Sansui Rg-710 User manual

RG-710

OPERATING

INSTRUCTIONS

MODE

D’EMPLOI

BETRIEBSANLEITUNG

MANUAL

DE

INSTRUCCIONES

ISTRUZIONI

PER

L’USO

S

Sansut.

cd

RSE

A

SS

WARNING:

To

prevent

fire

or

shock

hazard,

do

not

expose

this

appliance

to

rain

or

moisture.

©

The

Model

No.

and

Serial

No.

of

your

unit

are

shown

on

its

back

panel.

EI

I

NE

A

ME

NE

TN”

A

EE

SL

-

MY

I

A

ATTENTION:

Pour

éviter

les

dangers

d’électrocution

ou

d’incendie,

ne

pas

exposer

cet

appareil

a

la

pluie

ou

a

I’humidité.

e

Le

numéro

du

modéle

et

le

numéro

de

série

de

|’appareil

sont

ins-

crits

sur

son

panneau

arriére.

A

MN

A

Sa

AO

RE

AT

A

I

A

NT

ah

ead

WARNUNG:

Setzen

Sie

dieses

Gerat

zur

Verhiitung

von

Feuer-

und

Stromschlaggefahr

weder

Regen

noch

Feuchtigkeit

aus.

©

Die

Modell-

und

die

Seriennummer

lIhres

Gerates

sind

auf

der

Gera-

teruckseite

angegeben.

ad

y

aon

AVISO:

Para

evitar

incendios

y

descargas

eléctricas,

no

exponer

este

aparato

a

la

lluvia

ni

a

la

humedad.

©

EIN.O

de

modelo

y

el

N.O

de

serie

de

este

aparato

estan

impresos

en

el

panel

posterior.

AT

A

a

I

A

ASE

EE

LN

Fed

aal

ATTENZIONE:

Per

evitare

periocoli

d’incendio

e

scosse

non

esporre

l’apparecchio

alla

pioggia

e

all’umidita.

©

numero

del

modello

e

quello

di

serie

deil‘apparecchio

si

trovano

sul

Pannello

posteriore.

ENGLISH

PreCautionS.......cccccccccvccssceeseseeecscearees

3

Specifications

............c.cecscseeeeneceeeeeees

3

CONNECTIONS

.........

20

ce

eee

ereceeceneeeeeneneees

4

Panel

information

..........:ccccseesseeeeeeeees

6

Operating

procedures..............:.eeeeeeeee

7

_FRANCAI

PRECAUTIONS

visi

cx

cheats

Wedenen

eceeveviedeets

11

Spécifications

..........cceceseeeeseneeeeeeeeees

11

CONMMOXIONS

sos.

scsevscecdes.

sede

es

delecddsastaess

12

Indications

sur

le

panneau..............0066

14

Procédés

de

réglage............csssceeeeeeeees

15

Schalttafelinformation

..................:2006

22

Bedienungsverfahren..............:+ceeeseenee

23

PreCaUCIONES

.......c..ccceeeeeeeeaceneneeeeueces

27

Especificaciones

...........c..ceeeeeeeeeeeeneeer

27

COMEXIONES

........

ccc

eee

cece

teen

rece

eeeeeene

28

Controles

y

fuNCiONES

.............:ee

cece

ees

30

Instrucciones

de

manejo..............0.6:.6

31

PrOGCAUZIONDS,

sevetstensdedhessrversessve

tee

evavies

35

Dati

t@CniCh

sc

c.cicccacseteinett

fescendenevancceeee

35

Collegamenti..........-2--.c.ceeeceeveneeeenerces

36

Indicazioni

sul

pannello..............2.....065

38

Procedure

per

il

funzionamento

...........

39

We

are

grateful

for

your

choice

of

this

Sansui

high

fideli-

ty

product.

Before

you

operate

it,

we

suggest

that

you

read

this

booklet

once

through

carefully,

familiarizing

your-

self

with

the

important

precautions,

operational

pro-

Precautions

*

Bear

in

mind

the

following

points.

Power

plug

When

disconnecting

the

power

cord

from

the

power

outlet,

always

take

hold

of

the

plug,

and

not

the

wire,

and

pull

free.

Never

connect

or

dis-

connect

the

power

plug

with

wet

hands

since

you

may

receive

an

elec-

tric

shock.

*

Remember

to

disconnect

the

power

plug

from

the

power

outlet

when

you

do

not

intend

to

use

the

unit

for

a

prolonged

period

of

time.

Do

not

remove

the

case

and

bottom

panel

Any

inspections

or

adjustments

inside

the

unit

may

lead

to

malfunctions

and

electric

shocks.

Do

not

touch

any

of

the

inside

parts.

SANSUI’s

war-

ranty

is

not

effective

if

a

deterioration

in

the

unit’s

performance

results

from

remodeling

inside.

Installation

precautions

Do

not

install

the

unit

in

any

of

the

following

locations

since

this

may

result

in

a

deterioration

in

performance

or

malfunction:

Locations

exposed

to

direct

sunlight

or

near

objects

radiating

heat

such

as

heating

appliances

*

Locations

exposed

to

moisture

or

humidity

Locations

with

poor

ventilation

exposed

to

dust

and

dirt

*

Locations

which

are

unstable

and

not

perfectly

flat

or

which

are

sus-

ceptible

to

vibration

*

On

top

of

a

high

power

output

amplifier,

audio

components

or

any

other

product

which

radiates

heat.

Do

not

wipe

with

thinners

Wipe

the

panels

and

case

from

time

to

time with

a

soft

cloth.

Using

any

kind

of

thinner,

alcohol

or

volatile

liquid

will

mar

the

surface,

cause

blotch-

ing

on

the

exterior

and

erase

the

markings

and

should

therefore

be

avoided.

Do

not

use

insecticide

sprays

in

the

vicinity.

Specifications

Input

sensitivity

and

impedance

(1

kHz)

SOURCE

IN,

TAPE

PLAY

150

mV/50

kilohms

MIC,

ccc

vesetprcvsanecnsaveideeste

+.

0.3

mV/10

kilohms

KEYBOARD

...........ccecceeeeee

eee

eeeeeee

12

mV/10

kilohms

Output

level

(1

kHz)

TAPE

REC.

o.wciccesevecedideaieusvestecnnes

150

mV/47

kilohms

MIXING

OUT

..........cc

eee

ee

eeee

neers

150

mV/47

kilohms

Total

harmonic

distortion

(1

kHz,

2V)

SOURCE

IN...

eeceeeceeeceeeeeereeees

0.05%

Frequency

response

(150

mV)

“SOURCE

IN

ou...

cececsecceeceeeceeeeneene

20

Hz~

20

kHz,

+1

dB,

—2

dB

Signal

to

noise

ratio

(Short-circuit,

A-network)

SOURCE

IN

ou...

cceceeeeceteeeeeeeeeeees

75

dB

Channel

separation

(1

kHz)

SOURCE

IN.

eeeeeeeeeeeeeeeeeeee

60

dB

cedures

and

every

one

of

the

product’s

many

features.

It

will

help

to

ensure

that

you

will

avoid

possible

damage

and

that

the

product’s

superb

performance

will

be

yours

to

enjoy

for

many

years

to

come.

CAUTION

RISK

OF

ELECTRIC

SHOCK

00

NOT

OPEN

CAUTION:

TO

REDUCE

THE

RISK

OF

ELECTRIC

SHOCK,

DO

NOT

REMOVE

COVER

(OR

BACK).

NO

USER-SERVICEABLE

PARTS

INSIDE.

REFER

SERVICING

TO

QUALIFIED

SERVICE

PERSONNEL.

The

lightning

flash

with

arrowhead

symbol,

wi-

thin

an

equilateral

triangle,

is

intended

to

alert

the

user

to

the

presence

of

uninsulated

‘‘dangerous

voltage”’

within

the

product’s

enclosure

that

may

be

of

sufficient

magnitude

to

constitute

a

risk

of

electric

shock

to

persons.

The

exclamation

point

within

an

equilateral

tri-

angle

is

intended

to

alert

the

user

to

the

presence

of

important

operating

and

maintenance

(servic-

ing)

instructions

in

the

literature

accompanying

the

appliance.

Reverb

time@..............:.cceseseeeseeneneeee

O~

3

sec.

Delay

time................ccccceeeeeeeneeeeen

ee

20

msec.

Power

requirements....................00008+

120/220/240V

(50/60

Hz)

For

U.S.A.

and

Canada

120

V

(60

Hz)

Power

consumption............

.

1BW

Dimensions

...............::.:ccsseeeeeeeeeeees

430

mm

(16-15/16”)

W

78

mm

(3-1/8”)

H

223

mm

(8-13/16”")

D

WEIGH

650.236

isii

eodee

eect:

2.8

kg

(6.2

Ibs)

net

3.5

kg

(7.7

Ibs)

packed

*

Design

and

specifications

subject

to

change

without

notice

for

im-

provements.

*

In

order

to

simplify

the

explanation

illustrations

may

sometimes

differ

from

the

originals.

Connections

*

Mains

plug

may

vary

to

some

extent

depending

on

sales

area,

local

laws

and

regulations.

Cassette

deck

2

LINE

IN:

LINE

OUT

(REC)

(PLAY)

©

@+{(

ip

®

©

@¢

In”

arp

{rs

_

all]

Cassette

deck

3

DS

AMLr®

-©

G

(ayn

SH?

F®

|

©

@

{IE

Alp

LINE

IN

LINE

OUT

(REC)

(PLAY)

yn”

arb

REC

@

@-(r.

tl

ses

{ep

L

PLAY®

@

(che

-

ry

if

fa]

ea

ra}

O

o

00

--For

the

United

Kingdom

Important

The

wires

in

this

mains

lead

are

coloured

in

accordance

with

the

following

code:

Blue:

Neutral

Brown:

Live

Hf

the

colours

of

the

wires

in

the

mains

lead

of

this

equipment

should

not

correspond

to

the

coloured

markings

identifying

the

termi-

nals

in

your

plug,

proceed

as

follows:

The

wire

which

is

coloured

blue

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

‘N’

or

coloured

black.

The

wire

which

is

coloured

brown

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

‘L’

or

coloured

red.

LINE

IN

LINE

OUT

(REC)

—

(PLAY)

0D

_AM

|F@

Pi

|

a

EERO)

@

Cassette

deck

1

(REC)

(PLAY)

ii

geal

ls:

et

st

@

LINE

IN)

LINE

OUT

For the

United

Kingdom

only

Gem

{i

__AMID-®

AUDIO

OUT

{me

Sa

-®

«AUDIO

IN

oe

Videocassetterecorder

only

Ensure

that

your

equipment

is

connected

correctly.

If

you

are

in

any

doubt,

consult

a

qualified

electrician.

For

equipment

purchased

outside

the

U.K.

with

a

‘‘EUROPEAN”’

two-pin

mains

plug,

the

plug

should

be

removed

and

connections

made

in

accordance

with

the

above

instruc-

tions.

Ensure

also that

the

equipment

is

properly

adjusted

to

240

volts

operation.

If

you

are

in

any

doubt,

consult

a

qualified

electrician,

or

our

Service

Agent

in

the

U.K.

AC

outlet

on

the

rear

panel

accepts

AC

power

plug

‘‘BULGIN

P772’’

or

equivalent.

Connection

Precautions

*

When

connecting,

either

disconnect

the

power

plug

from

the

power

outlet

or

turn

off

the

unit’s

power

using

the

POWER

switch.

*

Before

connecting,

read

through

the

Operating

Instructions

of

the

other

audio

components

which

will

be

connected

to

this

unit.

*

Check

the

left

and

right

channels

and

connect

properly

(L

to

L

and

R

to

R).

*

Insert

the

plugs

securely.

Improper

connection

can

lead

to

the

gener-

ation

of

noise.

,

Amplifier

or

Receiver

Connections

Connect

the

TAPE-2

REC

terminals

on

the

amplifier

or

receiver

to

the

SQURCE

IN

terminals

on the

RG-710

and

the

TAPE-2

PLAY

terminals

on

the

amplifier

or

receiver

to

the

MIXING

OUT

terminals

on

the

RG-710

using

the

accessory

plug

cords.

|

Connections

when

using

a

SANSUI

cassette

deck

with

Compu-Selector,

or

single

cassette

deck

Connect

as

shown

for

cassette

deck-1

in

the

connection

diagram.

Con-

nect

this

unit's

MIXING

REC

OUT

terminals

to

the

LINE

IN

(REC)

termi-

nals

of

a

cassette

deck,

and

connect

the

cassette

deck’s

LINE

OUT

(PLAY)

terminals

to

the

TAPE-1

PLAY

terminals

of

the

amplifier.

Connecting

a

Second

Cassette

Deck

Connect

as

shown

for

cassette

deck-2

in

the

connection

diagram.

Con-

nect

this

unit's

TAPE-1

REC

(OUT)

terminals

to

the

LINE

IN

(REC)

termi-

nals

of

the

cassette

deck,

and

connect

the

cassette

deck’s

LINE

OUT

(PLAY)

terminals

to

this

unit's

TAPE-1

PLAY

(IN)

terminals.

Connecting

a

Third

Cassette

Deck

Connect

as

shown

for

cassette

deck-3

in

the

connection

diagram.

Con-

nect

the

cassette

deck’s

LINE

IN

(REC)

terminals

to

this

unit’s

(TAPE-2)

REC

OUT

terminals,

and

connect

this

unit's

(TAPE-2)

STEREO

IN

termi-

nals

to

the

cassette

deck’s

LINE

OUT

(PLAY)

terminals.

Connecting

a

Videocassetterecorder

When

the

unit

is

connected

to

the

audio

output/input

terminals

of

a

videocassetterecorder,

you

can

play

back

and

record

the

audio

portion

of

the

video

cassette

tape

while

adding

various

modifications

and

sound

mixing.

Connect

this

unit’s

VIDE

SOUND

(TAPE-2)

MONO

IN

terminal

to

the

videocassetterecorder’s

audio

out

terminal,

and

connect

this

unit’s

VIDEO

SOUND

(TAPE-2)

REC

OUT

terminal

to

the

videocassetterecorder’s

au-

dio

in

terminal.

~

AC

Outlet

The

maximum

power

consumption

of

a

component

connected

to

this

power

outlet

is

300

watts.

If

a

component

with

a

higher

rating

is

con-

nected,

it

can

be

extremely

dangerous.

Always

check

this

rating

before

making

the

connection.

ad

NOTE:

Depending

on

the

laws

and

regulation

enforced

locally,

models

without

AC

outlet

may

be

supplied

to

some

areas.

Also,

depending

on

the

sales

area,

the

shape

of

the

AC

outlet

and

their

capacity

may

differ.

I

A

ON

AR

ARR

0

SB

Panel

information

*

The

photos

and

illustrations

show

a

unit

with

a

silver

panel.

1

POWER

Switch

Power

is

supplied

to

the

unit

when

this

switch

is

pressed

and

the

sound

display

lights.

When

pressed

again,

the

switch

is

released

and

the

pow-

er

is

switched

off.

2

Equalizer

Controls

These

controls

allow

you

to

add

tonal

coloring

(equalization)

to

the

sounds

of

program

sources

selected

with

the

SELECTOR

switches.

When

the

EQUALIZER

switch

is

at

the

‘‘ON

(1

)’’

position,

the

level

near

the

frequency

indicated

above

each

of

the

controls

can

be

continu-

ously

controlled

across

a

+

12

dB

to

—12

dB

range.

The

level

is

made

flat

at

the

center

clickstop

‘’0’’

position

of

the

con-

trols

When

a

control

is

slid

upward

from

this

position,

the

level

for

both

channels

is

increased

simultaneously

centering

on

that

frequency;

when

slid

downward,

the

level

is

reduced.

Adjust

the

level

of

each

of

the

fre-

quencies

according

to

your

personal

preference.

¢

The

range

of

levels

which

can

be

controlled

is

selected

with

the

EQ

RANGE

switch,

and

can

be

set

to

either

the

+12 dB~

—12

dB,

or

+6

dB~—6

GB

positions.

©

When

the

EQUALIZER

switch

is

at

the

‘OFF

(mm)’’

position,

the

sound

quality

cannot

be

compensated

for

even

by

operating

the

controls.

3

SELECTOR

Switches

These

switches

are

used

to

select

program

sources

for

listening.

SOURCE:

Press

this

switch

when

listening

to

programs

from

the

tuner

or

turntable

connected

to

your

amplifier.

TAPE-1:

Press

this

switch

when

listening

to

playback

of

the

cassette

deck

connected

to

the

rear-panel

TAPE-1

terminals.

4

EQUALIZER

Switch

Set

this

switch

to

ON

(1

)

and

adjust

the

equalizer

controls

when

you

wish

to

add

equalization

effects

to

the

sounds

of

SOURCE

or

TAPE-1

programs

(selected

with

the

SELECTOR

switches).

When

this

switch

is

set

to

OFF

(mm

),

frequency

characteristics

will

be

““flat’’

(normal),

regardless

of

the

position

of

the

equalizer

controls.

5

EQ

RANGE

Switch

This

switchis

used

to

select

the

range

in

which

adjustment

can

be

per-

formed

with

the

equalizer

controls.

When

set

to

the

+12

dB

position,

the

range

of

each

equalizer

control

is

broad,

allowing

for

wider

adjust-

ments.

When

set

to

the

+6

dB

position,

the

range

of

each

control

is

cut

in

half,

allowing

more

delicate

adjustments

to

be

made.

1516

17

8

10

1112

6

LINE

Reverb Switch

By

depressing

this

siwtch,

reverberation

effects

cari

be

added

to

sounds

of

broadcasts,

records,

or

tapes.

When

you

do

not

wish

to

add

rever-

beration

effects,

press

the

switch

again

and

set

to

the

released

position.

7

REVERB

DEPTH

Control

This

is

used

to

control

the

amount

of

reverberation

effect

added

to

pro-

gram

sounds.

By

sliding

the

control

to

the

right,

reverberation

effects

are

increased.

Effects

are

decreased

by

sliding

the

contiol

to

the

left.

The

pattern

shown

on

the

sound

display

changes

in

response

to

the

amount

of

reverberation

effects

added.

8

MIC

Reverb Switch

When

this

switch

is

pressed,

reverberation

effects

are

added

to

sounds

from

the

microphone

or

keyboard

instrument

connected

tothe

MIC

jack.

When

you

do

not

wish

to

add

reverberation

effects,

press

the

switch

again

and

set

to

the

released

position.

9

Sound

Display

The

pattern

on

this

display

changes

at

the

same

time

as

the

depth

of

the

echo

effect

is

varied

by

the

REVERB

DEPTH

control,

andi

so

it

is

pos-

sible

to

monitor

this

effect

visually.

The

ilumination

also

changes

in

accordance

with

the

strength

and

fre-

quency

components

of

the

input

signals.

10

MIC

MIXING

Control

This

knob

controls

the

sound

volume

for

microphone

or

keyboard

in-

strument

connected

to

the

MIC

jack.

When

rotated

to

the

right,

the

sound

volume

level

is

increased.

11

MIC

MIXING

Switch

When

connecting

a

microphone

to

the

MIC

jack,

set

this

switch

to

MIC

(1

).

When

connecting

a

keyboard

or

guitar

with

high

ouiput-level,

set

this

switch

to

KEYBOARD

(

mm).

12

MIC

Jack

When

using

a

microphone,

guitar,

or

keyboard

instrument,

its

output

plug

is

inserted

in

this

jack.

The

sound

from

the

connectec#

instrument

or

microphone

will

be

situated

evenly

between

the

right

andleft

speakers.

*

When

not

using

the

microphone

or

instrement,

be

sue

to

discon-

nect

its

plug

from

the

jack.

13

REVERB

EQUALIZER

In

addition

to

varying

the

amount

of

reverberation

effect,

you

can

use

these

controls

to

change

the

frequency

response

of

the

reverberation

sound

as

well,

thus

adding

a

wealth

of

new

possibilities

for

creative

sound

mixing.

The

reverb

level

of

each

of

the

frequency

ranges

indicated

above

the

controls

can

be

varied

within

a

range

of

+

10~

—10

dB.

When

a

con-

trol

is

in

its

center

click

position,

the

corresponding

frequency

response

will

be

flat

(normal).

When

a

control

is

moved

upward,

that

frequency

range

will

be

emphasized,

and

when

the

control

is

moved

downward,

that

frequency

range

will

be

deemphasized.

14

VIDEO

SOUND/TAPE-2

EQUALIZER

Controls

These

controls

are

used

for

adding

tonal

equalization

to

the

sounds

from

a

videocassetterecorder

or

cassette

deck-3.

The

level

near

the

frequency

indicated

above

the

controls

can

be

con-

tinuously

controlled

across

a

+

10

dB

to

—

10

dB

range

using

these

con-

trols.

The

level

is

made

flat

at

the

center

clickstop

position.

When

a

control

is

slid

upward

from

this

position,

the

level

is

increased

center-

ing

on

that

frequency;

when

it

is

slid

downward,

the

level

is

reduced.

®

When

sound

quality

compensation

is

not

required,

set

all

the

con-

trols

to

their

center

clickstop

position.

15

VIDEO

SOUND

IN

Jack

This

jack

is

used

when

connecting

the

audio

output

from

a

video

cas-

sette

or

tape

deck

by

means

of

a

stereo

phono

plug.

Since

this

jack

has

the

same

connection

function

as

the

rear-panel

VIDEO

SOUND

STEREO

IN

terminals,

you

can

use

both

terminals

and

jack

to

simultaneously

con-

nect

two

different

program

sources.

Operating

procedures

Operation

of

amplifier

or

receiver

connected

Set

the

input

selector

or

tape

monitor

switch

to

‘‘ON’’

corresponding

to

the

tape

terminals

to

which

connection

has

been

made

on

the

RG-710

and

corresponding

to

the

amplifier

or

receiver

used.

*

Set

the

switch

to

‘‘SOURCE”’

when

the

amplifier

or

receiver

comes

with

a

rec

out

selector

switch.

BE

cepeon

and

record

play

Press

the

POWER

switch

to

switch

on

the

unit’s

power.

i

Press

the

unit's

SOURCE

switch

of

the

SELECTOR

switches.

3.

Set

the

volume

control

on

the

amplifier

or

receiver

to

the

usual

listen-

ing

position.

4.

Select

the

program

source

using

the

input

selector

switch

on

the

am-

plifier

or

receiver,

tune

in

the

broadcast

station

or

play

the

record,

and

adjust

the

volume

using

the

amplifier’s

VOLUME

control.

Tape

playback

1.

When

only

1

cassette

deck

is

connected,

or

when

playing

back

cas-

sette

deck-1:

Press

the

SOURCE

SELECTOR

switch,

and

slide

the

FADER

contro!

upward.

Playback

on

cassette

deck-2:

Press

the

TAPE-1

SELECTOR

switch,

and

slide

the

FADER

control

upward.

Playback

on

cassette

deck-3

or

video

cassette

recorder:

Slide

the

FADER

control

downward.

2.

Set

the

tape

deck

to

the

playback

mode,

and

use

the

amplifier’s

volume

control

to

adjust

the

sound

volume.

*

.

The

FADER

control

can

be

used

to

switch

from

record

or

TAPE-1

sounds

to

TAPE-2

or

video

sounds

by

smoothly

fading

the

respec-

tive

sounds

out

and

in

without

a

sharp

break

between

the

two.

In

addition,

the

control

can

be

used

as

a

mixing

control

for

two

differ-

“ent

sounds.

16

MULTIDIMENSION

Switch

““MULTIDIMENSION’”

is

a

function

which

allows

you

to

add

increased

breadth

and

concert-hall

realism

to

the

sound

from

the

right

and

left

speakers.

When

using

this

function,

press

the

switch

to

ON

(

a=).

When

not

using

the

funcion,

release

to

OFF

(1).

17

MULTIDIMENSION

Control

When

the

right-side

switch

is

set

to

ON

(

mm),

rotating

this

control

clock-

wise

will

add

increased

breadth

to

the

sound

from

your

speakers,

ex-

panding

their

sound

image

outside

the

speakers

themselves.

Setting

the

control

at

‘‘MAX"’

gives

the

greatest

degree

of

effect.

18

FADER

Control

By

using

this

control,

you

can

simuitanenously

control

the

sound

volume

from

both

SOURCE

or

TAPE-1

{cassette

deck-2)

component,

and

also

VIDEO

SOUND

or

TAPE-2

(cassette

deck-3)

component.

When

set

to

the

center

position,

the

two

sounds

will

be

output

in

equal

proportions;

when

the

control

is

moved

upward,

the

sound

from

VIDEO

SOUND

or

TAPE-2

will

decreased,

while

sounds

from

SOURCE

or

TAPE-1

are

in-

creased.

In

contrast,

when

the

control

is

moved

downward

from

the

center

position,

sounds

from

SOURCE

or

TAPE-1

will

be

decreased

while

sounds

from

VIDEO

SOUND

or

TAPE-2

are

increased.

*

The

rear-panel

GAIN

ADJ

control

should

be

adjusted

so

that,

when

the

FADER

control

is

set

to

its

center

position,

the

sound

levels

from

SOURCE

or

TAPE-1

and

those

from

VIDEO

SOUND

or

TAPE-2

are

.

equal.

SELECTOR

SOURCE—

Cassette

deck

3

Cassette

deck

2

3

:

3

VIDEO

SOUND

(TAPE-2)

[oes

5500]

Cassette

deck

3

Perform

the

following

procedures

when

adding

sound

equalization

and

reverberation

effects,

or

when

perform-

ing

sound

mixing

of

program

source

and

microphone

or

keyboard

instrument

Playing

a

program

source

with

added

equalizer

effects

This

unit

can

be

used

to

achieve

subtle

frequency

compensation

which

is

not

possible

using

the

tone

controls

or

filters

of

amplifier.

You

can

not

only

compensate

for

fluctuations

in

the

frequency

response

produced

by

the

shape

of

the

listening

room

and

cut

out

the

undesira-

ble

frequencies

but

also

color

the

sound

of

the

program

source

as

desired.

In

other

words,

this

unit

gives

you

complete

control

over

the

sound.

.

Play

back

the

selected

program

source.

Set

the

EQUALIZER

switch

to

the

ON

position.

.

Adjust

the

volume

of

sound

with

the

amplifier’s

volume

control.

Play

the

music

and

adjust

the

equalizer

controls

to

achieve

equaliz-

ing.

When

they

are

slid

above

the

center

‘‘O

dB’’

position,

the

level

near

the

indicated

frequency

is

increased;

when

they

are

slid

below

the

position,

the

level

is

reduced.

5.

The

equalizing

effect

can

be

checked

momentarily

by

setting

the

EQUALIZER

switch

to

the

OFF

and

ON

positions.

*

When

the

EQUALIZER

switch

is

at

the

OFF

position,

the

sound

qual-

ity

cannot

be

compensated

for

even

when

the

equalizer

controls

are

Operated.

When

performing

tone

equalization

of

sounds

from

video

cassette

recorder

or

cassette

deck-3,

slide

the

FADER

control

downward

and

use

the

special

5-band

equalizer.

PONS

Videocassetterecorder

63Hz

160HZ

400HZ

TkHZ

2.5kHZ

6.3kHZ2

16kHZ

EQUALIZER

aye

EQ

RANGE

BEM

AVON

AOOSZS

ons

$12dB

Alt.

((VIDEO

SOUND

TAPE-2

EQUALIZER

———_r_

sid

Sound

mixing

of

program

source

with

microphone

or

keyboard

1.

Connect

the

plug

from

microphone

or

keyboard

instrement

to

the

MIC

jack.

2.

Set

the

MIC

MIXING

switch

to

MIC

(

[1

)

when

using

a

microphone,

and

set

to

KEYBOARD

(mm)

when

using

a

keyboard

or

guitar.

3.

Rotate

the

MIC

MIXING

control

to

adjust

the

sound

volume

balance

with

the

program

source.

¢

When

using

the

microphone

and

also

listening

to

the

sound

through

the

speakers,

take

care

with

the

positioning

of

the

microphone

and

speakers

and

also

with

the

direction

of

the

microphone

as

‘‘howl’’

may

occur.

e

Use

a

microphone

with

an

impedance

of

200

ohms

to

10

kilohms;

it

should

be

a

dynamic

or

electret

type.

If

the

microphore’

s

impedance

is

too

low,

the

sensitivity

may

be

insufficient.

MIC

MIXING

Yet

=

EL

MIC

ce:

sm

KEYBOARD

Playback

with

reverb

effects

added

Sounds

from

cassette

tape,

microphone,

and

all

other

program

sources

can

be

modified

to

achieve

various

sound

and

tonal

changes

by

adding

the

three

special

effects

reverberation,

reverberation

equalization,

and

M

1

ULTIDIMENTION.

.

To

add

reverberation

effects

to

tape

or

record

sounds,

press

the

LINE

reverb

switch.

To

add

reverberation

effects

to

microphone

or

key-

board

sounds,

press

the

MIC

reverb

switch.

When

both

switches

are

pressed,

reverberation

effects

will

be

added

to

the

sounds

from

both

sources.

.

While

listening

to

the

playback

sound,

slide

the

REVERB

DEPTH

con-

trol

to

vary

the

amount

of

reverberation

effect

added.

The

sound

dis-

play

pattern

will

change

in

response

to

the

added

effect.

.

By

adjusting

the

position

of

the

REVERB

EQUALIZER

controls,

the

reverberation

effect

of

specific

frequency

ranges

can

be

selectively

increased

or

decreased.

When

the

reverb

effect

in

the

low

sound

ranges

is

increased,

a

soft

sound

effect

is

produced,

while

increas-

ing

the

reverb

effect

in

the high

ranges

will

produce

a

more

metalic

sound.

.

To

add

MULTIDIMENSION

effects,

set

the

MULTIDIMENSION

switch

to

ON,

and

adjust

the

control

to

achieve

the

desired

effect.

The

breadth

of

sound

is

emphasized

as

the

control

is

rotated

clockwise.

[REVERB

EQUAL

(ZER———

s

Ly

CJ

6OH2z

18OHz

540Hz

1100Hz2200Hz

MULTIDIMENStON

——7

t

mON

Ye

Bs

OLOFF

mw!

Max

Recording

with

special

effects

added

Mixed

sounds,

or

sounds

with

equalization

and/or

reverberation

effects

©

When

two

cassette

decks

are

connected

to

the

unit,

mixing

or

other

added

can

be

recorded

on

a

cassette

deck

connected

to

the

unit.

special

effects

can

be

added

to

the

sounds

from

the

first

deck,

and

1.

Select

the

program

source

you

wish

to

record,

and

set

to

playback.

the

resulting

sounds

recorded

on

the

second

deck.

2.

When

performing

mixing,

connect

a

microphone

or

keyboard

instrement.

When

2

ay

decks

are

used.

3.

Operate

the

various

switches

and

controls

to

added

special

effects

as

desired.

4.

Operate

the

cassette

deck

to

begin

recording.

o

48

WERT

[Gro

¢

When

using

a

SANSUI

double

cassette

deck

(D-99MW,

D-99CW),

mixing

or

other

special

effects

can

be

added

to

the

sounds

from

deck

“ta’’,

and

the

resulting

sounds

recorded

on

deck

‘‘b’’.

In

this

case,

do

not

press

the

dubbing

switch,

but

merely

operate

deck

‘‘a’’

for

playback

and

deck

‘’b”’

for

recording.

When

a

double-cassette

deck

is

used.

Cassette

deck

2

Cassette

deck

3

i

10

Sansui RG-710 User manual

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