AJA Ki Pro Ultra Plus Operating instructions

Ki Pro Ultra Plus
File Based Recorder/Player
Version 1.0r3
Published July 17, 2017
Installation and Operation Guide

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Notices
Trademarks
AJA® and Because it matters.® are registered trademarks of AJA Video Systems, Inc.
for use with most AJA products. AJA™ is a trademark of AJA Video Systems, Inc. for
use with recorder, router, software and camera products. Because it matters.™ is a
trademark of AJA Video Systems, Inc. for use with camera products.
CION®, Corvid Ultra®, lo®, Ki Pro®, KONA®, KUMO®, ROI® and T-Tap® are registered
trademarks of AJA Video Systems, Inc.
AJA Control Room™, KiStor™, Science of the Beautiful™, TruScale™, TruZoom™,
V2Analog™ and V2Digital™ are trademarks of AJA Video Systems, Inc.
AirPort, Apple, Apple logo, AppleShare, AppleTalk, FireWire, iPod, iPod touch,
Mac, Macintosh and ProRes, are registered trademarks of Apple Inc. Final Cut Pro,
QuickTime and QuickTime logo are trademarks of Apple Inc.
Avid, Avid DNxHD and Media Composer are registered trademarks of Avid
Technology, Inc.
Adobe is a registered trademark of Adobe Systems Incorporated in the United States
and/or other countries.
HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or
registered trademarks of HDMI Licensing, LLC.
DVI is a registered trademark of DDWG.
TASCAM is a registered trademark of TEAC Corporation.
Dolby and the double-D Dolby logo are registered trademarks of Dolby Laboratories
Licensing Corporation.
openGear® Ross, ROSS, ROSS®, and MLE are registered trademarks of Ross Video.
DashBoard Control System™ is a trademark of Ross Video.
All other trademarks are the property of their respective holders.
Copyright
Copyright © 2017 AJA Video Systems, Inc. All rights reserved. All information in
this manual is subject to change without notice. No part of the document may be
reproduced or transmitted in any form, or by any means, electronic or mechanical,
including photocopying or recording, without the express written permission of AJA
Video Systems, Inc.
Contacting AJA Support
When calling for support, have all information at hand prior to calling. To contact AJA
for sales or support, use any of the following methods:
Telephone [phone]
FAX [phone]
Web https://www.aja.com
Support Email suppor[email protected]
Sales Email [email protected]

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Contents
Notices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
Trademarks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Copyright . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Contacting AJA Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Chapter 1 – Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Overview. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Multi-Channel HD Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Ki Protect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Hardware . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Software . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
System Requirements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Ki Pro Ultra Plus Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
AJA Pak Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
AJA Pak-Adapt-CFast. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
AJA Pak-Adapt-eSATA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
AJA Pak Dock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
AJA Fiber Modules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
KPU-Shelf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
Apple ProRes 422 and Apple ProRes 444 Advantages . . . . . . . . . . . . . . . . 9
Avid DNxHD Advantages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
In This Manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Chapter 2 – Ki Pro Ultra Plus at a Glance. . . . . . . . . . . . . . . . .11
Front Panel Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Rear Panel Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Power Connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Storage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Formatting Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Using Pak Ki Pro Ultra Plus Media with Final Cut Pro and Premier Pro . . . 18
Using Ki Pro Ultra Plus Media with Avid Media Composer . . . . . . . . . . . 18
Closed Captioning Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Chapter 3 – Ki Pro Ultra Plus Installation. . . . . . . . . . . . . . . . .20
Overview. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
What’s In The Box?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Applying Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Remote Network Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Network Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
TCP/IP Information You’ll Need . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Networking via DHCP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Networking Ki Pro Ultra Plus using a Static IP Address . . . . . . . . . . . . . 23
Networking Ki Pro Ultra Plus Using the Factory Default IP . . . . . . . . . . . 25
Controlling Ki Pro Ultra Plus From a Web Browser . . . . . . . . . . . . . . . . 25
Chapter 4 – Front Panel Operation . . . . . . . . . . . . . . . . . . . . 26
Overview. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Control Panel Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
User Control Knob Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Overlay Display Content . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Transport Mode (default) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Recording a Clip. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Playing Back a Clip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Deleting Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Status Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Media Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

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Media Menu Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Custom Clip Naming. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Cong Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Cong Menu Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Signal Routing Examples. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Chapter 5 – Browser Remote Control . . . . . . . . . . . . . . . . . . 61
Overview. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Operations Unique to the Web UI . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Playing, Jogging and Selecting Clips . . . . . . . . . . . . . . . . . . . . . . . . 65
Playlists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Gang Recording with Multiple Ki Pro Ultra Plus. . . . . . . . . . . . . . . . . . 67
Data Transfer via LAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Presets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Updating Firmware. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Chapter 6 – Ki Pro Ultra Plus Accessories . . . . . . . . . . . . . . . . 75
Overview. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Ki Pro Ultra Plus Handle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Ki Pro Ultra Plus Shelf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
AJA Fiber Modules. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Appendix A – Specications . . . . . . . . . . . . . . . . . . . . . . . . 77
Appendix B – Safety and Compliance . . . . . . . . . . . . . . . . . . 84
Warranty and Liability Information . . . . . . . . . . . . . . . . . . . .93
Limited Warranty. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Limitation of Liability . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Index. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .94

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Chapter 1 – Introduction
Overview
Ki Pro Ultra Plus is a Multi-Channel Apple ProRes recorder offering up to
4-Channels of simultaneous HD recording, or in Single-Channel mode a 4K/
UltraHD/2K/HD Apple ProRes® or Avid DNxHD® MXF recorder and player.
Ki Pro Ultra Plus supports the latest connectivity, as well as large raster high frame
rate workflows, including 4K 60p.
3G-SDI, fiber and full HDMI 2.0 digital video connectivity and a wealth of analog
and digital audio connectivity answers any project’s demand for efficient,
powerful and flexible workflows.
Designed to be either portable or rackmountable with half rack wide 2RU high
dimensions, it’s well suited for use in studio/truck environments in addition to
on-set and even digital signage applications. The Ki Pro Ultra Plus is designed to
meet the growing demand for 4K and UltraHD capable recorder products with
full support for current HD projects.
Ki Pro Ultra Plus enables manageable large raster workflows with the efficiencies
of Apple ProRes, supporting a broad range of video formats and frame rates
recorded directly to AJA’s proven and reliable Pak Media, offering the lowest cost
per GB available today.
Next generation pristine 4K/UltraHD 50/60p recording in Apple ProRes HQ is
offered utilizing AJA Pak1000 SSD media, complete with full rollover capabilities
from drive to drive. This ensures long recording times for the most demanding
projects.
Smooth slow motion playback can be obtained easily with full control via the
RS-422 serial connection or through the simple and intuitive on unit menu system
and through the Ki Pro Ultra Plus’ web interface.
Menus and images are beautifully rendered on a new high resolution LCD display
enabling detailed playback and monitoring in all environments.
Features
Multi-Channel HD Recording
Record 1, 2, 3 or 4-Channels of beautiful HD up to 1080p 50/60 in Apple ProRes
simultaneously with Ki Pro Ultra Plus. Simplify your multi-camera productions by
running up to four cameras per Ki Pro Ultra Plus and save power, space, time and
effort on set, in the studio and when setting up OB trucks.
Ki Pro Ultra Plus even allows independent profile support per channel in Multi-
Channel mode; for example, select high resolution Apple ProRes HQ for high

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quality finishing and use a second input to record Apple ProRes (Proxy) for an
efficient editing pipeline.
Starting with input 1, add channels as needed in order when utilizing like raster
size and frame rate, and record your HD Apple ProRes files on the same AJA
Pak1000 media. Ki Pro Ultra Plus even allows rollover to a second Pak1000 for
hours of uninterrupted multi-channel recording.
Ki Protect
Ki Pro Ultra Plus includes Ki Protect, a feature that helps to ensure data integrity
if a media drive is accidentally removed or loses power during recording. The Ki
Protect feature automatically pre-allocates recording space on the media drive for
video, audio and timecode when the record button is pressed. Whilst recording,
the file header is then continuously updated every time new data is written.
That way, the only loss that should be incurred is the last few frames that were in
transit to the media drive to be recorded when the operation was interrupted.
Frames that are already recorded will be preserved and are recoverable, providing
greater piece-of-mind on set and in the studio.
Hardware
• Up to 4-Channels of simultaneous HD recording (Pak1000/Pak512 R1/Pak256
R1 only)
• Apple ProRes 444, Apple ProRes 422, Apple ProRes 422 (HQ), Apple ProRes
422 (LT), and Apple ProRes 422 (Proxy)—4K/UltraHD, 2K, HD implemented in
hardware
• Avid DNxHD HQX (220x), Avid DNxHD SQ (145), and Avid DNxHD LB (36)—HD
implemented in hardware
• MXF with OP1A support for DNxHD encoded les, bringing true Avid MXF
compatibility for HD workows
• 3G-SDI input (4x BNC connectors)
• 3G-SDI output (4x BNC connectors)
• 3G-SDI Fiber input (4x LC connectors) (optional)
• 3G-SDI Fiber output (4x LC connectors) (optional)
• HD-SDI monitor output (1x BNC connector)
• HDMI Input v2.0 (up to 4K 60p 4:2:2 YCbCr or 4:4:4 RGB)
• HDMI Output v2.0 (up to 4K 60p 4:2:2 YCbCr or 4:4:4 RGB)
• 8-ch AES Audio Input (1/2x DB-25 TASCAM pinout)
• 8-ch AES Audio Output (1/2x DB-25 TASCAM pinout)
• 8-ch Analog Audio Input (1x DB-25 TASCAM pinout)
• 8-ch Analog Audio Output (1x DB-25 TASCAM pinout)
• LTC Input (1x BNC connector)
• LTC Output (1x BNC connector)
• Reference Loop (2x BNC connectors)
• RCA Audio output (2x mono RCA connectors)
• Headphone jack (1x 3.5mm Jack)
• 10/100/1000 Ethernet LAN (1x RJ-45 connector)
• RS-422 Machine control (1x DB9)
• 1280 x 720p TFT LCD display (for UI information and condence monitoring)
• Dual 12 Volt AC/DC power (2x 4-pin XLR connectors)

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Software
• Internal web server for remote control conguration via LAN
• Both HFS+ and ExFAT le systems supported
• Continuous rollover record only limited by the size of your media
• Capture and playback of CEA 708 Closed Captioning data as QuickTime movie
tracks
• Download and upload of les via LAN
• 20 Preset registers for storing and recalling system preset congurations
• Alarms to alert users to conditions that may need attention
System Requirements
The Ki Pro Ultra Plus records and plays Apple ProRes 444, Apple ProRes 422, and
DNxHD QuickTime files to/from SSD media.
Files can be stored on the media using the HFS+ file system. This makes the
media readable on any Mac OS computer natively (using the associated media
reader) and PCs using 3rd-party software that can read HFS+ formatted drives
(MediaFour’s MacDrive for example).
Ki Pro Ultra Plus can also store files on media using the ExFAT file system, for
native PC operation.
Ki Pro Ultra Plus Options
AJA Pak Media
Ki Pro Ultra Plus lets you record edit-friendly 4K, 2K, or HD files directly to
removable AJA Pak Media. Once removed from the Ki Pro Ultra Plus, the Pak can
be inserted in the AJA Pak Dock which connects directly to your computer via
Thunderbolt or USB 3.0, allowing you to rapidly transfer ProRes or DNxHD files
that are ready for use immediately in your non-linear editing system.
AJA Pak Options
The Pak256, Pak512, and Pak1000 options are high-capacity Solid State Drives
encased in a protective housing with rugged connection engineered to handle
the rigors of repeated use in the field.
NOTE: The newer Pak256-R1, Pak512-R1, and existing Pak1000 media supports recording
all formats and frame rates up to and including 4K/UltraHD 50, 59.94,60 at
ProRes 422 (HQ). Legacy Pak256(R0) and Pak512(R0) media have slightly lower
capabilities, and are able to record up to 4K/UltraHD 30 at ProRes 422.
AJA Pak-Adapt-CFast
Pak-Adapt-CFast allows you to use CFast media you provide with Ki Pro Ultra Plus.
Simply insert the CFast card and once the green LED is lit, your media is mounted
and can be formatted. Formatting CFast media may take up to 60 seconds to
complete. You’re then able to record direct to your media. For long recording
times, AJA recommends Pak512 and Pak1000 media.

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Qualified CFast Media
Although most types of CFast media will mount, only qualified media will provide
proven performance. AJA does not prevent the user from using unqualified
media and as such does not recommend the usage of any other media than that
listed below. AJA Video does not take any responsibility for any loss of data by
using unqualified media.
For a current listing of all CFast media qualified by AJA, see the Qualified Media
Guide at:
https://www.aja.com/en/products/pak#support
AJA Pak-Adapt-eSATA
Pak-Adapt-eSATA is a Pak media sized eSATA adapter that lets you attach qualified
RAID or single volume storage to Ki Pro Ultra Plus and use that media as a record
drive. Simply connect a high quality eSATA cable to the Pak-Adapt-eSATA port,
and once the green LED is lit your media is mounted. You can then record direct
to that media.
Qualified Media
Pak-Adapt-eSATA requires qualified media to ensure the best results. Although
most types of RAID and single volume drives will mount, only qualified media
provides proven performance. AJA does not prevent the use of unqualified
media, but does not recommend using any devices other than those listed below.
AJA only supports customers using qualified RAID enclosures, high quality
cables and approved drives. AJA does not take responsibility for any loss of data
resulting from the use of unqualified media.
IMPORTANT: The ‘Rollover’ functionality of Ki Pro Ultra Plus is not supported between
multiple Pak-Adapt-eSATAs, or between Pak media and Pak-Adapt-eSATA, due to
the longer mount times required by larger volumes.
IMPORTANT: Multi-channel recording is only supported on Pak1000, Pak512 R1 and
Pak256 R1 media.
For a current listing of all eSATA media qualified by AJA, see:
https://www.aja.com/en/products/pak#support
AJA Pak Dock
The AJA Pak Dock option is an external media reader with Thunderbolt™ and USB
3.0 connections for fast transfer of media to a host computer.
AJA Fiber Modules
Fully integrated fiber inputs and outputs means Ki Pro Ultra Plus can be
integrated directly to a dedicated fiber network alongside many other fiber
products.
The following link has a list of AJA qualified SFP modules:
https://www.aja.com/products/ki-pro-ultra-plus#options
KPU-Shelf
Ki Pro Ultra Plus can be mounted side by side using the optional KPU-Shelf for
rackmount applications. Using the four channel HD recording capability and

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front panel quad display, two rack mounted Ki Pro Ultra Plus units can record and
monitor eight HD signals in only two rack units of space.
Apple ProRes 422 and Apple ProRes 444 Advantages
Captured media using Apple ProRes 422 or Apple ProRes 444 is virtually
indistinguishable from uncompressed HD/2K/4K sources. Better yet, Apple ProRes
maintains the quality during editing, surviving multiple encoding/decoding
generations without degradation. It was designed by Apple specifically for
editing. Some of the advantages include:
• Resolution support for 4096-by-2160 (4K), 3840-by-2160 (UltraHD), 2048-by-
1080 (2K), 1920-by-1080 (HD), and 1280-by-720 (HD).
• 4:2:2 or 4:4:4 chroma sampling. Provides precise compositing and blending at
sharp saturated-color boundaries.
• 10-bit sample depth. Preserves subtle gradients of 10-bit sources (perfect
for green-screen compositing, graphics or color correction) with no visible
banding artifacts.
NOTE: Ki Pro Ultra Plus can accept 12-bit inputs but processes and encodes at 10-bit.
• Intra-frame encoding. Ensures consistent quality in every frame and no
artifacts from complex motion.
• Variable bit-rate (VBR) encoding. “Smart” encoding analyzes the image and
allocates more bits to complex frames.
• Low data rate requirements make for more storage options and require less
drive space to store high quality video.
• Optimized for ecient real-time eects.
Avid DNxHD Advantages
Quality using Avid DNxHD is excellent—HD quality encoding without high
bandwidth requirements. Avid DNxHD was designed for non-linear post-
production and broadcast to withstand multi-generational processing.
• Full-size 1920-by-1080 and 1280-by-720 HD resolutions.
• 4:2:2 chroma sampling.
• 10-bit sample depth (for DNxHD HQX (220x)) or 8-bit.
• Every frame of encoding is independent.
• Constant bit-rate (CBR) encoding.
• Low data rate requirements.
Data Rates
• DNxHD HQX (220x): 175 to 440 Mb/second depending on format and frame
rate.
• DNxHD SQ (145):115 to 291 Mb/second depending on format and frame rate.
• DNxHD LB (36): 36 to 90 Mb/second, for high-quality oine editing at the
original frame size, frame rate, and aspect ratio and is only oered with 1080p
format.

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Table 1. Data Rates (Mb/sec) for DNxHD Formats
Frame/Field Rate
DNxHD Format 23.98 24 25 29.97 50 59.94
HQX (220x) 1080p 175 175 185 220 367 440
1080i 185 220
720p 175 220
SQ (145) 1080p 115 115 120 145 242 291
1080i 120 145
720p 115 145
LB (36) 1080p 36 36 36 45 75 90
NOTE: Blank format/frame rate combinations are not currently supported.
NOTE: 4K and UltraHD video encoding using Avid DNxHD is not currently supported.
In This Manual
Chapter 1 is the introduction you’re reading, provides an overview of hardware
and software features, options, box contents, and system requirements.
Chapter 2 gets you started with Ki Pro Ultra Plus, introducing the front panel
controls and rear connector features.
Chapter 3 gives detailed installation information.
Chapter 4 provides complete instructions for operating the Ki Pro Ultra Plus from
the front-panel controls and LCD display.
Chapter 5 discusses remote web browser control of Ki Pro Ultra Plus via Ethernet.
Chapter 6 provides details of AJA accessories available.
Appendix A lists specifications.
Appendix B provides safety and compliance information.
Warranty Information & Index complete the manual.