Hill Audio RPM-6600 User manual

RevA 09-2016

Welcome
Thank you for choosing Hill Audio for your sound system. To make sure that this product meets your
expectations and provides long-term, reliable performance, please read and follow this instruction
manual carefully.
Important safety instructions
Read these instructions and all markings on the product. Keep these instructions.
Heed all warnings and instructions, both in this manual and on the product.
Clean only with a dry cloth. Unplug from AC supply before cleaning.
Do not use this product near water and avoid any exposure to water.
Before connecting this product to any AC supply, make sure to check whether the AC mains vol-
tage and frequency match the indication on the product and its packaging.
Only connect this product to an AC supply with sufficient power handling, protective earth con-
nection, ground-fault (earth-fault) protection and overload protection.
Disconnect the product from the AC supply during thunderstorms or longer periods of being
unused.
Make sure any heat sink or other cooling surface, or any air convection slot , is exposed sufficiently
to free air circulation and is not blocked.
Do not operate this product in environmental temperatures exceeding 35 degrees Celsius and/or
85% relative humidity.
Position the product in a safe and stable place for operation, out of reach of unauthorized persons.
Make sure any cable connections to and from the product are neither subject to potentially des-
tructive mechanical impact nor present any risk of stumbling or other accident risk to people.
Audio equipment may generate sound pressure levels sufficient to cause permanent hearing
damage to persons. Always start up at low volume settings and avoid prolonged exposure to sound
pressure levels exceeding 90 dB.
Do not open this product for service purposes. There are no user-serviceable parts inside.
Warranty will be void in any case of unauthorized service by the user or other not authorized persons.
Take any precaution required by local law, applicable regulations or good business practice to avoid
injury of people or material damage by use of this product.
Explanation of symbols used in this manual and on the product:
DANGER!
Safety hazard.
Risk of injury or death.
WARNING!
Fire hazard.
WARNING!
Hazardous voltage.
Risk of severe or fatal
electric shock.
ATTENTION!
Read manual
before installation
and operation.
Manual Language
UK This user manual is written in English. For other languages, visit www.hill-audio.com
FR Ce guide est écrit en anglais. Pour les autres langues, visitez: www.hill-audio.com
DE Diese Anleitung ist in Englisch verfasst. Für andere Sprachen: www.hill-audio.com
ES Este manual está escrito en Inglés. Para otros idiomas, visite: www.hill-audio.com
PT Este manual está escrito em Inglês. Para outros idiomas, visite: www.hill-audio.com
IT Questo manuale è scritto in inglese. Per altre lingue, visitare: www.hill-audio.com
PAGE 1
USER MANUAL - RPM6600 SPLITTER MIXER

PAGE 2
Health advice
This unit produces and absorbs electromagnetic radiation. The strength of radiation and the sensitiv-
ity for disturbing interference matches the CE and FCC requirements. A corresponding sign is printed
on the backside of the unit. Any change or modification may affect the behavior of the unit concerning
electromagnetic radiation, with the CE requirements eventually not to be met any more. The manufac-
turer takes no responsibility in this case.
Functional advice
This unit is immune to the presence of electromagnetic disturbances – both conducted and radiated
- up to a certain level. Under peak conditions, the unit is classified to show a “class C” performance
criteria and may encounter temporary degradation or loss of function which may need manual help
to recover. In such case, disconnect the AC power from the unit and reconnect it again to recover.
Environmental advice
This unit is built to conform to the ROHS standards and the WEEE directive 2002/96/EC of the
European Parliament and of the Council of the European Union. Under these regulations, the product
shall not be discarded into regular garbage at the end of its life, but shall be returned to authorized
recycling stations.
Unpacking
Please check that the box contains the following items:
Main parts: 1 pc. RPM6600 main unit
1 pc. Mains cable
1 pc. Operation manual
If any part is missing, please contact your dealer immediately for replacement.
Warning
After unpacking, and before plugging the AC cord in the wall outlet, check whether the
AC mains voltage and frequency is the same as this product is specified for (see rear
panel of product). Whenever the specified voltage or your AC plug should not match
the local conditions, do NOT plug the AC cord into the wall outlet and contact your
dealer immediately.
Description
The RPM6600 6-2 is a Splitter/Mixer with 6 universal in/outputs, one master input and one master
output. The unit is configurable to work as a 2-in-6 splitter, as a 8-in-2 mixer or as a matching ampli-
fier. The input/output sections feature volume control, pan/balance control and individual level
meters, for a large variety of applications in recording, live sound and installation environments.
AC mains voltage setting
If the AC mains voltage of your
power outlet and the setting of the
AC supply voltage on your unit do
not match, contact your dealer,
contractor or a qualified service
workshop to change the setting of
the AC voltage selector. The AC
voltage selector switch is located on
the side panel of the unit, close to
the AC inlet.
AC Voltage
Selector Switch
USER MANUAL - RPM6600 SPLITTER MIXER

PAGE 3
Controls - Front
Controls and Connections
Connections - Rear
21 3 4 5
76
15
14
9
10 13 17811
12
16
USER MANUAL - RPM6600 SPLITTER MIXER

PAGE 4
Functional Description
The RPM6600 6-2 is a Splitter/Mixer with 6 universal in/outputs, one master input and one master
output. The unit is configurable to work as a 2-in-6 splitter, as a 8-in-2 mixer or as a matching ampli-
fier; refer to the later chapters of this manual for more information about configurations. The
input/output sections feature volume control, pan/balance control and individual level meters, for a
large variety of applications in recording, live sound and installation environments.
2
1
3
4
9
10
7
8
6
11
5
AC inlet and fuse holder. Use the supplied AC cord to connect the unit to AC mains. Make sure
voltage and frequency stated and set on the unit comply with your local AC supply. The fuse
can be accessed by the small drawer at the AC inlet. To change the fuse, unplug the AC cord
first, pull out the fuse drawer and replace the fuse ONLY with a fuse of SAME voltage and
rating. If the fuse blows again after replacement, hand over the unit to qualified service person-
nel.
MONO OUTPUTS (channel 5 to 6). These are mono outputs via balanced phone jacks (TRS).
MONO INPUTS (channel 5 to 6). These are mono inputs via balanced phone jacks (TRS).
MONO OUTPUTS (channel 1 to 4). These are the mono outputs via balanced XLR connectors.
MONO INPUTS (channel 1 to 4). These are mono inputs via balanced XLR connectors.
MAIN OUTPUTS. These are the main outputs, available as balanced XLR connectors. They
may be fed either by the left and right main inputs or by any of the six mono inputs (or a combi-
nation of both).
MAIN INPUTS. These are the main audio inputs, available as balanced XLR connectors. They
may feed the mono outputs of all channels which are operated in SPLIT mode.
MAIN INPUT LEVEL controls. These set the main input gain, before the signal reaches the
input bus. In SPLIT mode, the MAIN INPUT LEVEL control determines the common output level
for all mono outputs.
4-digit INPUT LEVEL meter. Shows the input level of the main input within a range from -24 to
+6 dB.
MAIN LINK switch. By pressing, the MAIN INPUT signal can be routed to the MAIN OUT. This
way it is possible to route a maximum of eight input channels to the main mix.
MAIN OUTPUT LEVEL control. This adjusts the output level applied to the main outputs. The
levels present at the six mono outputs are not affected. Summing the signal levels of several
mono channels can overload the main output stage. The MAIN OUTPUT LEVEL control is
therefore used to adjust the overall output level.
4-digit OUTPUT LEVEL meter. Shows the output level of the main input within a range from -24
to +6 dB.
SPLIT/MIX switch. Sets the respective channel to SPLITTER or MIXER mode.
LEVEL control. Determines the signal level of the individual channels. In SPLIT mode, the LEVEL
control sets the output level of the mono channels. In MIX mode, however, it controls the
amount of the mono channel’s input signal feeding into the main output section; at the same
time, the level of the mono channel can be determined, which—owing to the maximum gain of
+15 dB—allows for converting, e.g., home recording levels (-10 dBV) into studio levels (+4
dBu).
USER MANUAL - RPM6600 SPLITTER MIXER
14
13
12

PAGE 5
8-digit OUTPUT LEVEL meter. Shows the output level of each channel within a range from -24
to +18 dB.
BALANCE/PAN control. Allows to set the balance between the left and right main signals. In
SPLIT mode, the main input signal is routed to the mono output, with the BALANCE control
determining the balance beween the left and right main signal portions. In MIX mode, the
mono inputs are mixed and routed via the LEVEL control to the main outputs, with the PAN
controls determining the allocation of the mono inputs to the left and right main outputs
Power switch. Switches the unit on and off. Make sure to switch the unit off when not in use.
15
17
16
USER MANUAL - RPM6600 SPLITTER MIXER
MAIN Section
Both main inputs connect via the MAIN INPUT LEVEL control with the input bus as well as with the
main outputs. The MAIN OUTPUT LEVEL control sets the output level of the signals which are
summed by the second bus (i.e., the output bus) and are subsequently routed to the main outputs.
SPLIT Mode
In SPLIT mode, the main input signal is sent via the BALANCE control to the output buffer amplifiers
of the mono channels, with the LEVEL control setting the output level of the respective channel. The
maximum gain is +15 dB.
MIX Mode
In MIX mode, the input signals of the mono channels are summed via the LEVEL and PAN controls
and are routed to the output bus. In this mode, the LEVEL control sets the amount of each channel at
the output bus, while the PAN control is responsible for the allocation of the input signal to the left and
right main outputs. Additionally, the input signal is routed to the respective mono outputs, i.e., the
circuit acts as a matching amplifier. The LEVEL control permits for a level compensation of up to +15
dB.
Block Diagram

PAGE 6
Operation
A. Connections
For connecting this unit to AC mains, please note:
Check whether the AC mains voltage and frequency is the same as this product is specified for (see
rear panel of product). Whenever the specified voltage or your AC plug should not match the local
conditions, do NOT plug the AC cord into the wall outlet and contact you dealer immediately.
Do not operate this unit without the line cord earth ground connected. To do so may increase the
risk of electric shock and increase line cord conducted emissions.
For making audio signal connections, always remember that good and reliable connections are a
basic requirement for good sound and reliable operation. Bad soldering of cables can result in inter-
mittent audio signals or temporarily lost ground connections, hence always use good cables. In case
of doubt about making proper connections, please see check the standard pin assignments required
for proper operation in the following section of this manual.
B. Powering up
Following a proper power-up sequence protects your equipment – specifically speakers – and your
ears. Follow the below procedure:
Turn down all output volume controls of any equipment in your audio system.
Switch on your audio sources first (Tuners, CD Players, PC’s with soundcards, Tapedecks, etc.)
Switch on the audio mixer
Switch on any audio processor between the mixer and the amplifier(s) [if any].
Switch on the amplifier(s).
Turn up the audio level on your sources if such controls are provided.
Set the audio output of your mixer to a low level.
Set the audio output of any audio processor between the mixer and the amplifier(s) to a medium
level [if any such processors].
Turn up the volume controls of your amplifier(s) slowly.
Make adjustments to all volume settings as needed.
For switching off, follow the inverse sequence – always switch off your amplifier(s) first, then any
processors between mixer and amplifier(s), then the mixer, then the sources.
C. Use
Apart from using good equipment, good sound comes from using it correctly. Level setting mistakes
are one of the common reasons why even good equipment may not perform as desired. For setting
levels, please be reminded that two guidelines need to be followed:
Avoid distortion by leaving some headroom. Never overrun any audio-equipment’s inputs. Level
meters and displays allow you to make sure that signals do not enter critical levels.
Avoid unnecessary amplification by using as little attenuation as possible. For example, if you turn
down the input gain of a mixer to minimum, and then increase the main output of the mixer to maxi
mum to drive your amplifier properly, you will create unnecessary noise, as you first dispose of some
already existing signal level, and then later apply amplification (tainted with noise) to make it up.
Obviously, these two requirements are marking a levelling window that the operator must match to
achieve a good sound with as little distortion and noise as possible.
WARNING - HEALTH RISK
Excessive volume levels on headphones or other sound systems may cause hearing
damage. Always turn the volume control to minimum when you switch the unit on, and
avoid prolonged exposure to sound pressure levels exceeding 90dB.
USER MANUAL - RPM6600 SPLITTER MIXER

PAGE 7
Connections
The RPx series mixers use the below connector types, for which the pin assignment must comply with
the following specification. Always make sure to use good connectors and cables to ensure proper
operation. Balanced connections are to be preferred over unbalanced connections where applicable
and feasible. Avoid unbalanced connections exceeding 2m of cable length.
1-conductor shielded cable
(for unbalanced connections)
red
shield
2-conductor shielded cable
(for balanced connections)
red
shield
black
tip
sleeve
tip
sleeve
red = tip
shield = sleeve
red = tip
black = sleeve
shield = uncon.
3
1
2plug
side 3
1
2
cable
side
red = 2
black = 3
shield = 1
red = 2
shield = 1+3
2
3
1
3
1
2
3
1
2
cable
side
plug
side
red = 2
black = 3
shield = 1
red = 2
shield = 1+3
tip
sleeve
ring tip
sleeve
ring
red = tip
shield = sleeve+ring
red = tip
black = ring
shield = sleeve
tip
sleeve
tip
sleeve
ring ring
red = tip
shield = sleeve+ring
red = tip
black = ring
shield = sleeve
tip
sleeve
tip
sleeve
red = tip
shield = sleeve
red = tip
black = sleeve
shield = uncon.
XLR male
XLR female
6.35mm TRS-stereo
6.35mm TRS-mono
3.5mm TRS-stereo
RCA
CABLE Types
Structure Balanced
connection
Unbalanced
connection
USER MANUAL - RPM6600 SPLITTER MIXER

PAGE 8
Technical Specifications
Signal/Noise.............................................>92dB (Line)
Crosstalk Damping....................................>65dB (Line)
THD....................................................<0.005% (Line)
Frequency response.................................20Hz – 20 kHz
AC IN (230V setting).......................AC220-250V~ 50Hz
AC IN (115V setting........................AC110-120V~ 60Hz
Power consumption.......................................max. 18W
Dimensions....................W483(427)xH44.5xD183.5mm
(parentheses = without rack ears)
Weight................................................................2.2kg
Maintenance and warranty
While we have chosen the best components to make this product as rugged and reliable as possible,
some parts in audio products (potentiometers, faders, switches) are subject to wear which is a
matter of operation cycles, and not of time. While providing a full time-based warranty according to
the country’s of purchase requirements on the function of the electronic circuitry, we hence have to
limit the warranty on such electro-mechanical parts to 90 days from the date of purchase.
In many cases, malfunction of electro-mechanical parts occurs due to dust contamination, which may
require cleaning of such parts. As the inside of such parts is not accessible, a common practice is to
use cleaning fluids in the shape of sprays. Please be reminded that many of such fluids contain chemi-
cals which may wash away the dust but at the same time corrode or damage contact surface and
may cause cosmetic damage to other parts. We hence explicitly exclude any claims for exchange of
damaged part due to mechanical or chemical impact.
USER MANUAL - RPM6600 SPLITTER MIXER

PAGE 9
USER MANUAL - RPM6600 SPLITTER MIXER

PAGE 10
USER MANUAL - RPM6600 SPLITTER MIXER

www.hill-audio.com
Hill Audio products are developed, manufactured and distributed by
Adelto Technologies
Unit 2A Springfield Road, Springfield Industrial Estate, Burnham-on-Crouch, Essex CM08UA, England
EC Declaration of Conformity
Manufacturer: Adelto Technologies Limited
Address: Unit 2A Springfield Road, Springfield Industrial Estate
Burnham-on-Crouch, Essex CM08UA, England
We declare on our own responsibility, that the equipment
Hill Audio RPM-6600
is in conformity with the following directives and standards or regulations:
EMC Directive 2004/108/EC
EN55103-1:2009 (Emissions)
EN55103-2:2009 (Immunity)
EN61000-3-2:2006 + A1:2009 + A2:2009
EN61000-3-3:2008
LVD Directive 2006/95/EC
EN60065:2002 A1:2006 + A11:2008 + A2:2010
ROHS Directive 2002/95/EC
and is marked as follows:
Burnham-on-Crouch, 16.09.2016
Authorized SignaturePlace and date of issuing
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