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Hybrid Audio Technologies Clarus C5 Installation and operating manual

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1240 Oak Industrial Lane
Cumming Georgia 30041
United States
Clarus-Series
Component Systems
Installation & Reference Manual
(T) +1 770 888 8200
(F) +1 888 886 4605
hybrid-audio.com
Contents
01
02
03
05
Welcome & Introduction
Pages 4-5
Getting Started
Pages 18-23
Basic System Installation
Component Specic Information
Pages 6-17
Midbass, Tweeter, & Crossover
Attributes, Specications, Parameters,
and Mechanical Drawings
Warranty
Page 32-33
04 Moving Forward
Pages 24-31
Advanced System Installation,
Lessons Learned, Mounting Bafe
Considerations, and Acoustic
Treatment
© Hybrid Audio Technologies • Cumming, GA • 770.888.8200 © Hybrid Audio Technologies • Cumming, GA • 770.888.82002 3
23
Speaker development is our passion!
When installed and set-up properly,
the Clarus Component System
you have purchased will make a
remarkable improvement in the
sound quality of virtually any mobile
audio sound system and give years of
superior performance.
With the publication of this manual, it
is our goal to assist the “do it yourself”
enthusiast and professional installer
alike in getting the highest level of
performance out of Clarus Component
Systems using straight-forward
installation advice.
Thank you, and happy listening!
Welcome and Introduction
by Scott Buwalda - Founder
We realize that
you have a choice
in loudspeakers,
and are thrilled
that you have
chosen the Clarus
series component
systems. For more
information about
Hybrid Audio
Technologies,
our philosophies
regarding
high-end mobile
audio, to learn
more about
our lifetime
guaranteed value
program, and
for information
about our other
products, please
visit us at:
hybrid-audio.com
Congratulations
on your Clarus
Component
System purchase,
and welcome
to the world of
Hybrid Audio
Technologies!
© Hybrid Audio Technologies • Cumming, GA • 770.888.8200 © Hybrid Audio Technologies • Cumming, GA • 770.888.82004 5
5
Your Clarus system
contains speaker drivers
and passive crossover
networks that were
developed and assembled
with a signicant
eort in research and
development, materials
science engineering,
an exhaustive level of
sampling and prototyping,
real-world testing, and
obsessive attention to
detail. The specications
and parameters of your
Clarus component system
is detailed on these pages.
Midbass Attributes
Clarus C5 & C6
Frame
Cast aluminum with black powder-texture surface
coating. The basket is a high-quality cast aluminum
design, which plays a critical role in aligning the
voice coil in the magnetic circuit. Additionally, the
cast aluminum frame allows for better clamping
strength verses typical stamped steel frames, and
ensures that the voice coil remains centered in the
former. The black coating on the frame protects
it from abrasion and oxidation. The frames are
similar in size and format to the Mirus, Imagine, and
Clarus-series drivers, allowing for upgrade potential
from these product lines to the Clarus series.
Cone and Dust Cap
Pressed paper, untreated on the front side
and treated on the rearward side. It is widely
acknowledged that pressed paper cones are the
best marriage of lightness, stiness, and ability
of the cone to damp unwanted cone and edge
modes and resonances (read: distortion). The
damping aorded by the paper cone ensures the
midbass speakers can play lower treble frequencies
eortlessly, without signicant cone “breakup.” Our
approach to“point-source imaging”is to rely on the
midbass driver to eectively reproduce the lower
treble frequencies, where the human vocal range
extends, as well as other imaging-critical musical
instruments, ensuring phase-coherent imaging and
stable, lifelike staging character.
The paper cone, known for its excellent sonic
attributes, is water resistant, thanks to a polymer
developed exclusive and proprietarily by Hybrid
Audio Technologies. The treatment does not
change the look and parameters of the driver like
old-fashioned “glossy” polymers which added
an appreciable amount of moving mass and
signicantly colored the sound. No, the Clarus cones
look like any“normal” paper cone. The treatment
protects the cone from periodic drips (such as inside
a door panel), as well as accidental splashes to the
front of the cone.
The dustcap covers the voice coil to keep dirt and
debris from fouling the voice coil gap. Since high
frequency information emanates from the center
of the cone, a paper dustcap was utilized in concert
with the pressed paper cone diaphragm to ensure
that the speaker’s response remained linear into the
lower- to mid-treble frequencies.
Surround
Inverted high-loss rubber surround. The inverted
high-loss rubber surround (in concert with the
spider, detailed below), helps to provide the
compliance and“restorative force” needed for the
Clarus drivers to play eectively into the lower
midbass, and even upper subbass frequencies
(depending on in-car cabin gain and other factors).
You’ll also know a Hybrid Audio midrange and
midbass design by its inverted surround; this
design feature allows for the use of a smaller height
grille, better clearance with OEM panels, and more
exibility in mounting options. The surround is a
shared technology with the Imagine series coaxial
and convertible component sets.
Spider
Phenolic fabric and tinned tinsel leads. The spider
is the brownish/yellow corrugated (rippled) fabric
that attaches the cone and voice coil. The spider for
the Clarus designs was the subject of a considerable
amount of our research and development. The
spider is a phenolic symmetrically-rolled fabric
which provides excellent restorative force during
excursion, and the woven tinsel leads, often not
found in speakers in this price range, are an asset to
the Clarus line because the leads are protected from
physical damage and accidental short circuit. The
tinsel leads are connected to real epoxy PCB, not
imsy cardboard.
Voice Coil and Motor System
1” (25mm) (C5) and 1.4” (35mm) (C6): complimentary
design. The voice coil used in the Clarus midbass is
a 2-layer aluminized copper wire coils on a round
former. An “overhung”voice coil was selected to
improve sensitivity while still keeping distortion
to a minimum. The motor system utilizes a ferrite
magnet with rubber protective boot (which
can be removed to improve mounting depth),
complimented by design with a back plate and
rear venting chamber to improve the speaker’s
thermal power handling and improved ability of the
midbass to play at high amplitudes.
Continued on following page...
Clarus
Component
Systems
© Hybrid Audio Technologies • Cumming, GA • 770.888.8200 © Hybrid Audio Technologies • Cumming, GA • 770.888.8200
67
Your Clarus system
contains speaker drivers
and passive crossover
networks that were
developed and assembled
with a signicant
eort in research and
development, materials
science engineering,
an exhaustive level of
sampling and prototyping,
real-world testing, and
obsessive attention to
detail. The specications
and parameters of your
Clarus component system
is detailed on these pages.
Tweeter Attributes
Clarus C1
Dome
Small diameter impregnated silk textile dome
with high-loss rubber suspension. The C1 is
a shared technology with the high-end Unity
U1 tweeter, boasting has an impregnated ne
cloth silk dome diaphragm for a linear, smooth
sound, with a high-loss rubber suspension
to damp edge modes and resonances. The
dome is of extremely low mass and is much
less susceptible to mechanical deformation
than other designs, and yet yields a smooth
response over the extent of its range. At Hybrid
Audio Technologies, we feel larger diaphragm
tweeters sound heavy and unremarkable,
lack detail in the upper treble frequencies,
have undesirable polar response, and are
dicult to install. Additionally, we nd metal
dome tweeters to be harsh, brittle, and sound
unrealistic. As a small diameter, soft-dome
tweeter, the C1 is the antithesis of large
diaphragm and metal-dome tweeters, for the
eective and convincing reproduction of treble
frequencies.
Voice Coil and Motor System
20mm complimentary design. The motor
assembly is “conventional dynamic”, with a
compact neodymium magnet structure to
ensure a small footprint size and shallow
depth. A perforated grille protects the dome.
The voice coil is ferrouid cooled and damped,
and the tweeter housing consists of extruded
plastic with three dierent mounting options
in component set mode, giving the end-user
exibility in not only placement of the C1 but
also in physical installation.
Crossover Attributes
Clarus C2x
Alignment
Second order L/R (12 dB/octave) lters for low
pass (C5 or C6) and high pass (C1). The C51-2
2-way passive crossover network includes
a Clarus low pass and high pass crossover
frequency of 5,700 Hz at 12 dB/octave. The
C61-2 2-way passive crossover network includes
a Clarus low pass and high pass crossover
frequency of 5,200 Hz at 12 dB/octave. The use
of 12 dB/octave lters on both low pass and
high pass, often not found in speakers in this
price range, minimizes phase-related distortion
typical of crossovers with mismatched orders,
and ensures phase-coherent imaging and
staging. The alignment topology is a shared
technology to the high-end Unity U2x crossover
design and features asymmetrically-aligned
network components.
Network Components
Audiophile grade. The C51-2 and C61-2
passive crossover networks incorporate super
high quality and low tolerance metalized
polypropylene lm capacitors for both highpass
and low pass, in concert with air-core inductors,
and low tolerance non-inductive resistors. No
output level switches were used in the passive
crossover design because switches add a
resistive eect and are typically of extremely
low quality. Additionally,“jumper pins” add
an unnecessary pair of splices in the signal
path to the tweeter, and were not included
in our design either. Rather, all tweeter level
adjustments are done on the board level with
dedicated non-inductive resistors; tweeter
attenuation is accomplished by selecting the
appropriate output (-3 dB, 0 dB, or +3 dB)
on the passive crossover circuit board. The
components selected are complimentary and
ensure no notable signal degradation between
the input and output side of the crossovers,
and serve only to lter frequency response,
and not to equalize the input signal. The
network componentry, design, circuitry, and
polyethylene case with transparent cover are
shared technologies to the Unity series, and the
Unity U2x crossover design.
Clarus
Component
Systems
© Hybrid Audio Technologies • Cumming, GA • 770.888.8200 © Hybrid Audio Technologies • Cumming, GA • 770.888.8200
89
C51-2
System
C61-2
System
C5
Midbass
C6
Midbass
Overall Diameter Φ151.3 mm Φ166 mm
Mounting Depth 55.8 mm 76 mm
Bolt Circle Diameter Φ138 mm Φ156.5mm
Mounting Hole Φ 118 mm Φ143.5 mm
Recommended Minimum Highpass
Crossover Frequency (fourth order)
60 Hz 45 Hz
Continuous Power Handling
(Pnom Rated Power Input • No crossover)
110 watts 120 watts (40 watts) (60 watts)
Peak Power Handling
(Pmax Rated Power Input • No Crossover)
230 watts 250 watts (80 watts) (120 watts)
Recommended Power Range 25-150 watts 25-175 watts
Frequency Response (+/- 3dB) 55 Hz - 22 kHz 50 Hz - 22 kHz 60 Hz - 12 kHz 50 Hz - 9 kHz
Eciency 2.83V/1 meter 92.0 dB 93.6 dB
Mms 7.1 g 14.1 g
Cms 667 μM/N 674 μM/N
BL (T*m) 3.896 5.4
Voice Coil Diameter 25.5 mm 35.5 mm
Nominal Impedance 4 Ω 4 Ω
DC Resistance 3.4 Ω 3.4 Ω
Fs (Free Air) 73 Hz 50 Hz
Qms 6.358 5.527
Qes 0.728 0.532
Qts 0.654 0.485
Xmax (Two Way) 10mm 14mm
Vas 6.1 L 14.9 L
Sd 8.012 mm212.469 mm2
Clarus
Component
Systems
Specications &
Parameters
† Typically, in-car response including vehicular“cabin gain”, or the gain expected
with midbass installed in the vehicle, will result in an extended midbass and
upper subbass response. This is a result of these frequencies being below the
lowest resonance in the vehicle (typically around 50-125 Hz in most vehicles,
described in more detail on pages 30 and 31). In more practical terms, install
the Clarus midbass into your vehicle and you will see a dramatic improvement
in midbass and upper subbass output, much more so than just simply listening
to the Clarus in a large room, or worse yet,“free air” (we don’t recommend even
trying the Clarus speakers in “free air” without some form of enclosure or innite
bae for the midbass).
Thiele/Small Parameter Discussion for Clarus Midbass
Speakers
The mechanical and electrical parameters of the Clarus midbass speakers
are amenable to a variety of different installations and speaker locations.
The high Qms (Q factor of mechanical system) and Qts (Q factor of total
system), coupled with the driver’s Fs (resonance frequency) allow it to be
used in an “innite bafe” conguration. In more practical terms, install
the Clarus midbass such that the front and back waves don’t “meet” (as
detailed in Section I – Getting Started - Basic System Installation), including
in a door or kick panel, or in the case of a motorcycle, in the fairing (using
only the airspace behind the speaker as a pseudo enclosure), with no
need for a real enclosure or “box.” The design goes hand in hand with
fool-proof, high-end sound quality with minimal work. For more advanced
users, please reference the Thiele/Small Parameters for the Clarus-series
midbass drivers.
© Hybrid Audio Technologies • Cumming, GA • 770.888.8200 © Hybrid Audio Technologies • Cumming, GA • 770.888.8200
10 11
Clarus C5
Mechanical Drawing
Clarus C6
Mechanical Drawing
© Hybrid Audio Technologies • Cumming, GA • 770.888.8200 © Hybrid Audio Technologies • Cumming, GA • 770.888.8200
12 13
Clarus C2x
Mechanical Drawing
Clarus C1
Mechanical Drawing
(Installed in Flush-Mount Cup)
© Hybrid Audio Technologies • Cumming, GA • 770.888.8200 © Hybrid Audio Technologies • Cumming, GA • 770.888.8200
14 15
Clarus C1
Mechanical Drawing
(Installed in Installed in Angle-Mount Cup)
Clarus C51-2 Frequency Response Graph
Clarus C61-2 Frequency Response Graph
© Hybrid Audio Technologies • Cumming, GA • 770.888.8200 © Hybrid Audio Technologies • Cumming, GA • 770.888.8200
16 17
Unpacking/Inventory
Carefully unpack the Clarus carton, and verify that the
following parts are included in the box (CAUTION: use
care to remove the midbass speakers with two hands,
and avoid pressing your thumb or ngers against
the cone of the midbass – never test the speaker’s
excursion manually with your ngers by pressing the
cone):
• Two Clarus midbass speakers;
• Two Clarus C1 20mm tweeter speakers;
• Two midbass grilles with anodized aluminum
Hybrid Audio Technologies nameplates and ABS grille
mounting anges;
• Four small packages located underneath the
midbass drivers, which contain:
• Hardware needed to install the midbass speakers,
including high-quality black oxide Philips head
screws and black oxide steel“speed clips”; and
• Four small slices of butyl adhesive putty to help
secure the supplied grilles to the ABS grille mounting
anges, if needed.
• Two small packages located underneath the tweeter
drivers, which contain:
• Two angle-mount and two surface-mount xtures
to be used for various tweeter mounting options; and
• Hardware needed to install the tweeter speakers,
including high-quality black oxide Philips head
screws and steel“speed clips.”
Should you be missing parts, please contact your
authorized Hybrid Audio Technologies dealer for
replacement parts, or contact us directly at:
[email protected]
Section I • Getting Started
Basic System Installation
Now that you have unpacked the Clarus box and have veried that all of the parts are
included, it is time to evaluate the vehicle for the impending installation. If you feel the
least bit uncomfortable about the installation, have the Clarus speakers installed by
an authorized Hybrid Audio Technologies dealer. The Clarus speakers are an incredible
high-end speaker system, but will only be as good as the installation; a poor installation can
negatively aect the performance of the Clarus speakers. We can only build great speakers,
but can’t control or account for poor or inadequate installations.
Should you decide that you can handle the installation yourself and feel condent that
the end result will be adequate to reap the performance benets of the Clarus component
system, you will need to have certain hand tools available to you for the installation. These
include, but may not be limited to:
• Cordless drill/driver with a 1/8”drill bit and a Phillips head and a few assorted driver bits
(commonly including Torx driver bits) with an attachment (a hand-operated screw driver
and/or Torx driver will also likely work);
• Certain vehicles may require an assortment of hex-key wrenches to remove the old
speakers and/or panel screws;
• A panel-popping tool (retaining clip removal tool) to remove panels in the vehicle
(such as door panels). In a pinch, a large at-head screwdriver does work, but damage to
panels or retaining clips can result;
• A wire cutter and wire stripper;
• Electrical tape; and
• If you plan to use the vehicle’s existing speaker wire, you will need to know which wire
is positive and which is negative at each proposed speaker location. If you’re unsure, we
highly recommend the use of Installation Excellence, an on-line resource for wire colors,
wire locations, t guides, and technical support.
Continued on following pages...
Clarus
Component
Systems
Using this Manual
As mentioned in the Welcome and
Introduction, this is not your typical
car stereo speaker owner’s manual.
It is a mobile audio reference manual
for not only your impending Clarus
installation, but also to act as a guide
to get the most out of your audio
system. Generally speaking, this
manual is divided into two parts. The
rst part focuses on a typical, basic
installation of the Clarus product, and
follows in general what you’d expect
from a mobile audio component
system owner’s manual. The second
part delves into more advanced topics
on optimized speaker placement,
“lessons learned” (a topical discussion
of real-world applications), use of
sound damping products and acoustic
absorption materials, and ne tuning.
Most users will stop at the conclusion
of the rst section once the basic
installation is complete, and this is
perfectly acceptable. But for those
with an intrinsic desire to learn more
about how to make their mobile
audio systems better, we invite you to
continue reading through the latter
half of the manual as well. Our goal is
to not only build the best-performing
mobile audio systems in the world,
but to also educate consumers and
professional installers alike on how
to achieve reference-grade audio
system playback in the mobile audio
environment.
© Hybrid Audio Technologies • Cumming, GA • 770.888.8200 © Hybrid Audio Technologies • Cumming, GA • 770.888.8200
18 19