Apogee Maestro User manual

User’s Guide
V1.3 - September 2007
Multi-Function Software Mixer/Utility

User’s Guide
Contents
Introduction 1
Overview 2-5
Maestro Control - Ensemble 2
Maestro Control - Duet 2
Maestro Control - Symphony/Symphony Mobile 2
Maestro Control - Symphony 4
Maestro Mixer Window 6
Input/Output Panes 6
Input Pane 6
Input Pane 7
Maestro Mixer Window 8
Output Pane 8
Output Pane 9
Maestro Mixer Window 10
Working with the Input and Output Panes 10-11
Maestro Mixer – An Overview 12-13
Maestro Mixer Window 14
Mixer Pane 14
Maestro Mixer Window 15
Maestro – Menu by Menu 16-17

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Introduction
Apogee’s Maestro software application provides control, routing and low-latency mixing functionality for Apogee
hardware interfaces connected to an Apple Macintosh computer. Maestro gives you control of your Apogee
system by allowing you to adjust hardware settings, congure routing between hardware and software I/O, and
create low-latency mixes of hardware I/O paths and software outputs.
As of Maestro version 1.3, the following Apogee hardware interfaces are supported:
• Duet Firewire Interface
• Ensemble Firewire Interface
• Symphony PCI card(s) with AD16X,DA16X, Rosetta 800 or Rosetta 200 connected
• Symphony Mobile Express/34 card with AD16X,DA16X, Rosetta 800 or Rosetta 200 connected
• MiniFW card for Apogee MiniMe and MiniDAC interfaces
Computer requirements:
• OSX 10.4.10 or above
• Apple Macintosh PowerPC or Intel CPU, 1.0GHz or higher, 1GB of RAM required, 2GB recommended
• Supported Apogee hardware and all necessary drivers and OS X updates must be installed, tested and
operating correctly
Installation:
To install Maestro, unzip the le (if downloaded) or insert the CD that accompanies Apogee hardware, and
follow the on-screen instructions provided by the installer.

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Maestro consists of two main windows, Maestro Control and Maestro Mixer; routing and low latency mixer settings are
made in the Maestro Mixer window, while settings such as clock source and unit-specic settings (mic-pre gain, Sym-
phony VBus) are made in the Maestro Control window.
Maestro also includes functionality for checking software and rmware versions, choosing Mixer key commands, and sav-
ing and recalling routing, mixer and control congurations.
The contents of both the Control and Mixer windows change according to the Apogee hardware selected in the Interface
drop down menu.
Maestro Control - Ensemble
4. For a complete description of the settings displayed on the Maestro Control window when an Ensemble is chosen in
the Interface drop down menu , please consult the Ensemble User’s Guide, pages 14-17.
Maestro Control - Duet
4. For a complete description of the settings displayed on the Maestro Control window when a Duet is chosen in the
Interface drop down menu , please consult the Duet User’s Guide, pages 10-17.
Maestro Control - Symphony/Symphony Mobile
1. Interface Drop Down menu – The Interface drop down menu, found in the upper left corner of each Maestro window,
is used to select the Apogee interface whose settings are displayed in that window. Once selected, an icon repre-
senting the interface appears at the top of the window. When hardware connected to a Symphony card is selected,
Interface names are displayed in the following format:
2. Identify Unit – This feature is disabled when interfaces connected via Symphony/Symphony Mobile are selected.
3. Clock Source Select - This drop down menu is used to set the clock source of the selected interface to Internal or
External. When set to Internal, the selected interface derives clock from an internal crystal; when set to External,
clock source selection varies according to the digital input options of each Apogee interface, as described below.
Rosetta 800/200 – when set to External, the specic source (ADAT/SMUX, AES or Word Clock input) must be
manually selected on the Rosetta’s front panel.
AD16X – when set to External, the AD16X accepts clock from its Word Clock input.
DA16X – when set to External, the specic source, either word clock or digital input, must be manually selected
on the DA16X’s front panel.
This setting is grayed out when the clock source is automatically set by the hardware system. For example, in a multi-
interface Symphony PCI/Mobile system, Clock Source Select is greyed out when any but the rst interface con-
nected directly to the Symphony card is selected in the Interface drop down menu.
Overview Overview
Symphony card to which
the unit is connected
Unit model and Routing (AD-DA16X)
Unit number
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Overview
Maestro Control - Symphony/Symphony Mobile
VBus - Apogee’s VBus creates virtual hardware buses to allow the routing of signals within one audio application or
between different audio apps. For example, it’s possible in Logic Pro to record a submix of multiple audio tracks onto a
new audio track as described below - not possible without VBus. It’s also possible to route between two audio apps by
selecting a VBus output in the source app and a VBus input in the destination app.
To engage VBus and specify the number of desired buses, open Apogee’s Maestro application, select one of
the Apogee interfaces connected to the Symphony PCI card, and open the Maestro Control Panel. In the VBUS
Selections drop down menu, select the number of virtual buses desired. As these buses don’t use much CPU power,
the only reason to select fewer buses would be to maintain order in the I/O lists of your audio apps. Up to 32 Vbuses
per Symphony PCI card are possible
In order for VBus I/O to appear in your audio application’s I/O list as VBus In 1-2, 3-4, etc, it’s necessary to specify
the use of the Symphony driver’s names in the applications’s I/O list. For example in Logic Pro, open Audio>Audio
Conguration>View>I/O Labels and Option-click on all the I/O found under the Driver’s I/O Label column.
As an example of how to use VBus, let’s record a submix of drums onto a new stereo audio track in Logic Pro.
Open Maestro and select 8 Channels under the VBus Selections menu.
In Logic’s Track Mixer, set the outputs of the individual drum audio tracks to VBout 1/2
Create two audio tracks (or one stereo track) and set their inputs to VBin 1 and VBin 2.
Record-enable the new track and commence recording – the new track will record the mix of the individual drum
tracks.
Performance Tuning allows the adjustment of Symphony driver buffers to take advantage of the latest Intel Macs’
increased CPU power.
Set Performance Tuning to High Performance when using Symphony on an Intel Mac; this reduces buffer sizes
and ensures the lowest latency through the Symphony system.
Set Performance Tuning to Standard when using Symphony on G5 PowerPC Macs. Though Symphony buffers are
set higher, latency is still quite low.
Performance Tuning is set in addition to the buffers typically found in digital audio applications. If audible clicks and
pops are encountered, rst raise the driver buffer size in the audio application. Apogee’s extensive testing of this
driver indicates that software buffers will “run out” before the Symphony driver buffers controlled by Performance
Tuning. If problems persist set Performance Tuning to Standard.
Maestro Control - MiniFW
When a MiniDAC connected via a MiniFW card is selected in the Interface drop down menu, the unit is displayed but
no user functions are available. The MiniFW check box indicates that the MiniFW card is receiving a proper clock.
When a MiniMe connected via a MiniFW card is selected in the Interface drop down menu, the unit is displayed and
a UV22HR check box is displayed. Checking this box enables UV22HR processing (Apogee’s industry leading 24 to
16-bit dithering algorithm) on the FireWire output to the software application.
Overview
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Input PaneMaestro Mixer Window
Input/Output Panes
The Input and Output Routing panes consist of an intuitive routing grid on which connections between hardware and
software I/O are depicted and modied visually.
Connections are depicted by grey connection icons at the intersection of a hardware I/O column and a soft-
ware I/O row. To modify a connection, place the curser over the grid at the intersection of the desired hardware I/O
column and software I/O row, and click on the highlighted grid position; the grey connection icon will shift into the new
position to indicate that the desired connection has been made.
As an example, the default state of the Input routing pane with an Ensemble connected is shown in gure 1 . Ensem-
ble’s hardware inputs are displayed across the top of the grid, while software inputs are displayed to the left of the
grid. The grey connection icons, labelled L and R, are placed such that hardware inputs Analog In 1 and 2 are con-
nected to software Input Analog 1/2, hardware inputs Analog In 3 and 4are connected to software Input Analog
3/4, and so on.
Input Pane
The Input pane serves to connect hardware inputs to software inputs, as shown in gure 2 . The following controls are
found in the Input pane:
1. Interface menu , Identify Unit – These controls, found at the top of the Input, Output and Mixer panes, are identical
to those found in the Maestro Control window described on page 2.
2. Matrix – The settings in these drop down menus dene how software inputs are formatted in the routing grid:
Mono - software inputs are formatted as Mono signal paths.
Stereo - software inputs are formatted as Stereo signal paths.
Off - the signal path is deactivated.
3. Input – This column displays the software inputs available for routing. Software input names may be modied by
clicking on the triangle to the left of the Matrix to reveal a text entry box. For these names to appear in your audio
application’s I/O list, it’s necessary to specify this in the audio app. For example in Logic Pro, open Audio>Audio
Conguration>View>I/O Labels and Option-click on all the I/O found under the Driver’s I/O Label column
4. (Analog, Hardware) In – This row displays the hardware inputs available for routing.
5. Mixer A In, Mixer B In – It’s possible to route the output of either the A or B mixer (found in the Mixer pane) back into
the software application. For example, when hardware synths are connected to the hardware inputs of an Apogee
interface, it’s possible to mix these synths using the Maestro mixer and record the mix in your software application by
assigning either the Mixer A In or Mixer B In to a software path.
gure 2
gure 1

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Output Pane
The Output routing pane is functionally similar to the Input pane, but used to make connections between software and
hardware outputs, as depicted below. Software outputs are displayed to the left of the grid, and hardware outputs are
displayed across the top of the grid.
1.Matrix – The settings in these drop down menus dene how software outputs are formatted in the routing grid:
Mono - software outputs are formatted as Mono signal paths.
Stereo - software outputs are formatted as Stereo signal paths.
Off - the signal path is deactivated.
(hardware input) Direct - this setting, unique to the Output pane, provides a signal path to route hardware
inputs directly to hardware outputs. For example, it’s possible to route Ensemble’s 8 analog inputs to the optical
output while routing the optical input to the 8 analog outputs. This conguration is shown in the lower routing page
example shown at right.
2. Output – This column displays the software outputs available for routing. Software output names may be modied
by clicking on the triangle to the left of the Matrix to reveal a text entry box. For these names to appear in your audio
application’s I/O list, it’s necessary to specify this in the audio app. For example in Logic Pro, open Audio>Audio
Conguration>View>I/O Labels and Option-click on all the I/O found under the Driver’s I/O Label column.
3. (Analog,Hardware) Out - This row displays the hardware outputs available for routing.
Maestro Mixer Window Output Pane
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Output Signal path: Logic> Maestro> Ensemble
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Maestro Mixer Window
Working with the Input, Output and Mixer Panes
While conguration of Input/Output routing is quite intuitive, there are a few details to be aware of:
One Hardware Input, Multiple Software Inputs - In the Input pane it is possible to route one hardware input to
multiple software inputs simply by clicking down the desired hardware input column and across the desired software
inputs, as shown at right. For the recording situation where one microphone is routed to several software tracks (say,
when recording backing vocals), the necessary changes are accomplished more quickly in the Input routing pane
than in your software application.
One Software Output, Multiple Hardware Outputs - In the Output pane it is possible to route one software output
to multiple hardware outputs by holding down the Control key while clicking across the desired software output row
and under the desired hardware outputs, as shown at right.
AD16X - Standard Routing - When an AD16X in Standard routing mode is selected in the Interface menu, the Out-
put pane is blank, reecting the fact that there are no signal paths from software outputs to AD16X outputs while it is
set to Standard routing.
DA16X - Standard Routing - Likewise, when a DA16X is selected, the Input pane is blank; there are no signal paths
from DA16X inputs to software inputs while the interface is set to Standard routing.
AD16X - Advanced Routing - When the AD16X is set in Advanced routing, the Input pane is used to route the
AD16X’s analog inputs to software inputs, and the Output pane is used to route software outputs to the AD16X’s AES
and ADAT/SMUX outputs.
DA16X - Advanced Routing - When the DA16X is set in Advanced routing, the Input pane is used to route the
DA16X’s AES or ADAT/SMUX digital inputs to software inputs, and the Output pane is used to route software outputs
to the DA16X’s Analog outputs.
MiniFW - When a MiniMe or MiniDAC connected via a MiniFW card is selected, the input and From Mac meters
display their associated signals, but mixing functionality is disabled. The Input and Output panes are disabled.
Duet - When a Duet is selected in the Interface menu, the Mixer pane displays a fully functional two input mixer. The
Input and Output panes are also disabled.
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Maestro Mixer Window

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Before describing the functions of Maestro’s Mixer pane, a bit of background information concerning latency and comput-
er-based digital recording setups will help to better understand these Mixer functions.
When recording with most computer-based digital audio applications, the delay between the input and output of the re-
cording system can disturb the timing of musicians recording their performance while listening to the output of the system.
This delay, known at latency, means that the musician hears the notes he produces a matter of milliseconds after having
produced them. As anyone who has spoken on a cell phone call with echo or delay knows, relatively short delays can
confuse the timing of any conversation, spoken or musical.
To illustrate the effect of latency, gure 1 depicts the typical signal path of a vocal overdub session. A vocalist sings into a
microphone, which (after pre-amplication) is routed to an analog to digital converter, then to the audio software applica-
tion for recording. In the software app, the vocalist’s live signal is mixed with the playback of previously recorded tracks,
routed to a digital to analog converter, and nally to the vocalist’s headphones. A slight delay accumulates at each conver-
sion stage, while a much greater amount of delay occurs through the software app, resulting in the vocalist hearing his
performance in the headphones up to several milliseconds later.
Maestro Mixer – An Overview Maestro Mixer – An Overview
By modifying the signal path as illustrated in gure 2, it’s possible to provide the vocalist a headphone monitoring signal
with a much shorter delay. First, the signal being recorded (in this case, a vocal mic) is split just after the A/D stage and
routed to both the software app for recording and directly back to the hardware outputs without going through the latency-
inducing software app; this creates a low-latency path from mic to headphones. But in order to overdub, it’s necessary
to mix this direct path with tracks being played back from the software app. By creating a DSP mixer in hardware, the
required mixing may be accomplished. Indeed the mixing “engine” of Maestro’s Mixer “resides” on DSP found in Apogee
hardware; the actual Mixer pane may be thought of as a software remote control for this DSP hardware mixer.
Before this theoretical examination of low-latency mixing slows you down, here are a few simple guidelines for working
with a software app (in this case, Apple Logic Pro) and Maestro’s mixer.
1. Congure Logic Pro so that the track to which you’re recording will mute
when Record is engaged but will play back when Record is disengaged (even
if the track is record-enabled). Thus, when actual recording is taking place the
performer only hears the low-latency path in his headphones, but hears play-
back of the track (for punching in) before and after Record is engaged. This is
accomplished quite simply by unchecking the Software Monitoring box in the
Audio Hardware and Drivers page.
2. Set both the Maestro and Logic channel faders through which the recorded
signal is passing to 0 dB, to avoid changes in level between recording and
playback. Rather than adjust these faders, adjust playback faders to achieve
the desired balance between playback and the signal being recorded. Also set
the Maestro From Mac and To Hardware faders to 0 dB. By “zeroing out” the
Maestro mixer and making all level changes in the software app mixer where
practicable, operation is quite a bit more straightforward.
Figure 1
Figure 2

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Mixer Pane
As described in the previous section, the Maestro mixer serves to blend hardware inputs with software outputs (playback),
and route the mix directly to hardware outputs, as depicted below.
1. Mixer Select (A-B) – This drop down menu selects between the two available mixers per hardware interface. (Note
that Duet offers only one mixer, thus the Mixer Select (A-B) drop down menu doesn’t appear when Duet is selected.)
2. Input channels – Hardware inputs of the selected interface (under the Interface menu) are the source for the Mae-
stro mixer inputs.
3. Pan – This slider pans the input signal between the left and right sides of the Maestro mixer output.
4. Pan value window – The pan value (where full left is designated <64, center is <0> and full right is 64>) is displayed
in this window.
5. Level fader – This slider set the level at which the input signal is mixed to the Maestro mixer output.
6. Level value window – The Level value (between “Muted” and +6) is displayed in this window
7. Meter – This bargraph style meter displays the pre-fader input level.
8. Mute – This button mutes the input channel.
9. Solo – This button solos the input channel, thereby muting all channels whose Solo buttons are not engaged.
Maestro Mixer Window Maestro Mixer Window
10. From Mac – This stereo input channel provides level control, metering and mute/solo functions for the signal from
the software application containing playback . Match the software application’s mixer output and the From Mac drop
down menu selection. In most cases the software mixer output and From Mac are both set to outputs 1-2.
11. To Hardware – This stereo output channel provides a level fader, metering and a routing drop down menu for control-
ling the stereo output of the Maestro mixer. Select the hardware output at which the Maestro mixer output should
appear. Again, in most cases To Hardware is set to hardware outputs 1-2
If To Hardware is set to None, the Maestro mixer is removed from the signal path, and the connection between the
software and hardware output is determined in the Output routing pane. When To Hardware is set to any hardware
output, the resulting routing is displayed in the Output pane as Mixer Out.
(Symphony PCI only) Maestro mixing may be accomplished from any hardware input to any hardware output as long as
the hardware is connected to the same Symphony PCI card.
For example, in a system that consists of an AD16X and DA16X connected to Symphony PCI card #1 and a Rosetta
800 connected to Symphony PCI card #2, any AD16X input may be mixed to any DA16X output, any Rosetta 800
input may be mixed to any Rosetta 800 output, but the AD16X inputs may not be mixed to the Rosetta 800 outputs.
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Maestro – Menu by Menu
Maestro> About Maestro
Selecting this menu item opens the panel shown below, which indi-
cates various software and rmware versions.
Maestro> Preferences
Selecting this menu item opens the Preferences panel, in which mixer control actions may be dened.
Rotary Controls
Mouse motion – This selection denes the motion of the
mouse required to adjust rotary controls such as Ensemble
Mic Pre gain.
Fine adjust key – This selection denes the key command to
make ne adjustments to any rotary control.
Fader Controls
Fine adjust key - This selection denes the key command to
make ne adjustments to any fader control.
0dB key – This selection denes the key command to set the
fader to 0 dB when clicking in the level value window.
Ungroup faders - This selection denes the key command
to adjust one side of the stereo From Mac and To Hardware
faders.
Pan Controls
Fine adjust key - This selection denes the key command to
make ne adjustments to any pan control.
Center - This selection denes the key command to set the
pan control to <0>, or center, when clicking in the pan value
window.
Other
Mute/Solo all - This selection denes the key command to
engage all Mutes or Solos when clicking on the Mute or Solo
buttons.
Duet Preferences
Launch Maestro automatically when connecting Duet -
When this box is checked, Maestro is launched automatically
when Duet is discovered on the Mac’s FireWire bus.
Enable Duet Pop-ups - When this box is checked, encoder
pop-ups appear on the Mac desktop.
Maestro – Menu by Menu
Maestro> Hide Maestro
Choosing this menu item hides the Maestro application.
Maestro> Hide Others
Choosing this menu item hides all other open applications.
Maestro> Show All
If Hide Others has been previously selected, choosing this menu item reveals all open
apps in the Finder.
Maestro> Quit Maestro
Choosing this menu item closes the Maestro program.
File:
File> Open
Choose this menu item to navigate to a previously saved Maestro conguration le and
open it.
File> Open Recent
Choose this menu item to re-open a recently opened Maestro conguration le.
File> Close Window
Choose this menu item to close the “active”, or up-front, window.
File> Save
Choose this menu item to save the current settings of all windows.
File> Save As
Choose this menu item to save the current settings of all windows as a newly named
le.
Tools:
Tools> Maestro Control
Choosing this menu item opens the Maestro Control window
Tools> Maestro Mixer
Choosing this menu item opens the Routing/Mixer window
Tools> Reset Symphony Clocking
In certain instances Apogee interfaces can’t be detected until the clock setting of the
rst interface has been reset. After choosing Reset Symphony Clocking, a dialog box
appears allowing the reset of clock source on the rst interface to Internal or Exter-
nal.
Tools> Refresh Connections
Choosing this menu item re-scans computer connections for connected Apogee hard-
ware.
Tools> Reset Mixer
Maestro mixers may be reset with this menu item; choose Reset Displayed to reset
the mixer displayed in the Maestro Mixer window; choose Reset All to reset all mixers.
Tools> Reset Routing
Choosing this menu item resets the Input and Output panes to a “pass through” con-
guration, where hardware and software I/O are connected on a one to one basis.
Window:
Window> Minimize
Choosing this menu item minimizes the up front window to the OS Dock.
Window> Zoom
Choosing this menu item maximizes the size of the active Maestro window.
Window> Bring All to Front
Choosing this menu item places all Maestro windows in front of other applications’
windows.

Maestro USER’S GUIDE - v1.3 - September 2007
Text conceived and delivered by: Roger Robindore
Graphics and illustrations by: Sean McArthur