
Figure 3-1: The OPTIMOD-PC Control Application ------------------------------------------------ 3-1
THE OPTIMOD-PC CONTROL APPLICATION ----------------------------------------------------------3-1
INTRODUCTION TO PROCESSING -------------------------------------------------------------------------3-4
Some Audio Processing Concepts----------------------------------------------------------------------- 3-4
Distortion in Processing------------------------------------------------------------------------------------ 3-4
Loudness and Distortion----------------------------------------------------------------------------------- 3-4
Speech/Music Detector------------------------------------------------------------------------------------- 3-5
Processing for Low Bitrate Codecs ------------------------------------------------------------3-5
Optimod-PC in Radio-Oriented Applications: From Bach to Rock-------------------3-6
Sound for Picture Applications: Controlling Dynamic Range-------------------------3-7
Protection Limiting --------------------------------------------------------------------------------3-7
Studio AGC-------------------------------------------------------------------------------------------3-8
ABOUT OPTIMOD-PC’S SIGNAL PROCESSING FEATURES --------------------------------------------3-8
Dual-Mono Architecture -------------------------------------------------------------------------3-8
Audio Processing Signal Flow ------------------------------------------------------------------3-9
Figure 3-2: Simplified OPTIMOD-PC Digital Signal Processing Diagram -------------------- 3-9
Two-Band Purist Processing------------------------------------------------------------------- 3-12
Input/output Delay ------------------------------------------------------------------------------ 3-12
CUSTOMIZING OPTIMOD-PC’S SOUND ------------------------------------------------------------- 3-13
Basic Control--------------------------------------------------------------------------------------- 3-13
Gain Reduction Metering---------------------------------------------------------------------- 3-15
Fundamental Requirements: High-Quality Source Material and Accurate
Monitoring----------------------------------------------------------------------------------------- 3-15
ABOUT THE PROCESSING STRUCTURES ---------------------------------------------------------------- 3-15
FACTORY PROGRAMMING PRESETS-------------------------------------------------------------------- 3-17
Protection and AGC Presets------------------------------------------------------------------- 3-18
Table 3-1: Protection and AGC Presets-------------------------------------------------------------- 3-19
Radio-Style Presets------------------------------------------------------------------------------- 3-20
Table 3-2: Radio-Style Presets-------------------------------------------------------------------------- 3-21
Sound for Picture Presets ---------------------------------------------------------------------- 3-26
Table 3-3: Factory Programming Presets (Video) ------------------------------------------------ 3-26
Table 3-4: Equalization Controls --------------------------------------------------------------------- 3-27
EQUALIZER CONTROLS ---------------------------------------------------------------------------------- 3-27
STEREO ENHANCER CONTROLS------------------------------------------------------------------------- 3-32
Table 3-5: Stereo Enhancer Controls----------------------------------------------------------------- 3-32
Table 3-6: AGC Controls --------------------------------------------------------------------------------- 3-33
AGC CONTROLS----------------------------------------------------------------------------------------- 3-33
DISTORTION CONTROL---------------------------------------------------------------------------------- 3-38
Figure 3-3: Bass Clipper Input/Output Transfer Curves as Bass Clip Shape Control is
Varied from 0.0 (Hard) to 10.0 (Soft) ---------------------------------------------------------------- 3-39
Table 3-7: Distortion Control Adjustments -------------------------------------------------------- 3-40
THE TWO-BAND STRUCTURE--------------------------------------------------------------------------- 3-40
Customizing the Settings ---------------------------------------------------------------------- 3-41
The Two-Band Structure’s Full and Advanced Setup Controls --------------------- 3-41
Table 3-8: Two-Band Controls ------------------------------------------------------------------------- 3-42
THE FIVE-BAND STRUCTURE --------------------------------------------------------------------------- 3-45
Putting the Five-Band Structure on the Air ---------------------------------------------- 3-45
Table 3-9: Five-band Controls-------------------------------------------------------------------------- 3-46
Customizing the Settings ---------------------------------------------------------------------- 3-46
The Five-Band Structure’s Full and Advanced Setup Controls ---------------------- 3-46
Table 3-10: Multiband Attack / Release Controls ------------------------------------------------ 3-47
Table 3-11: MB Band Mix Controls ------------------------------------------------------------------- 3-51