Scandalli EWA User manual

OWNER’S MANUAL
SCANDALLI

Electronic Wireless Accordion with internal sound card which is light, comfortable
and easy to use.
CHARACTERISTICS
4 separate sections (TREBLE 1, TREBLE 2, CHORDS and BASS).
Wireless multichannel transmission
MIDI OUT (internal sounds, external expander) with individual or simultaneous
transmission.
Integrated high quality sound card with digital multi-effects. 500 sounds
including: 130 accordion sounds (Italian, French, classical, jazz, German,
bandoneon diatonic, etc.) all with combinations of registers for right and left
hands, solo instruments, orchestral instruments, over 60 vintage sounds (Elkavox ®,
Farfisa ®,etc.), sound combinations (with layers and splits).
“Bellows change “and “Bellows layer “functions
128 programmable COMBINATIONS for instant use with Midi dump possibility
2 programmable chin registers
Volume control with led visual strip (for treble, chords, bass and overall).
3 digit led display
Separate bellows dynamic for left and right.
Octave change for each section.
Reliable magnetic contacts.
TRANSPOSE in all keys.
GENERAL
Thank you for choosing EWA. The internal sound card with 500 sounds selected for
accordion players, its light weight and the freedom provided by the wireless system make
this a powerful, versatile musical instrument which is extremely simple to use by amateurs
and professionals alike. Forget about difficult connections, programming, cables etc., just
switch on the sound box and the accordion, connect to an amplifier or a pair of headphones
and you can start to play. EWA is supplied with re chargeable batteries that provide many hours of
use. The duration of the charge is dependent on how much the accordion is used, the level of charge
and the number of recharges. When the batteries need recharging please use the cable supplied to
connect the box to the accordion. You will still be able to play whilst using the cable to recharge the
batteries. Whilst charging, dots on the display will flash and then stop flashing when the charge is
complete. The instrument remains on whilst charging even if the on/off switch is in the OFF position.
If charged correctly, the batteries should last for years but they will eventually need replacing. It is
possible to separately change the volume and octaves of the various sections (treble, bass and chords)
and it is possible to activate or de activate bellows expression on both left and right hand sides. It is
possible to transpose the whole instrument by semitones very simply and if two or more EWA are to be
played simultaneously, you need only set a different wireless channel to each.

Ensure that the power is switched “off” before inserting the mains plug
If the instrument is not to be used for a long period unplug the from the mains and switch
off the accordion
Do not touch any cables with wet hands. Do not forcibly fold or pull on any cables.
Do not open the instrument exposing the electronics.
Do not switch the instrument “on” and “off” rapidly: leave at least 5 seconds.
Do not use the instrument in places that are extremely hot or cold or dusty.
Do not leave the EWA exposed to direct sunlight.
To clean the instrument use only the materials provided or a soft cloth slightly dampened
with water. Do not use household cleaning agents or solvents.
The ventilation grills of the instrument must not be obstructed or impeded in any way.
Do not expose the EWA to dampness or sprays of water and do not place liquid containers
on the instrument.
The instrument must be connected to the mains using the supplied, earthed mains lead.
The mains plug of the EWA should remain readily accessible to facilitate disconnection in
case of problems.
If the system does not power up - check all the connections and cables.
If none of the led are alight – substitute the power adapter and / or cables.
If the lights are “on” but no sound is heard on power up - switch off the instrument, then
after 5 seconds switch on again.
If the instrument has suffered excess vibrations some contacts may be disturbed. The realignment
process is simple for a qualified technician.
Ensure that all the CABLES are CONNECTED in accordance with the diagram
on page 4.
Attention: to use the EWA in wireless mode, disconnect the cable from the
accordion and the sound box.
Ensure that the instrument is attached to an amplifier adjusted to the
appropriate volume, or alternatively a set of headphones.
Switch on the amplifier and then the sound box and then the EWA. If you
are using the EWA with the cable attached, the accordion will always be on
and recharging.
Combination No.1 is active on first switching on the EWA. Use the numeric
keypad to select another.
The EWA has 500 different sounds (page17) on the following pages you can
find out how to select them for each section (treble 1 and 2, bass and chords).
IMPORTANT: the transmission range can be affected by many factors including radio
disturbance, the presence of other transmitters, walls with metal reinforcements etc; It is
advisable to try the EWA in the performance area before deciding on your position. Try
slowly distancing yourself from the receiver to gauge the maximum distance in every
performance situation. In any case avoid placing too many obstacles between the EWA
and the sound box to give a clear line of sight between them. In case of problems press
and hold the SELECT and No.1 buttons simultaneously.
PRECAUTIONS
QUICK START
FAULT FINDER
ATTENTION: the instrument and power box may only be opened by qualified personnel.
Any unauthorized opening will invalidate the guarantee.

CONNECTIONS
TO ACCORDION: multi pin cable for connection of the sound box to the
EWA used for recharging and playing without wireless transmission.
AC POWER: mains cable connection and on/off switch
HEADPHONES: socket.
MIDI OUT: to connect an external expander or sound module.
WIRELESS RECEIVER: cover of the receiver (do NOT attempt to remove)
PEDAL SWITCHES: to connect up to 3 standard switch pedals whose functions
can be programmed
SWELL PEDAL: to connect a volume pedal that can be programmed for
other effects
LINE OUT LEFT/RIGHT: for an external STEREO mixer or amplifier. For use in MONO,
use the left or right channel.

USING THE
SELECTING A PRESET COMBINATION SOUND
• Press the COMBI button
• Using the numeric keypad select a combination from 1 to 32 according to
the number in the chart on page 16; even the bass and chords will change
sounds and volumes. You can also use the “< and >” buttons to scroll through
up and down through the combinations. The display will show the chosen
combination number.
• Using the +/- buttons will change the overall volume of the instrument.
The volume level will briefly be shown in the display.
SELECTING A SOUND
• By pushing the Sections button repeatedly, select the part of the accordion
that you wish to change. The corresponding LED will light up for either:
Treble 1, Treble2, Chords or Bass.
• Using the numeric keypad select the number (from 1 to 3 numbers) of the
desired sound (see the list of sounds on page 17)
When you press the first number (0…9) the EWA will change sound and wait
for a few instants (the display will flash) for the next number (if applicable);
when this is pressed the EWA will change sound again based on the 2 digit
number and will wait again for a few instants for an eventual third number,
when this is pressed the display will stop flashing and the selected number
will play. If a number above the maximum of sounds available is selected
(i.e. over No. 499) the sounds heard will not correspond.

• Using the Sections button, select the part of the accordion that you wish to
alter: Treble 1, Treble2, Chords or Bass.
• Press repeatedly the Volume+ or Volume- buttons and you will see the column
of LEDs in the volume section light up or switch off and volume level will briefly
be shown in the display. If you press these buttons at the same time the volume
decreases to zero (mute). Press “+” to increase it again. To alter the overall
volume, push COMBI and then the VOLUME + or VOLUME - buttons
• Using the Sections button, select the part of the accordion that you wish to
alter: Treble 1, Treble2, Chords or Bass.
• Press the Oct.Trsp. button until you reach the desired pitch: when the “Up” led
is lit, the section will play an octave higher; when the “Down“led is lit an octave
lower and when neither led is alight then the section is at normal pitch.
PLEASE NOTE: this function is not available in COMBI mode.
• Press the COMBI button
• Press the Oct.Trsp. button. The display will show “t 0”
• Press any key on the right hand keyboard: all the sections of the EWA will be
transposed in the key of the chosen note. Example: pushing D (2 semitones
CHANGING THE
VOLUME
OR
MUTING
THE SECTIONS
CHANGING THE OCTAVE (PITCH) OF THE SECTIONS
TRANSPOSE IN ALL KEYS

above C) the instrument will be tuned a tone higher: the display will show “t 2”:
pushing A (3 semitones below C) the instrument will be tuned a tone and a half
lower: the display will show “t - 3”These values will be indicated momentarily in
the display. To return to the original situation, press the Oct.Trsp. button and
then note C
• When the accordion is switched off the transposition is NOT memorized.
Pressing the Bellows button you can decide to have the expression activated on
the left hand only, the right hand only, both sides together or off completely.
When the EWA is switched on the bellows are always active on both sides.
By pressing the Midi Out button; you can decide to listen to sounds from the internal
sound card or an external expander or both together. On power up the EWA is
ready to play the internal sounds only. To play from an external source, remember
to attach a midi cable from the Midi-Out socket of the EWA to the Midi-In socket of
your expander and then select “Ext” or “Int+Ext”. The EWA transmits: note change,
program change and bellows expression. For characteristics and other functions of
your expander, refer to the manual of that instrument.
EWA can store up to 128 COMBINATIONS of which 32 are pre programmed in our
factory (but these can be altered, deleted and even then recalled). Using
COMBINATIONS is the best way of preparing presets which can be made up of
different sounds from each section each with its own volume. They can then be
recalled easily whilst playing by choosing the appropriate number.
ACTIVATING THE BELLOWS EXPRESSION
INTERNAL SOUNDS AND MIDI OUT (EXTERNAL EXPANDER)
COMBINATIONS

STORING YOUR OWN COMBINATIONS
List of Parameters that can be memorized in COMBINATIONS
EDIT PARAMETERS
• Select your sounds as desired for treble1 and 2, chords and bass; the various
volumes and other parameters such as pedals and chin registers
• Press and hold the COMBI button until the display starts to flash
• Select a number from 1 to 128 where you wish to memorize the prepared
combination
• Press the COMBI button again - the display will stop flashing and the
combination is stored. To recall the combination simply select the number –
it can be recalled even after the accordion has been switched off.
Treble 1: sound, volume, octave
Treble 2: sound, volume, octave
Chord: sound, volume, octave
Bass: sound, volume, octave
Overall volume
Effects (reverb, echo)
Polyphonic or monophonic mode
Orchestral mode
Key Velocity
Bellows sensitivity
Swell pedal functions
Switch pedal (1,2,3) functions
Chin register (1,2) functions
The Edit button allows you to program various parameters. Here following is a list
01 Programming the WIRELESS CHANNELS
There are 8 different channels available.
Press EDIT and then 18 – the display shows the current channel number.
Press EDIT again to exit. To select a different channel:
Press EDIT
Press 17 – the display will start flashing
Press EDIT again
Select the required channel (from 0 to7)
Press EDIT again to exit and store the setting

02 Programming the MIDI channels
Each section can be assigned a specific midi channel by the user
To assign a midi channel for TREBLE 1 (the default channel is 01)
Press EDIT
Press 1– the display will start flashing
Press EDIT again
Select the required channel number (from 1 to 16)
Press EDIT again to exit and store the setting
To assign a midi channel for TREBLE 2 (the default channel is 04)
Press EDIT
Press 2– the display will start flashing
Press EDIT again
Select the required channel number (from 1 to 16)
Press EDIT again to exit and store the setting
To assign a midi channel for CHORDS (the default channel is 02)
Press EDIT
Press 3 – the display will start flashing
Press EDIT again
Select the required channel number (from 1 to 16)
Press EDIT again to exit and store the setting
To assign a midi channel for BASS (the default channel is 03)
Press EDIT
Press 4 – the display will start flashing
Press EDIT again
Select the required channel number (from 1 to 16)
Press EDIT again to exit and store the setting
03 Programming REVERBERATION/ECHO
Press EDIT
Select 5 for Short Reverb
Select 6 for Medium Reverb
Select 7 for Hall Reverb
Select 8 for Church Reverb
Select 9 for Echo
Select 10 to turn off Reverb
Press EDIT again to exit
(NB: this parameter can be stored in a combination)
04 Selecting POLIPHONIC or MONOPHONIC mode for Treble 1
Press EDIT
Select 11 to play Treble 1 sounds in polyphonic mode
Select 12 to play Treble 1 sounds in monophonic mode
Select 13 to play Treble 1 sounds in polyphonic mode with a portamento effect
Press EDIT again to exit
(NB: this parameter can be stored in a combination)

05 Programming ORCHESTRAL mode
• Press EDIT
• Select 14 to choose BELLOWS LAYER: playing softly on the right, only the sound
of Treble 1 will be heard; pulling hard on the bellows the sound on Treble 2 will
also be heard
• Select 15 to choose BELLOWS CHANGE: playing softly on the right, only the
sound of Treble 1 will be heard; pulling hard on the bellows only the sound on
Treble 2 will be heard
• Select 16 to choose LAYER; both the sound on Treble 1 and the sound on
Treble 2 will be heard with their respective volumes
• Press EDIT again to exit
(NB: this parameter can be stored in a combination)
06 Programming the KEY VELOCITY
• Press EDIT
• Select 24 so that every note ON plays with a key velocity value of 64
• Select 25 so that every note ON plays with a key velocity value of 100
• Press EDIT again to exit
(NB: this parameter can be stored in a combination)
07 Programming the BELLOWS RESPONSE
• Press EDIT
• Select 30 to play with soft bellows: a small movement of the bellows will
produce a notable variation in volume.
• Select 31 to play with medium bellows: a greater movement of the bellows
is needed to produce a notable variation in volume.
• Select 32 to play with hard bellows: a large movement of the bellows is
needed to produce a notable variation in volume.
• Press EDIT again to exit
(NB: this parameter can be stored in a combination)
08 To copy a COMBINATION to another location
• Press the COMBI button and select the combination you wish to duplicate
• Press EDIT
• Select 33
• Press EDIT again
• Select the number of the location where you want the Combination
duplicated
• Press EDIT again to exit and store the setting
09 Programming the SWELL PEDAL
• Press EDIT
• Select 20 – the swell pedal will control the overall volume
• Select 21 – the swell pedal will control the volume of the treble section
• Select 22 – the swell pedal will control the pitch bend UP of Treble 1
• Select 23 – the swell pedal will control the pitch bend DOWN of Treble 1
• Press EDIT again to exit and store the setting
(NB: this parameter can be stored in a combination)

10 Programming the functions of SWITCH PEDAL 1
• Press EDIT
• Select 35 – the SWITCH PEDAL will control the MODULATION of Treble 1
• Select 36 – the SWITCH PEDAL will control the overall SUSTAIN
(HOLD – control change 64)
• Select 37 – the SWITCH PEDAL will control the SUSTAIN (HOLD – cc 64)
of Treble 1 and Treble 2
• Select 39 – the SWITCH PEDAL will control the GLIDE UP of Treble 1
• Select 40 – the SWITCH PEDAL will control the GLIDE DOWN of Treble 1
• Select 41 – to assign note C1 of midi channel 16 to SWITCH PEDAL 1
• Select 42 – press edit again, select the number of the desired sound
to assign to parameter 41 Press EDIT again to exit and store the setting
(NB: this parameter can be stored in a combination)
11 Programming the functions of SWITCH PEDAL 2
• Press EDIT
• Select 50 – the SWITCH PEDAL will control the MODULATION of Treble 1
• Select 51 – the SWITCH PEDAL will control the overall SUSTAIN
(HOLD – cc 64)
• Select 52 – the SWITCH PEDAL will control the SUSTAIN (HOLD – cc 64)
of Treble 1 and Treble 2
• Select 54 – the SWITCH PEDAL will control the GLIDE UP of Treble 1
• Select 55 – the SWITCH PEDAL control the GLIDE DOWN of Treble 1
• Select 56 – to assign note C1 of midi channel 16 to SWITCH PEDAL 2
• Select 57 – press edit again, select the number of the desired sound
to assign to parameter 56
• Press EDIT again to exit and store the setting
(NB: this parameter can be stored in a combination)
12 Programming the functions of SWITCH PEDAL 3
• Press EDIT
• Select 65 – the SWITCH PEDAL will control the MODULATION of Treble 1
• Select 66 – the SWITCH PEDAL will control the overall SUSTAIN
(HOLD – cc 64)
• Select 67 – the SWITCH PEDAL will control the SUSTAIN (HOLD – cc 64)
of Treble 1 and Treble 2
• Select 69 – the SWITCH PEDAL will control the GLIDE UP of Treble 1
• Select 70 – the SWITCH PEDAL will control the GLIDE DOWN of Treble 1
• Select 71 – to assign note C1 of midi channel 16 to SWITCH PEDAL 3
• Select 72 – press edit again, select the number of the desired sound
to assign to parameter 71
• Press EDIT again to exit and store the setting
(NB: this parameter can be stored in a combination)

13 Activating/deactivating the CHIN REGISTERS
• Press EDIT
• Select 26 to activate the chin registers (the default effects are:
chin register 1 - modulation: chin register 2 - note C1 on midi channel 16)
• Select 27 to deactivate the chin registers
• Press EDIT again to exit and store the setting
14 Programming the functions of CHIN REGISTER 1
• Press EDIT
• Select 80 – the CHIN REGISTER will control the Modulation of Treble 1
• Select 81 – the CHIN REGISTER will control the overall Sustain (HOLD)
• Select 82 – the CHIN REGISTER will control the Sustain (HOLD) of Treble 1
and Treble 2
• Select 84 – the CHIN REGISTER will control the Glide UP of Treble 1
• Select 85 – the CHIN REGISTER will control the Glide DOWN of Treble 1
• Select 86 – to assign note C1 of midi channel 16 to chin register 1
• Select 87 – press edit again, select the number of the desired sound to
assign to parameter 86
• Select 88 – the CHIN REGISTER will scroll UP through the Combinations one
at a time
• Select 89 – the CHIN REGISTER will scroll DOWN through the Combinations
one at a time
• Press EDIT again to exit and store the setting
NB: if you wish to use chin register 1 to scroll UP or DOWN through a sequence
of combinations, you must first store parameter 88 or 89 in each of those
combinations
15 Programming the functions of CHIN REGISTER 2
• Press EDIT
• Select 95 – the CHIN REGISTER will control the Modulation of Treble 1
• Select 96 – the CHIN REGISTER will control the overall Sustain (HOLD)
• Select 97 – the CHIN REGISTER will control the Sustain (HOLD) of Treble 1
and Treble 2
• Select 99 – the CHIN REGISTER will control the Glide UP of Treble 1
• Select 100 – the CHIN REGISTER will control the Glide DOWN of Treble 1
• Select 101 –to assign note C1 of midi channel 16 to chin register 2
• Select 102 –press edit again, select the number of the desired sound to
assign to parameter 101
• Select 103 – the CHIN REGISTER will scroll UP through the Combinations
one at a time
• Select 104 – the CHIN REGISTER will scroll DOWN through the Combinations
one at a time
• Press EDIT again to exit and store the setting
NB: if you wish to use chin register 2 to scroll UP or DOWN through a sequence
of combinations, you must first store parameter 103 or 104 in each of those
combinations

16 MIDI DUMP
Using the special supplied cable connected to an external sequencer, for example
a computer with suitable software; it is possible to save combinations in the form of
an exclusive system code. This can serve as a back-up in case of loss or as a file to
load onto another EWA.
NB: Many sequencers have MIDI THRU active – this will interfere with MIDI OUT. To
avoid problems when reloading combinations into the EWA unplug the midi cable
from the MIDI OUT SOCKET of the EWA.
Saving the COMBINATIONS in Bank 1
• Press EDIT
• Start the record function of the attached midi sequencer
• Select 112
• Press EDIT again: the EWA will transmit a sequence containing all the
COMBINATIONS numbered from 1 to 32.
The display will switch off during the process and come on again when it is finished
(This procedure will take a few seconds.)
Stop the record function of the attached midi sequencer and save the information
Saving the COMBINATIONS in Bank 2
• Press EDIT
• Start the record function of the attached midi sequencer
• Select 113
• Press EDIT again: the EWA will transmit a sequence containing all the
COMBINATIONS numbered from 33 to 64.
The display will switch off during the process and come on again when it is finished
(This procedure will take a few seconds.)
Stop the record function of the attached midi sequencer and save the information
Saving the COMBINATIONS in Bank 3
• Press EDIT
• Start the record function of the attached midi sequencer
• Select 114
• Press EDIT again: the EWA will transmit a sequence containing all the
COMBINATIONS numbered from 65 to 96.
The display will switch off during the process and come on again when it is finished
(This procedure will take a few seconds.)
Stop the record function of the attached midi sequencer and save the information
Saving the COMBINATIONS in Bank 4
• Press EDIT
• Start the record function of the attached midi sequencer
• Select 115
• Press EDIT again: the EWA will transmit a sequence containing all the
COMBINATIONS numbered from 97 to 128.
The display will switch off during the process and come on again when it is finished
(This procedure will take a few seconds.)
Stop the record function of the attached midi sequencer and save the information

Loading COMBINATIONS into Bank 1
• Press EDIT
• Select 116
• Press EDIT again: the EWA is now ready to receive data and the EDIT led will flash
• Start the play function of the attached midi sequencer for the previously stored
registration containing the exclusive system code for a bank of Combinations.
The display will switch off during the process and come on again when it is finished
(This procedure will take a few seconds.)
EWA will automatically exit from the procedure when finished and the new
Combinations will be stored from 1 to 32.
Loading COMBINATIONS into Bank 2
• Press EDIT
• Select 117
• Press EDIT again: the EWA is now ready to receive data and the EDIT led will flash
• Start the play function of the attached midi sequencer for the previously stored
registration containing the exclusive system code for a bank of Combinations.
The display will switch off during the process and come on again when it is finished
(This procedure will take a few seconds.)
EWA will automatically exit from the procedure when finished and the new
Combinations will be stored from 33 to 64.
Loading COMBINATIONS into Bank 3
• Press EDIT
• Select 118
• Press EDIT again: the EWA is now ready to receive data and the EDIT led will flash
• Start the play function of the attached midi sequencer for the previously stored
registration containing the exclusive system code for a bank of Combinations.
The display will switch off during the process and come on again when it is finished
(This procedure will take a few seconds.)
EWA will automatically exit from the procedure when finished and the new
Combinations will be stored from 65 to 96.
Loading COMBINATIONS into Bank 4
• Press EDIT
• Select 119
• Press EDIT again: the EWA is now ready to receive data and the EDIT led will flash
Start the play function of the attached midi sequencer for the previously stored
registration containing the exclusive system code for a bank of Combinations.
The display will switch off during the process and come on again when it is finished
(This procedure will take a few seconds.)
EWA will automatically exit from the procedure when finished and the new
Combinations will be stored from 97 to 128.

17 Restoring the FACTORY(default) COMBINATIONS
• Press EDIT
• Select 126
• Press EDIT again - The display will switch off during the process and come on
again when it is finished
(This procedure will take a few seconds.)
18 SOFTWARE VERSION
• Press EDIT
• Select 127
• Press EDIT again – the actual software version will be shown briefly in the display

16
COMBINATIONS LIST (Initial Factory Presets)
N. COMBINATIONS TR1 TR2 CH BS notes
1 ITALIAN MASTER 0 // 198 75
2 ITALIAN MASTER bellows 0 1 198 76
3 PAOLO SOPRANI 9 // 198 75
4 PAOLO SOPRANI bellows 9 10 94 85
5 CASSOTTO16+16 11 // 198 75
6 CASSOTTO16+16 bellows 11 31 198 76
7 JAZZ CASSOTTO 112 // 198 75
8 JAZZ CASSOTTO + VIBES 113 // 198 85
9 SUPER VI 6 // 197 75
10 SUPER VI ORCHESTRA 7 // 197 76
11 FRENCH MUSETTE 18 // 198 75
12 FRENCH MUSETTE + VIBES 18 224 198 75
13 PAOLO SOPRANI TREMOLO 3 // 198 75
14 TREMOLO NAPOLI 104 // 198 75
15 ACCORDION AMERICAN bellows 108 30 197 75
16 ACCORDION BASSOON 27 // 27 87
17 BANDONEON 114 // 43 253
18 BANDONEON ORCHESTRA 114 141 43 253
19 HARMONICA 122 // 34 76
20 BLUES HARMONICA 124 // 133 76
21 GERMAN ACCORDION bellows 110 149 93 82
22 SAX SOFT 171 // 30 249
23 SAX bellows 173 49 135 75
24 TRUMPET 55 // 198 75
25 BRASS 58 // 41 75
26 SOPRANO SAX 46 // 31 76
27 FLUTE bellows 158 53 215 75
28 TROMBONE bellows 168 // 218 75
29 NYLON GUITAR bellows 195 30 197 76
30 JAZZ GUITAR 198 200 133 75
31 SOPRANO VOICE 125 // 43 76
32 ORCHESTRA 126 // 43 78

17
SOUND LIST
Num Bk-pg SOUND
0 0-0 Italian Master
1 0-1 Italian Master + Trumpet
2 0-2 Italian Master + Organ
3 0-3 Paolo Soprani 3 voices
4 0-4 Paolo Soprani 3 voices + Orchestra
5 0-5 Paolo Soprani 3 voices + Mandolin
6 0-6 Super VI Master
7 0-7 Super VI Master + Orchestra
8 0-8 Super VI Master + Sax
9 0-9 Paolo Soprani Master
10 0-10 Paolo Soprani Master + Orchestra
11 0-11 SEM 16+16
12 0-12 SEM 16+16 and Jazz Organ
13 0-13 SEM 16+16 and Jazz Flute
14 0-14 Little Accordion Master
15 0-15 Little Accordion Master + Piano Honky
16 0-16 Little Accordion Musette
17 0-17 Little Accordion Musette + Violin
18 0-18 SEM Regal Musette
19 0-19 SEM Regal Musette + Fantasy
20 0-20 SEM Regal Musette + Vibes
21 0-21 Artist VI Bassoon
22 0-22 Artist VI Bassoon + Strings
23 0-23 Artist VI 16+4
24 0-24 Artist VI 16+4 and Choir
25 0-25 Diatonic 8+8
26 0-26 Diatonic 8+8 Recorder
27 0-27 Accordion Bassoon
28 0-28 Accordion Bassoon + Strings
29 0-29 Big Strings Attack
30 0-30 Big Strings Slow
31 0-31 Big Strings Dark
32 0-32 Big Strings 16+8
33 0-33 Soul Voices
34 0-34 Soul Voices Dark
35 0-35 Soul Voices High
36 0-36 Soul Voices Combi
37 0-37 Soul Voices + Strings
38 0-38 Grand Piano 8
39 0-39 Grand Piano 8 dark
40 0-40 Grand Piano 8 Sustain
41 0-41 Grand Piano 16
42 0-42 Grand Piano 16 sustain
43 0-43 Grand Piano + Strings
44 0-44 Grand Piano + Voice
45 0-45 THU Voice
46 0-46 Soprano Sax
47 0-47 Soprano sax + Strings
48 0-48 Soprano Sax + Soft Sax
49 0-49 Sax Growl
50 0-50 Sax Growl + Hammond
51 0-51 Oboe 2
52 0-52 Oboe 2 + Strings
53 0-53 Flute Hard
54 0-54 Recorder
55 0-55 Trumpet Vibrato
56 0-56 Trumpet 16 Vibrato
57 0-57 Trumpet + Soft Sax
58 0-58 Real Brass
59 0-59 Distort Guitar
60 0-60 Bells
61 0-61 Bells + Church
62 0-62 Animals
63 0-63 Effects
64 0-64 Drums 2
65 0-65 Kick + Snare
66 0-66 Gran Cassa
67 0-67 Kick
68 0-68 Snare
69 0-69 Snare 2
70 0-70 Castanets
71 0-71 Castanets + Guitar + Strings
72 0-72 Accordion Basses
73 0-73 Accordion Basses + Strings
74 0-74 Accordion Basses 16
75 0-75 Electric Bass
76 0-76 Electric Bass Sustain
77 0-77 Electric Bass + Strings
78 0-78 Electric Bass + Oboe
79 0-79 Electric Bass + Violin
80 0-80 Electric Bass + Flute
81 0-81 Electric Bass + Bass Accordion
82 0-82 Electric Bass + Tuba
83 0-83 Electric Bass + Kick
84 0-84 Electric Bass + Crash
85 0-85 Electric Bass + Ride
86 0-86 Accordion Bass 16 + Kick
87 0-87 Accordion Bass 16 + Crash
88 0-88 Accordion Bass 16 + Ride
89 0-89 Accordion Bass + Kick
90 0-90 Accordion Bass + Crash
91 0-91 Accordion Bass + Ride
92 0-92 Electric Bass + Castanets
93 0-93 Tremolo + Tambourine
94 0-94 Master + Tambourine
95 0-95 Old Organ + Tambourine
96 0-96 Jazz Guitar + Tambourine
97 0-97 Guitar + Castanets
98 0-98 Piano + Tambourine
99 0-99 Electric Piano + Tambourine
100 0-100 Master 4° (standard accordion)
101 0-101 Master + Orchestra
102 0-102 Tremolo 3° (standard accordion)
103 0-103 Tremolo + Orchestra
104 0-104 Tremolo Napoli
105 0-105 French Tremolo
106 0-106 French Tremolo + Orchestra
107 0-107 French Tremolo + Organ
108 0-108 American Tremolo
109 0-109 American Tremolo + Orchestra
110 0-110 German accordion 3 reeds
111 0-111 German accordion + clarinet
112 0-112 Jazz Accordion with key noise
113 0-113 Jazz Accordion + vibes
114 0-114 Bandoneon diatonic (key and bellows noise)
115 0-115 Bandoneon chromatic + orchestra
116 0-116 Diatonic italian
117 0-117 Diatonic with group
118 0-118 Pure reed
119 0-119 Pure reed + Choir
120 0-120 Wood Cassotto
121 0-121 Wood Cassotto + Orchestra
122 0-122 Harmonica
123 0-123 Harmonica + Strings
124 0-124 Harmonica Blues
125 0-125 Soprano voice
126 0-126 Soprano + Strings
127 0-127 Soprano + Choir
128 1-0 Church Organ 1
129 1-1 Church Organ 2
130 1-2 Church Organ 3
131 1-3 Church + choir
132 1-4 Church + orchestra
133 1-5 Hammond Jimmy Smith
134 1-6 Hammond organ slow
135 1-7 Hammond organ fast

18
136 1-8 Hammond organ split (slow/fast)
137 1-9 Theatre Organ
138 1-10 Old Farfisa organ
139 1-11 Old Farfisa slow
140 1-12 Violin
141 1-13 Violin + orchestra
142 1-14 Violoncello
143 1-15 Violoncello + Strings
144 1-16 Strings
145 1-17 Slow string
146 1-18 Strings 16
147 1-19 Strings 16+8
148 1-20 Strings 16+8+4
149 1-21 String + Glockenspiel
150 1-22 Strings pizzicato
151 1-23 Strings + Choir
152 1-24 Strings + snare drum
153 1-25 Strings + timpani
154 1-26 Orchestra 1
155 1-27 Orchestra 2
156 1-28 Clarinet
157 1-29 Clarinet + strings
158 1-30 Flute
159 1-31 Flute + orchestra
160 1-32 Flute + choral
161 1-33 Oboe
162 1-34 Oboe + strings
163 1-35 Trumpet
164 1-36 Trumpet solo
165 1-37 Trumpet + Strings
166 1-38 Flügelhorn
167 1-39 Flügelhorn + Vibes
168 1-40 Trombone
169 1-41 Trombone + Strings
170 1-42 Horns
171 1-43 Sax soft
172 1-44 Sax soft + strings
173 1-45 Sax tenor
174 1-46 Sax octave
175 1-47 Sax liscio
176 1-48 Sax liscio + clarinet
177 1-49 Sax liscio + tremolo
178 1-50 Sax + Trumpet
179 1-51 Sax + Trumpet expressive
180 1-52 Trombone e Trumpet
181 1-53 Split sax + Clarinet
182 1-54 Split sax + Flute
183 1-55 Split sax + Trumpet
184 1-56 Split Trombone + Trumpet
185 1-57 Brass 1
186 1-58 Brass 2
187 1-59 Whistle
188 1-60 Ocarina
189 1-61 Bagpipe
190 1-62 Bagpipes
191 1-63 Scottish 1 (tremolo + bagpipe)
192 1-64 Scottish 2 (tremolo + fiddle)
193 1-65 Scottish 3 (fiddle + ocarina)
194 1-66 Nylon guitar
195 1-67 Nylon guitar sustain
196 1-68 Nylon guitar + Choir
197 1-69 Nylon guitar + Strings
198 1-70 Jazz guitar
199 1-71 Jazz guitar + Flügelhorn
200 1-72 Jazz guitar octave
201 1-73 Jazz guitar octave + Flute
202 1-74 Guitar + Tambourine
203 1-75 Hawaiian guitar
204 1-76 Hawaiian guitar + Strings
205 1-77 Mandolin
206 1-78 Mandolin + Strings
207 1-79 Banjo
208 1-80 Banjo + harmonica
209 1-81 Grand Piano
210 1-82 Grand Piano Classic
211 1-83 Grand Piano sustain
212 1-84 Grand Piano + strings
213 1-85 Piano Octave
214 1-86 Honky Piano
215 1-87 Rhodes
216 1-88 Rhodes + Choir
217 1-89 Rhodes + String
218 1-90 Rhodes chorus+sustain
219 1-91 Piano FM 1
220 1-92 Piano FM 2
221 1-93 Piano FM 3
222 1-94 Piano FM + Digital
223 1-95 Piano FM + Choir
224 1-96 Vibes
225 1-97 Vibes tremolo
226 1-98 Vibes + Strings
227 1-99 Xylophone
228 1-100 Xylophone + Hawaiian
229 1-101 Glockenspiel
230 1-102 Glockenspiel + brightness
231 1-103 FM Tube bells
232 1-104 Céleste
233 1-105 Carillon
234 1-106 Du Choir
235 1-107 Choir
236 1-108 Slow Choir
237 1-109 Big Choir
238 1-110 Choir 8
239 1-111 Vocal
240 1-112 Slow Vocal
241 1-113 Brightness
242 1-114 Synth Strings
243 1-115 Synth Strings Warm
244 1-116 Fantasy
245 1-117 Fantasy + Synth Strings
246 1-118 Fantasy + Vocal
247 1-119 Fantasy + Brightness
248 1-120 Bass 8
249 1-121 Bass 16
250 1-122 Bass 16+8
251 1-123 Bass full
252 1-124 Acoustic bass
253 1-125 Acoustic bass 16 + sustain
254 1-126 Acoustic + ride
255 1-127 Bass + Tambourine
256 8-0 Bass + Hat
257 8-1 Bass + Crash
258 8-2 Bass + Timpani
259 8-3 Electric bass
260 8-4 Electric bass + sustain
261 8-5 Bass + Tuba
262 8-6 Synth bass
263 8-7 Bandoneon diatonic
264 8-8 Bandoneon chromatic
265 8-9 Bandoneon master
266 8-10 Diatonic
267 8-11 Old diatonic master (16+8+8)
268 8-12 Old diatonic bandoneon (16+8)
269 8-13 Old diatonic bassoon (16)
270 8-14 Old diatonic violin (8+8)
271 8-15 Old diatonic flute (8)
272 8-16 Old diatonic mute (8)
273 8-17 SEM (French musette) 8+8+8
274 8-18 SEM (French musette) 8+8 open
275 8-19 SEM (French musette) 8+8 normal

19
276 8-20 SEM (French musette) 8
277 8-21 Old French master (16+8+8+8)
278 8-22 Old French accord (16+8+8)
279 8-23 Old French accord cassotto (16+8+8)
280 8-24 Old French bandoneon cassotto (16+8)
281 8-25 Old French bandoneon (16+8)
282 8-26 Old French bassoon cassotto (16)
283 8-27 Old French violin cassotto (8+8)
284 8-28 Old French musette cassotto (8+8+8)
285 8-29 Old French violin (8+8)
286 8-30 Old French clarinet cassotto (8)
287 8-31 Old French flute cassotto (8)
288 8-32 SEM Super Regal master (16+8+8+8)
289 8-33 SEM Super Regal master (16+16+8+8)
290 8-34 SEM Super Regal master (16+8+8)
291 8-35 SEM Super Regal master (16+16+8)
292 8-36 SEM Super Regal bandoneon cassotto (16+8)
293 8-37 SEM Super Regal bandoneon (16+8)
294 8-38 SEM Super Regal double Bassoon (16+16)
295 8-39 SEM Super Regal double Bassoon sordina
(16+16)
296 8-40 SEM Super Regal Bassoon cassotto (16)
297 8-41 SEM Super Regal musette (8+8+8)
298 8-42 SEM Super Regal violin (8+8)
299 8-43 SEM Super Regal american cassotto (8+8)
300 8-44 SEM Super Regal clarinet cassotto (8)
301 8-45 SEM Super Regal flute (8)
302 8-46 Jazz cassotto (16)
303 8-47 Jazz double Bassoon cassotto (16+16)
304 8-48 Italian Accordion master (16+8+8+8+4)
305 8-49 Italian Accordion master (16+8+8+8)
306 8-50 Italian Accordion master (16+8+8+4)
307 8-51 Italian Accordion harmon (16+8+4)
308 8-52 Italian Accordion master (16+8+8)
309 8-53 Italian Accordion bandoneon cassotto(16+8)
310 8-54 Italian Accordion bandoneon (16+8)
311 8-55 Italian Accordion organ (16+4)
312 8-56 Italian Accordion cassotto (16)
313 8-57 Italian Accordion musette (8+8+8)
314 8-58 Italian Accordion violin (8+8)
315 8-59 Italian Accordion american cassotto (8+8)
316 8-60 Italian Accordion clarinet cassotto (8)
317 8-61 Italian Accordion flute (8)
318 8-62 Italian Accordion piccolo (4)
319 8-63 Scottish Accordion master (16+8+8+8)
320 8-64 Scottish Accordion master (16+8+8)
321 8-65 Scottish Accordion bandoneon (16+8)
322 8-66 Scottish Accordion bassoon (16)
323 8-67 Scottish Accordion musette (8+8+8)
324 8-68 Scottish Accordion violin open (8+8)
325 8-69 Scottish Accordion violin (8+8)
326 8-70 Scottish Accordion flute (8)
327 8-71 BAYAN master (16+8+8+4)
328 8-72 BAYAN accord (16+8+8)
329 8-73 BAYAN armon cassotto (16+8+4)
330 8-74 BAYAN armon (16+8+4)
331 8-75 BAYAN organ (16+4)
332 8-76 BAYAN bandoneon cassotto (16+8)
333 8-77 BAYAN bandoneon (16+8)
334 8-78 BAYAN bassoon (16 cassotto)
335 8-79 BAYAN musette (8+8+4)
336 8-80 BAYAN violin (8+8)
337 8-81 BAYAN oboe cassotto (8+4)
338 8-82 BAYAN oboe (8+4)
339 8-83 BAYAN clarinet (8 cassotto)
340 8-84 BAYAN flute (8)
341 8-85 BAYAN piccolo (4)
342 8-86 Converter bass 1 rows (8)
343 8-87 Converter bass 1 rows (4)
344 8-88 Converter bass 2 rows (8+8)
345 8-89 Converter bass 2 rows (8+4)
346 8-90 Converter bass 2 rows (8+2)
347 8-91 Converter bass 3 rows (8+8+2)
348 8-92 Standard bass Master 5 rows
349 8-93 Standard bass Master 5 rows dark
350 8-94 Standard bass master 5° da A
351 8-95 Standard bass A (16+8+8ac)
352 8-96 Standard bass master 5° da E
353 8-97 Standard bass E (16+8+8ac)
354 8-98 Standard bass (16+8+8ac+4ac)
355 8-99 Standard bass (16+2ac)
356 8-100 Standard bass (8+8ac+4ac)
357 8-101 Standard bass (8+4ac)
358 8-102 Standard chords (8ac+4ac+2ac)
359 8-103 Standard chords (8ac+4ac)
360 8-104 Standard chords (8ac)
361 8-105 Standard chords (8ac +2ac)
362 8-106 Standard chords (4ac+2ac)
363 8-107 Standard chords (4ac)
364 8-108 Standard chords (2ac)
365 8-109 Bass diatonic
366 8-110 Bandoneon left hand
367 8-111 Helikon Bass
368 8-112 Elkavox83 flute 16
369 8-113 Elkavox83 flute 8
370 8-114 Elkavox83 flute 4
371 8-115 Elkavox83 flute 2
372 8-116 Elkavox83 flute 16+8
373 8-117 Elkavox83 flute 16+4
374 8-118 Elkavox83 flute 16+2
375 8-119 Elkavox83 flute 8+4+2
376 8-120 Elkavox83 flute 16+8+4
377 8-121 Elkavox83 flute 16+4+2
378 8-122 Elkavox83 flute 16+8+4+2
379 8-123 Elkavox83 flute 16+5(1/3)+4+2(2/3)
380 8-124 Elkavox83 flute 16 slow+sustain
381 8-125 Elkavox83 flute 16+8 slow+sustain
382 8-126 Elkavox83 flute 16+2 slow+sustain
383 8-127 Elkavox83 flute 16+4+2 slow+sustain
384 16-0 Elkavox83 flute 16+8+4+2 slow+sustain
385 16-1 Elkavox83 flute 16+5(1/3)+4+2(2/3)
slow+sustain
386 16-2 Elkavox83 flute 8 slow+sustain+vibrato
387 16-3 Elkavox83 flute 16+8 slow+sustain+vibrato
388 16-4 Elkavox83 flute 16+5(1/3)+4+2(2/3)
slw+sus+vib
389 16-5 Elkavox83 flute percussion 5(1/3+4+2(2/3)
390 16-6 Elkavox83 flute percussion 4+2(2/3)
391 16-7 Elkavox83 strings 16
392 16-8 Elkavox83 strings 8
393 16-9 Elkavox83 strings 16 slow+sustain
394 16-10 Elkavox83 strings 8 slow+sustain
395 16-11 Elkavox83 strings 16+8
396 16-12 Elkavox83 trombone
397 16-13 Elkavox83 trombone+strings
398 16-14 Elkavox83 trumpet
399 16-15 Elkavox83 trumpet+strings
400 16-16 Elkavox83 sax
401 16-17 Elkavox83 sax+strings
402 16-18 Elkavox83 oboe
403 16-19 Elkavox83 oboe+strings
404 16-20 Elkavox83 violin
405 16-21 Elkavox83 violin+orchestra
406 16-22 Elkavox83 guitar
407 16-23 Elkavox83 guitar+strings
408 16-24 Elkavox83 brass 1
409 16-25 Elkavox83 brass 1+orchestra
410 16-26 Elkavox83 brass 2
411 16-27 Elkavox83 brass 2+strings
412 16-28 Elkavox83 accordion

20
413 16-29 Elkavox83 accordion+strings
414 16-30 Elkavox83 piano
415 16-31 Elkavox83 piano+strings
416 16-32 Elkavox83 clavichord
417 16-33 Elkavox83 clavichord+orchestra
418 16-34 Elkavox83 mandolin
419 16-35 Elkavox83 mandolin+strings
420 16-36 Elkavox83 combination 1
421 16-37 Elkavox83 combination 2
422 16-38 Elkavox83 combination 3
423 16-39 Elkavox83 combination 4
424 16-40 Elkavox83 combination 5
425 16-41 Elkavox83 + master
426 16-42 Elkavox83 + musette
427 16-43 Elkavox83 + cassotto
428 16-44 Elkavox83 + bandoneon
429 16-45 Elkavox83 + reed (8)
430 16-46 Drawbars 16
431 16-47 Drawbars 5_1/3
432 16-48 Drawbars 8
433 16-49 Drawbars 4
434 16-50 Drawbars 2_2/3
435 16-51 Drawbars 2
436 16-52 Drawbars 1_3/5
437 16-53 Drawbars 1_1/3
438 16-54 Drawbars 1
439 16-55 Drawbars Percussion 4
440 16-56 Drawbars Percussion 5_1/3
441 16-57 Drawbars Percussion 2_2/3
442 16-58 Drawbars Percussion 1_3/5
443 16-59 Drawbars Combi McDuff 1
444 16-60 Drawbars Combi McDuff 2
445 16-61 Drawbars Combi Buckner 1
446 16-62 Drawbars Combi Buckner 2
447 16-63 Drawbars Combi Holmes
448 16-64 Drawbars only percussions
449 16-65 Drawbars Combi 16+8+4+2
450 16-66 Drawbars Combi 16+1
451 16-67 Drawbars Combi 16+5(1/3)+4+2(2/3)
452 16-68 Drawbars Combi 16+5(1/3)
453 16-69 Drawbars Combi 16+5(1/3) vibrato
454 16-70 Drawbars Combi 16+4+2 vibrato e sustain
455 16-71 Drawbars Combi 8+2(2/3)
456 16-72 Drawbars Combi 8+2(2/3) vibrato + sus
457 16-73 Drawbars Combi 16+8 vibrato
458 16-74 Drawbars Combi 8+2(2/3) + vibrato e attack
459 16-75 Drawbars Combi 16+2 vibrato e attack
460 16-76 Drawbars Full
461 16-77 FM 1
462 16-78 FM 2
463 16-79 FM 3
464 16-80 FM 4
465 16-81 FM 5
466 16-82 FM 6
467 16-83 FM 7
468 16-84 FM 8
469 16-85 FM 9
470 16-86 FM 10
471 16-87 Old Synth 1
472 16-88 Old Synth 2
473 16-89 Old Synth 3
474 16-90 Old Synth 4
475 16-91 Old Synth 5
476 16-92 Old Synth 6
477 16-93 Old Synth 7
478 16-94 Old Synth 8
479 16-95 Old Synth 9
480 16-96 Old Synth 10
481 16-97 Combi 1
482 16-98 Combi 2
483 16-99 Combi 3
484 16-100 Combi 4
485 16-101 Combi 5
486 16-102 Combi 6
487 16-103 Combi 7
488 16-104 Combi 8
489 16-105 Combi 9
490 16-106 Combi 10
491 16-107 Digital Wind
492 16-108 Hat
493 16-109 Ride
494 16-110 Crash
495 16-111 Snare roll
496 16-112 Tambourine
497 16-113 Timpani
498 16-114 Drums
499 16-115 MUTE