Europort EPA900 User manual

User Manual
EUROPORT EPA900
Ultra-Compact 900-Watt 8-Channel Portable PA System with
Digital Eects and FBQ Feedback Detection

2EUROPORT EPA900 User Manual
Thank you
Thank you for purchasing the EUROPORT EPA900. The EPA900 is a portable,
ultra-compact powered mixer/loudspeaker combination with enormous power,
unbelievable sound, and an extremely low weight. The mixer unit has 8 input
channels (4mono and 2 stereo channels), an internal 24-bit studio-quality
eects processor, and a 7-band graphic equalizer with FBQ feedback detection.
All channels have ultra-high precision 2-band EQs and CLIP LEDs for total control.
At 900 Watts, the high-performance power amp is properly sized, and with
the 2supplied loudspeakers a microphone, including cable, you can get going
rightaway!
With the EPA900, you can quickly and easily master any sound situation.
We at BEHRINGER hope you enjoy your new acquisition.
Table of Contents
Thank you ....................................................................... 2
Important Safety Instructions ...................................... 3
Legal Disclaimer............................................................. 3
Limited warranty............................................................ 3
1. Before You Get Started.............................................. 4
1.1 Shipment................................................................................ 4
1.2 Initial operation................................................................... 4
1.3 Online registration ............................................................. 4
2. Installation................................................................. 4
2.1 Setup preparations............................................................. 4
2.2 Setup....................................................................................... 5
3. Control Elements and Connections ......................... 5
3.1 Mono Channels (1-4).......................................................... 5
3.2 Stereo Channels (5/6-7/8)................................................. 5
3.3 Channel strips ...................................................................... 6
3.4 Additional connections.................................................... 6
3.5 Speaker outputs.................................................................. 7
3.6 Graphic equalizer................................................................ 7
3.7 Eects unit ............................................................................ 7
3.8 Main Power Section........................................................... 7
3.9 Power supply and serial number .................................. 8
4. Applications ............................................................... 8
5. Specications............................................................. 9
6. Eects Table ............................................................. 10

3EUROPORT EPA900 User Manual
Important Safety
Instructions
LEGAL DISCLAIMER
LIMITED WARRANTY
Terminals marked with this symbol carry
electrical current of sucient magnitude
to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼"TS or twist-locking plugs pre-installed. Allother
installation or modication should be performed only
by qualiedpersonnel.
This symbol, wherever it appears,
alertsyou to the presence of uninsulated
dangerous voltage inside the
enclosure-voltage that may be sucient to constitute a
risk ofshock.
This symbol, wherever it appears,
alertsyou to important operating and
maintenance instructions in the
accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, donot
remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
qualied personnel.
Caution
To reduce the risk of re or electric shock,
do not expose this appliance to rain and
moisture.The apparatus shall not be exposed to dripping
or splashing liquids and no objects lled with liquids,
suchas vases, shall be placed on the apparatus.
Caution
These service instructions are for use
by qualied service personnel only.
Toreduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by qualied
servicepersonnel.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including ampliers) that produce heat.
9. Do not defeat the safety purpose of the polarized
or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. Ifthe
provided plug does not t into your outlet, consult an
electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
11. Use only attachments/accessories specied by
themanufacturer.
12. Use only with the
cart, stand, tripod, bracket,
or table specied by the
manufacturer, orsold with
the apparatus.When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid
injury from tip-over.
13. Unplug this apparatus during lightning storms or
when unused for long periods of time.
14. Refer all servicing to qualied service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
beendropped.
15. The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.
16. Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device shall
remain readily operable.
TECHNICAL SPECIFICATIONS AND APPEARANCES
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
ACCURACY IS NOT GUARANTEED. BEHRINGER,
KLARKTEKNIK, MIDAS, BUGERA, ANDTURBOSOUND
ARE PART OF THE MUSIC GROUP MUSICGROUP.COM.
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO
LIABILITY FOR ANY LOSSWHICH MAY BE SUFFERED
BY ANY PERSONWHO RELIES EITHER WHOLLY OR
IN PART UPON ANY DESCRIPTION, PHOTOGRAPH
OR STATEMENT CONTAINED HEREIN. COLORS AND
SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.
MUSIC GROUP PRODUCTS ARE SOLDTHROUGH
AUTHORIZED FULLFILLERS AND RESELLERS ONLY.
FULLFILLERSAND RESELLERS ARE NOT AGENTS OF
MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY
TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED
UNDERTAKING OR REPRESENTATION. THIS MANUAL
IS COPYRIGHTED. NO PART OF THIS MANUAL MAY
BE REPRODUCED OR TRANSMITTED IN ANY FORM
OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,
INCLUDING PHOTOCOPYING AND RECORDING OF ANY
KIND, FOR ANY PURPOSE,WITHOUTTHE EXPRESS
WRITTEN PERMISSION OF MUSICGROUPIPLTD.
ALL RIGHTS RESERVED.
© 2013 MUSICGroupIPLtd.
Trident Chambers,Wickhams Cay, P.O. Box 146,
Road Town, Tortola, British Virgin Islands
For the applicable warranty terms and conditions
and additional information regarding MUSIC Group’s
LimitedWarranty, please see complete details online at
www.music-group.com/warranty.

4EUROPORT EPA900 User Manual
1. Before You Get Started
1.1 Shipment
Your EPA900 was carefully packed at the factory, and the packaging was
designed to protect the unit from rough handling. Nevertheless, we recommend
that you carefully examine the packaging and its contents for any signs of
physical damage that may have occurred during transit.
◊ If the unit is damaged, please do NOT return it to BEHRINGER.
Instead, notify your dealer and the shipping company immediately.
Otherwise, claims for damage or replacement may not be honored.
◊ Always use the original packing carton to prevent damage during
storage or transport.
◊ Make sure that no children are left unsupervised with the unit or
its packaging.
◊ Please ensure proper disposal of all packing materials.
1.2 Initial operation
Be sure that there is enough space around the unit for cooling. To avoid
overheating, please do not place the EPA900 near radiators and other equipment
emanating heat.
◊ Blown fuses must be replaced by fuses of the same type and rating!
Please refer to the “TECHNICAL SPECIFICATIONS” section for the correct
rating. To avoid an electric shock, turn off and unplug the unit before
replacing the fuse. For more information, please see Chapter 3.8
and Figure 3.9.
The mains connection is made using the enclosed power cord and a standard IEC
receptacle. It meets all of the international safety certication requirements.
◊ Before connecting the unit to the mains, please check that it is set to
the correct supply voltage.
◊ You have to use another fuse if you set the unit to another supply
voltage. The correct value is specified in Chapter “Specifications”.
◊ Please make sure that all units have a proper ground connection.
For your own safety, never remove or disable the ground
conductor from the unit or of the AC power cord. The unit shall
always be connected to the mains socket outlet with a protective
earthing connection.
◊ Please ensure that only qualified people install and operate the
mixing console. During installation and operation, the user must have
sufficient electrical contact to earth, otherwise electrostatic discharges
might affect the operation of the unit.
◊ The sound quality may diminish within the range of powerful
broadcasting stations and high-frequency sources. Increase the
distance between the transmitter and the device and use shielded
cables for all connections.
1.3 Online registration
Please register your new BEHRINGER equipment right after your purchase
by visiting http://behringer.com and read the terms and conditions of our
warrantycarefully.
Should your BEHRINGER product malfunction, it is our intention to have it
repaired as quickly as possible. To arrange for warranty service, please contact
the BEHRINGER retailer from whom the equipment was purchased. Shouldyour
BEHRINGER dealer not be located in your vicinity, you may directly contact
one of our subsidiaries. Corresponding contact information is included in the
original equipment packaging (Global Contact Information/European Contact
Information). Should your country not be listed, please contact the distributor
nearest you. A list of distributors can be found in the support area of our website
(http://behringer.com).
Registering your purchase and equipment with us helps us process your repair
claims more quickly and eciently.
Thank you for your cooperation!
2. Installation
The EPA900 mobile PA system consists of two loudspeakers and a powered mixer
that easily join into a portable, wheeled unit for easy transportation. In the
following sections, you will nd out how to set up and start up the PA system.
2.1 Setup preparations
Follow the instructions to ensure straightforward and reliable operation of
theEPA900.
1. Open the upper latch.
2. Open the latches on the sides of the PA unit by pressing and then
liftingthem.
3. With one hand, grab hold of the recessed handle above the latch on the side
of the loudspeaker and hold the upper handle with the other hand.
(2)
(1)
(3)
Fig. 2.1: EPA900 setupThen,carefully remove the loudspeaker sideways from the mixer.
◊ Be careful to prevent the loudspeaker from accidentally falling on
your foot.
4. Repeat Step 3 for the second loudspeaker.
5. Place the mixer in an upright position.
◊ To assemble the PA unit for transportation, perform the steps in the
reverse order.

5EUROPORT EPA900 User Manual
2.2 Setup
1. Separate the three pieces of the PA unit as described in Chapter 2.1.
2. Place the mixing console and loudspeakers in the required positions in
thevenue.
◊ Use of the optional loudspeaker stands ensures a wider, more even
dispersion of sound.
3. Using the supplied cables, connect the loudspeakers to the rear
loudspeakeroutputs.
 Caution
ONLY connect the EPA900’s loudspeakers, never other equipment, via the rear
loudspeaker connectors. Otherwise, your equipment could get damaged.
4. Connect instruments, microphones, and additional equipment via the
remaining connectors on the mixer (see Chapter 4).
5. If you have an active subwoofer available (not included), connect it to the
SUB OUT socket.
6. Ensure that the two volume control knobs in the MAIN LEVEL CONTROL have
been turned counterclockwise as far as possible.
7. Use the IEC power cord to connect the mixer’s power inlet to an AC outlet.
8. Turn on the mixer.
9. Make the desired settings.
 Caution
We would like to point out that high volume levels could damage your hearing.
Always make sure that the appropriate volume is set.
3. Control Elements and
Connections
The EPA900 mixer is equipped with 4 mono and 2 stereo inputs and an additional
AUX input. The input signals are internally distributed to a stereo bus. It is also
possible to use its channels separately (mono), such as when used for FOH/PA and
stage. Depending on the requirements, one stereo or two independent mono
sounds can be run. An internal eect can be used as an AUX eect from each
channel. The 7-band graphic equalizer is used to process the stereo bus or the
two mono paths.
3.1 Mono Channels (1-4)
Channels 1-4 are designed as mono channels and are used to connect
microphones or mono line-level sources. The connectors are balanced to
ensure high interference resistance. If possible, you should use balanced cable
connectors to prot from the advantages of this type of connection.
3.1.1 Microphone/Line Inputs
Fig. 3.1: Mono channel connectors
MIC
You can connect either dynamic microphones or condenser microphones to the
MIC connector using XLR plugs.
LINE IN
Via the LINE IN connector, youcan connect instruments (e.g., keyboards,
electricguitars) or other line-level sources (e.g.,CD player, external
mixers, notebooksound card). The ¼" jack accepts both balanced and
unbalancedconnectors.
PAD
With the PAD switch, you can weaken loud input signals by 20dB. Use this
function if the CLIP LED is lit up and the level cannot be reduced any further using
the LEVEL control.
PHANTOM
With the PHANTOM switch, you can activate the phantom power supply for all
microphone channels. Use the supply for condenser microphones.
3.2 Stereo Channels (5/6-7/8)
Channels 5/6-7/8 are designed as stereo channels and are used to connect stereo
line-level sources.
3.2.1 Line Inputs
Fig. 3.2: Stereo channel connectors

6EUROPORT EPA900 User Manual
LEFT (L) / RIGHT (R)
Via these connectors, you can connect stereo line-level sources (e.g., keyboard,
CD player, external mixers, notebooksound card). Either the cinch jacks or the
¼"jacks can be used, but not both at the same time.
VOICE CANCELLER (Channel 7/8)
The VOICE CANCELLER function enables voice to be ltered out of stereo signals.
This function is useful for karaoke applications with a player (CD/MP3 player, etc.).
3.3 Channel strips
Each channel strip is equipped with an equalizer section, an eects control,
andone control each for signal routing and volume control.
Fig. 3.3: Channel strip for a monochannel
TREBLE/BASS
The equalizer section comprises these two controls. With the TREBLE control,
youcan modify the high frequencies, and with the BASS control the low
frequencies. Rotate the control knob:
• clockwise to boost the frequency range by max. 15 dB.
• counterclockwise to cut the frequency range by max.15dB.
◊ If you use the equalizer section to boost frequencies, the signal level of
the channel increases. If the CLIP LED lights up, you need to reduce the
level using the corresponding LEVEL control.
EFFECTS
With the EFFECTS control, you can specify the portion of the channel signal
to be routed to the eects unit. The further clockwise you turn the control
knob, thegreater the eect that is applied to the signal. Turning the knob
counterclockwise as far as possible results in a signal with no eects.
BAL
Use the BAL control of the mono channels to adjust the position of the signal
within the stereo image (left/right) or for both mono paths. Turn the control:
• completely to the left to hear the signal only on the left side, that is the
LEFT/MAINpath.
• completely to the right to hear the signal only on the right side, that is the
RIGHT/MAIN path.
Positions between these settings will result in a proportionate signal allocation
between LEFT/MAIN and RIGHT/MAIN.
The BAL control determines the levels of a stereo source’s left and right input
signals in relation to each other. Turn the control:
• completely to the left to hear only the left signal component of the stereo
source on the LEFT/MAIN path.
• completely to the right to hear only the right signal component of the stereo
source on the RIGHT/MAIN path.
Positions between these settings will result in a proportionate signal allocation
of the left/right signal component between LEFT/MAIN and RIGHT/MAIN.
CLIP
When lit up, the CLIP LED indicates that the corresponding channel is being
overdriven. If this LED lights up regularly, you need to reduce the level of the
respective channel using the LEVEL control and/or the PAD switch.
LEVEL
The LEVEL control is used to set the volume of the channel signal. If the CLIP LED
is lit up, the level has to be reduced using this control.
3.4 Additional connections
The EPA900 is equipped with additional inputs and outputs as well as a
footswitch connector.
Fig. 3.4: Connectors for additional devices
STEREO AUX IN
The STEREO AUX IN sockets are designed as separate ¼" jacks and as a stereo
minijack. You can connect additional devices with adjustable line levels
(e.g.,other mixers, MD player) here. The signal is sent directly to the output
busses, with no further adjustment possible. Use either the minijack or the
two ¼" jacks, not both types at the same time. For mono sources, use the
LEFTconnector.
EFFECTS FOOTSW
The EFFECTS FOOTSW socket is used to connect a footswitch. You can switch the
eect on and o with the foot switch.
SUB OUT
You can connect an active subwoofer to the SUB OUT socket.
TAPE OUT
You can connect a 2-track recorder (DAT, MD, etc.) to the TAPE OUT sockets.
Thetwo TAPE OUTs carry the output bus signals.

7EUROPORT EPA900 User Manual
3.5 Speaker outputs
The SPEAKER OUTPUTS connectors on the back of the unit are used to connect the
supplied loudspeakers.
Fig. 3.5: Powered connectors for passive loudspeakers
 Caution
The outputs are powered outputs, which put out a strong, amplied signal
(not a low-level LINE signal!). For this reason, only PASSIVE loudspeaker systems
can be connected. Other devices could get damaged.
• If loudspeakers with an impedance of 4 Ω are used, the two outputs have a
maximum power of 900 W.
• If loudspeakers with an impedance of 8 Ω are used, the two outputs have a
maximum power of 800 W.
3.6 Graphic equalizer
The EPA900 is equipped with a 7-band graphic equalizer, which enables you
to adapt the sound to the room conditions and your own ideas for the sound.
Theequalizer always processes the LEFT/MAIN and RIGHT/MAIN bus equally.
Fig. 3.6: Graphic equalizer section
EQ ON
You can activate the equalizer using the EQ ON switch.
FBQ ON
Using the FBQ ON switch, you can activate the feedback detection circuit.
Thisfunction only has an eect if the equalizer is active. For every frequency
thatcauses feedback, the corresponding LED on a slide control lights up.
Lowering the displayed frequency minimizes feedback.
3.7 Eects unit
The EPA900 is equipped with an internal stereo eects processor, which oers
100 dierent standard eects, including reverb, chorus, anger, and echo, as well
as various multieects. It is permanently integrated into the mixer as a Send/
Return eect; i.e., an adjustable signal portion can be routed to the eects unit
from every input channel. The selected eect is applied to the signal portions
of the channels, and the signals are then mixed with the direct signals via the
stereobus.
Fig. 3.7: Internal 24-bit multieects unit
CLIP/SIG
The CLIP and SIG LEDs provide information on the signal level on the eects unit.
• When continuously lit up, the CLIP LED indicates a signal overdrive. In this
case, the eects unit input level should be reduced through lowering of the
Send level using the EFFECTS controls for the input channels.
• The SIG LED signalizes that the eects processor is receiving a signal and is
working. If the LED is not lit up, the input signal is too weak.
PROGRAM (PUSH)
You can turn the PROGRAM control knob to select an eects preset. Then press
the knob to activate the selected eect.
EFFECTS (LEVEL)
The EFFECTS (LEVEL) control is used to adjust the eects signal volume.
3.8 Main Power Section
The operating volume of the sound system is set via the main power section
(MAIN LEVEL CONTROL).
Fig. 3.8: Control elements in the main power section
LEFT/MAIN and RIGHT/MAIN
The two controls are used to adjust the volume of the corresponding
loudspeakeroutputs.
MODE
With the MODE switch, the power amplier section can be switched to stereo
or mono mode. Depending on the setting, the limiter, which provides overdrive
protection for the system, works in coupled stereo or independent mono mode.
◊ Always remember to set the switch according to the given application
to avoid incorrect limiter behavior!

8EUROPORT EPA900 User Manual
3.9 Power supply and serial number
FUSE HOLDER/IEC SOCKET
Connection to an AC power supply is made via an IEC socket. It complies with
applicable safety regulations. A suitable AC power cord is included. Replace the
fuse with a fuse of the same type.
Fig. 3.9: Power supply and fuse
◊ To avoid an electric shock, turn off and unplug the unit before replacing
the fuse.
POWER Switch
Use the POWER switch to start up the unit. The POWER switch should be in the
“O” position when you connect the unit to the AC power supply.
To disconnect the unit from the power supply, pull out the power plug.
Whenstarting up the unit, ensure that the power plug is easily accessible.
◊ Please note: Switching the POWER switch off does not completely
disconnect the unit from the power supply. For this reason, you should
unplug the power cord if the unit is not going to be used for a long
period of time.
VOLTAGE SELECTOR
The VOLTAGE SELECTOR switch lets you set the correct operating voltage.
◊ Before connecting the unit to the mains, please check that it is set to
the correct supply voltage.
◊ You have to use another fuse if you set the unit to another supply
voltage. The correct value is specified in Chapter “Specifications”.
SERIAL NUMBER
The serial number can be found on the back of the mixer. It is needed for
onlineregistration.
4. Applications
The EPA900 can be used for simple sound tasks, e.g., amplication of the
presenter’s voice, playback sound, or karaoke applications, as well as for
demanding tasks such as band amplication or stage monitor sound. A typical
example of use as a sound system for music with live instruments and players is
given below.
EPA900
Keyboard
CD player
Drum Computer
ULTRAVOICE XM8500
Electric Guitar
GMX212 Stereo
AUX In
In 3
In 1 In 2
In 5/6
In 7/8
Speaker Output
Lef/Main
Fig. 4.1: Sound example

9EUROPORT EPA900 User Manual
5. Specications
Inputs 1-4
Type 4 x XLR, electronically balanced,
4 x ¼" TRS jack, electronically balanced
Impedance approx. 2.2 kΩ , balanced,
approx. 1.1 kΩ , unbalanced
Input sensitivity -21 dBu @ PAD/OFF
Max. gain +30 dB to +10 dB
Phantom power supply +48 V
Signal-to-noise ratio -90 dB, A-weighted
Channel separation 70 dB
Inputs 5-8
Type 4 x ¼" TS jack, unbalanced
4 x RCA phono jack, unbalanced
Impedance approx. 20 kΩ , unbalanced
Input sensitivity -15 dBu
Max. gain +20 dB
Signal-to-noise ratio -85 dB, A-weighted
Stereo Aux In
Type 1 x ¼" TS jack, unbalanced
1 x stereo minijack, unbalanced
Impedance approx. 100 kΩ , unbalanced
Input sensitivity -8 dBu
Signal-to-noise ratio -90 dB, A-weighted
Tape Out
Type 2 x cinch jack, unbalanced
Impedance approx. 1 kΩ
Max. output level +17 dBu, unbalanced
Channel separation > 70 dB
Sub Out
Type 1 x ¼" stereo jack, unbalanced
Impedance approx. 1 kΩ
Max. output level + 21 dBu, unbalanced
Channel EQ
BASS ±15 dB @ 80 Hz
TREBLE ±15 dB @ 27 kHz
Eects
Converter 24-bit delta-sigma
Sampling frequency 40 kHz
Display 2-digit, 7-segment
EQ
Type 7-band
Loudspeaker Outputs
Type 2 x ¼" TS jack
Load impedance 8 Ω
Output Power
RMS @ 1% THD (sine signal) 8 Ω 2 x 360 W; 4 Ω 2 x 400 W
Peak power 8 Ω 2 x 400 W; 4 Ω 2 x 450 W
System Specications
Frequency response 50 Hz to 44 kHz, ± 3 dB
Distortion (THD + N) 0.32% @ 1 W
Power Supply
Power consumption 1,000 W
Fuse T 10 A H 250 V (100 –120 V~, 50/60 Hz)
T 10 A H 250 V (220 –240 V~, 50/60 Hz)
Dimensions/Weight
Dimensions (H x W x D) approx. 26.0 x 13.9 x 34.8"
approx. 660 x 354 x 883 mm
Weight approx. 82.5 lbs / 37.5 kg
BEHRINGER is constantly striving to manintain the highest professional standards. As a result of these efforts,
modifications may be made from time to time to existing products without prior notice. Specifications and
appearance may differ from those listed or liiustrated.

10 EUROPORT EPA900 User Manual
6. Eects Table
EFFECT PRESETS
No. EFFECT Description No. EFFECT Description
HALL 00-09 DELAY 50-59
00 SMALL HALL 1 approx. 1.0s reverb decay 50 SHORT DELAY 1 Like a short shattering
01 SMALL HALL 2 approx. 1.2s reverb decay 51 SHORT DELAY 2 1-2 short impulse(s)
02 SMALL HALL 3 approx. 1.5s reverb decay 52 SHORT DELAY 3 1-2 short impulse(s)
03 MID HALL 1 approx. 1.8s reverb decay 53 MID DELAY 1 Classical Delay for up-tempo music (115-125 BPM)
04 MID HALL 2 approx. 2.0s reverb decay 54 MID DELAY 2 Classical Delay for mid-tempo music (105-115 BPM)
05 MID HALL 3 approx. 2.5s reverb decay 55 MID DELAY 3 Classical Delay for slow-tempo music (95-105 BPM)
06 BIG HALL 1 approx. 2.8s reverb decay 56 LONG DELAY 1 Classical Delay for reggae-tempo music (85-95 BPM)
07 BIG HALL 2 approx. 3.2s reverb decay 57 LONG DELAY 2 Classical Delay for dub-tempo music (75-85 BPM)
08 BIG HALL 3 approx. 4s reverb decay 58 LONG DELAY 3 Extra long (nearly innite) delay eect
09 CHURCH approx. 7s reverb decay 59 LONG ECHO Extra long canyon echo eect
ROOM 10-19 CHORUS 60-69
10 SMALL ROOM 1 approx. 0.5s reverb decay 60 SOFT CHORUS 1 Unobtrusive eect
11 SMALL ROOM 2 approx. 0.8s reverb decay 61 SOFT CHORUS 2 Unobtrusive eect with dierent color
12 SMALL ROOM 3 approx. 1.0s reverb decay 62 WARM CHORUS 1 Analog sounding
13 MID ROOM 1 approx. 1.2s reverb decay 63 WARM CHORUS 2 Analog sounding with dierent color
14 MID ROOM 2 approx. 1.5s reverb decay 64 PHAT CHORUS 1 Pronounced chorus eect
15 MID ROOM 3 approx. 1.8s reverb decay 65 PHAT CHORUS 2 Pronounced chorus eect with dierent color
16 BIG ROOM 1 approx. 2.0s reverb decay 66 CLASSIC FLANGER Standard anger eect
17 BIG ROOM 2 approx. 2.2s reverb decay 67 WARM FLANGER More analog touch
18 BIG ROOM 3 approx. 2.5s reverb decay 68 DEEP FLANGER Deep modulation impression
19 CHAPEL approx. 3s reverb decay 69 HEAVY FLANGER Extremely pronounced eect
PLATE 20-29 PHASE/PITCH 70-79
20 SHORT PLATE approx. 1.0s reverb decay 70 CLASSIC PHASER Standard phaser eect
21 MID PLATE approx. 1.5s reverb decay 71 WARM PHASER More analog touch
22 LONG PLATE approx. 2.2s reverb decay 72 DEEP PHASER Deep modulation impression
23 VOCAL PLATE approx. 1.2s reverb decay 73 HEAVY PHASER Extreme strong eect
24 DRUMS PLATE approx. 1.0s reverb decay 74 PITCH SHIFT DETUNE 2-3-times detune for a wider solo voice sound
25 GOLD PLATE 1 approx. 1.2s reverb decay 75 PITCH SHIFT +3 Minor third added voice
26 GOLD PLATE 2 approx. 2.0s reverb decay 76 PITCH SHIFT +4 Major third added voice
27 SHORT SPRING approx. 1.0s reverb decay 77 PITCH SHIFT +7 Quint above added voice
28 MID SPRING approx. 2.0s reverb decay 78 PITCH SHIFT -5 Fourth down added voice
29 LONG SPRING approx. 2.5s reverb decay 79 PITCH SHIFT -12 1 octave down added voice
GATED/REVERSE 30-39 MULTI 1 80-89
30 GATED REV SHORT approx. 0.8s gate time 80 CHORUS + REVERB 1 Soft chorus + medium-short reverb
31 GATED REV MID approx. 1.2s gate time 81 CHORUS + REVERB 2 Deep chorus + medium-long reverb
32 GATED REV LONG approx. 2.0s gate time 82 FLANGER + REVERB 1 Soft anger + medium-short reverb
33 GATED REV XXL approx. 3.0s gate time 83 FLANGER + REVERB 2 Deep anger + medium-long reverb
34 GATED REV DRUMS 1 approx. 0.8s gate time 84 PHASER + REVERB 1 Soft phaser + medium-short reverb
35 GATED REV DRUMS 2 approx. 1.2s gate time 85 PHASER + REVERB 2 Deep phaser + medium-long reverb
36 REVERSE SHORT approx. 0.8s reverb raise 86 PITCH + REVERB 1 Soft voice detuning + medium-short reverb
37 REVERSE MID approx. 1.2s reverb raise 87 PITCH + REVERB 2 Fourth above interval + medium-long reverb
38 REVERSE LONG approx. 2.0s reverb raise 88 DELAY + REVERB 1 Short delay + medium-short reverb
39 REVERSE XXL approx. 3.0s reverb raise 89 DELAY + REVERB 2 Medium-long delay + medium-long reverb
EARLY REFLECTIONS 40-49 MULTI 2 90-99
40 EARLY REFLECTION 1 Short 90 DELAY + GATED REV Short delay + medium-long gated reverb
41 EARLY REFLECTION 2 Medium-short 91 DELAY + REVERSE medium-short delay + medium-long reverse reverb
42 EARLY REFLECTION 3 Medium-long 92 DELAY + CHORUS 1 Short delay + soft chorus
43 EARLY REFLECTION 4 Long 93 DELAY + CHORUS 2 Medium-long delay + deep chorus
44 SHORT AMBIENCE Short 94 DELAY + FLANGER 1 Short delay + soft anger
45 MID AMBIENCE Medium-short 95 DELAY + FLANGER 2 Medium-long delay + deep anger
46 LIVE AMBIENCE Medium-short 96 DELAY + PHASER 1 Short delay + soft phaser
47 BIG AMBIENCE Medium-long 97 DELAY + PHASER 2 Medium-long delay + deep phaser
48 STADIUM Long 98 DELAY + PITCH 1 Short delay + fourth down interval
49 GHOST AMBIENCE Extra-long special FX 99 DELAY + PITCH 2 Medium-long delay + minor third above interval

11 EUROPORT EPA900 User Manual
FEDERAL COMMUNICATIONS
COMMISSION COMPLIANCE
INFORMATION
Responsible Party Name: MUSIC Group Services US Inc.
Address: 18912 North Creek Parkway,
Suite 200 Bothell, WA 98011,
USA
Phone/Fax No.: Phone: [phone]
Fax: [phone]
EUROPORT EPA900
complies with the FCC rules as mentioned in the followingparagraph:
This equipment has been tested and found to comply with the limits for a ClassB
digital device, pursuant to part 15 of the FCC Rules. These limits are designed
to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may cause
harmful interference to radio communications. However, there is no guarantee that
interference will not occur in a particular installation. If this equipment does cause
harmful interference to radio or television reception, which can be determined
by turning the equipment o and on, the user is encouraged to try to correct the
interference by one or more of the followingmeasures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit dierent from that to which the
receiver is connected.
• Consult the dealer or an experienced radio/TV technician forhelp.
This device complies with Part 15 of the FCC rules. Operation is subject to the
following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may
cause undesired operation.
Important information:
Changes or modications to the equipment not expressly approved by MUSIC Group
can void the user’s authority to use the equipment.
EUROPORT EPA900

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