elysia nvelope User manual

nvelope

2
Precautions
WARNING: High Voltage
•Risk of electric shock.
•Do not open chassis.
•Refer service to qualied service sta only.
•Before connecting the device to the main power supply, check if the
right voltage is selected.
•Replace fuse with the same type and value only.
•This device must be connected to ground.
•Do not use a damaged power cord.
•Never place containers with liquid, e.g. beverages or a vase, on the unit.
•Do not expose this device to rain or moisture.
•Do not use this device near water, e.g. swimming pool, bathtub or wet
basement.
CAUTION: Temperature
•Surfaces of the device may become hot during operation.
•Do not install this device near any heat source such as radiators, stoves
or other heat sources.
•Always allow enough ventilation space around the unit for air circula-
tion.
•Do not cover circulation vents.
CAUTION: Connecting & Mounting
•Never connect the output of a power amplier to this device.
•Place the unit on a rigid board or place it in an appropriate rack.
•Use the device according to this manual only.
CAUTION: Humidity
•If this device is moved from a cold place to a warm room, condensation
can occur inside the device. To avoid damaging the unit, please allow it
to reach room temperature before switching it on.

3
Welcome to the world of impulse shaping!
The nvelope is capable of making subtle or drastic changes to a sound by
providing control over its attack and sustain characteristics. This is very
useful for reshaping individual tones, and is a wonderful tool in any mix-
ing situation as well.
The nvelope operates independently of the specic level of a signal, and
(unlike with compressors) you do not have to spend a lot of time trying
to balance a set of complex controls to quickly get the results you seek.
With its unique Dual Band mode, the nvelope gives you enhanced con-
trol over processing, and can easily handle complex program material.
Its dynamics sections can also be bypassed, allowing it to function as a
exible high/low shelf EQ.
We’re sure you’ll be happy to know the nvelope oers true dual mono or
linked stereo operation whether you are using it in Full Range, Dual Band
or EQ mode.
Index
Controls .............................................................4
Connectors ..........................................................6
The Magic ...........................................................7
Full Range Mode .....................................................8
Dual Band Mode .....................................................9
EQ Mode ...........................................................10
Mixed Mode ........................................................11
Recall Sheet ........................................................12
Technical Details ....................................................13
CE Conformity ......................................................13
Warranty Info .......................................................14
Legal Info...........................................................15
Deutsches Handbuch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Manuel Français.................................................30

-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
dB
Attack
50
30
25
8k0
4k0
590
330
20
1k2
200150
Hz
Freq A
100
60
55
15k
7k0
1k3
600
50
2k5
420300
Hz
Freq S
DISCRETE CLASS-A
STEREO IMPULSE SHAPER
NVELOPE
dB
Sustain
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
Stereo
Link
Left
On
EQ
Mode
Full
Range
4
Controls
Attack
• Full Range & Dual Band Mode:
Raises or reduces the attack of a signal
• EQ Mode:
Boosts or cuts the high frequency range
Frequency Attack (Freq A)
• Full Range Mode:
Changes the response behavior for attack processing
• Dual Band Mode:
Sets the start frequency for attack processing
• EQ Mode:
Sets the frequency of the high shelf lter
Sustain
• Full Range & Dual Band Mode:
Raises or reduces the sustain of a signal
• EQ Mode:
Boosts or cuts the low frequency range
Frequency Sustain (Freq S)
• Full Range Mode:
No function in this mode
• Dual Band Mode:
Sets the end frequency for sustain processing
• EQ Mode:
Sets the frequency of the low shelf lter

Auto
Gain
Right
On
EQ
Mode
Full
Range
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
50
30
25
8k0
4k0
590
100
20
1k2
100
60
55
15k
7k0
1k3
200
50
2k5
1.0-1.0 200150 420300
dB Hz dB Hz
Attack Freq A Sustain Freq S
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
1.0-1.0
5
On (Left/Right)
Activates a channel or switches to hardwire bypass
EQ Mode
Switches from envelope processing to EQ function
Full Range
Switches from Dual Band to Full Range operation
Stereo Link
Links both channels for processing stereo sources
(Left controllers and switches become master for both channels)
Auto Gain
Reduces level peaks in Full Range mode

230V
AVIS: RISQUE DE CHOC ÉLECTRIQUE - NE PASOUVRIR
RISK OF ELECTRIC SHOCK
DO NOT OPEN
OUT LEXT 1 IN LOUT REXT 2 IN R
OUT LOUT R
OUT LEXT 1 OUT L IN L IN LOUT REXT 2 OUT R IN R IN R VOLTAGE 230V 100mA | 115V 200mA | slo-blo
MADE IN GERMANY
nvelope
serial number
IN LIN R
6
Connectors
Audio inputs (XLR and ¼” phone jack)
Audio outputs (XLR and ¼” phone jack)
Additional audio outputs (¼” phone jack)
Mains connector/power switch/fuse holder
Voltage selector
Mono operation: Connect either input and output 1or 2- both will work
identically.
Stereo operation: Connect both inputs and outputs 1and 2- the choice
which channel is left and which is right is up to you.
Inputs (+4 dBu)
XLR balanced: Pin 1: ground Pin 2: hot (+) Pin 3: cold (-)
XLR unbalanced: Pin 1: ground Pin 2: hot (+) Pin 3: ground
Jack balanced: Sleeve: ground Tip: hot (+) Ring: cold (-)
Jack unbalanced: Sleeve: ground Tip: hot (+) Ring: ground
Outputs (+4 dBu)
XLR balanced: Pin 1: ground Pin 2: hot (+) Pin 3: ground
XLR unbalanced: Pin 1: ground Pin 2: hot (+) Pin 3: idle
Jack balanced: Sleeve: ground Tip: hot (+) Ring: ground
Jack unbalanced: Sleeve: ground Tip: hot (+) Ring: idle
Fuses (2 pieces)
230V operation: 100mA slo-blo
115V operation: 200mA slo-blo

7
The Magic
The nvelope is a dynamics processor that can change the char-
acter of a sound by altering its impulse structure. It gives you
direct control over the envelope of a signal by shaping its attack
and sustain intensity.
More specically, a drum set (or individual drums) can be made to sound
more aggressive and punchy by accenting the attack, or tones that are
already overly aggressive can easily be tamed.
Other useful applications would be on picked or slapped bass, edgy gui-
tar or any kind of piano recording. Generally speaking, the nvelope works
optimally on audio signals with a signicant/percussive attack structure.
As a balance to the attack shaping, the sustain parameters oer control
over room sound and space. An instrument or a reverb tail can sound
tighter by reducing its sustain, or can gain more depth/make a signal
sound longer by increasing it.
The nvelope is a great tool for shaping individual signals, but it can be an
indispensable resource in mixing situations as well, as it eortlessly helps
you to bring a sound to the front with more attack and less sustain… or
blends it gently into the background by reducing its attack and increas-
ing its sustain.
A unique feature of the nvelope is the enhanced tweakability oered in
Dual Band mode. Individual frequency controls for attack and sustain
yield excellent processing results without unwanted artifacts, even when
utilized on complex material like a summing bus.

-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
dB
Attack
50
30
25
8k0
4k0
590
330
20
1k2
200150
Hz
Freq A
100
60
55
15k
7k0
1k3
600
50
2k5
420300
Hz
Freq S
DISCRETE CLASS-A
STEREO IMPULSE SHAPER
NVELOPE
dB
Sustain
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
Stereo
Link
Left
On
EQ
Mode
Full
Range
Auto
Gain
Right
On
EQ
Mode
Full
Range
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
50
30
25
8k0
4k0
590
100
20
1k2
100
60
55
15k
7k0
1k3
200
50
2k5
1.0-1.0 200150 420300
dB Hz dB Hz
Attack Freq A Sustain Freq S
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
1.0-1.0
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
dB
Attack
50
30
25
8k0
4k0
590
330
20
1k2
200150
Hz
Freq A
100
60
55
15k
7k0
1k3
600
50
2k5
420300
Hz
Freq S
DISCRETE CLASS-A
STEREO IMPULSE SHAPER
NVELOPE
dB
Sustain
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
Stereo
Link
Left
On
EQ
Mode
Full
Range
Auto
Gain
Right
On
EQ
Mode
Full
Range
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
50
30
25
8k0
4k0
590
100
20
1k2
100
60
55
15k
7k0
1k3
200
50
2k5
1.0-1.0 200150
420
300
dB Hz dB
Hz
Attack Freq A Sustain
Freq S
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
1.0-1.0
8
Full Range Mode
In Full Range mode, you can increase or reduce the attack and
sustain intensity of a signal quickly and eciently. Just turn the
two controllers to the right for more accent, or to the left for
more smoothing.
Like a compressor (and unlike in Dual Band mode), you can use the Freq
A controller to reduce the inuence of low frequencies on the attack pro-
cessing, so higher frequency = less bass inuence.
Should you notice clipping/distortion or big jumps in level caused by
the attack processing, please engage the Auto Gain switch for automatic
compensation.
Linked Full Range
Unlinked Full Range

-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
dB
Attack
50
30
25
8k0
4k0
590
330
20
1k2
200150
Hz
Freq A
100
60
55
15k
7k0
1k3
600
50
2k5
420300
Hz
Freq S
DISCRETE CLASS-A
STEREO IMPULSE SHAPER
NVELOPE
dB
Sustain
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
Stereo
Link
Left
On
EQ
Mode
Full
Range
Auto
Gain
Right
On
EQ
Mode
Full
Range
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
50
30
25
8k0
4k0
590
100
20
1k2
100
60
55
15k
7k0
1k3
200
50
2k5
1.0-1.0 200150 420300
dB Hz dB Hz
Attack Freq A Sustain Freq S
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
1.0-1.0
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
dB
Attack
50
30
25
8k0
4k0
590
330
20
1k2
200150
Hz
Freq A
100
60
55
15k
7k0
1k3
600
50
2k5
420300
Hz
Freq S
DISCRETE CLASS-A
STEREO IMPULSE SHAPER
NVELOPE
dB
Sustain
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
Stereo
Link
Left
On
EQ
Mode
Full
Range
Auto
Gain
Right
On
EQ
Mode
Full
Range
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
50
30
25
8k0
4k0
590
100
20
1k2
100
60
55
15k
7k0
1k3
200
50
2k5
1.0-1.0 200150 420300
dB Hz dB Hz
Attack Freq A Sustain Freq S
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
1.0-1.0
9
Dual Band Mode
Dual Band mode functions basically the same as Full Range, but
it gives you more tweakability by assigning the attack and sus-
tain controls to individual frequency selectors.
The Freq A controller now sets the start frequency for attack processing,
while the Freq S controller determines the end frequency for sustain pro-
cessing. The function of the Attack and Sustain controllers remain the
same as in Full Range mode.
Note: Auto Gain is not oered in this mode as it is typically not needed in
dual band operation.
Linked Dual Band
Unlinked Dual Band

-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
dB
Attack
50
30
25
8k0
4k0
590
330
20
1k2
200150
Hz
Freq A
100
60
55
15k
7k0
1k3
600
50
2k5
420300
Hz
Freq S
DISCRETE CLASS-A
STEREO IMPULSE SHAPER
NVELOPE
dB
Sustain
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
Stereo
Link
Left
On
EQ
Mode
Full
Range
Auto
Gain
Right
On
EQ
Mode
Full
Range
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
50
30
25
8k0
4k0
590
100
20
1k2
100
60
55
15k
7k0
1k3
200
50
2k5
1.0-1.0 200150 420300
dB Hz dB Hz
Attack Freq A Sustain
Freq S
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
1.0-1.0
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
dB
Attack
50
30
25
8k0
4k0
590
330
20
1k2
200150
Hz
Freq A
100
60
55
15k
7k0
1k3
600
50
2k5
420300
Hz
Freq S
DISCRETE CLASS-A
STEREO IMPULSE SHAPER
NVELOPE
dB
Sustain
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
Stereo
Link
Left
On
EQ
Mode
Full
Range
Auto
Gain
Right
On
EQ
Mode
Full
Range
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
50
30
25
8k0
4k0
590
100
20
1k2
100
60
55
15k
7k0
1k3
200
50
2k5
1.0-1.0 200150 420300
dB Hz dB Hz
Attack Freq A Sustain Freq S
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
1.0-1.0
10
EQ Mode
In EQ mode, the nvelope becomes a two band equalizer with a
high/low shelf characteristic, and even here the channel link for
processing stereo material can be activated.
Freq A now sets the frequency of the high shelf lter, while Attack deter-
mines the amount of cut (turn left) or boost (turn right) in this band.
Similarly, Freq S sets the frequency of the low shelf lter and Sustain de-
termines the amount of cut or boost.
Note: Auto Gain and Full Range have no inuence on the EQ.
Linked EQ
Unlinked EQ

-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
dB
Attack
50
30
25
8k0
4k0
590
330
20
1k2
200150
Hz
Freq A
100
60
55
15k
7k0
1k3
600
50
2k5
420300
Hz
Freq S
DISCRETE CLASS-A
STEREO IMPULSE SHAPER
NVELOPE
dB
Sustain
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
Stereo
Link
Left
On
EQ
Mode
Full
Range
Auto
Gain
Right
On
EQ
Mode
Full
Range
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
50
30
25
8k0
4k0
590
100
20
1k2
100
60
55
15k
7k0
1k3
200
50
2k5
1.0-1.0 200150 420300
dB Hz
dB
Hz
Attack Freq A
Sustain
Freq S
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
1.0
-1.0
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
dB
Attack
50
30
25
8k0
4k0
590
330
20
1k2
200150
Hz
Freq A
100
60
55
15k
7k0
1k3
600
50
2k5
420300
Hz
Freq S
DISCRETE CLASS-A
STEREO IMPULSE SHAPER
NVELOPE
dB
Sustain
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
Stereo
Link
Left
On
EQ
Mode
Full
Range
Auto
Gain
Right
On
EQ
Mode
Full
Range
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
50
30
25
8k0
4k0
590
100
20
1k2
100
60
55
15k
7k0
1k3
200
50
2k5
1.0-1.0 200150 420300
dB Hz dB Hz
Attack Freq A Sustain Freq S
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
1.0-1.0
11
Mixed Mode
When the nvelope is not in Stereo Link mode, the two individu-
al channels can be used as dierent processors simultaneously.
For example, you can shape one signal in Dual Band mode in channel L
and a completely dierent signal in Full Range mode in channel R.
Or, you can connect the output of channel L to the input of channel R,
and then process the frequency response with the EQ rst, followed by
some nice Dual Band impulse shaping...
As you can imagine, there are lots of possible combinations!
Dual Band (L) & Full Range (R)
EQ (L) & Dual Band (R)

12

13
Technical Details
Frequency response: <10 Hz - 400 kHz (-3.0 dB)
THD+N @ 0 dBu, 20 Hz - 22 kHz: 0.006 %
THD+N @ +10 dBu, 20 Hz - 22 kHz: 0.01 %
Noise oor, 20 Hz - 20 kHz (Full Range, EQ): -90.0 dBu
Noise oor, 20 Hz - 20 kHz (Dual Band): -87.0 dBu
(A-weighted)
Dynamic range, 20 Hz - 22 kHz: 112 dB
Maximum input level: +21 dBu
Maximum output level: +21 dBu
Input impedance: 10 kOhm
Output impedance: 68 Ohm
CE Conformity
The conformity of this device to the EU directives is conrmed
by the CE mark on the device.
This declaration becomes invalid by any unapproved modication of the
device.
Nettetal, 01.08.2012 - Ruben Tilgner

14
Warranty Info
The nvelope is covered by a limited warranty for a period of 2 years
against defects in parts and labor from the date of purchase. Natural
wear is not covered by this warranty. Repairs or replacements will not
extend the warranty period.
The warranty is given to the original purchaser only and is not transfer-
able. elysia will only give warranty on products purchased through au-
thorized elysia dealers. The warranty will only be valid in the country of
the original purchase unless otherwise pre-authorized by elysia.
All warranties become void when the product has been damaged by
misuse, accident, neglect, modication, tampering or unauthorized al-
teration by anyone other than elysia authorized service personnel.
The warrantor assumes no liability for property damage or any other inci-
dental or consequential damage whatsoever which may result from fail-
ure of this product. Any and all warrantees of merchantability and tness
implied by law are limited to the duration of the expressed warranty.
elysia will not pay for express or overnight freight service or pay for ship-
ments to locations outside Germany. All damages caused by transport
are not covered by this warranty.
This warranty gives you specic legal rights and you may also have other
rights which vary from state to state. Some of the above limitations may
not apply to you.

15
Legal Info
The information in this document is subject to change without further
notice and shall not be deemed as an obligation or warranty of any kind
by the manufacturer. No warranties, express or implied, are made with
regard to the quality, suitability or accuracy of this document.
The manufacturer reserves the right to change the contents of this docu-
ment and/or the associated products at any time without the provision
of prior notice. The manufacturer shall not be held liable for damages of
any kind arising from the use, or the inability to use this product or its
documentation.
The information in this document is subject to copyright. All rights, tech-
nical changes and errata are reserved. No part of this manual may be
reproduced or transmitted in any form or for any purpose without the
explicitly written permission of the copyright holders.
elysia and nvelope are registered trademarks of elysia GmbH. Other
product and brand names contained in this document are used for iden-
tication purposes only. All registered trademarks, product designations
or brand names used in this document are the property of their respec-
tive owners.
The product has been manufactured in compliance
with the RoHS directive. The purpose of this directive
of the European Union is the Restriction of Hazardous
Substances (RoHS) in electronic equipment in order to protect health
and nature. Dispose separately!
Version 1.2 © 2019 elysia GmbH

16
Vorsichtsmaßnahmen
WARNUNG: Hochspannung
•Gefahr durch Stromschlag.
•Öne das Gerät nicht.
•Reparaturarbeiten dürfen nur von qualiziertem Fachpersonal durch-
geführt werden.
•Überprüfe vor dem Anschließen die eingestellte Betriebsspannung.
Diese muss mit der örtlichen Netzspannung übereinstimmen.
•Verwende nur Sicherungen vom gleichen Typ.
•Das Gerät muss geerdet sein.
•Verwende keine defekten Anschlussleitungen.
•Stelle keine Gefäße mit Flüssigkeiten auf das Gerät.
•Stelle sicher, dass keine Feuchtigkeit (Regen, tropfende Flüssigkeiten,
Spritzwasser) in das Gerät gelangen kann.
VORSICHT: Temperatur
•Die Oberächen des Geräts können im Betrieb heiß werden.
•Vermeide direkte Sonneneinstrahlung und die unmittelbare Nähe zu
Heizkörpern, Heizstrahlern und ähnlichen Wärmequellen.
•Sorge beim Einbau in ein Rack für ausreichende Luftzufuhr und mon-
tiere das Gerät nicht direkt über/unter einer Endstufe.
•Lüftungsönungen nicht abdecken.
VORSICHT: Anschluss & Montage
•Schließe keine Ausgänge von Leistungsverstärkern an das Gerät an.
•Stelle das Gerät nur auf einer stabilen Unterlage ab oder montiere es in
ein dafür vorgesehenes Rack.
VORSICHT: Kondensfeuchtigkeit
•Wenn das Gerät von einem kalten an einen warmen Ort gebracht wird,
kann sich im Inneren Kondensfeuchtigkeit bilden. Schalte das Gerät
erst dann ein, wenn es sich auf Raumtemperatur erwärmt hat.

17
Willkommen in der Welt des Impulse Shapings!
Der nvelope kann Signale ganz subtil oder auch sehr drastisch verän-
dern, indem er einen direkten Zugri auf Attack und Sustain ermöglicht.
So werden Einzelsignale eektiv geformt, und auch im Mix bringt dieses
Werkzeug erstaunliche Ergebnisse. Die Bearbeitung passiert völlig unab-
hängig vom jeweiligen Level eines Signals. Anders als bei Kompressoren
muss also keine interaktive Gruppe von mehr oder weniger komplexen
Parametern beherrscht werden, um schnell ans gewünschte Ziel zu kom-
men.
Dennoch bietet der nvelope mit seinem einzigartigen Dual Band-Modus
auch umfangreichere Kontrollmöglichkeiten, wodurch selbst komplexe
Signale kein Problem mehr darstellen. Das Abschalten der Dynamik-
Sektion verwandelt das Modul zudem in einen High/Low Shelf EQ. Die
beiden Kanäle unterstützen echtes Dual Mono und gelinkten Stereobe-
trieb in allen Funktionsvarianten – Full Range, Dual Band, und sogar im
EQ-Modus...
Inhalt
Bedienelemente ....................................................18
Anschlüsse .........................................................20
Die Magie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Full Range-Modus...................................................22
Dual Band-Modus...................................................23
EQ-Modus ..........................................................24
Mixed-Modus.......................................................25
Recall Sheet ........................................................26
Technische Daten ...................................................27
CE Konformität .....................................................27
Garantie ............................................................28
Hinweise ...........................................................29
English Manual...................................................2
Manuel Français.................................................30

-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
dB
Attack
50
30
25
8k0
4k0
590
330
20
1k2
200150
Hz
Freq A
100
60
55
15k
7k0
1k3
600
50
2k5
420300
Hz
Freq S
DISCRETE CLASS-A
STEREO IMPULSE SHAPER
NVELOPE
dB
Sustain
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0-1.0
Stereo
Link
Left
On
EQ
Mode
Full
Range
18
Bedienelemente
Attack
• Full Range- & Dual Band-Modus:
Betonung oder Reduzierung des Attacks
• EQ-Modus:
Anhebung oder Absenkung der hohen Frequenzen
Frequency Attack (Freq A)
• Full Range-Modus:
Verändert das Ansprechverhalten der Attack-Bearbeitung
• Dual Band-Modus:
Bestimmt die Startfrequenz für die Attack-Bearbeitung
• EQ-Modus:
Wählt die Frequenz für das High Shelf-Filter
Sustain
• Full Range- & Dual Band-Modus:
Betonung oder Reduzierung des Sustains
• EQ-Modus:
Anhebung oder Absenkung der tiefen Frequenzen
Frequency Sustain (Freq S)
• Full Range- Modus:
Keine Funktion in diesem Modus
• Dual Band-Modus:
Bestimmt die Endfrequenz für die Sustain-Bearbeitung
• EQ-Modus:
Wählt die Frequenz für das Low Shelf-Filter

Auto
Gain
Right
On
EQ
Mode
Full
Range
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
50
30
25
8k0
4k0
590
100
20
1k2
100
60
55
15k
7k0
1k3
200
50
2k5
1.0-1.0 200150 420300
dB Hz dB Hz
Attack Freq A Sustain Freq S
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
1.0-1.0
19
On (Left/Right)
Aktiviert einen Kanal oder schaltet einen Hardwire Bypass
EQ Mode
Wechselt von der Hüllkurvenbearbeitung zur EQ-Funktion
Full Range
Schaltet von Dual Band- nach Full Range-Betrieb um
Stereo Link
Verbindet beide Kanäle zur Bearbeitung von Stereosignalen
(Die linken Drehregler und Druckschalter werden zum Master
für beide Kanäle)
Auto Gain
Reduziert Pegelsprünge im Full Range-Modus

230V
AVIS: RISQUE DE CHOC ÉLECTRIQUE - NE PASOUVRIR
RISK OF ELECTRIC SHOCK
DO NOT OPEN
OUT LEXT 1 IN LOUT REXT 2 IN R
OUT LOUT R
OUT LEXT 1 OUT L IN L IN LOUT REXT 2 OUT R IN R IN R VOLTAGE 230V 100mA | 115V 200mA | slo-blo
MADE IN GERMANY
nvelope
serial number
IN LIN R
20
Anschlüsse
Audio-Eingänge (XLR und 6,3 mm Klinke)
Audio-Ausgänge (XLR und 6,3 mm Klinke)
Zusätzliche Audio-Ausgänge (6,3 mm Klinke)
Stromanschluss/Einschalter/Sicherungshalter
Spannungswahlschalter
Mono-Betrieb: Verwende jeweils einen der beiden Ein- und Ausgänge
(1oder 2) – welchen Kanal du nimmst, steht dir frei.
Stereo-Betrieb: Verwende beide Ein- und Ausgänge (1und 2) – linken
und rechten Kanal kannst du dabei selber festlegen.
Eingänge (+4 dBu)
XLR symmetrisch: Pin 1: Masse Pin 2: heiß (+) Pin 3: kalt (-)
XLR unsymmetrisch: Pin 1: Masse Pin 2: heiß (+) Pin 3: Masse
Klinke symmetrisch: Sleeve: Masse Tip: heiß (+) Ring: kalt (-)
Klinke unsymmetrisch: Sleeve: Masse Tip: heiß (+) Ring: Masse
Ausgänge (+4 dBu)
XLR symmetrisch: Pin 1: Masse Pin 2: heiß (+) Pin 3: Masse
XLR unsymmetrisch: Pin 1: Masse Pin 2: heiß (+) Pin 3: frei
Klinke symmetrisch: Sleeve: Masse Tip: heiß (+) Ring: Masse
Klinke unsymmetrisch: Sleeve: Masse Tip: heiß (+) Ring: frei
Sicherungen (2 Stück)
230 V Betrieb: 100 mA träge
115 V Betrieb: 200 mA träge