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  9. Crate G60 XL User manual

Crate G60 XL User manual

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EbU
XL
GUITAR
AMPLIFIER
GBOXL
GUITAR
AMPLIFIER
We
would
like
to
take
this
opportunity
to
thankyou
for
selecting
a
Crate
product,
and
to
tell
you
of
our
commitment
to
the
design
and
manufacture
of
only
the
finest
musical
instrument
ampllfica-
tion
equipment;
built
for
you,
the
musician.
You
have
purchased
one
of
the
most
innovative
sound
amplifi¬
cation
devices
available
today.
Your
Crate
amplifier
gives
you
more
performance
features
than
ever
before;
features
that
you,
the
musician,
have
asked
for.
Your
Crate
amplifier
is
an
American
product,
manufactured
at
our
factory
in
St.
Louis,
Missouri.
Only
the
finest
available
com¬
ponents
and
materials
are
used
in
the
manufacture
of
each
amplifier.
All
Crate
amplifiers
are
subject
to
seven
or
more
inspection
and
testing
steps
to
assure
you
of
a
high
quafity
product*
The
final
test
for
each
amp
is
conducted
by
a
trained
musician
with
the
instrument
the
amp
was
designed
for.
Any
unit
that
does
not
meet
the
standards
of
his
discriminating
ear
will
not
be
passed.
Since
ail
Crate
products
are
designed,
developed,
and
manufac¬
tured
through
the
cooperative
efforts
of
engineers
and
profes¬
sional
musicians,
the
end
result
Is
a
product
that
responds
to
the
musician's
audio
requirements,
and
a
product
that
will
serve
your
needs
for
years
to
come.
OPERATION
FRONT
PANEL—INPUT
SECTION
1.
0
dB
INPUT
JACK:
This
input
accepts
a
standard
1
/4"
phone
plug
and
is
suit’
able
for
any
low
to
line
level
signal
source
such
as
an
electric
guitar.
2.
—
6
dB
INPUT
JACK;
This
input
also
accepts
a
standard
1/4"
jack
but
is
pad’
ded
6
dB
for
hotter
inputs
such
as
tape
decks
or
guitars
with
hot
pickups*
If
both
jacks
are
used,
this
input
is
not
padded
and
will
be
equal
to
the
0
dB
input
jack.
CHANNEL
A
CONTROLS
3*
GAIN
CONTROL;
This
control
sets
the
amount
of
gain
for
Channel
A
and
is
used
to
vary
the
amount
of
distor¬
tion.
Minimal
distortion
is
achieved
with
this
control
rotated
counter-
dock
wise.
A
fully
dock
wise
setting
creates
maximum
distortion.
4-
LEVEL
CONTROL;
The
overall
vol¬
ume
of
Channel
A
is
controlled
with
this
knob
and
should
be
used
in
con¬
junction
with
the
GAIN
CONTROL
|3
J.
5-
SHAPE
CONTROL;
This
is
the
overall
tone
control
for
Channel
A,
When
turned
to
the
left,
a
setting
with
heavy
emphasis
on
mid
range
is
achieved.
When
rotated
to
the
right,
the
amp
creates
a
"fat"
sound
with
extra
boost
on
lows
and
highs.
6,
CHANNEL
A
INDICATOR:
The
amplifier
is
in
Channel
A
mode
with
this
LED
lit.
7.
CHANNEL
SELECT
SWITCH:
This
switch
is
used
to
select
between
Chan¬
nel
A
and
Channel
B.
When
using
the
optional
footswitch,
this
switch
should
be
in
the
Channel
A
position.
8.
CHANNEL
B
INDICATOR:
The
amplifier
is
in
Channel
B
mode
with
this
LED
lit.
CHANNEL
B
CONTROLS
9.
VOLUME
CONTROL:
This
control
sets
the
overall
listening
level
of
Channel
B,
This
control
is
independent
of
any
setting
made
in
Channel
A.
10*
HIGH
CONTROL
(Treble):
This
knob
will
affect
the
upper
harmonic
range
of
the
guitar.
Boosting
it
sharpens
or
adds
crispeness
to
the
sound.
For
ad¬
ditional
effect,
use
this
control
in
con¬
junction
with
the
Bright
switch
|T3),
11-
MID
CONTROL
(Mid):
The
tonal
qual¬
ities
of
the
midrange
are
very
impor-
tant
to
a
good
guitar
sound.
This
knob
can
"thin-out"
the
sound
when
turned
down,
or
"fatten-up"
the
tone
when
larger
amounts
are
used.
12-
LOW
CONTROL
(Bass):
The
desired
amount
of
"Bottom"
or
"Warmth''
may
be
increased
or
decreased
with
13.
BRIGHT
SWITCH;
This
switch
affects
the
brilliance
of
the
guitar's
sound
by
adding
a
ddit
ional
"bite"
or
sharpness.
This
switch
affects
both
Channel
A
and
B.
14.
DEPTH
CONTROL
(REVERB);
This
control
allows
the
player
to
alter
the
apparent
acoustical
qualities
of
a
room.
The
sound
can
be
altered
from
very
"Flat”
or
"Dry"
when
the
control
is
turned
off,
to
that
of
a
concert
hail
when
used
in
larger
amounts.
15-
FOOTSWITCH
JACK:
This
jack
Is
to
be
used
with
the
Channel
Selector/Re-
verb
footswitch,
16-
LINE
OUT
JACK;
This
jack
Is
used
to
link
the
G-60XL
to
additional
ampli¬
fiers
or
to
connect
the
amp
to
a
tape
recorder.
Simply
run
a
cable
from
the
output
of
this
jack
to
the
input
of
another
amplifier
or
tape
deck.
Exter¬
nal
speakers
cannot
be
hooked
up
to
this
jack,
17.
LINE
IN
JACK;
This
jack
is
used
as
a
direct
input
to
the
Dower
amo.
It
can
OUT
jack
for
an
effect
loop.
POWER
1S.
ON/OFF
LED
INDICATOR:
The
amplifier
is
on
when
the
LED
Is
lit.
19*
ON/OFF
SWITCH;
This
is
a
two
posi¬
tion
switch,
the
down
position
will
turn
the
unit
on,
while
the
up
position
off.
REAR
PANEL
POWER
CORD:
Your
G60XL
is
equipped
with
a
heavy-duty
grounded
three-wire
power
cord.
Be
sure
this
cord
is
properly
plugged
into
a
safely
wired
grounded
120
volt,
60
hz
AC
power
outlet
before
use,
(Ifyour
G60XL
was
purchased
outside
the
United
States,
refer
to
the
rear
panel
for
power
ratings).
For
your
safety,
never
attempt
to
defeat
the
ground
connection
on
this
cord.
G
6
0
XL
TECHNICAL
SPECIFICATIONS
Output
Power
Rating
60
watts
RMS@
5%THD
4
ohm
load—
T
20
VAC
line
Speaker
Size
and
Rating;
G6QXL:
Custom
Design
12'with
1-1/2"
voice
coif
Power
Handling
60
watts
RMS
G6GXLS:
Celestion
G12M-70
G60XLF;
Fane
Medusa
Low
Control
ISdbrange
@80
Hz
Mid
Control
15
db
range
@
500
Hz
High
Control
20
db
range
@5
KHz
Bright
Switch
5
db
boost
@6
KHz
Input
Impedance
2
2
OK
ohms/"0
db"
input
44K
ohms/"
-
6
db"
Input
Maximum
Input
Signal
Level
Accepted
4
vofts,
peak
to
peak/"0
db"
input
8
volts,
peak
to
peak/"
-
6
db"
input
Total
System
Gain
Channel
A:
105
db
@
1
KHz
(Shape
@
0,
Bright
Switch
off)
Channel
B:
62
db
@
1
KHz
(Controls®'
TO,
Bright
Switch
off)
Signal
to
Noise
Ratio
Channel
A:
40
db—with
Gain,
Level
@
10,
Shape
@
0
Channel
B:
68
db—with
all
controls
@
10,
Bright
Switch
off
Input
Power
Requirements
Fuse
Rating
and
Type
?
20
VAC,
60
Hz,
200
watts
max
2
amp,
250V
internal
Cabinet
Size
and
Weights
17-1/2"Hx
18-1/4'Wx
9-3/4'D34lbs.
Specific
at
Eons
subject
to
change
without
notice
CAUTION:
To
reduce
the
risk
of
electric
shock,
do
not
remove
chassis.
No
user
serviceable
parts
inside.
Refer
servicing
to
qualified
service
personnel.
CAUTION:
This
equipment
is
capable
of
producing
sound
pressure
levels
greater
than
110
dB
SFL
Continued
exposure
to
such
high
sound
1
pressure
levels
can
cause
permanent
hearing
impairment
or
loss,
user
caution
is
advised,
and
ear
protection
Is
recommended,