Casio EX-S3 - Exilim 3MP Digital Camera Instruction and safety manual

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OTHER RECORDING FUNCTIONS
3. Use [왖] and [왔] to
change the exposure
compensation value,
and then press [SET].
• Pressing [SET] registers
the displayed value.
[왖] : Increases the EV value. A higher EV value is best
used for light-colored subjects and backlight
subjects.
[왔] : Decreases the EV value. A lower EV value is best
for dark-color subjects and for shooting outdoors
on a clear day.
OTHER RECORDING FUNCTIONS
This chapter describes the other powerful features and
functions that are available for recording.
Exposure Compensation (EV Shift)
Exposure compensation lets you change the exposure
setting (EV value) manually to adjust for the lighting of your
subject. This feature helps to achieve better results when
recording a backlit subject, a strongly lit subject indoors, or
a subject that is against a dark background.
EV Shift Range: –2.0EV to +2.0EV
Steps: 1/3EV
1. In the REC mode, press [MENU].
2. Select the “REC” tab,
select “EV Shift”, and
then press [왘].
Exposure compensation
value
EV value

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OTHER RECORDING FUNCTIONS
• To cancel EV Shift, adjust the value until it becomes
0.0.
4. Record the image.
IMPORTANT!
• When shooting under very dark or very bright
conditions, you may not be able to obtain satisfactory
results even after performing exposure
compensation.
NOTES
• Performing an EV shift operation causes the
metering mode to switch automatically to center
weighted metering. Returning the EV shift value to
0.0 causes the metering mode to change back to
multi-pattern metering.
• You can use key customization (page 66) to
configure the camera to perform exposure
compensation whenever you press [왗] and [왘] while
in the REC mode.
Adjusting White Balance
The wavelengths of the light produced by various light
sources (sunlight, light bulb, etc.) can affect the color of a
subject when it is recorded. White balance lets you make
adjustments to compensate for different lighting types, so
the colors of an image appear more natural.
1. In the REC mode, press [MENU].
2. Select the “REC” tab,
select “White
Balance”, and then
press [왘].

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OTHER RECORDING FUNCTIONS
3. Use [왖] and [왔] to select the setting you
want, and then press [SET].
NOTES
• Selecting “Manual” changes white balance to the
settings achieved the last time a manual white
balance operation was performed.
• You can use the key customization feature (pages
66, 67) to configure the camera so the white balance
setting changes whenever you press [왗] and [왘], or
[왖] and [왔] while in the REC mode.
When shooting under these conditions:
Normal conditions
Outdoor daylight
Shade
Incandescent light bulb
(reddish tinge)
Fluorescent light (greenish tinge)
Difficult lighting that requires manual
control (See “Adjusting White Balance
Manually”.)
Select this setting:
Auto
Manual
Adjusting White Balance Manually
Under some light sources, automatic white balance under
the “Auto” setting can take a long time to complete. Also,
the auto white balance range (color temperature range) is
limited. Manual white balance helps to ensure that colors
are recorded correctly for a particular light source.
Note that you must perform manual white balance under
the same conditions you will be shooting under. You must
also have a white piece of paper or other similar object on
hand in order to perform manual white balance.
1. In the REC mode, press [MENU].
2. Select the “REC” tab, select “White Balance”,
and then press [왘].
3. Use [왖] and [왔] to
select “Manual”.
• This causes the object
you last used to adjust
manual white balance to
appear on the monitor
screen.

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OTHER RECORDING FUNCTIONS
4. Point the camera at a white piece of paper or
similar object under the lighting conditions
for which you want to set the white balance,
and then press the shutter release button.
• This starts the white balance adjustment procedure.
The message “Complete” appears on the monitor
screen after white balance adjustment is complete.
• Dim lighting or pointing the camera at a dark colored
object while performing manual white balance
adjustment can cause the procedure to take a long
time to complete.
5. Press [SET].
• This registers the white balance settings and returns
to the REC mode.
Using the Best Shot Mode
Selecting one of the 15 Best Shot scenes automatically
sets up the camera for recording a similar type of image.
■Example Sample Scene

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OTHER RECORDING FUNCTIONS
1. In the REC mode, press [MENU].
2. Select the “REC” tab, select “REC Mode”, and
then press [왘].
3. Use [왖] and [왔] to
select “ (Best
Shot)”, and then press
[SET].
• This enters the Best Shot
mode and displays a
sample scene.
4. Use [왗] and [왘] to select the sample scene
you want, and then press [SET].
5. Record the image.
IMPORTANT!
• Sample scene number 4 is Coupling Shot scene
(page 58). Sample scene number 5 is a Pre-shot
scene (page 60).
• Best Shot scenes were not recorded using this
camera. They are provided as samples only.
• Images recorded using a Best Shot scene may not
produce the results you expected due to shooting
conditions and other factors.
• After selecting a Best Shot scene, you can change to
a different one by using [왗] and [왘] to scroll through
available scenes. When the one you want is
displayed, press [SET].

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OTHER RECORDING FUNCTIONS
Creating Your Own Best Shot Setup
You can use the procedure below to save the setup of an
image you recorded for later recall when you need it again.
Recalling a setup you save automatically sets up the
camera accordingly.
1. In the REC mode, press [MENU].
2. Select the “REC” tab, select “REC Mode”, and
then press [왘].
3. Use [왖] and [왔] to select “ (Best Shot)”,
and then press [SET].
• This enters the Best Shot mode and displays a
sample scene.
4. Use [왗] and [왘] to
display “Register
Favorites”.
5. Press [SET].
6. Use [왗] and [왘] to
display the image
whose setup you
want to register as a
Best Shot scene.
7. Use [왖] and [왔] to
select “Save”, and
then press [SET].
• This registers the setup.
• Now you can use the
procedure on page 55
to select your user
setup for recording.

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OTHER RECORDING FUNCTIONS
IMPORTANT!
• Setups that you register as Best Shot sample scenes
are located after the built-in sample scenes.
• When a Best Shot user setup is recalled, the monitor
screen in step 4 of the procedure on page 55
displays the text “Recall Favorites”.
• Note that formatting the built-in memory (page 106)
deletes all Best Shot user setups.
NOTES
• Best Shot user setups are located in the camera’s
built-in memory after the built-in sample scenes.
• The following are the settings that are included in a
Best Shot user setup: EV shift value, white balance
mode, flash mode, and ISO sensitivity.
• Note that images recorded with this camera only can
be used to create a Best Shot user setup.
• You can have up to 999 Best Shot user setups in the
camera’s built-in memory at one time.
• You can check the current setup of a scene by
displaying the various setting menus.
• User setups are assigned file names using the format
“UEXS3nnn.jpe” (where n = 0 to 9).
■To delete a Best Shot user setup
1. In the REC mode, press [MENU].
2. Select the “REC” tab, select “REC Mode”, and
then press [왘].
3. Use [왖] and [왔] to select “ (Best Shot)”,
and then press [SET].
• This enters the Best Shot mode and displays a
sample scene.
4. Use [왗] and [왘] to display the user setup you
want to delete.
5. Press [왔] ( ) to delete the user setup.
• You can also delete a user setup by using your
computer to delete its file in the “SCENE” folder in
the camera’s built-in memory (page 124).

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OTHER RECORDING FUNCTIONS
• Combined
Images
1. In the REC mode, press [MENU].
2. Select the “REC” tab, select “REC Mode”, and
then press [왘].
3. Use [왖] and [왔] to select “ (Best Shot)”,
and then press [SET].
4. Use [왗] and [왘] to select “Coupling Shot”,
and then press [SET].
Combining Shots of Two People into a
Single Image (Coupling Shot)
The Coupling Shot mode lets you record images of two
people and combine them into a single image. This makes
it possible for you to include yourself in group images, even
when there is no one else around to record the image for
you. Coupling Shot is available in the Best Shot mode
(page 54).
• First Image This is the part
of the image that
does not include
the person who
is recording the
first image.
• Second
Image Making sure that the background
of the image is
aligned correctly,
record the image
of the person
who recorded
the first image.

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OTHER RECORDING FUNCTIONS
5. Use the monitor
screen to compose
and record the left
side of the image.
• The exposure, white
balance, zoom, and
flash settings are fixed
for this type of image.
6. Next, use the monitor
screen to compose
the right side of the
image, taking care to
align the actual
background with the
semi-transparent
image of the
background of the
left-side image, which
remains on the
monitor screen. When
everything is aligned
correctly, record the
image.
• Pressing [MENU] any time after step 5 of the above
procedure cancels the first image and returns to step
5.
Semi-transparent
image

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OTHER RECORDING FUNCTIONS
Recording a Subject onto an Existing
Background Image (Pre-shot)
Pre-shot helps you get the background you want, even if
you need to ask someone else to record the image for you.
Basically, Pre-shot is a two-step process.
1.You compose the background you want and press the
shutter release button, which causes a semi-transparent
image of the background to remain on the monitor
screen.
2.Ask someone else to record a shot of you against your
original background, telling them to compose the image
by using the semi-transparent monitor screen image as a
guide.
• The camera stores the image produced by step 2 only.
• Depending on how the image is actually composed in
step 2, its background may not be exactly the same as
the one you composed in step 1.
Note that Pre-shot is available in the Best Shot mode only
(page 54).
• Freeze the background on
the monitor screen.
• Record the image, using
the background on the
monitor screen as a guide.
• This records the image.