Phonic AM440DP User manual

User's Manual
Manual de Usuario
AM440DP
AM440DP

ENGLISH .....................................I
ESPAÑOL . . . . . . . . . . . . . . . . . . . . . . . . . . . II
V1.1 10/17/2012
AM440DP
English Español
COMPACT MIXERS

INTRODUCTION...................................................................1
FEATURES..............................................................................1
BASIC SETUP.......................................................................1
MAKING CONNECTIONS......................................................2
CONTROLS AND SETTINGS..................................................3
SPECIFICATIONS................................................................5
APPENDIX
DIGITAL EFFECTS TABLE......................................................1
APPLICATION......................................................................3
DIMENSIONS..........................................................................4
BLOCK DIAGRAM...................................................................5
CONTENTS
USER'S MANUAL
Phonic preserves the right to improve or alter any information within this
document without prior notice.
English

1. Read these instructions before operating this
apparatus.
2. Keep these instructions for future reference.
3. Heed all warnings to ensure safe operation.
4. Follow all instructions provided in this document.
5. Do not use this apparatus near water or in locations
where condensation may occur.
6. Clean only with dry cloth. Do not use aerosol or liquid
cleaners. Unplug this apparatus before cleaning.
7. Do not block any of the ventilation openings. Install
in accordance with the manufacturer
’
s instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding type plug
has two blades and a third grounding prong. The wide
blade or the third prong is provided for your safety. If
the provided plug does not into your outlet, consult
an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plug, convenience receptacles,
and the point where they exit from the apparatus.
11. Only use attachments/accessories by the
manufacturer.
12. Use only with a cart, stand, tripod, bracket, or
table by the manufacturer, or sold with
the apparatus. When a cart is used, use caution
when moving the cart/apparatus
combination to avoid injury from tip-
over.
13. Unplug this apparatus during lighting
storms or when unused for long
periods of time.
14. Refer all servicing to service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has
been exposed to rain or moisture, does not operate
normally, or has been dropped.
IMPORTANT SAFETY INSTRUCTIONS
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK)
NO USER SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED PERSONNEL
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated
“
dangerous voltage
”
within the
product
’
magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is in-
tended to alert the user to the presence of important operat-
ing and maintenance (servicing) instructions in the literature
accompanying the appliance.
WARNING: To reduce the risk of or electric shock, do
not expose this apparatus to rain or moisture.
CAUTION: Use of controls or adjustments or performance
of procedures other than those may result in
hazardous radiation exposure.
The apparatus shall not be exposed to dripping or splashing and that no objects with liquids, such as vases,
shall be placed on the apparatus. The MAINS plug is used as the disconnect device, the disconnect device shall
remain readily operable.
Warning: the user shall not place this apparatus in the area during the operation so that the mains switch
can be easily accessible.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
English

1
AM440DP
English
INTRODUCTION
Thank you for choosing one of Phonic’s many quality compact
mixers. The AM440DP Compact Mixers – designed by the
ingenious engineers that have created a variety of mixers
fantastic in style and performance in the past – display similar
!"#$%&'(%)* +,-+* !"'.&#/0* 1,#(&%* !"#2/%+0* ,-.'* 0,#3(4* 3&+,*
5#"'*+,-(*-*6'3*"'$('5'(+07*#6*%#/"0'8*9,'*:;*0'"&'0*6'-+/"'0*
6/<<*=-&(*"-(='07*-5->&(=<)*<#3*2&0+#"+&#(*<'.'<07*-(2*&(%"'2&?<)*
3&2'*2)(-5&%*"-(='07* @/0+*0,#3&(=*+,'*2#5&(-(%'*+,'0'*05-<<*
machines will have in the mixing World.
We know how eager you are to get started – wanting to get the
mixer out and hook it all up is probably your number one priority
"&=,+*(#3* A* ?/+* ?'6#"'* )#/*2#7*3'*0+"#(=<)*/"='* )#/* +#* +-B'* -*
<##B*+,"#/=,*+,&0*5-(/-<8*C(0&2'7*)#/*3&<<*$(2*&5!#"+-(+*6-%+0*-(2*
$=/"'0* #(* +,'* 0'+* /!7* /0'* -(2* -!!<&%-+&#(0* #6* )#/"* ?"-(2* ('3*
5&D'"8*C6*)#/*2#*,-!!'(*+#*?'*#('*#6*+,'*5-()*!'#!<'*3,#*E-+<)*
"'6/0'*+#*"'-2*/0'"*5-(/-<07*+,'(* 3'* @/0+* /"='*)#/*+#*-+*<'-0+*
glance at the Instant Setup section. After glancing at or reading
through the manual (we applaud you if you do read the entire
5-(/-<F7*!<'-0'*0+#"'* &+* &(* -* !<-%'* +,-+* &0* '-0)* 6#"* )#/*+#*$(27*
?'%-/0'*%,-(%'0*-"'*+,'"'G0*0#5'+,&(=*)#/*5&00'2*+,'*$"0+*+&5'*
around.
FEATURES
H
Audiophile-quality & ultra low noise circuitry
H
4 mono mic/line channels
H
2 stereo channels
H
EFX send on each channel
H
IJK>*<#3L%/+*$<+'"*#(*5#(#*%,-(('<
H
3-band EQ on each channel
H
32/40-bit DSP with 100 EFX + tap-delay and test tones
H
Separate EFX route control
H
+48V phantom power on mic channels
H
EFX/AUX send cue for monitoring individual channel
H
Balanced TRS outputs
AM440DP USB PLAYER
1. Power on the device.
M8* C(0'"+*-(*-!!"#!"&-+'<)*6#"5-++'2*NO:9PMF*QRS*E-0,*2"&.'8*
P8* 1"'00*+,'*1T:U*?/++#(*+#*!<-)*+,'*%/""'(+*+"-%B7*#"*+,'*VV*
and >> buttons to skip forward and backwards between
tracks.
W8* 9,'*:;WWXY1*%-(*!<-)?-%B*;1P*-(2*Z;:*$<'08
J8* Q0'* +,'* <'.'<* %#(+"#<* 6#"* %,-(('<* I[\* +#* -2@/0+* +,'* QRS*
player’s volume.
6. Press the STOP/MENU button to access the File Browser
(Folders) and Repeat Mode functions.
Folders A*O"''<)*(-.&=-+'*0#(=0*&(*'-%,*6#<2'"*#(*QRS* E-0,*
2&0%*/0&(=*+,'*VV*-(2*]]*?/++#(08*1"'00*1T:U*?/++#(*+#*0'<'%+7*
press MENU button to go back.
Repeat Mode – There 4 repeat modes available.
No Repeat A* 1<-)* '-%,* $<'* &(* +,'* %/""'(+* 6#<2'"* #"* "##+* 6#"*
once.
Repeat One – Continuously repeat selected song.
Repeat Folder – Continuously repeat all the song in the
certain folder or root.
Random*A*^(-?<'0*"-(2#5*!<-)?-%B*#6*$<'0*&(*%/""'(+*6#<2'"*#"*
root.
BASIC SETUP
Getting Started
1. Ensure all power is turned off on your mixer. To totally
'(0/"'*+,&07*+,'*!#3'"*0/!!<)*0,#/<2*(#+*?'* %#(('%+'2* +#*
the unit.
2. All faders and level controls should be set at the lowest
level and all channels switched off to ensure no sound is
inadvertently sent through the outputs when the device is
switched on. All levels can be altered to acceptable degrees
after the device is turned on using the channel setup
instructions.
3. Plug any necessary equipment into the device’s various
#/+!/+08* 9,&0* %#/<2* &(%</2'* -5!<&$'"0* -(2* 0!'-B'"07*
5#(&+#"07*0&=(-<*!"#%'00#"07*-(2[#"*"'%#"2&(=*2'.&%'08
4. Plug the supplied power cable into the inlet on the back of
the device and then into a power outlet of a suitable voltage.
5. Turn the power switch on and follow the channel setup
instructions to get the most out of your equipment.
Channel Setup
1. To ensure the correct audio level of the input channel is
0'<'%+'27*'-%,*#6*+,'*<'.'<*&(!/+*%#(+"#<0*#6*+,'*;&D'"*0,#/<2*
be turned counterclockwise or down as far as they will go.
2. No input other than the one being set should have any
device plugged in. This will ensure the purest signal is used
when setting channels.
3. Set the level control of the channel you are setting to the 0
dB mark.
4. Ensure the channel has a signal sent to it similar to the signal
+,-+*3&<<*?'*0'(+*3,'(*&(*%#55#(*/0'8*O#"*'D-5!<'7*&6*+,'*
%,-(('<*&0*/0&(=*-*5&%"#!,#('7*+,'(*)#/* 0,#/<2* 0!'-B* #"*
sing at the same level the performer normally would during
-*!'"6#"5-(%'4*&6*-*=/&+-"*&0*!</=='2*&(+#*+,'*%,-(('<7*+,'(*
the guitar should also be strummed as it normally would be
(and so on). This ensures levels are completely accurate
and avoids having to reset them later.
5. Set the gain so the Level Meter indicates the audio level is
around 0 dB.
_8* 9,&0*%,-(('<*&0*(#3*"'-2)*+#*?'*/0'24*)#/*%-(*0+#!*5-B&(=*
the audio signal.
7. You can repeat the same process for other channels.
`"*(#+7*&+G0*)#/"*%-<<8

2 AM440DP
English
6. Main L and R Outputs
9,'0'*+3#*!#"+0*3&<<*#/+!/+*+,'*$(-<*0+'"'#*?-<-(%'2*<&('*<'.'<*
signal sent from the main mixing bus. The primary purpose of
+,'0'*@-%B0*&0*+#*0'(2*+,'*5-&(*#/+!/+*+#*'D+'"(-<*2'.&%'07*3,&%,*
5-)*&(%</2'*!#3'"* -5!<&$'"0*N-(2*&(L+/"(7*-* !-&"*#6*0!'-B'"0F7*
#+,'"*5&D'"07* -0* 3'<<* -0* -*3&2'*"-(='*#6*#+,'"* !#00&?<'* 0&=(-<*
!"#%'00#"0*N'a/-<&>'"07*%"#00#.'"07*'+%'+'"-F8*
7. Rec Output
9,'0'*#/+!/+0*3&<<*-%%#55#2-+'*bc:*%-?<'07*-?<'*+#*?'*6'2*+#*
-* .-"&'+)* #6* "'%#"2&(=* 2'.&%'08* 0/%,* -0* ;Y* !<-)'"07* -(2* '.'(*
<-!+#!*%#5!/+'"07*'(0/"&(=*+#+-<*%#(+"#<*#.'"*"'%#"2&(=*a/-<&+)8
Rear Panel
8. Power Connector
9,&0*!#"+*&0*6#"*+,'*-22&+&#(*#6*-*!#3'"*%-?<'*-(2*0/!!<)7*-<<#3&(=*
power to be supplied to the mixer. Please use the power adaptor
that is included with this mixer only.
MAKING CONNECTIONS
Inputs and Outputs
1. XLR Microphone Jacks
9,'0'* @-%B0* -%%'!+* +)!&%-<* PL!&(* dTb* &(!/+0* 6#"* ?-<-(%'2* -(2*
/(?-<-(%'2* 0&=(-<08* 9,')* %-(* ?'* /0'2* &(* %#(@/(%+&#(* 3&+,*
5&%"#!,#('0* A* 0/%,* -0* !"#6'00&#(-<* %#(2'(0'"7* 2)(-5&%* #"*
"&??#(* 5&%"#!,#('0* L* 3&+,* 0+-(2-"2* dTb* 5-<'* %#(('%+#"07*
-(2* 6'-+/"'* <#3* (#&0'* !"'-5!<&$'"07* 0'".&(=* 6#"* %")0+-<* %<'-"*
sound replication. AM440DP mixer feature four standard XLR
microphone inputs for your convenience.
NB.* Z,'(* +,'0'* &(!/+0* -"'* /0'2* 3&+,* %#(2'(0'"* 5&%"#!,#('07* +,'*
1,-(+#5* 1#3'"* 0,#/<2* ?'* -%+&.-+'28* K#3'.'"7* 3,'(* 1,-(+#5* 1#3'"*
?/++#(* &0* '(=-='27* 0&(=<'* '(2'2* N/(?-<-(%'2F* 5&%"#!,#('0* -(2*
instruments should not be used on the Mic inputs.
2. Line Inputs
9,&0* &(!/+* -%%'!+0* +)!&%-<* e[Wf* 9bR* #"* 9R* &(!/+07* 6#"* ?-<-(%'2*
or unbalanced signals. There are various numbers of these
inputs depending which mixer you are using. They can be used
&(*%#(@/(%+&#(*3&+,*.-"&#/0*<&('*<'.'<*2'.&%'07*0/%,*-0*B')?#-"207*
2"/5* 5-%,&('07* '<'%+"&%* =/&+-"07* -(2* -* .-"&'+)* #6* #+,'"* '<'%+"&%*
instruments.
3. Stereo Channels
9,'*:;WWXY1*5&D'"*6'-+/"'0*-*6'3*0+'"'#*%,-(('<07*+,"#3(*&(*
6#"*5-D&5/5*E'D&?&<&+)8*^-%,*#6*+,'0'*0+'"'#*%,-(('<0*6'-+/"'0*
+3#*e[Wf*9bR*!,#('*@-%B07*6#"*+,'*-22&+&#(*#6*.-"&#/0*<&('*<'.'<*
&(!/+*2'.&%'07*0/%,*-0*'<'%+"#(&%*B')?#-"207*=/&+-"0*-(2*'D+'"(-<*
signal processors or mixers. These channels can also be used
-0* ;#(#* %,-(('<07* 3,'"'* +,'* 0&=(-<* 6"#5* -()* e[Wf* !,#('*
@-%B* !</=='2* &(+#* +,'* T'6+* 0+'"'#* &(!/+* 3&<<* %-/0'* +,'* 0&=(-<* +#*
?'* 2/!<&%-+'2* +#* +,'* b&=,+* &(!/+* 2/'* +#* +,'* 5&"-%<'* #6* @-%B*
(#"5-<&>&(=8*9,&0*2#'0*(#+*3#"B*&(*"'.'"0'7*,#3'.'"8*9,'"'*-"'*
two stereo channels on the AM440DP.
4. EFX Send
These 1/4” TS outputs may be used to connect to an external
2&=&+-<* '66'%+* !"#%'00#"7* #"* '.'(* +#* -(* -5!<&$'"* -(2* 0!'-B'"0*
N2'!'(2&(=*#(*)#/"*2'0&"'2* 0'++&(=0F7*+#*+,'*5&D'"8* *9,'*0&=(-<*
sent from these outputs is fed from the Digital Effect Processor.
5. Phones Output
9,&0* 0+'"'#* #/+!/+* @-%B* &0* 0/&+'2* 6#"* /0'* 3&+,* ,'-2!,#('07*
allowing monitoring of the mix. The audio level of this output
&0* %#(+"#<<'2* /0&(=* +,'* 1,#('0* %#(+"#<* <#%-+'2* @/0+* ?'<#3* +,&0*
connector.
3
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6
5
1
2
8

3
AM440DP
English
CONTROLS AND SETTINGS
Channel Controls
9. Line/Mic Gain Control
This controls the sensitivity of the input
signal of the Line/Microphone input. The
=-&(* 0,#/<2* ?'* -2@/0+'2* +#* -* <'.'<* +,-+*
-<<#30* +,'* 5-D&5/5* /0'* #6* +,'* -/2*
while still maintaining the quality of the
feed. This can be accomplished by ad-
@/0+&(=*&+*+#*-*<'.'<*+,-+*3&<<*-<<#3*+,'*!'-B*
indicator occasionally illuminate. All 4
mono channels feature this control.
10. High Frequency Control
This control is used to give a shelving
boost or cut of ±15 dB to high frequency
NeM* BK>F* 0#/(208* 9,&0* 3&<<* -2@/0+* +,'*
amount of treble included in the audio of
+,'*%,-(('<7*-22&(=*0+"'(=+,*-(2*%"&0!-
('00* +#* 0#/(20* 0/%,* -0* =/&+-"07* %)5-
?-<07*-(2*0)(+,'0&>'"08
11. Middle Frequency Control
This control is used to provide a peaking
style of boost and cut to the level of
5&22<'* 6"'a/'(%)* NM8J* BK>F* 0#/(20* -+*
a range of ±15 dB. Changing middle
6"'a/'(%&'0* #6* -(* -/2&#* 6''2* %-(* ?'* "-+,'"* 2&6$%/<+* 3,'(* /0'2*
&(* -* !"#6'00&#(-<* -/2&#* 5&D7* -0* &+* &0* /0/-<<)* 5#"'* 2'0&"-?<'* +#*
%/+* 5&22<'* 6"'a/'(%)* 0#/(20* "-+,'"* +,-(* ?##0+* +,'57* +,'"'?)*
soothing overly harsh vocal and instrument sounds in the audio.
12. Low Frequency Control
This control is used to give a shelving boost or cut of ±15 dB to
<#3*6"'a/'(%)*N\X*K>F*0#/(208*9,&0*3&<<*-2@/0+*+,'*-5#/(+*#6*?-00*
&(%</2'2*&(*+,'*-/2&#*#6*+,'*%,-(('<7*-(2*?"&(=*5#"'*3-"5+,*-(2*
punch to drums and bass guitars.
13. Low Cut Filter (75 Hz)
9,&0*?/++#(7*<#%-+'2*#(*%,-(('<0*e* +,"#/=,* +#* W7*3&<<*-%+&.-+'*-*
<#3L%/+* [* ,&=,L!-00* $<+'"* +,-+* "'2/%'0* -<<* 6"'a/'(%&'0* ?'<#3* IJ*
K>*-+*e\*2S*!'"*`%+-.'7*,'<!&(=*+#*"'5#.'*-()*/(3-(+'2*="#/(2*
noise or stage rumble.
14. EFX Control
The EFX control alters the signal level that is sent to the EFX
5&D&(=* ?/07* 3,&%,* 5-B'0* &+0* 3-)* +#* +,'* ?/&<+L&(* Y&=&+-<* ^66'%+0*
Processor and is in-turn sent through the EFX send output.
9,'0'*%#(+"#<0*-"'*!"'L6-2'"7*+,'"'6#"'*-()*%,-(='0*5-2'*+#*+,'*
corresponding channel level control are not applied to the AUX
or EFX signals.
15. Pan / Balance Controls
This alternates the degree or level of audio
that the left and right side of the main mix
0,#/<2* "'%'&.'8* `(* 5#(#* %,-(('<07* +,&0*
%#(+"#<*3&<<*-2@/0+*+,'*<'.'<* +,-+* +,'*<'6+*-(2*
"&=,+* 0,#/<2* "'%'&.'* N!-(F7* 3,'"'* -0* #(* -*
0+'"'#* %,-(('<7* -2@/0+&(=* +,'* S:T* %#(+"#<*
will increase the left or right audio signals
accordingly (balance).
16. Level Control
This rotary control will alter the signal level that is sent from the
corresponding channel to the main mixing bus.
17. Peak Indicator
This LED indicator will illuminate when the device hits high
!'-B07*_*2S*?'6#"'*#.'"<#-2*#%%/"08*C+*&0*?'0+*+#*-2@/0+*+,'*=-&(*
of the channel so that the PEAK indicator lights up on intervals
#(<)7*&6*-+*-<<8*9,&0*3&<<*'(0/"'*-*="'-+'"*2)(-5&%*"-(='*#6*-/2*
18. +4 / -10 Switch
9,&0*?/++#(7*<#%-+'2*#(*-<<*0+'"'#*%,-(('<07*
&0* /0'2* -2@/0+* +,'* &(!/+* 0'(0&+&.&+)* #6* +,'*
%#""'0!#(2&(=* %,-(('<07* 3,&%,* 3&<<* -2-!+**
the AM440DP to external devices which
may use different operating levels. If the
input source is -10 dBV (consumer audio
<'.'<F7* &+* &0* ?'0+* +#* '(=-='* +,'* 03&+%,7*
allowing the signal to be heard. The +4
dBu level is suitable for Professional Audio
0&=(-<07*3,&%,*-"'*%#(0&2'"-?<)*,&=,'"*+,-(*
+,'*%#(0/5'"*<'.'<8*K#3'.'"7*&6*)#/*-"'*/(0/"'*#6*+,'*0#/"%'G0*
#!'"-+&(=*<'.'<7*3'*0/=='0+*<'-.&(=*+,'*03&+%,*2&0'(=-='2*/(+&<*
you test the source’s signal. You can then engage if necessary
(if the level of the input signal is obviously too low).
Digital Effect Section
19. Digital Effect Display
This 2-digital numeric display shows the
program number that is currently applied
to your EFX audio signal. When you
"#+-+'*+,'*1"#="-5*%#(+"#<7*)#/*%-(*0%"#<<*
+,"#/=,* 2&66'"'(+* !"#="-5* (/5?'"04*
however the display will revert back to
the original program if a new program is
not selected within a few seconds. For a
<&0+* #6* -.-&<-?<'* '66'%+07* !<'-0'* #?0'".'*
the Digital Effect Table.
20. Sig and Clip Indicators
Located within the Digital Effect Display are Clip and Sig LEDs.
The Sig LED will light up when any signal is received by the
'66'%+* !"#%'00#"7* -(2* +,'* c<&!* T^Y* 3&<<* <&=,+* /!* 0,#"+<)* ?'6#"'*
excessive signals are dynamically clipped. If the Clip LED lights
/!*+##*#6+'(7*&+*5-)*?'*-2.&0-?<'*+#*+/"(*2#3(*#('*#"*-<<*^Od*
controls on input channels to ensure the signal level is not too
high.
21. Program Control
This control is used to scroll through the various effects. Turning
the control clockwise will allow users to ascend into higher
!"#="-5* (/5?'"07* -(2* +/"(&(=* &+* %#/(+'"L%<#%B3&0'* 3&<<* -<<#3*
users to descend into lower program numbers. Pushing this
control will apply the new effect. When a tap-delay effect is
0'<'%+'27*!"'00&(=*+,&0*%#(+"#<*3&<<*-<<#3*/0'"0*+#*0'<'%+*+,'*+-!L
delay time.
S)* !/0,&(=* +,'* ?/++#(* 0'.'"-<* +&5'07* +,'* '66'%+* !"#%'00#"*
interprets the time between last two pushes and remembers this
-0*+,'*2'<-)*+&5'7*/(+&<*+,'*?/++#(*&0*!/0,'2*-=-&(*N+,&0*&0*B'!+7*
even after the power is turned off). When the tap delay effect is
0'<'%+'27*-*05-<<*T^Y* 3&<<*E-0,*3&+,&(*+,'*2&=&+-<* '66'%+*2&0!<-)*
window at the selected intervals.
22. EFX “to Main” Control
9,&0*3&<<*-2@/0+*+,'*<'.'<*#6*+,'*Y&=&+-<*^66'%+*0&=(-<*+,-+* 3&<<*?'*
sent to the Main left and right mixing bus to be applied to your
main feed.
23. EFX Routing Button
This button allow users to send the EFX signal to the Phones
mix for monitoring.
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22
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4 AM440DP
English
Master Section
24. Phantom Power Switch and Indicator
Z,'(* +,&0* 03&+%,* &0* &(* +,'* #(* !#0&+&#(7* &+* -%+&.-+'0* gW\h* #6*
!,-(+#5* !#3'"* 6#"* -<<* 5&%"#!,#('* &(!/+07* -<<#3&(=* %#(2'(0'"*
5&%"#!,#('0*N3'<<7*+,'*#('0*+,-+*2#(G+*/0'*?-++'"&'0F*+#*?'*/0'2*#(*
these channels. Activating Phantom Power will be accompanied
?)*-(*&<</5&(-+'2* T^Y8*S'6#"'*+/"(&(=*1,-(+#5*1#3'"*#(7*+/"(*
all level controls to a minimum to avoid the possibility of a ghastly
popping sound from the speakers.
NB. 1,-(+#5* 1#3'"* 0,#/<2* ?'* /0'2* &(* %#(@/(%+&#(* 3&+,* ?-<-(%'2*
5&%"#!,#('08* Z,'(* 1,-(+#5* 1#3'"* &0* '(=-='27* 0&(=<'* '(2'2*
(unbalanced) microphones and instruments should not be used on the
Mic inputs. Phantom Power will not cause damage to most dynamic
5&%"#!,#('07* ,#3'.'"* &6* /(0/"'7* +,'* 5&%"#!,#('G0* /0'"* 5-(/-<* 0,#/<2*
be consulted.
25. Phones Control
9,&0*%#(+"#<*&0*/0'2*+#*-2@/0+*+,'*-/2&#*<'.'<*+#*1,#('0*#/+!/+0*
N+#*?'*/0'2*&(*%#(@/(%+&#(*3&+,*,'-2!,#('0*6#"*5#(&+#"&(=F8*
26. Main L-R Control
9,&0*_X55*6-2'"*&0*$(-<*<'.'<*%#(+"#<*6#"*+,'*5-&(*<'6+*-(2*"&=,+*
-/2&#*6''27*0'(+*+#*+,'*;-&(*T*-(2*b*#/+!/+08
27. Level Meter
The AM’s stereo 4-segment level meter gives an accurate
indication of when audio levels of the MAIN L/R output reach
certain levels. It is suggested for the maximum use of audio to
set the various levels controls to a level slightly below that which
would cause the Peak LED to light up. This will help you get the
most out of your audio without causing any distortion.
28. Power Indicator
The Power Indicator will light up when the power of the mixer is
on.
USB Player
29. USB Connector
c#(('%+* )#/"* QRS* E-0,* 2"&.'* +#* +,&0* &(!/+8* `(%'* -* 2"&.'* &0*
%#(('%+'27* +,'* $<'0* 3&<<* &(&+&-+'* -(2* +,'* $"0+* +"-%B* 3&<<* -!!'-"*
paused on screen. Phonic recommends that users format their
QRS*E-0,*2"&.'0*/0&(=*-*O:9LPM*$<'*0)0+'58
30. USB Player Display
This will display the track number of the currently selected/
playing track and the time played.
31. Play / Pause Button
9,&0* ?/++#(* 3&<<* -<<#3* /0'"0* +#* !<-)* -(2* !-/0'* $<'0* 6"#5* +,'*
&(0'"+'2*QRS*E-0,*2"&.'8
32. Back / Skip Buttons
These buttons are used to skip back and forth between tracks.
Pushing and holding one of these buttons will allow you to skip
forwards and backwards within the track.
33. Stop / Menu Button
Push this button to stop the currently playing track. Push again to
-%%'00*+,'*QRS*!<-)'"G0*5-&(*5'(/*N+#*-2@/0+*6#<2'"*-(2*"'!'-+*
#!+&#(0F8*O#"*5#"'*&(6#"5-+&#(7*0''*!-='*e8
31
29
33
30
32
24
26
27
28
25

5
AM440DP
English
SPECIFICATIONS
Model Name AM 440DP
Inputs
Total Channels 6
Balanced Mono Mic / Line Channel 4
Balanced Stereo Line Channel 2
Outputs
Main L/R Stereo M*D*e[Wf*9bR7*S-<8
Rec Out Stereo RCA
Phones 1
Channel Strips 6
EFX Send 1
Pan/Balance Control Yes
Volume Controls Rotary
Master Section
Phones Level Control Yes
Main L/R Level Control ;-&(*T[b7*_X55*6-2'"
Level Meter 2 x 4-segment
Phantom Power Supply +48VDC
USB Playback MP3 & WMA
Maximum Playback Bitrate 320 kbit/second
Frequency Response (Mic input to any output)
MXK>*i*_XjK>* +0/-1 dB
MXK>*i*eXXjK>* +0/-3 dB
c"#00+-<B*NejK>*k*X2S/7*MXK>*+#*MXjK>*?-(23&2+,7*%,-(('<*&(*+#*5-&(*T[b*#/+!/+0F
c,-(('<*6-2'"*2#3(7*#+,'"*%,-(('<0*-+*/(&+) VLlX*2S
m#&0'*NMXK>iMXjK>4*5'-0/"'2*-+*5-&(*#/+!/+7*c,-(('<0*eLW*/(&+*=-&(4^n*E-+4*-<<*%,-(('<0*#(*5-&(*5&D4*%,-(('<0*e[P*-0*6-"*<'6+*-0*
!#00&?<'7*%,-(('<0*M[W*-0*6-"*"&=,+*-0*!#00&?<'8
Reference=+6dBu)
;-0+'"*k*/(&+)7*%,-(('<*6-2'"*2#3( -86.5 dBu
;-0+'"*k*/(&+)7*%,-(('<*6-2'"*k*/(&+) -84 dBu
R[m*"-+*"'6*+#*gW ]lX*2S
;&%"#!,#('*1"'-5!*^8C8m8*NeJX*#,50*+'"5&(-+'27*5-D*=-&(F VLeMl8J*2S5
9KY*N:()*#/+!/+7*ejK>*k*geW2S/7*MXK>*+#*MXjK>7*%,-(('<*&(!/+0F VX8XXJo
c;bb*Ne*jK>*k*L_X2S/7*p-&(*-+*5-D&5/5F 80 dB
Maximum Level
Mic Preamp Input +10 dBu
All Other Input +22 dBu
Balanced Output +28 dBu
Impedance
Mic Preamp Input 2 K ohms
All Other Input (except insert) 10 K ohms
RCA 2T Output 1.1 K ohms
^a/-<&>-+&#( PL?-(27*g[LeJ*2S*
Low EQ \X*K>
Mid EQ M8J*jK>
Hi EQ eM*jK>
Low Cut Filter IJK>*NLe\2S[#%+F
Effect Processor 100 effects with tap delay control
1#3'"*b'a/&"'5'(+*N'D+'"(-<*!#3'"*0/!!<)7*2'!'(20*#(*"'=&#(F **eXXh:c7*eMXh:c7*MMXiMWXh:c7*JX[_XK>
Weight 1.72 kg (3.78 lbs)
Dimensions (WxHxD) MWM*D*JJ*D*MMJ55*Nl8Jf*D*M8e_f*D*\8\_fF

SERVICE AND REPAIR
For replacement parts, service and repairs please contact the Phonic distributor in your
country. Phonic does not release service manuals to consumers, and advice users to not
attempt any self repairs, as doing so voids all warranties. You can locate a dealer near you at
http://www.phonic.com/where/.
WARRANTY INFORMATION
Phonic stands behind every product we make with a no-hassles warranty. Warranty coverage
may be extended, depending on your region. Phonic Corporation warrants this product for a
minimum of one year from the original date of purchase against defects in material and
workmanship under use as instructed by the user’s manual. Phonic, at its option, shall repair
or replace the defective unit covered by this warranty. Please retain the dated sales receipt as
evidence of the date of purchase. You will need it for any warranty service. No returns or repairs
will be accepted without a proper RMA number (return merchandise authorization). In order to
keep this warranty in effect, the product must have been handled and used as prescribed in the
instructions accompanying this warranty. Any tampering of the product or attempts of self repair
voids all warranty. This warranty does not cover any damage due to accident, misuse, abuse,
or negligence. This warranty is valid only if the product was purchased new from an authorized
Phonic dealer/distributor. For complete warranty policy information, please visit
http://www.phonic.com/warranty/.
CUSTOMER SERVICE AND TECHNICAL SUPPORT
We encourage you to visit our online help at http://www.phonic.com/support/. There you can
find answers to frequently asked questions, tech tips, driver downloads, returns instruction and
other helpful information. We make every effort to answer your questions within one business
day.
support@phonic.com
http://www.phonic.com
English
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