main mixing bus The primary purpose of
these Jacks is to send the main output to external devices, which may include power amplifiers (and in-turn, a pair of
speakers), other mixers, as well as a wide range of other possible signal processor (Equal-izers, Crossovers, etcetera)
17. Main Land R Outputs
Each channel has an XLR female connector for output connection.
18. CENTER OUTPUT
This control is final level control for the main CENTER output mic audio feed.
19. CENTER output mic Control
Depress this button to activate the MIC BBE; it will light up yellow Release it to terminate all MIC BBE functions.
21. BBE button
These Jacks accept typical 3-pin 1/ 4,, TRS inputs for balanced and unbalanced signals They can be used in conjunction
with microphone ssuch as professional condenser dynamic or ribbon microphoneswith standard 1/ 4
,, TRS male connectors
and feature low noise preamplifiers.
22. I/4,, TRS Microphone Jacks
Connect the supplied AC power cord to this socket, then insert the plug into a wall socket of suitable voltageA blown fuse
may be replaced only by a frse of identical type and rating.
23. AC power socket with fuse holder
4
j
XLR TRS XLR CANN ON TRS PHONE
TRS RING SLEEVE XLR
3 1 TRS PHONE
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2
3
1
2
3
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AUX 1
INPUT
BASS OUTPUT R OUTPUT L OUTPUT C OUTPUT
R
AUX 2
FREQ
WARNING:TOREDUCE THE RISK OF FIRE OR ELECTRIC
SHOCKDO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE
BASS VOL MUSIC MIC 3 MIC 2
Manufactured in the PRC
MIC INPUT FUSE
T0.5A 250V
RATEDPOWER
CONSUMPTION 10W AC IN
AC 220V-240V
50/60Hz
MIC 1
BASS
BGM
250Hz 10 10
25Hz 0 0
BASS CONTROL
NO:
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
L
OFF
ON
12 1413
15
16 17 18 19
20 23
21
22
MIC
10
0
CEN VOL
This control is final level control for the main CENTER output music audio feed.
20. CENTER output music Control

TYPICAL CONNECTING LEADS
10
B
A
L
A
N
C
E
D
U
N
B
A
L
A
N
C
E
D
I
N
S
E
R
T
C
O
R
D
Tip
Ring
Sleeve
1
2
3
Tip
Ring
Sleeve
Tip
Ring
Sleeve
1
2
3
1
2
3
1
2
3
1
2
3
Tip
Sleeve
Tip
Sleeve
1
2
3
Centre
Screen
Tip
Sleeve
Tip
Sleeve
Tip
Ring
Sleeve
Tip
Ring
Sleeve
Tip
Sleeve
Tip
Sleeve
Centre
Screen
1
2
3
1
2
3
1
2
3
Tip
Ring
Sleeve
Tip(Send)
Sleeve
Tip(Send)
Sleeve
Tip
Ring
Sleeve
1
2
3
(Send)
1
2
3
(Return)
Tip
Ring
Sleeve
Centre
Screen
Centre
Screen
(Send)
(Return)
Tip
Ring
Sleeve
1
2
3
Tip
Ring
Sleeve
Tip
Ring
Sleeve
Tip
Ring
Sleeve
B
A
L
A
N
C
E
D
Y
C
O
R
D
H
E
A
D
P
H
O
N
E
S
P
L
I
T
T
E
R
U
N
B
A
L
A
N
C
E
D
Y
C
O
R
D
S
P
E
A
K
D
N
L
E
A
D
SPin 1+
Pin 1-
Tip
Sleeve
Black
Red
Centre
Screen
Centre
Screen
1
2
3
1
2
3
1
2
3
Tip
Ring
Sleeve
1
2
3
Tip
Ring
Sleeve
Tip
Ring
Sleeve
Tip
Ring
Sleeve
Tip
Sleeve
Tip
Sleeve
1
2
3
1
2
3
Tip
Sleeve
Tip
Sleeve
Tip
Ring
Pin 1+
Pin 1-
Tip
Ring
Sleeve
Tip
Ring
Sleeve
3
ò
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,, 4,,
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7
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600ohms 3
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Parameter
11
MIC
INPUT CONNE CTORS
INPUT IMPEDANCE
INPUT MAXIMUM LEVEL
FREQUENCY RESPONSE
THD
NOISE
PARAMETRIC EQ HI
PARAMETRIC EQ LOW
BBE
LINE
OUTPUT CONNE CTORS
OUTPUT IMP EDANCE
OUTPUT MAXIMUM LEVEL
FREQUENCY RESPONSE
THD
NOISE
CROSSTALK
PARAME TRIC EQ HI
PARAMETRIC EQ LOW
CENTER/BASS
FILTERS LOW CONTROLS
THD
NOISE
OUTPUT
OUTPUT CONNE CTORS
OUTPUT IMP EDANCE
OUTPUT MAXIMUM LEVEL
OUTPUT LEVEL METER
POWER SUPPLY/PHYSICAL
POWER CONSUMTION
POWER REQUIREMENT
DIME NSIONS (WxHxD)
WEIGHT
1/ 4,,TRS balanced, line level
2K ohms
-20 dBu unbalanced
20Hz to 30kHz, +/-1 dB (max/min)
0.007% typical at+4dBu,1kHz
-80 dB
+/-12dB/10KHz
+/-12dB/100Hz
Determines the BBE
<
Line input
56K ohms
+18 dBu unbalanced
20Hz to 50kHz, +/-1 dB (max/min)
0.004% typical at+4dBu,1kHz
-87 dB
-60 dB
+/-10dB/10KHz
+/-10dB/100Hz
<
<
25Hz~250 Hz variable, -18 dB/oct
0.004% typical at+4dBu,1kHz
-82 dB<
XLR&1/4
,, TRS balanced, line level
100 ohms
+18 dBu unbalanced
6-segment LED meter with clip indicator
10W
240V,230V,220V, 120Vor 100V; 50...60Hz(factory configured)
483mmx44mmx175mm(19,, x1.75,, x6.9,, )
2.7kg(6bs)
2
OK
EQ BBE 24-BIT
OK
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6
OK
24BIT
EQ
25-250Hz
6LED
XLT 1/ 4,,TRS
1U
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OK OK ê,5ë5 。
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WARRANTY
12
1. This warranty does not exclude or limit the buyer,s statutory rights provided by natio nal law, in particular, any such rights
against the seller that a rise from a legally effective purchase contract.
2. The warranty regulations mentioned herein are applicable unless they constitute an infringement of national warranty
law.
1 OTHER WARRANTY RIGHTS AND NATIONAL LAW
1. warrants the mechanical and electronic components of this product to be free of defects in material and workmanship
for a period of one (1) year*from the original date of purchase, in accordance with the warranty regulations described
below. If the product shows any defects within the specified warranty period that are not excluded from this warranty as
described under 3,shall,at its discretion,either replace or repair the product using suitable new or reconditioned parts.
In the case that other parts are used which constitute an improvement, may,at its discretion,charge the customer for the
additional cost of these parts.
2. If the warranty claim proves to be justified, the product will be returned to the user freight prepaid
3. Warranty claims othe rthan those indicated above are expressly excluded.
2 ARRANTY
1. Warranty services will be furnished only if the product is accompanied by a copy of the original retail dealer,s invoice.
Any product deemed eligible for repair or replace ment under the terms of this warranty will be repaired or replaced.
2. Complywith applicable technical or safety standards on a national or local level, in any country which is not the country
for which the product was originally developed and manufactured, this modification/adaptation shall not be considered a
defect in materials or workmanship. The warranty does not cover any such mod ification/adaptation, irrespective of
whether it was carried out properly or not. Under the terms of this warranty,
shall not be held responsible for any cost resulting from such a modification/adaptation.
3. Free inspections and maintenance/repair work are expressly excluded from this warranty, in particular, if caused by
impro per handling of the product by the user. This also applies to defects caused by normal wear and tear, in particular,
of faders, crossfaders, potentiometers, keystbutton, tubes, guitar strings, illuminants and similar parts.
4. Damages/defects caused by the following conditions are not covered by this warranty:
improper handling , neglect or failure to operate the unit in compliance with the instructions given in user or service
manuals.
Connection or ooperation of the unit in any way that does not comply with the technical or safety regulations applicable
in the country where the product is used.
damages/defects caused by force majeure or any other condition that is beyond the control of.
5. Any repair or opening of the unit carried out by unauthorized personnel(user included ) will void the warranty.
6.If an inspection of the product by shows that the defect in question is not covered by the warranty, the inspection costs
are payable by the customer.
7. Products which do not meet the terms of this warranty will be repaired exclusively at the buyer,s expense. Will inform the
buyer of any such circumstance. If the buyer fails to submit a written repair order within 6 weeks after notification, will
return the unit C.O.D. With a seprate invoice for freight and packing.Such costs will a lso be invoiced separately when the
buyer has sent in a written repair order.
3 WARRANTY REGULATIONS
This warranty is extended exclusively to the original buyer (customer of retail dealer) and is not transferable to anyone
who may subsequently purchase this product. No other person (retail dealer, etc.)shall be en titled to give any warranty
promise on behalf of.
4 WARRANTY TRANSFERABILITY
Failure of to provide proper warranty service shall not entitle the buyer to claim (conse quential) damages. In no event
shall the lia bility of exceed the invoiced value of the product.
5 CLAIM FOR DAMAGES
1
2
3
4
5
6
7
8
9
10
11 /
12
13
14
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RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
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