Quadratt 1U Manual
●Voltage Offsets : Assume you have a Sample & Hold module sending random notes to
an oscillator, only you want to constrain that unruly 10+ octave range of notes to just one
or two octaves in the bass range. One way to do this is to use two channels of a
Quadratt.
Plug your S&H output into Quadratt’s INB ; connect OUTB to your oscillator’s pitch
input; then use the Channel B attenuator to limit the range of notes to an octave or two.
Next, use Quadratt’s Channel A (into which nothing is connected) to negatively offset the
note range down into the bass frequencies. Do this by setting Channel A’s polarity switch
to -/+ , then turning the corresponding attenuator knob counterclockwise past 12:00.
Because nothing is plugged into Quadratt’s OUTA , OUTB contains a sum of Channels
A and B, giving you both the reduced note range and the lower frequencies you desire.
●CV Mixing : What if you want to modulate some parameter with more than one control
voltage at a time? Perhaps you want to send a square wave to modulate a filter’s cutoff
frequency giving it a steady “pulsing” sound while simultaneously sweeping it with a
slow, triangular LFO so that the pulsing sound rises and falls over time. Again, Quadratt
is on the case. And, once again, you’ll be using two channels.
Plug the square wave output of the “pulsing” LFO into Quadratt’s INA and connect
OUTB to your filter’s frequency CV input. Use ChannelA’s attenuverter to set the
amount of pulse you want to hear. Next, plug the triangle wave output of the “slow
sweeping” LFO into Quadratt’s INB . OUTB now contains of sum of Quadratt’s AandB
channels. Use Channel B’s attenuverter to set how much the pulse sweeps up and down
the frequency band. You now have two different CV sources controlling one destination.
●Audio Mixing : Audio is a voltage too. So you’re probably asking yourself, “can I use
Quadratt to mix multiple channels of audio together as well?” Yes, you can!
Set all of Quadratt’s polarity switches to UNI and turn all its knobs fully counterclockwise .
Plug the output of one oscillator in INA , another into INB , and so on. Plug only OUTD
into your audio amplifier, leaving OUTS A-C unconnected. Rotate ChannelA’s attenuator
clockwise and you’ll hear the oscillator connected to INA . Turn ChannelB, Cand D’s
attenuators clockwise to add their corresponding inputs to the mix.
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