
EARTUBE – Mark II
EARTUBE – Mark II HEADPHONE AMPLIFIER
HEADPHONE AMPLIFIER
Listening by headphones
Listening by headphones
All these mechanisms are missing when we listen to music by headphones. The sound at
All these mechanisms are missing when we listen to music by headphones. The sound at
the right ear will no longer reach the left ear and pinnae-reflections no longer interfere
the right ear will no longer reach the left ear and pinnae-reflections no longer interfere
with the original soundwave. Moreover, the headphones are directly attached to our
with the original soundwave. Moreover, the headphones are directly attached to our
head, and so head movements no longer add information. everberation is also not
head, and so head movements no longer add information. everberation is also not
present.
present.
As a result, the sound heard by headphones seems to stick to the inside of our head and
As a result, the sound heard by headphones seems to stick to the inside of our head and
to our ears and an unnatural soundfield is created. The brain misses logical clues for
to our ears and an unnatural soundfield is created. The brain misses logical clues for
direction and this subconsciously results in mental stress. Some people cannot tolerate
direction and this subconsciously results in mental stress. Some people cannot tolerate
this stress and are unable to use headphones.
this stress and are unable to use headphones.
The natural crossfeed filter
The natural crossfeed filter
In principle, digital soundprocessors can simulate all the mechanisms for directional
In principle, digital soundprocessors can simulate all the mechanisms for directional
listening but the results are, thus far, not very satisfactory. In particular, pinnae-
listening but the results are, thus far, not very satisfactory. In particular, pinnae-
reflections are very complex and listener-specific and impossible to simulate accurately.
reflections are very complex and listener-specific and impossible to simulate accurately.
Fortunately, the main directional information is provided by the time delay and level of
Fortunately, the main directional information is provided by the time delay and level of
attenuation of the sounds that reaches the opposite ear. The
attenuation of the sounds that reaches the opposite ear. The AudioValve - EARTUBE
AudioValve - EARTUBE
Mark II
Mark II can electronically simulate this process and, with appropriate attenuation and
can electronically simulate this process and, with appropriate attenuation and
delay, add some of the right audiosignal to the left channel and vice -versa. This
delay, add some of the right audiosignal to the left channel and vice -versa. This
considerably reduces the adverse symptoms of headphone listening.
considerably reduces the adverse symptoms of headphone listening.
A unique feature of the crossfeed circuitry of the
A unique feature of the crossfeed circuitry of the EARTUBE-1
EARTUBE-1 is that it “recognizes” the
is that it “recognizes” the
virtual positions of the instruments and singers in a recording. The sound of an
virtual positions of the instruments and singers in a recording. The sound of an
instrument in the middle of the soundstage will be equally present in both audio-channels
instrument in the middle of the soundstage will be equally present in both audio-channels
and isn’t given any crossfeed. A crossfeed signal is only generated for instruments that
and isn’t given any crossfeed. A crossfeed signal is only generated for instruments that
are not placed at the center. The more off-center the instrument is placed, the stronger
are not placed at the center. The more off-center the instrument is placed, the stronger
the crossfeed and the longer its delay. This feature is called “natural crossfeed”.
the crossfeed and the longer its delay. This feature is called “natural crossfeed”.
Activation of crossfeed
Activation of crossfeed
The crossfeed filter can be activated by the second left switch at the front of the amp.
The crossfeed filter can be activated by the second left switch at the front of the amp.
Lower position STEREO.
Lower position STEREO.
In this position there is no crossfeed on the headphone outputs. We recommend this
In this position there is no crossfeed on the headphone outputs. We recommend this
position for recordings with a narrow soundstage.
position for recordings with a narrow soundstage.
Upper position LOW level crossfeed
Upper position LOW level crossfeed
This setting is especially recommended for recordings with a relatively high level of
This setting is especially recommended for recordings with a relatively high level of
reverberation (orchestra, choir) or extreme spatial positioning. Although the difference to
reverberation (orchestra, choir) or extreme spatial positioning. Although the difference to
the stereo position may not be discernable to you at first, after longer periods of
the stereo position may not be discernable to you at first, after longer periods of
listening you will find the crossfeed position much more relaxing.
listening you will find the crossfeed position much more relaxing.
While activating the crossfeed the listener may notice an apparent lack of bass. In stereo
While activating the crossfeed the listener may notice an apparent lack of bass. In stereo
mode, lower frequencies seem to be much more present. This is a psycho-acoustical
mode, lower frequencies seem to be much more present. This is a psycho-acoustical
effect and does not represent a limitation of the crossfeed filter. Lower frequencies heard
effect and does not represent a limitation of the crossfeed filter. Lower frequencies heard
by one ear only are much more unnatural to our brain than higher frequencies and
by one ear only are much more unnatural to our brain than higher frequencies and
therefore in stereo mode are more noticeable. Crossfeed integrates the lower frequencies
therefore in stereo mode are more noticeable. Crossfeed integrates the lower frequencies
in a more natural way into the soundstage which makes them less noticeable.
in a more natural way into the soundstage which makes them less noticeable.