Bogen ProMatrix PM-3180 User manual

ProMatrix
TMAmplifier
Model PM-3180
User’s Guide
Part No. 54-5003-01
9605
5003-01.QXD 8/14/00 4:46 PM Page 1
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© 1996 Bogen Communications, Inc.
50 Spring St., Ramsey, NJ 07446
All rights are reserved. No part of this
document may be photocopied, repro-
duced, or translated to another language
without the prior written consent of
Bogen Communications Inc.
Notice: The information contained in
this document is subject to change with-
out notice and should not be construed
as a commitment by Bogen Communi-
cation, Inc.
Bogen Communications Inc. assumes
no responsibility for any errors that
may appear in this document nor
does it make expressed or implied
warranty of any kind with regard to
this material, including, but not limit-
ed to, the implied warranties of mer-
chantability and fitness for a particu-
lar purpose.
Bogen Communications Inc. shall not be
liable for incidental or consequential
damages in connection with, or arising
out of the furnishing, performance, or
use of this document and the equipment
which is describes
Complete product warranty information
is provided on a separate product regis-
tration card.
WARNING
The Warning label calls attention to a
procedure, practice, or the like, which, if
not correctly performed or adhered to,
could result in damage to the unit or
personal injury. Do not proceed
beyond a warning label until the indicat-
ed conditions are fully understood and
met.
Warning:Changes or modifications
to this unit not expressly approved
by the party responsible for compli-
ance could void the user’s authority
to operate the equipment..
Note:This equipment has been
tested and found to comply with the
limits for a Class A digital device,
pursuant to Part 15 of the FCC
Rules. These limits are designed to
provide reasonable protection
against harmful interference when
the equipment is operated in a com-
mercial environment. This equip-
ment generates, uses, and can radi-
ate radio frequency energy and, if
not installed and used in accordance
with the instruction manual, may
cause harmful interference to radio
communications. Operation of this
equipment in a residential area is
likely to cause harmful interference
in which case the user will be
required to correct the interference
at his own expense.
This Class A digital apparatus meets
all requirements of the Canadian
Interference-Causing Equipment
Regulations
Cet appareil numérique de la classe
A respecte toutes les exigences du
Règlement sur le matériel brouilleur
du Canada.
Publication No. 54-5003-01
May, 1996
Printed in Korea
ii
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ProMatrix Amplifier
Model PM-3180
User’s Guide
Owner’s Information
Serial Number_________________________
Date of Purchase______________________
Place of Purchase_____________________
Address______________________________
____________________________________
iii
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Contents
Unpacking. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1
Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
Description. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
Application Example. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
Features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3
Quick Start. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4
Install Control Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4
Basic Wiring. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Factory Programmed Configuration. . . . . . . . . . . . . . . . . . . .6
Basic Operation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Aux Input Trim Adjustment. . . . . . . . . . . . . . . . . . . . . . . . . .10
Important Operational Notes. . . . . . . . . . . . . . . . . . . . . . . . .10
Rear Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
Front Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12
Infrared Remote Controller. . . . . . . . . . . . . . . . . . . . . . . . . .13
Wiring Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Outputs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Aux Inputs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
Aux Input Trim Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
Audio Process Link Wiring. . . . . . . . . . . . . . . . . . . . . . . . . . .15
Mic Inputs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
User Operation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
The PM-3180 Control Panel. . . . . . . . . . . . . . . . . . . . . . . . .17
Programming. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
Enter Program Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
Programming Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Assignment. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Mic Set Up. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Presets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Volume Limit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Inhibit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Aux Mute. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
Amplifier Link. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32
Password. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Labels. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Factory Defaults. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
Testing &Troubleshooting. . . . . . . . . . . . . . . . . . . . . . . . . .36
Testing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Troubleshooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37
Getting Help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
iv
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1
Unpacking
The PM-3180 carton contains the following components:
1 - PM-3180 Amplifier Chassis
1 - Removable Control Panel*
1 - Wireless Infrared Remote Controller
2 - AAA Batteries
1 - 25-foot Control Panel Cable
1 - AC Power Cord
2 - Wall Anchors
1 - User Manual
1 - Product Registration Card
*The control panel must be connected to the amplifier chassis prior to oper-
ation. See page 4 to install control panel.
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Introduction
Description
The PM-3180 is a three-channel amplifier designed for multi-room applica-
tions. It consists of three independent amplifiers, rated at 20, 60 and 100
watts and a programmable interface that lets you selectively assign priority
levels to inputs and custom configure amplifier features. As inputs become
active or inactive they are automatically switched onto or off of the amp
channel. The result is unprecedented versatility and maximum usability.
Four Aux inputs and two Mic inputs lets you connect to a wide variety of
program sources. One of the Mic inputs can be set to accept input from a
telephone paging interface. Outputs are provided for 4- and 8-ohm loads as
well as 25V and 70V distributed systems. Provisions for connecting exter-
nal signal processing equipment is also provided for each amplifier channel.
Application Example
Here is an application example for a typical restaurant/bar establish-
ment with: The 20-watt amp channel plays to the entrance area/waiting
room, the 60-watt amp channel to the dining area, and the 100-watt amp
channel to the bar/lounge. The area served by each amp channel hears
program material according to the priority level for the inputs assigned to
the amp channel. This example is illustrated below:
Amplifier ChannelAmp 1 (100W)Amp 2 (60W)Amp 3 (20W)
Area ServedLoungeDining AreaWaiting Room
PM3180Audio
InputSourceAssigned Input Priorities
Aux AJuke Box3— —
Aux BCD Player4 2 3
Aux CRadio 5 3 4
Aux DTV Feed 6 —
—
Mic AEmerg. Mic1 1 1
Mic BPage Mic2—2
1 = Highest Priority,6 = Lowest Priority,— = Input not assigned to amp.
The lounge audio sources and microphones are prioritized as shown, with
the Mics having the highest priorities and the music source priorities
descending as shown. The dining area has completely different audio
needs where certain audio sources (like the paging mic and juke box) are
inhibited from use in that area while the CDand radio are permitted to play.
Likewise for the waiting area where the required inputs are assigned and
prioritized for that area.
2
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Introduction
Features
The PM-3180 has the following features:
• Independent 20, 60 & 100 watt amplifiers in one package.
• 2 Lo-Z balanced Mic inputs (Mic B can be configured as a 600-Ohm
transformer balanced input for telephone paging applications).
• Automatic level control for Mic inputs.
• Choice of microphone precedence activation (VOX, Normally Open,
Normally Closed).
• Phantom power for use with condenser microphones.
• 4 Aux inputs (RCA unbalanced).
• Input trim controls to adjust for differing audio source input levels.
• Automatic switching of inputs based on input activity.
• Flexible priority assignments for each input on each amplifier channel
• Fade-in of audio source after Mic page or when switching to a lower
priority input.
• Adjustable paging over music level.
• Wireless infrared remote control unit with the same functions as the
control panel.
• Front panel mounted LEDoutput level meters for each amp channel.
• Front-mounted, removable control panel with soft-touch buttons to:
— select an amplifier channel
— provide manual override selection of input source
— control volume, treble and bass.
— program amplifier functions
• Preset power-up volume level of each input for each amplifier channel.
• Password protected programming mode.
• Preset bass and treble response of each input on each amplifier chan-
nel (the same input can have different EQ settings on different amp
channels).
• Preset maximum volume level the user can achieve.
• Lock out or inhibit volume bass and treble controls for each amp.
• Non-volatile memory to retain user control settings.
• Audio process links permit installation of signal processing equipment.
• Change the access code.
• Create custom display names for input sources.
• Reset to factory default values.
• Thermostatically-controlled cooling fan.
3
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Quick Start
This Quick Start section is intended to assist you in getting the PM-3180 up
and running quickly so that you can become familiar with it.
Important:When locating the amplifier, be sure to leave at
least 2 inches of space on the right side of the unit to allow for
fan exhaust. Do not place any objects directly on top of the
unit. Leave at least 2 inches of space above the unit to assure
proper ventilation.
Install Control Panel
The amplifier is shipped with the control panel disassembled from the ampli-
fier chassis. You have the option of attaching the control panel to the ampli-
fier front panel or mounting it in a convenient location and connecting it to
the amplifier using the 25-foot cable included.
Warning:Use only the cable supplied. Use of any other cable
may damage the unit.
To attach the control panel to the amplifier chassis, position the panel as
shown. Line up the tabs on the con-
trol panel with the slots on the chas-
sis. Push in on the grooved areas
on each side of the plastic panel
and push the control panel onto the
chassis to engage the locking tabs.
To mount the control panel in a
remote location:
1. Install two wall anchors 4-inch-
es apart and level in the desired location. The screws should
protrude 1/2”.
2. BE SURE THAT POWER IS OFF WHEN YOU INSTALL OR REMOVE
THE CONTROL PANEL. Plug one end of the 25-foot remote cable into
the jack on the bottom right corner of the control panel. Plug the other
end into the jack labeled REMOTE on the rear panel of the amplifier.
3.Place the control panel keyhole slots over the protruding screw heads
and pull down slightly to secure the panel.
Note:The panel must be oriented vertically to ensure proper
cooling of the internal electronic components
4
TabsSlots
Fan Outlet
Do Not Block
5003-01.QXD 8/14/00 4:46 PM Page 8

Quick Start
Basic Wiring
1.Temporarily set the AUX INPUT
TRIMcontrols on the rear panel
to their full counterclockwise
position. Trims will be adjusted
later.
2.Be sure that the voltage select
switch is set correctly. Connect
the power cord to the ACLINE
INPUT
3.Connect output loads between
COM and the desired output tap
(8Ω, 25V or 70V). If connecting a
4-ohm load, refer to the Wiring
Information section on page 14
for information on the
4Ωlink.
4.Connect unbalanced music input
sources. The lines from the
sources to the amplifier should
be terminated with RCA-type
plugs.
5.Connect balanced, low-imped-
ance microphones. For the 3-
pin Mic Aconnector, pin 1 is
ground (shield).
6.Plug the amplifier into a properly
grounded wall outlet.
5
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Quick Start
Factory Programmed Configuration
When the amplifier is first powered up, the factory default settings are
loaded.
The factory default priority table is listed below. If you want to change any
of these priority levels, you will have to use the ASSIGNMENTfunction in
the programming mode. See the Programming section of these instructions
(Page 22) to set priority levels.
InputPriority Level
MIC A 1
MIC B2
AUX A3
AUX B4(1 = highest, 6 = lowest)
AUX C5
AUX D6
The microphone input settings are listed below:
MicrophoneFeatureDefaultOptions
MIC 1Precedence VOXN.O., N.C., VOX
ALCONON, OFF
PhantomONOFF, ON
MIC 2PrecedenceVOXN.O., N.C., VOX
ALCONON, OFF
MIC/TELMICMIC, TEL
Phantom*ONOFF, ON
* If MIc 2 is configured for use with Tel input, then Phantom power choice will not be available.
See the Programming section of these instructions (Page 24) if you want to
configure the microphones for other than the default values.
6
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Quick Start
Basic Operation
This section will show you how to:
• Apply power to the amplifier
• Understand the Control Panel (See page 12 for full description)
• Select which amplifier channel the control panel affects
• Change volume
• Change Bass and Treble response
• Manually select an input or allow priority-based switching
• Adjust Aux Input Trim Controls
To Apply Power to the Amplifier
To apply power, press the button labeled POWERon the control panel or
on the wireless infrared remote controller.
Understanding the Control Panel
The PM-3180 consists of 3 amps but only one control panel. Therefore, you
must select the amplifier channel that the panel will affect. Once the amplifi-
er is powered, a number of indicators will light and the alphanumeric panel
will display status information.
The illuminated AMP1
indicator means that AMP
1 is the “current” amplifier
(the amp that the front
panel controls will now
effect), AUX A is the cur-
rent active input and VOL
is the current active con-
trol function. AUTOindi-
cates that the amp inputs
will auto switch. The
pointer segment shows
the approximate volume level.
To Select an Amplifier
To make another amplifier the current amplifier (under effect by the control
panel), press the desired button (AMP 2, AMP 3); its indicator will illuminate.
Once an AMP is selected, the user can adjust the VOL, BASSor TREB
control for the selected AMP. 7
AUXA
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Quick Start
To Control Volume
Note:Changing any of the volume, bass or treble levels will
effect all inputs associated with that amplifier channel. Turning
up the volume for the current amplifier will cause other inputs
assigned to that amp to play louder when they become active.
Likewise for bass and treble.
Be sure VOL is the current control. To make
VOLthe current control, press the VOLbut-
ton. Its indicator will light brightly and the
volume level is displayed on the LEDpointer.
Press the arrow buttons on either side of the
pointer (left to decrease, right to increase).
The display shows A1(the active amp chan-
nel), VOL, and a 2-digit volume level number
(00-25). The number (and pointer) changes
in response to the arrow buttons.
After 5 seconds of no adjustment, the control
panel display will again show the current
input (VOLremains the current control and
can be adjusted at any time simply by press-
ing an arrow key).
To Control Bass or Treble.
Select the desired function by pressing the
BASS or TREB button – its indicator lights.
The display shows BASS(or TREB), the cur-
rent active amplifier (A1) and a 1-digit level
number (-7 to+7). The pointer shows the
approximate level.
Press the arrow buttons on either side of the
pointer. The number on the display changes
in response to the arrow buttons.
After 5 seconds of no adjustment, the ampli-
fier display will again show the current input
and VOL will again become the current func-
tion.
8
A1/bass 0
A1/VOL-10
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Quick Start
To Select a Specific Input
The amplifier is normally set to monitor input activity and, based on the
default or installer-created priority table, automatically switches the proper
input for each channel. You can override the priority switching feature of
any amp to select a specific input to be on continuously.
1.Press the AUTO button. Its indicator
LED will flash. and the alphanumeric
display will show SELINPUT.
2.Press the desired input selector but-
ton (MIC A/B, AUX A/B/C/D). The
selected input will appear on the dis-
play and its indicator will flash (50%
on/50% off) in sync with the AUTO
indicator.
Note:If a different Amp is selected, the AUTO LEDwill flicker
(90% on/10% off) to indicate that one of the other amp channels
is under manual control.
To identify which amplifier is under manual control
Press each amplifier button until the AUTO indicator and input indicator
(AUX A, B, etc.) flash together.
To Return to Auto Switching
Find the amplifier that is under manual control. The AUTOindicator and
input indicator will flash together.
Press the AUTO button. The current input (based on priority) will appear on
the display. Its indicator will light steady as will the AUTOindicator. This
sets only the current amplifier into the auto-switch mode. Any other ampli-
fiers that have manually selected inputs will need to be returned to auto-
switch mode using the same procedure described above.
Note:The amplifier must be in AUTO mode before another
manual input can be selected.
9
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Quick Start
Aux Input Trim Adjustment
By adjusting the Trim controls as follows, inputs with different signal levels
are set approximately equal within the amplifier.
Important:You must properly set the Aux Input Trim Controls.
Improperly adjusted trims can result in high distortion levels,
poor volume balance between different inputs and false trigger-
ing of inputs.
To adjust trims, follow the procedure below:
1.Make sure the various input sources are attached and operating at their
normal output levels.
2.Select Amp 3 as the current amp.
3.Press the AUTO button and manually select one of the Aux inputs (Start
with AuxA).
4. Raise the volume of Amp 3/Aux A to 25 (this can be done without a
load, if desired).
5. Rotate the Aux AInput Trim control while watching the Amp 3 output
level meter. Adjust the trim control so that the right most red LED is
briefly flashing onlyon loud music peaks.
6.Repeat steps 3, 4, and 5 for the other Aux inputs. Since the inputs are
common to all three amplifier channels, the trims only need be set for
one of the amp channels.
Important Operational Notes
• Condenser microphones must first be configured through the Program
Mode in order to turn on the phantom power supply.
• When a microphone becomes active (through Vox or contact closure),
the current Aux input will be muted to a preset level. No input switch-
ing is allowed when the Aux mute is active.
10
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Rear Panel
1. MIC A — XLR-type connector for balanced, LO-Z microphone input.
Pin 1 is Gnd.
2. MIC B/TEL B — Input for Lo-Z balanced microphone. Software config-
urable as a 600Ωtransformer coupled paging interface.
3. MICPREC — Microphone precedence terminals for contact closure
activation.
4. AUX INPUT — Unbalanced input jacks (RCA type) for program
sources.
5. AUX INPUTTRIM — Variable attenuators for adjusting input source lev-
els.
6. AUDIO PROCESS LINKS — Permits the connection of external signal
processing equipment.
7. REMOTE — Jack for use when mounting amplifier front control panel in
a remote location.
8. Amplifier output screw terminals.
9. Voltage selector switch.
10.AC Power cord socket.
11.Fuse.
1 2 3 4 5 6 7 9 11
8
10
11
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12
Front Panel
1. Alphanumeric display area.
2. AUX A/B/C/D — Input selector buttons &indicators.
3.AUTO — Controls manual or automatic input selection.
4.POWER — Applies power to the amplifier.
5. AMP 1/2/3 — Amplifier Channel Selector Buttons
6. Level control Arrow buttons.
7.LEDpointer area.
8. PROG, NEXT, BACK, ENT & EXIT — Programming buttons.
9. MIC A/MIC B — Microphone input selector buttons
10. VOL/BASS/TREB — Function control selector buttons
1
4 5 8
9
10
76
2
3
AUXA
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13
Infrared Remote Controller
The infrared remote controller provides all of the functions of the front panel.
Before using the controller, install two AAA-size batteries in the battery com-
partment of the controller. Be sure to observe correct polarity.
To use the controller, point the controller at the infrared receiver window on
the left side of the front panel of the amplifier and press the desired button.
1.POWER — Controls power to the
amplifier.
2.MIC A &MIC B — Manual micro-
phone selector buttons.
3.AUTO — Toggles between auto
input selection and manual input
selection.
4.AUX A/B/C/D — Manual input
selector buttons.
5. AMP 1/2/3 — Amplifier selector
buttons
6.TREB/BASS/VOL — Function
selector buttons
7.Up/down Arrows — Used to adjust
level of TREB/BASS or VOL.
8.Programming buttons.
1
2
4
5
8
3
6
7
A B
5003-01.QXD 8/14/00 4:46 PM Page 17

Wiring Information
Outputs
Each amplifier channel has its own output terminal strip on the rear panel.
Each terminal strip can handle a different type of speaker load. All amps
can handle 70V & 25V distrib-
uted or 8-Ωor 4-Ωloads. The
70V, 25V and 8-Ωoutputs are
transformer-coupled. The 4-Ω
output is directly connected to
the amplifier output. The 4-Ω
output provides a wider fre-
quency response with better
bass reproduction and lower
distortion.
To connect an 8-Ω, 25V or 70
load, attach one lead to the
COMterminal and the other to
the terminal corresponding to
the output desired. Ensure that
the shorting clip connects COM
and GND and that the shorting
clip for the LINK is installed.
The transformer-coupled out-
puts (70V, 25V, 8-Ω) can be
made to float by disconnecting
the shorting clip between GND
and COM. This may be desir-
able in certain situations where
a balanced output is needed.
In general, it is best to keep the
shorting clip installed between
GNDand COM.
To connect a 4-Ωload, first
remove the shorting clip
between the two screw termi-
nals marked LINK. Connect
one lead of the 4-Ωload to the
4-Ωterminal and the other lead
to the GNDterminal.
14
8-ΩLoad
25V or 70V
Load
4-ΩLoad
5003-01.QXD 8/14/00 4:46 PM Page 18

15
Wiring Information
AUXInputs
Unbalanced input sources other than microphones are connected to the
AUXINPUTjacks. The output lead from the source must be terminated in
an RCA-type plug. The input signal range is 100mVrms to 3Vrms and is
adjusted using the AUXTRIMcontrols.
Aux Input Trim Controls
See page 10 for adjustment procedure
Audio Process Link Wiring
Typical Audio Process Link wiring is illustrated below. See page 32 in the
Programming section to deactivate the internal connection between the pre-
amp out and power amp in so that the external equipment can be inserted.
Unbalanced
audio source
(CD/Tape/Tuner/Etc.
EQ Out
EQ In
5003-01.QXD 8/14/00 4:46 PM Page 19

16
Wiring Information
MICInputs
Mic A
Pin 1 is GND
Pin 2 (+)
Pin 3 (-)
Mic B/Tel
Program PM-3180 for correct switch precedence or use VOXprecedence if
no switch closure is available.
1
2
3If Mic A has a push-to-talk switch, use these termi-
nals for the switch connection (see Mic Precedence
Setup in the Programming Section).
Push-to-talk switch pair.
Normally open or normally
closed (see Mic Precedence
Setup in Programming
Section).
T
R
*
X
*Switch closure available on some page ports.
Mic B
Shield
PBX Page Port
or Paging Adapter
5003-01.QXD 8/14/00 4:46 PM Page 20
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