FP Zoom TTL User manual

FPLFSMZNK
Zoom TTL Flash
for Nikon

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Thank you for choosing Flashpoint!
The new Flashpoint Zoom TTL Speedlight for Nikon with
Integrated R2 Radio Transceiver is a hotshoe speedlight
which is fully compatible with the Nikon TTL system. The
incredible amount of power contained in these compact
and lightweight units as well as their integrated functions
and features make them the rst choice of professional
photographers. If you have any questions or concerns,
Features
Extremely Powerful Flash with a GN of 196
Complete Compatibility with The Nikon ITTL System
Fully Compatible with All On Camera ITTL Controls
Including Automatic TTL Exposure Control, Exposure Bias,
Bracketing, Second Curtain Sync, HSS, EXIF Recording, and
Modeling Flash
Optical ITTL Communication with Nikon Flashes as a
Master or Slave
Manual Control of Three Dierent Wireless Groups by
Using the Nikon CLS Optical System
Remote ITTL and Manual Power Control with the Integrated
R2 Radio System’s Built In Transmitter and Receiver
Industry benchmark range and interference avoidance
with the new INTEGRATED 2.4 gHz R2 Radio System
Zooming Head for Even Coverage with automatic zoom or
manual control
HSS for Shutter Speeds Up To 1/8000 Second
Regular and Intelligent Optical Slave Modes
Backwards Compatible with The Flashpoint R1 Radio
Control System for Manual Output Control and Triggering
360 degree rotation and 90+ degree tilt
Stable color temperature at 5600±200K over the entire
power range
Backlit Matrix LCD
Multipurpose Buttons with Digital Marking for Faster Navigation
Perfect for On and O Camera Use
Faster Recycle with the Flashpoint Blast Pack BP-960 with
Canon cord
Laser AF Assist Lamp with Crisscross Pattern for Instant
Autofocus Even In Complete Dark On Low Contrast Surfaces
1 Year Warranty
01

02
For Your Safety
Always keep this product dry.
Do not use in rain or in damp conditions.
This product contains high-voltage electronic parts.
Touching the high-voltage circuit inside it may result in
electric shock. Do not disassemble. Should repairs become
necessary, this product must be sent to an authorized
maintenance center.
Stop using this product if it breaks open due to internal
shifting, falling or strong impact. STRONG electric shock may
occur if you touch the components inside it. You might DIE.
Don’t risk it. Reincarnation is not covered by the warranty.
Do not re the ash directly into the eyes (especially those of
babies and pets) within short distances. Otherwise visual
impairment may occur. When taking pictures for babies, keep
the ash unit at least 1 meter (3.3 feet) away from them. Using
bounce ash to reduce light intensity is also recommended.
Plus it will make them look cuter. Because it creates softer
light, and larger catchlights in the eyes. And makes them look
more angelic. Which is good. Cause they are babies. They are
SUPPOSED to look angelic! Also you won’t get hard shadows
from that ridiculous gigantic bow they decided to stick on the
baby’s head if you bounce your light.
Do not use the ash unit in the presence of ammable gases,
chemicals and other similar materials. In certain circumstances,
these materials may be sensitive to the strong light emitting
from this ash unit and re may result. A whole new meaning
to“Flashpoint”.
Do not leave or store the ash unit if the ambient temperature
reads over 50°C (e.g. in automobile in the sun). Otherwise the
electronic parts may be damaged.
Do not use any power supply other than the intended one to
power the unit.
Do not insert metal parts into any lighting equipment.
Do not touch the electrical contacts on the ash or battery
or contact them with any conductive materials.
This ash has an over-heat protection circuit, rapid continuous
ring will cause the ash to slow operation and trigger a "cool
down" period. After this period, the ash will resume normal
operation. You may also reboot the ash by cycling the power
o and then on.
Do not use selective coloring.
Do not use the ash to support other equipment. For example,
do not lift your camera by the ash.
The ash has a locking pin to ensure secure operation. To
avoid damage, completely unscrew the locking ring before
removing the ash.
In case of abnormal function, sparks, excessive heat, ames
or smoke, immediately power o the unit and disconnect
the battery if safely possible. Have it checked by an
authorized technician.
Store the ash with the batteries removed. Storing the ash
with the batteries in it can lead to battery leakage.
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01. Retractable Bounce Card
02. Retractable Wide Angle Diuser
03. Flash Head
04. Optical Control Sensor
05. Focus Assist Beam
06. R1 Wireless Control Port
07. Sync Cord Jack
08. Hotshoe
09. Dot-marix LCD Panel
10. Lock Ring
11. Battery Compartment
12. USB Port for Firmware Upgrades
13. Slave Flash Ready Indicator
14. External Power Supply Socket
Body
Name of Parts
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07
12
08
04
05
13
14
03
01
09
11
10
02
Control Panel
15. < MODE > Mode Selection
Button / Lock Button
16. < > Wireless Selection
Button
17. Select Dial
18. < SET > Set Button
19. ON / OFF Power Switch
20. < > Test Button / Flash
Ready Indicator
21. Function Button 1
22. Function Button 2
23. Function Button 3
24. Function Button 4

04
The display will only show the settings currently applied.
The functions displayed above buttons 1 to 4, such as
and , change according to settings’ status.
When a button or dial is operated, the LCD panel is illuminated.
LCD Panel
(1)i-TTL Autoash
: Zoom display Focus length
: Automatic : High-speed sync
: Second
curtain sync
: Aperture
: Manual
: i-TTL autoash
Eective ash range
: Flash exposure
compensation
Flash exposure
compensation amount
Number of ashes
Flash frequency
(Hz=Flashes per Second)
(3)Multi Flash
: Stroboscopic ash
(2)M Manual Flash
: Manual ash
Manual ash output
08. Hotshoe
09. Dot-marix LCD Panel
10. Lock Ring
11. Battery Compartment
12. USB Port for Firmware Upgrades
13. Slave Flash Ready Indicator
14. External Power Supply Socket

05
(4)Radio Transmission Shooting/Optical Transmission Shooting
Flash mode
: Group ash
(radio transmission)
: Radio transmission
wireless shooting
: Optical transmission
wireless shooting
Channel Firing group
Master Unit
Slave Unit
: Slave icon
: Slave
Assigned group
Included Accessories
1. Flash Unit 2. Mini Stand 3. Protective Case 4. Instruction Manual
Hexapop/Parapop
rapid deployment
Softboxes
R2 Radios R1 Radios
Flashpoint Flash
Diuser FAFD60
Flashpoint
Speedlight
Reector
FPLFSMX01
Accessories
Flashpoint Blast
Power Pack BP-960
with Canon Cord
FPPPBP960CA
Flashpoint Grid
for Speedlight
FPLFSMX02

06
Attaching to a Camera
Attach the Camera Flash.
Secure the Camera Flash.
Detach the Camera Flash.
Slip the camera ash’s
mounting foot into the
camera’s hotshoe all the way.
Rotate the lock ring on the
mounting foot until it is
secure.
Rotate the lock ring on the
mounting foot until it is fully
loosened.
Power Management
Use ON/OFF Power Switch to power the ash unit on or o. Turn o
the unit if it will not be used for an extended period of time. Set as a
master ash, it will turn the power o automatically after approx. 90
seconds of idle use. Pressing the camera shutter halfway or pressing
any ash button will wake up the ash unit. Set as a slave ash, it will
enter sleep mode after a certain period (adjustable, 60 minutes by
default) of idle use. Pressing any ash button will wake it up.
Disabling Auto Power O function is recommended
when the ash is used o camera.
See the Custom Function Menu section.
Slave Auto Power O Timer is set to 60 minutes by
default. Another option “30 minutes” is available.
See the Custom Function Menu section.

07
Press < MODE > Mode Selection Button to enter i-TTL(Automatic)
mode.
* Press < MODE > Mode Selection Button and three ash modes
will display on the LCD panel one by one with each press.
Flash Mode – i-TTL Autoash
i-TTL Mode
This ash has three ash modes: i-TTL, Manual (M), and RPT
(Stroboscopic). In i-TTL mode, the camera and the ash will work
together to calculate the correct exposure for the subject and the
background. In this mode, multiple TTL functions are available: FEC,
HSS, second curtain sync, modeling ash, etc.
Press the camera release button halfway to focus. The aperture
and eective ash range will be displayed in the viewnder.
When the shutter button is fully pressed, the ash will re a
pre-ash that the camera will use to calculate exposure and ash
output the instant before the photo is taken.
With FEC function, this ash can bias the ash output from -3 to +3
in 1/3rd stops. It is useful in situations where minor adjusting of the
TTL system is needed based on the environment.
FEC: Flash Exposure Compensation
Setting FEC:
Press Function Button 2
< >. The icon < >
and ash exposure
compensation amount
will be highlighted on the
LCD panel.
Turn the Select Dial to set the
amount.
“0.3”means 1/3 stop.
“0.7”means 2/3 stop.
To cancel the ash exposure.
compensation, set the amount
to “+0”.
Set the ash exposure
bracketing amount.
Press < SET > button again to
conrm the setting.

08
Set the ash sync speed to 1/320s
(Auto FP) or 1/250s (Auto FP) in the
Nikon camera menu. Press the
shutter button halfway. The icon
< > displayed on the ash
screen means the high speed sync
function is enabled on the ash.
Turning the camera command dial
can set the shutter speed to 1/250s
or faster.
To check if the FP ash function
works properly, look through the
shutter speed in the viewnder. If it
shows a speed of 1/250s or faster,
the FP ash function is on.
Set the camera to Rear curtain
mode and press the shutter button
halfway, the ash display panel will
show the second curtain sync icon
< >.
When the camera is not set to Rear
mode, pressing the shutter button
halfway will not light up the icon
< > on the ash display panel.
High Speed Sync (FP ash) enables the ash to synchronize with all
camera shutter speeds. This is convenient when you want to use
aperture priority for ll-ash portraits.
Select the high-speed sync icon < >.
High-Speed Sync
If you set a shutter speed as 1/320s (Auto FP) or 1/250s
(Auto FP) in the Nikon camera setting, < > will be
displayed in the ash screen regardless of practical
shutter speed.
With high-speed sync, the faster the shutter speed, the
shorter the eective ash range.
To return to normal ash, set the ash sync speed to other
options other than Auto FP. Then the icon < > will
disappear when pressing the shutter halfway.
Stroboscopic mode cannot be set in high-speed sync mode.
Over-heat protection may be activated after 10 consecutive
high-speed sync ashes
Second-Curtain Sync
With a slow shutter speed, you can create a light train following the
subject. The ash res right before the shutter closes.

Flash Mode –M: Manual Flash
The ash output is adjustable from 1/1 full power to 1/128th power
in 1/3rd stop increments. To obtain a correct ash exposure, use a
hand-held ash meter to determine the required ash output.
Press < MODE > button so that
< M > is displayed.
Turn the Select Dial to choose
a desired ash output amount.
Press < SET > button again to
conrm the setting.
Flash Output Levels
The following table makes it easier to see how the display changes in
terms of f/stop when you increase or decrease the ash output. For
example, when you decrease the ash output to 1/2, 1/2-0.3, or
1/2-0.7, and then increase the ash output to more than 1/2, 1/2+0.3,
1/2+0.7, and 1/1 will be displayed.
Figures displayed when reducing ash output level→
←Figures displayed when increasing ash output level
1/1 1/2 1/4
1/1-0.3 1/1-0.7
1/2+0.7 1/2+0.3
1/2-0.3 1/2-0.7
1/4+0.7 1/4+0.3
In M manual ash mode, press < S1/S2 > button so that this ash can
be triggered as an optical slave. With this function, the ash will re
simultaneously when the main ash res. Use this mode when ring
another manual powered ash, and in areas where no one else is
doing ash photography.
Press < S1/S2 > button so that this ash can be triggered as an
intelligent optical slave. This is useful when triggering with a TTL
ash. In this mode, the ash will ignore a single “preash” from the
main ash and will only re in response to the second, actual ash
from the main unit. Use this mode when ring a TTL speedlight, and
in areas where no one else is doing ash photography.
Optical Slave S1
Manual O Camera High-speed Setting
Intelligent Optical Slave S2
09
S1 and S2 optic triggering and o camera high-speed mode
are only available in M manual ash mode.
In M manual ash mode, press < > button to select high-speed
mode and < > is displayed.

10
With stroboscopic ash, a rapid series of ashes is red. It can be used to
capture multiple images of a moving subject in a single photograph.
You can set the ring frequency (number of ashes per sec. expressed
as Hz), the number of ashes, and the ash output.
Calculating the Shutter Speed
Number of Flashes / Flash Frequency = Shutter Speed
Flash Mode – RPT: Stroboscopic Flash
Press < MODE > button so that
< RPT > is displayed.
Turn the Select Dial to choose a
desired ash output.
Press Function Button 3
< > button to select the
setting to change.
Turn the Select Dial to set the
number and press Function
Button 4 < > button
again to conrm. The next item
to be set will blink. (Hz=FPS)
After you nish the setting,
press < SET > button and all
the settings will be displayed.
Set the ash frequency and
ash times.
During stroboscopic ash, the shutter should remain open until the
ring stops. Use the formula below to calculate the shutter speed
and set it with the camera.
For example, if the number of ashes is 10 and the ring frequency
is 5 Hz, the shutter speed should be at least 2 seconds.
Stroboscopic ash is most eective with a highly reective or
light colored subject against a dark background.
Using a tripod and a remote control is recommended.
A ash output of 1/1 and 1/2 cannot be set for stroboscopic ash.
Stroboscopic ash can be used with“bulb”.
If the number of ashes is displayed as“--”, the ring will continue
until the shutter closes or the battery is exhausted. The number
of ashes will be limited as shown by the following table.
To avoid overheating and deteriorating the ash head, do not
use stroboscopic ash more than 10 times in succession. After
10 times, allow the camera ash to rest for at least 15 minutes.
If you try to use the stroboscopic ash more than 10 times in
succession, the ring might stop automatically to protect the
ash head. If this happens, allow at least 15 minutes’ rest for
the camera ash.

11
Maximum Stroboscopic Flashes:
Wireless Flash Shooting:
Optical Transmission
This product is compatible with Nikon Creative Lighting System
(CLS). It can function as either an optical wireless master or slave
ash. As a master unit, it can control Nikon speedlights e.g. SB-900
and SB-910 via optical wireless. As a slave unit, it can be controlled by
optical wireless signals of Nikon speedlights e.g. SB-900 and pop-up
ash commanders of Nikon cameras e.g. D7100/D7000/D800.
Flash
Output Hz 1
7
14
30
60
90
90
1/4
1/8
1/16
1/32
1/64
1/128
2
6
14
30
60
90
90
3
5
12
30
60
90
90
4
4
10
20
50
80
90
5
4
8
20
50
80
90
6-7
3
6
20
40
70
90
8-9
3
5
10
30
60
80
Flash
Output Hz
1/4
1/8
1/16
1/32
1/64
1/128
10
2
4
8
20
50
70
20-50
2
4
8
16
30
40
60-199
2
4
8
12
20
40
You can set up three slave groups for i-TTL autoash shooting.
With i-TTL autoash, you can easily create various lighting eects.
Any ash settings for the slave units on the master ash in i-TTL /
Manual / RPT mode will be automatically sent to the slave units.
So the only thing you need to do is to set the slave unit for each
slave group without any operation of the slave units at all during
the shooting.
This ash can work in i-TTL / M / RPT / OFF ash modes when set
as a master or slave unit.
Slave/Master Unit’s Positioning and Operation Range
Indoors
Outdoors
15m(49.2ft)
10m(32.8ft)
8m(26.2ft) 12m(39.4ft)
80

12
1.Wireless Settings
2. Setting Master Unit’s Flash Mode
You can switch between normal ash and wireless ash. For normal
ash shooting, be sure to set the wireless setting to OFF.
Master Unit Setting
Slave Unit Setting
Press < > button again so that
< > and < > are displayed
on the LCD panel.
The backlight turns orange now.
Press < > button so that < >
and MASTER is displayed on the LCD
panel.
If < RPT > is displayed, it means
RPT mode is ON.
The backlight turns green now.
Press Function Button 4
< > to choose the “M“
group from M/A/B/C. Then,
press Function Button 3
< > so that the master
unit can work in OFF / i-TTL / M
ash mode. Choose one of
them as the ash mode of
master unit.
Press the “MODE/Lock“ button
if you want to change to RPT
mode.
3. Setting the Communication Channel
If there are other wireless ash systems nearby, you can change the
channel IDs to prevent signal interference. The channel IDs of the
master unit and the slave unit(s) must be the same.
Press Function Button 3
< > and turn the
Select Dial to choose a
channel ID from 1 to 4.
Press the < SET > button to
conrm.
Even with multiple slave units, the master unit can control all
of them via optical wireless.
In this user manual, “master unit” refers to the speedlight on a
camera and “slave unit” will be controlled by the master unit.

13
4. i-TTL: Fully Automatic Wireless Flash Shooting
Using Automatic Wireless Flash with a Single Slave Unit
Master Unit setting
Slave Unit setting
Check the communication
channel
Position the camera
and ashes
Attach a Flashpoint Zoom TTL
ash on the camera and set it
as the master Unit.
M/A/B/C can be set as TTL
mode independently.
Set the other camera ash as
the wireless slave Unit.
The slave unit can be set as
group A/B/C.
If the master unit and slave
unit(s) are set to a dierent
channel, set them to the same
channel.
Position the camera and
ashes as the picture shows.
Check that the master ash
ready indicator is illuminated.
When the slave ash indicator
is ready, the AF-assist beam
lighting area will blink at
1 second intervals.
Check that the ash is ready.
Press the master unit’s Test
Button < >.
The slave unit will re. If not,
adjust the slave unit’s sensor’s
angle toward the master unit and
distance from the master unit.
Check the ash operation.
The slave unit might be out of order or re an unwanted ash
due to the nearby uorescent lamp or computer screen.
If the slave unit’s auto power o function is engaged, press the
master unit’s test button to power it on. Please note that test
ring is unavailable during the camera’s metering time.
The eective time of slave auto power o is adjustable.
See the Custom Menu section.
By making some settings, the auto AF-assist transmitter will
not blink after the slave unit’s ash ready indicator is lightened.

14
The ring frequency of stroboscopic ash during optical
transmission wireless shooting can be set from 1Hz to 100 Hz
(settings from 250 Hz to 500 Hz are not available).
Using Multiple Master Units
5. M: Wireless Flash Shooting with Manual Flash
By preparing several cameras with master unit ashes attached,
cameras can be changed during shooting while keeping the same
lighting source .
You can shoot with a dierent ash output setting for each slave
unit (ring group). Set all parameters on the master unit.
6. RPT: Wireless Flash Shooting with Manual Flash
Taking the picture.
Each group res at the set
ash power.
Setting the ash mode to <M>.
Press Function Button 4
< > to choose groups.
Then, press Function Button 3
< > to set the ash to
M mode.
Setting ash output.
Press Function Button 2
< >. Turn the Select
Dial to set the ash output of
the groups. Press the < SET >
button to conrm.
Setting < RPT > stroboscopic ash.
Press < MODE > button so that
< RPT > is displayed.
Set the stroboscopic ash.

15
Use the supplied mini stand to position the slave unit.
Before shooting, perform a test ash and test exposures.
The transmission distance might be shorter depending
on factors such as positioning of slave units, interference
from other signals, barriers, bodies of water, and
weather conditions.
Wireless Flash Shooting: Radio (2.4G)
Transmission
Wireless Multiple Flash Shooting
Using a ash with a radio transmission wireless shooting makes it
easy to shoot with advanced wireless multiple ash setups, as well as
i-TTL autoash shooting.
The basic relative position and operating range are as shown in the
picture. You can then perform wireless i-TTL II autoash shooting just
by setting the master unit to < i-TTL >.
You can divide the slave units into two or three groups and perform
i-TTL autoash while changing the ash ratio. In addition, you can
set and shoot with a dierent ash mode for each ring group, for
up to 3 groups.
Transmission distance
is about 100m.
Autoash Shooting with One Slave Unit
Positioning and Operation Range
Auto Shooting with Two Slave Groups

16
Wireless shooting using radio transmission has advantages over
wireless shooting using optical transmission, such as being less
aected by obstacles, and not having to point the slave unit’s
wireless sensor toward the master unit. The main functional
dierences are as follows:
Auto Shooting with Three Slave Groups
Function
Distance
Channel
Signal Interference
Radio Transmission
100m
1~32
Hard
Optical Transmission
15m
1~4
Easy
The ash unit is designed with a R1 Wireless Control Port
so that you can wirelessly adjust the power level of the
ash and the ash triggering.
To control the ash wirelessly, you need a R1 remote
control set (Transmitter and Receiver). Insert the receiver
into the Wireless Control Port on the ash and
insert the transmitter into the camera hot shoe.
Settings made on the
hotshoe-mounted transmitter will
be wirelessly communicated to
the ash. Then you can press the
camera shutter release button to
trigger the ash. You can also hold
the transmitter in your hand to
control your o camera ash.
The Sync Cord Jack is a Φ3.5mm plug. Insert a trigger plug here and
the ash will be red simultaneously with the camera shutter.
Other Features
R1 Wireless Control Function
Sync Triggering
Other Triggering Methods
For full instructions on the use of R1 series
remote control, see its user manual.

17
If the camera has a depth-of-eld preview button, pressing it will re
the ash continuously for 1 second. This is called modeling ash.
It enables you to see the shadow eects on the subject and the
lighting balance. You can re the modeling ash during wireless or
normal ash shooting. This feature is also useful for annoying those
around you.
Modeling Flash
In poorly-lit or low-contrast shooting environments, the built-in auto
focus assist beam will automatically activate to make it easier for
autofocus.The beam will activate only when autofocus is dicult and
turn o as soon as the autofocus is achieved.
If you want to turn o the auto focus assist beam, set the“AF”to“OFF”
in the C.Fn settings.
Auto Focus Assist Beam
Position
Center
Periphery
Eective Range
0.6~10m / 2.0~32.8 feet
0.6~5m / 2.0~16.4 feet
If you nd the auto focus assist beam does not light up,
this is because the camera has achieved autofocus.
To avoid overheating and deteriorating the ash head, do not
re the modeling ash for more than 10 consecutive times. If
you re the modeling ash 10 consecutive times, allow at least
10 minutes’ break for the camera ash.
By pointing the ash head toward a wall or ceiling, the ash will
bounce o the surface before illuminating the subject. This can
soften shadows behind the subject for a more natural-looking shot.
This is called bounce ash.
Bounce Flash
To set the bounce direction, hold the ash head and turn it to
the desired angle.

18
If you set the ash coverage manually, make sure it covers
the lens focal length so that the picture will not have a
dark periphery.
Point the ash head straight ahead and then upward to 90°. The
catchlight will not appear if you swing the ash head left or right.
For best catchlight eect, stay 1.5m/4.9ft away from the subject.
If the wall or ceiling is too far away, the bounced ash
might be too weak and result in underexposure.
The wall or ceiling should be a plain, white color for
high reectance. If the bounce surface is not white, a
color cast may appear in the picture.
With the catchlight panel, you can create a catchlight in the subject’s
eyes to add life to the facial expression.
Creating a Catchlight
Pull out the wide angle
diusion panel.
The catchlight panel will come
out at the same time.
Point the ash head upward
to 90°.
Push the wide angle
diusion panel back in.
Push in only the wide angle
diusion panel.
Follow the same procedures
as for bounce ash.
ZOOM: Setting the Flash Coverage and Using
the Wide Angle Diusion Panel
The ash coverage can be set automatically or manually. It can be
set to match the lens focal length from 20mm to 200mm. Also, with
the built-in wide angle diusion panel, the ash coverage can be
expanded for 14mm wide-angle lenses.
In Manual Zoom mode, press the
< ZOOM/C.FN > button.
Turn the Select Dial to change the
ash coverage.
If < > is displayed, the ash
coverage will be set automatically.

If the battery power is low, < > will
appear and blink on the LCD panel.
Please replace the batteries
immediately.
19
Using the Wide Angle Diusion Panel
Low Battery Warning
Pull out the wide angle diusion
panel and place it over the ash head
as shown. The ash coverage will then
be expanded to 14 mm.
The catchlight panel will come out
at the same time. Push the
catchlight panel back in.
The < ZOOM/C.FN > button will
not work.
The following table lists the available and unavailable custom
functions of this ash.
1. Press < Zm/C.Fn > Backlight/Custom Setting Button for 2 seconds
or longer until C.Fn menu is displayed. The “Ver x.x” in the top-right
corner refers to the software version.
2. Select the Custom Function No.
Turn the Select Dial to choose the Custom Functions.
3. Change the Setting.
Press < SET > button and the Setting No. blinks.
Turn the Select Dial to set the desired number. Pressing < SET >
4. In the C.Fn mode, long press the “Clear” button for 2 seconds until
“OK” is displayed on the panel, which means the values in C.Fn can
be reset.
C.Fn: Setting Custom Functions
m/ft
APO
AF
Sv APOT
BEEP
LIGHT
LCD
m
ft
ON
OFF
ON
OFF
60min
30min
ON
OFF
12sec
OFF
ON
0~9
meters
feet
ON
OFF
ON
OFF
60min
30min
ON
OFF
O in 12 sec.
Always o
Always lit
10 levels
C.Fn Custom Functions
Custom
Function
Signs
Setting
No. Settings &
Descriptions
Distance indicator
Auto power o
AF-assist beam
Slave auto power
o timer
Audible
ready alert
Backlighting time
LCD contrast ratio
Function
Table of contents
Other FP Camera Flash manuals