LP Acoustics Solo Series User manual

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SOLO SERIES
LOUDSPEAKERS
OWNER’S MANUAL
T18 SMALL TOWER
S3 FRONT/SURROUND SATELLITE
C3 CENTER
SW22 POWERED SUBWOOFER
Check www.LPAcoustics.com for updated manual.
The English language version of this manual
is the normative reference.
You can request this manual in other languages.
©2008 LP Acoustics. All rights reserved.

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Important Safety Instructions
Congratulations on your wise product purchase. Your business is
appreciated. Our goals include your continued satisfaction with LP
Acoustics products, your repeat business and your enthusiastic referrals
to everyone you know. Please read this entire manual and follow all
instructions to ensure proper use of your investment and especially to
ensure your safety. Keep this manual for future reference.
 Install the products in accordance with all instructions.
 Do not use this product near water.
 Do not install near any heat sources such as radiators, heat
registers, stoves, or other apparatus (including amplifiers) that
produce heat. Do not place any flame sources such as lighted
candles on the product.
 Do not push any objects into or inside of the products. In
particularly, T18 uses an open vent to improve low frequency
response. A small object pushed into the cabinet interior through
the vent will be very difficult to retrieve as there is no blocking
screen on the interior (for best audio performance).
 Abide by the safety purpose of the polarized plug or plug with
grounding pin if incorporated into any product. Do not defeat the
operation of the safety features of the plug. If the provided plug
does not fit into your outlet, consult an electrician for replacement of
the obsolete outlet.
 Protect the power cord from being walked on or pinched especially
at plugs, electrical outlets and the connection point to the product.
Replace the power cord if any fraying is evident or if any metal
wires ever become visible.
 Pay special attention to placement of products and location of wires
and cables so as to avoid a hazard that may cause someone to trip.
 Only use attachments or accessories specified by
LP Acoustics.
 Use only with mounting apparatus specified by LP Acoustics to
avoid injury from tip-over. Heavy products such as subwoofers
should be mounted directly on the floor. Care should be taken not to
bump into any product mounted on a stand, on a shelf, or on the
floor; these are heavy objects and if knocked off their place of
mounting they can cause injury.
 Unplug the products from power source during lightning storms or
when unused for long periods of time.

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Important Safety Instructions
 Refer all servicing to qualified service personnel. Servicing is
required when the product has been damaged in any way, e.g.
power-supply cord or plug has been damaged, liquid has been
spilled or objects have fallen into or been pushed into the product,
the product has been exposed to rain or moisture, does not operate
normally, has been dropped or knocked over.
 Use care in lifting any subwoofer to avoid injury. The product is
heavy.
 Specific cleaning instructions are provided later in this manual.
Following those instructions will maintain the elegant appearance of
this product.
This symbol indicates that there are important operating and
maintenance instructions in the literature
accompanying the product.
This symbol indicates that dangerous voltage constituting a risk
of electric shock is present within the product.
WARNING: To reduce the risk of fire or electrical shock, do not expose
this apparatus to rain or moisture. The product must not be exposed to
dripping and splashing. No object filled with fluids such as a vase of
flowers or a glass containing liquid should be placed on the product.
WARNING: Voltages in this equipment are hazardous to life. There are
no user-serviceable parts inside. Refer all servicing to qualified service
personnel.
WARNING: Keep any plastic packaging out of the reach of children to
avoid danger of suffocation.
CAUTION: Changes or modifications not expressly approved by LP
Acoustics are not permitted. Such alterations may render the product
unsafe.

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Unpacking and Assembly
To avoid scratching the finely polished piano finish on the speaker
cabinets, please remove them from the shipping cartons carefully. Do
not set any polished surface directly on a table top without cushioning
material. While attaching the feet, it is recommended that the cabinets
be placed on a piece of the foam sheeting used to protect them during
shipping.
Attaching the Rubber Feet
The pressure sensitive adhesive used to secure the feet to the
cabinets is extremely aggressive.. Once the feet have been
attached to the cabinet, it is virtually impossible to remove them
without damaging the finish. Therefore, it is important to install
the feet in the correct location. Before attaching the feet, be
absolutely sure you are installing them on the bottom of the
cabinet. The LP Acoustics logo is attached right-side up so if you have
any doubt if you are attaching the feet to the bottom, check the logo
orientation. The purpose of the feet is to protect the surface that the
speakers rest upon. Feet do not need to be attached to any S3 or C3
speaker which is to be mounted on the wall or on LP Acoustics floor
stands.
S3 Front/Surround Satellite Speakers
Set the cabinet upside down on a padded
surface. Peel the three feet from the
backing strip (one at a time) and press
them into position as shown in the figure.
C3 Center Speakers
Set the cabinet upside down on a
padded surface. Peel the two short
feet from the backing strip (one at a
time) and press them into position
near the front edge of the cabinet
as shown in the figure. Peel the tall
foot from the backing strip and
press it into position as shown.
S3BOTTOM
Rubberfeet
C3BOTTOM
Shortrubberfoot
approx.
2inches
Front
Tallrubberfoot
Shortrubberfoot

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Unpacking and Assembly
T18 Small Tower Speakers
Install the feet on the T18 Base
before attaching the Base to the
Cabinet. Peel the four feet from the
backing strip (one at a time) and
press them into position on the
bottom of the T18 Base as shown
in the figure. Attach the T18 Base
to the T18 Cabinet using the three
screws provided.
SW22 Powered Subwoofer
Unlike the other cabinets, the SW22 does not use adhesive feet. Set the
cabinet upside down on a padded surface. Locate the four pilot holes on
the cabinet bottom and install the four recessed feet using the four
screws provided.
T18BASE
BOTTOM
Base
attachment
screws
Rubberfeet
Rubberfeet
SW22BOTTOM
attachrubberfeet
withscrews
attachrubberfeet
withscrews

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Speaker Positioning
The Solo series of loudspeakers is modular. You can mix and
match freely within this product family and expand your system at any
time. Visit www.LPAcoustics.com for a more detailed positioning and
setup guide, and also a guide to selecting video screen size for your
room.
For best speaker positioning, first choose the position in your room
which will become your ideal listening position. It may be a single point
somewhere along your room’s center line for personal stereo listening.
For home theater you may wish to cover a span of the two center seats
in your front or second row of seating in which case you have left and
right points for aiming your speakers.
First attach the feet to all speakers which will be placed on the floor
or on shelves as described in “Unpacking and Assembly”. This is not
necessary for speakers which will be mounted on the wall or on LP
Acoustics floor stands.
Home Theater Speaker Positioning
Height: Front Left, Front Center and Front Right speakers should
ideally be set such that the center of the cone is at ear level. If you have
a very large movie screen this might not be possible for the Center
speaker. In this case, mount your screen as high as feasible and mount
Center speaker immediately below the screen. 4.0 or 4.1 setups do not
require the Center speaker.
Front Left and Front Right speakers should ideally be placed on an
arc so that the distance from Front Left, Front Right and Center to your
single central listening point is identical. For convenience, you can
instead wall-mount Front Left and Front Right at ear level using the
included wall mounting kit. Aim Front Left towards your left or central
listening point. Aim Front Right towards your right or central listening
point.
There is much more flexibility in positioning your surround sound
speakers. In 4.1 or 5.1 setups there are two surround channels: Rear
Left and Rear Right. The goal of a home theater setup is to mimic a
good movie theater. In a good theater, the surround sound channels are
intended to create ambience. The best way to recreate a similar
ambience in a relatively small room is to diffuse the sound., i.e. avoid
aiming those speakers directly at the listening point but still permit sound
from the left channel to reach the listening point from the left. Some
manufacturers attempt to accomplish all this using dipole speakers1
however in most setups, the reflections inappropriately cause the left
and right sounds to appear from the opposite directions which can upset
your feeling of being in the midst of the action and also still send too
much direct sound toward the listening point. Our research has found
that the best setup for diffused surround sound is achieved by aiming
the surround speakers towards a wall. In a smaller home theater or
living room, this might suggest bouncing the sound off the opposite wall.
For example, the Rear Left speaker is actually placed on the right side of
1. See website for more detailed discussion.

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Speaker Positioning
the room, aimed to bounce off the left wall, so the sound appears to
come from the left. Vice-versa for the Rear Right speaker.
In a 6.1 setup, a Rear Center speaker is added to the 5.1 setup. A
good typical setup has the Rear Center either mounted on the rear wall
or aimed to bounce off the rear wall so that the sound appears to come
from the rear wall. The left and right surround speakers are located
closer to your selected listening point or points, turning them into a side-
mounted pair of speakers rather than a rear-mounted pair.
A 7.1 setup is identical to a 6.1 setup except that two rear speakers
(left and right) are used instead of the single Rear Center speaker.
Existing sound steering electronics incorporated into receivers send
identical information to the Left and Right Rear. This setup is only
recommended in large rooms or in problem rooms. Using two speakers
to replace one will certainly give the appearance of more diffusion which
is good but is a more costly way of achieving the effect.
Subwoofer Positioning
The subwoofer should be positioned directly on the floor in a
convenient corner of the room, ideally nearest to the selected listening
position. Subwoofers emit only very low frequency sound which is not
directional. This means that your ear cannot identify where the sound is
coming from, only that the room is filled with that sound. This is why a
subwoofer is effective even for stereo or critical music listening.
Stereo Speaker Positioning
A high-fidelity stereo listening experience can be achieved either
using a 2.0 setup with a pair of T18 speakers or a 2.1 setup with a pair
of S3 speakers and the SW22 subwoofer. For 2.1, locate the subwoofer
as explained above. For 2.1, place the left and right speakers at the front
of your room and mount them on LP Acoustics floor stands with the
cone’s center at ear level. A good typical setup example is: listening
position is mid-way between left and
right walls, 6 feet from front of room.
Left and right S3 speakers are placed
on stands; stands are located near the
front wall and each 4 feet away from the
center line of the room; stands are
adjusted to bring the cone’s center to
ear level. Speakers are aimed directly
at the listening position.
For a 2.0 setup, the cone heights
are already correctly set. Merely locate
the left and right T18 speakers as
described above. The figure to the right
shows a top view of speaker placement
in an irregularly shaped room (13 feet
wide, 18 feet long).
ListeningPoint
Left
T18
Right
T18

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Speaker Positioning
5.1 speaker placement example in
13x18ft irregular room
SW22 is placed along the two longest
walls for best excitation of room modes
(best overall low frequency excitation for
the room). The ideal placement of the
front three speakers is on the perimeter
of the circle however wall mounting the
two S3 speakers is almost as good and
often more convenient. The rear two S3
speakers are shown aimed so that the
sound is bounced off their nearest side
walls. If the room were smaller, cross-
bouncing the sound would result in a
more diffused sound field.
6.1 speaker placement example in
13x18ft irregular room
This room is (barely) large enough to
benefit from adding a rear center
channel to the 5.1 setup described
above. The rear center speaker could
be either an S3 or a C3. They are
acoustically identical and the choice of
one or the other is purely based on
preferred appearance. The total
distance traveled by the sound in any of
the three rear speakers is identical in
this example. Some older receivers
cannot independently set the time delay
for each channel independently, so this
setup is excellent in that situation.
ListeningPoints
SW22 S3 S3
S3
LR
S3
C3
ListeningPoints
LR
S3 S3
SW22 S3 S3C3
C3orS3

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Connections
For normal connections, using 16AWG (or 14AWG for longer
distances) speaker wire, connect the RED "positive" (+) terminal of the
LEFT speaker to the RED "positive" (+) terminal of your amplifier’s LEFT
channel. Connect the BLACK "negative" (–) terminal of the LEFT
speaker to the BLACK "negative" (–) terminal of your amplifier’s LEFT
channel. Repeat this procedure for connecting all remaining speakers to
the appropriate amplifier channels.
Refer to the accompanying figure
for a stereo connection example.
Most speaker wire is clear with two
differently-colored conductors. It is
helpful to adopt a consistent choice
of conductor color for a polarity,
e.g. always use the copper-colored
conductor on the RED terminal and
the silver-colored conductor on the
BLACK terminal.
Make sure that no bare wires from any of the connections touch
any other terminals as this could cause a short and damage
your equipment. Ensure that you do not make any connections
while the amplifier is turned on as a short could be temporarily
caused while making connections and cause damage to your
equipment.
An amplifier with 8Ωoutput impedance (or less) is required to drive
the T18, S3 or C3 speakers. Most amplifiers are rated to drive an 8Ω
load but be sure and verify this capability in the amplifier specifications.
These products can be driven to a very high sound pressure level (SPL)
with low distortion.
Due to the high SPL these speakers are capable of reproducing,
exercise caution with the volume control. Excessive volume over
long periods can permanently damage your hearing and
diminish your listening pleasure. Overdriving your amplifier
could also damage your speakers and/or overheat your amplifier.
A 100W/channel amplifier is a good typical choice for T18, S3 or C3
models even though the speakers cannot continuously handle that much
power (these speakers can thermally handle 50W each but will
experience distortion with that much power). A typical amplifier will begin
to produce higher levels of harmonics as it nears its maximum power
hence it is recommended to use an amplifier with power rating larger
than the speaker’s power rating. Use the amplifier at power settings
lower than maximum. Although louder volumes sound more pleasing,
we want you to enjoy listening for a lifetime, so please use moderation in
your choice of volume setting.
LeftSpeaker
Terminals
RightSpeaker
Terminals
Receiver/Amplifier
Left
++
Right
--
+-+ -

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Connections
LP Acoustics subwoofers have a built-in amplifier. The amplifier has
a higher continuous power capability than the speaker driver. For the
same reasons as previously stated, exercise discretion in selecting your
volume setting. The subwoofer is normally connected using a cable with
a single RCA-type plug on each end as shown below.
Choosing the Speaker Wire Gauge
There are three common wire gauges to choose from when
connecting speakers: 14, 16 and 18AWG (American Wire Gauge). The
table below demonstrates that 16AWG wire is quite adequate up to a
100ft round-trip distance from amplifier to speaker (remember to double
the physical distance because the signal must go there and back),
incurring a signal reduction of less than 0.5dB. The size of the reduction
is not overly important other than incurring a small loss in system
efficiency. All frequencies are nearly equally affected. 14AWG wire
should be considered for distances longer than 50 feet (100ft round trip).
Only use stranded (not solid) wire for performing speaker connections.
Beware of claims that a radically more expensive cable sounds better –
any differences are imperceptible to the human ear and to most test
equipment.1
1. See website for more detailed discussion.
OnSubwooferRearPanel OnReceiverRearPanel
SUB
WOOFER
PREOUT
LEFT RIGHT
LFE
LINELEVELINPUTS
Wire size (AWG) 14 16 18
Linear Resistivity (ohms per 1000 ft) 2.53 4.02 6.39
Total Speaker Wire Loop Length (feet) 100 100 100
Total Loop Resistance (ohms) 0.25 0.40 0.64
Relative Driver Voltage with 8 Ohm Load 97% 95% 93%
Relative Driver Power (dB) -0.27 -0.43 -0.67

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Settings
SW22 Subwoofer Settings
The SW22 rear panel has three switches.
Power—switches AC power to the Amplifier ON or OFF.
Mode— Normally this switch will be set to AUTO. In AUTO, if the Power
switch is ON, the amplifier will automatically turn on when it detects an
incoming signal. If no signal is present for several minutes, the amplifier
will power down to conserve energy. If Mode is set to ON, the amplifier
will be powered up continually if the Power switch is ON.
Phase—Normally this switch is set to NORMAL. If the SW22 is used
with other speakers capable of delivering very low frequencies such as
the T18 small towers, listen to the sound as the Phase switch is toggled
between NORMAL and REVERSE. If there is any noticeable difference,
leave the switch in the position that provides the most bass.
There are two controls on the front of the SW22 cabinet for easy
access.
Frequency—This control, located in the bottom left corner, sets the
maximum frequency that the subwoofer will produce and will require
adjustment only if you are not using the LFE input. If you are feeding the
subwoofer from a single preamplifier or an older receiver without an LFE
(or subwoofer) output, set the Frequency control initially to mid position,
then rotate it as required to achieve the most realistic sound (clockwise
rotation increases the crossover frequency, counter-clockwise
decreases the crossover frequency).
Volume—This control, located in the bottom right corner, sets the
subwoofer volume and is normally adjusted by personal preference.
There are several “scientific” procedures for setting the subwoofer
volume using an SPL meter or other test equipment but most people will
want the volume higher than the level determined by these methods.
Here is a much easier way to set the Volume control:
Find some good audio source material with lots of bass. Sit in your
normal listening location and start with the SW22 volume set very low.
Have a friend slowly increase the volume and note the position where it
sounds most pleasing. Then repeat the exercise but start with a higher
volume and slowly reduce it to the most pleasing setting. The ideal
setting is mid-way between these two positions (clockwise rotation
increases the volume, counter-clockwise decreases the volume).
Receiver Settings
When no subwoofer is used, T18 small tower speakers are required
for the full range of low to high frequency sound. Any audio channel
connected to T18 small tower speakers can be set to “LARGE1” in the
receiver’s speaker menu. Large means that no low frequency
attenuation is used. In contrast, SMALL1means that low frequencies will
be filtered out of the signals sent to any channel identified as small. Any
C3 or S3 speaker channels should be set to “SMALL”. If any C3 or S3
speakers are used in your audio setup, it is best to manually set the
crossover frequency in your receiver’s menu (consult the receiver’s
1. Not all receivers have a LARGE / SMALL setting. Consult the receiver’s
manual.

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Settings
owner’s manual for instructions). The ideal crossover frequency for C3
or S3 speakers is 90Hz. This frequency is well below the range at which
sound begins to become directional in nature, therefore you will not be
able to “find” the subwoofer by ear which is the goal. If you are using all
T18 speakers, set the crossover frequency to 60 Hz. If your receiver
cannot be set this low, choose the lowest available crossover frequency.
Receiver Time Delay Settings
Most new receivers allow a time delay to be added to each channel.
This ensures that the sound arrives at your ear at the correct time from
all speakers in your system, compensating for some that may be farther
away from your listening point than others. The front center channel is
the zero time reference. Measure the distance from the center of all the
speakers (skip the subwoofer) to your listening position. If your receiver
allows you to enter distances directly, do so—that is the easiest method.
If the receiver requires that you enter a time delay: subtract the center
speaker’s distance from all the measurements. Use the time delay
difference from the table below. The table is based on the speed of
sound at 21°C or 70°F and 40% relative humidity (344.4m/s or 1129.9ft/
s). No speakers should be nearer to the listening position than the
center speaker, so there can be no negative numbers in your
calculations.
Difference in Distance Relative Travel Time
feet metres milliseconds
2.26 0.69 2
4.52 1.38 4
6.78 2.07 6
9.04 2.76 8
11.30 3.44 10
13.56 4.13 12
15.82 4.82 14
18.08 5.51 16
20.34 6.20 18
22.60 6.89 20
24.86 7.58 22
27.12 8.27 24
29.38 8.95 26
31.64 9.64 28
33.90 10.33 30
36.16 11.02 32
38.42 11.71 34
40.68 12.40 36

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Care and Cleaning
The speaker cabinets have been finished in a very high gloss piano
black. The twelve-coat finishing process terminates in several stages of
machine and hand polishing with successively finer polishing
compounds. This results in mirror-like finish that requires little or no
maintenance. In most normal environments, an occasional light dusting
with a microfiber cleaning cloth will keep your cabinets looking like new
for many years. If the speakers are shipped with a protective film, if feet
are to be installed, peal back the film from the bottom and attach the feet
as previously described.
After the initial unpacking, assembly and setup, or if you move the
speakers, the surface of the cabinet may show evidence of finger prints.
If the finger prints cannot be eliminated easily with the microfiber cloth,
do not try to remove them by rubbing harder. Simply spray one end of
the cloth (not the cabinet) with a small amount of cleaning solution
comprising one part vinegar with at least one part water (it can be even
more diluted, e.g. up to ten parts water; often no cleaning solution is
required for minor cleaning). Wipe off the finger prints with the damp
cloth and wipe dry immediately. Most microfiber cloths are washable.
Wash the cloth as needed (wash in warm water, low dryer setting, no
bleach, no fabric softener, do not iron).
Do not apply any form of wax or furniture polish such as “lemon
oil” or Pledge® to the cabinets.
Specifications
Specification (subject to change) SW22
Enclosure Sealed / Analog Boost
Width (inches / mm) 12.8 / 324
Height (inches / mm) 12.8 / 324
Depth (inches / mm) 12.8 / 324
Acoustic Volume (cubic feet / litres) 0.75 / 21
Weight (pounds / kg) 33 / 15
Driver Impedance (ohms) 4
Driver Diameter (inches / mm) 10 / 250
Driver RMS Power (watts) 300
Amplifier Power, 80Hz (W) @ THD + N (%) 300 @ 1
Amplifier S/N (A-weighted dB) 105
Built-in crossover frequency range (Hz) 50-150
Sound Pressure Level 2.83V RMS, 80Hz (dB) 88
SPL at maximum power, 1/8 space (dB) 113
Frequency response down 3dB (Hz) 27
Frequency response down 6dB (Hz) 25
Frequency response down 9dB (Hz) 23

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Specifications
Warranty for Products Purchased In the United States and Canada
by Residents
 LP Acoustics LLC ("LP Acoustics") warrants this product to be free
from defects in materials and workmanship (subject to the terms set
forth below) for a period of five years from the date of purchase.
During the Warranty period, LP Acoustics will repair or replace (at
LP Acoustics’ option) this product or any defective parts (excluding
electronics and amplifiers). For products that have electronics or
amplifiers, the Warranty on those parts is for a period of one year
from the date of purchase.
 To obtain Warranty service, please contact LP Acoustics in the
country where you purchased this product. The product can be
returned, freight paid by the purchaser, to LP Acoustics for repair.
Visit www.LPAcoustics.com for contact information and up to date
information. You will need to ship this product in either its original
packaging or packaging affording equal or greater degree of
protection. Always consult with LP Acoustics before returning a
product for repair.
 If you are not the original purchaser of the product, proof of your
purchase from the original purchaser of the product will be required
in the form of a bill of sale and must be included to obtain Warranty
service.
 This Warranty is invalid if the factory-applied serial number has
Specification (subject to change) T18 C3 S3
Enclosure vented sealed sealed
Width (inches / mm) 7.7 / 195 8.9 / 225 6.5 / 165
Height (inches / mm) 35.1 / 892 6.5 / 165 8.9 / 225
Depth (inches / mm) 10 / 254 7.7 / 195 7.7 / 195
Acoustic Volume (litres) 18 3.5 3.5
Weight (pounds / kg) 26 / 12 8 / 3.5 8 / 3.5
Impedance (ohms) 8 8 8
Driver Diameter (inches / mm) 4.5 / 115 4.5 / 115 4.5 / 115
Driver RMS Power Limit (watts) 50 50 50
Recommended Subwoofer crossover
Frequency (Hz) 60 90 90
Sound Pressure Level at 2.83V RMS,
1kHz (dB) 85.9 85.9 85.9
SPL at maximum power, ½ space (dB) 103 103 103
Frequency response down 3dB (Hz) 38, >25k 83, >25k 83, >25k
Frequency response down 6dB (Hz) 35, >25k 69, >25k 69, >25k
Frequency response down 9dB (Hz) 33, >25k 59, >25k 59, >25k
Warranty

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Warranty
been altered or removed from this product or you fail to provide
proof of purchase(s) demonstrating lawful purchase from the
original product purchaser.
 This Warranty does not cover cosmetic damage or damage due to
misuse, abuse, negligence, acts of God, accident, modification of or
to any part of the product.
 This Warranty does not cover damage due to improper operation,
maintenance or installation, or attempted repair by anyone other
than LP Acoustics or a third party which is authorized by LP
Acoustics to perform warranty work.
 Any unauthorized repairs will void this Warranty.
 This Warranty does not cover product sold AS IS or WITH ALL
FAULTS.
 Repairs or replacements as provided under this warranty are the
exclusive remedy of the purchaser. LP Acoustics shall not be liable
for any incidental or consequential damages for breach of any
express or implied warranty on this product.
 Except to the extent prohibited by law, this warranty is exclusive
and in lieu of all other express and implied warranties whatsoever,
including but not limited to, the warranty of merchantability and
fitness for a practical purpose.
 Some states/provinces do not allow the exclusion or limitation of
incidental or consequential damages or implied warranties so the
above exclusions may not apply to you. This Warranty gives you
specific legal rights, and you may have other rights, which vary from
state to state. The rules of the state or province in which the product
is sold shall apply.
Warranty for Products Purchased by Non-Residents or Purchased
Outside the United States and Canada
 The warranty on this product if purchased outside the United States
and Canada shall comply with applicable law and shall be the sole
responsibility of the distributor that supplied this product. To obtain
any applicable warranty service, please contact the dealer from
which you purchased this product, or the distributor that supplied
this product.
 The warranty on this product if purchased by non-residents of the
United States and Canada but purchased inside the United States
and Canada follows the rules outlined above for the country in
which it is purchased except that any return must be freight paid to
and from LP Acoustics by the purchaser. Always return the product
to the LP Acoustics facility from which it was purchased.
Product warranty period clarification
T18, S3, C3: five years
SW22: one year on amplifier, five years on remainder

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LP ACOUSTICS LLC Contact Information
Headquarters:
Boise, ID USA
United States:
Factory and Showroom GPS: 43.6091°N, 116.2908°W
453 N. Steelhead Way phone: [phone]
Boise, ID 83704 e-mail: [email protected]
Canada:
Factory and Showroom GPS: 44.0753°N, 77.7493°W
15631 Telephone Road phone: [phone]
Brighton, ON K0K 1H0 e-mail: [email protected]