Spirit KING-416 User manual

The lightning flash with arrowhead symbol, within
an equilateral triangle is intended to alert the user
to the presence of uninsulated dangerous voltage
within the product's enclosure that may be of
sufficient magnitude to constitute a risk of electric
shock to persons.
The exclamation point within an equilateral
triangle is intended to alert the userto the
presence of important operating and maintance
(servicing) instructions in the literature
accompanying the appliance.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water. Do not expose this apparatus to dripping or splashing and
ensure that no objects filled with liquids, such as vases, ase placed on this apparatus.
6. Clean only with a dry cloth.
7. Do not block any of the ventilation openings. Install in accordance with the manufactures
instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus that
produce heat.
9. Only use attachments/accessories specified by the manufacturer.
10.Refer all servicing to qualified service personnel. Servicing is required when the apparatus
(including amplifiers) has been damaged in any way, such as power-supply cord or plug is
damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has
been exposed to rain or moisture, does not operate normally, or has been dropped.
11.To completely disconnect mains power from this apparatus, the power supply cord must be
unplugged.
For US and CANADA only:
Do not defeat the safety purpose of the grounding-type plug. A grounding type plug
has two blades and a thirdgrounding prong. The wide blade or the third prong are
rovided for your safety. When the provided plug does not fit into your outlet,
consult An electrican for replacement of the absolete outlet
IMPORTANT SERVICE INSTRUCTIONS
CAUTION: These servicing instructions are for use by qualified personnel only. To
reduce the risk of electric shock, do not perform any servicing other than that
contained in the Operating Instructions unless you are qualified to do so. Refer all
servicing to qualified service personnel.
1. Security regulations as stated in the EN 60065 (VDE 0860) and the CSA E65 - 94 have to be obeyed
when servicing the appliance.
2. Use of a mains separator transformer is mandatory during maintenance while the appliance is
opened, needs to be operated and is connected to the mains
3. Switch off the power before retrofitting any extensions, changing the mains voltage or the output
voltage.
4. The minimum distance between parts carrying mains voltage and any accessible metal piece
(metal enclosure), respectively between the mains poles has to be 3 mm and needs to be minded at
all times.
The minimum distance between parts carrying mains voltage and any switches or breakers that are
not connected to the mains (secondary parts) has to be 6 mm and needs to be minded at all times.
5. Replacing special components that are marked in the circuit diagram using the security symbol
(Note) is only permissible when using original parts.
6. Altering the circuitry without prior consent or advice is not legitimate.
7. Any work security regulations that are applicable at the location where the appliance is being
serviced have to be strictly obeyed. This applies also to any regulations about the work place itself.
8. All instructions concerning the handling of MOS - circuits have to be observed.
Note: SAFETY COMPONENT (HAS TO BE REPLACED WITH ORIGINAL PART ONLY
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK.
DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.
RISK OFELECTRIC SHOCK
DO NOTOPEN
CAUTION
IMPORTANT SAFETY INSTRUCTIONS

ATTENTION!
The following special limitations apply to the console and must be observed in order to maintain safety
and electromagnetic compatibility performance:
POWER CONNECTION
The console should only be operated with the power supply connected to ground via its mains supply
the connector.
AUDIO CONNECTIONS
The console should only be operated with high quality screened twisted pair audio cables. All
connector shells should be of metal construction so that they provide a screen when they are plugged
into the console. All JACK connector shells should be connected to the cable screen. All XLR
connectors should have pin 1 connected to the cable screen.
ELECTRIC FIELDS
If the console is operated in an electromagnetic field that is amplitude modulated by an audio
frequency signal, the signal to noise ratio may be degraded. Degradation of up to 60dB may be
experienced under extreme conditions (3V/m, 90% modulation).
INSTALLATION
There are a number of points to consider when installing a mixing console. Many of these points will
have been addressed before the console is even unpacked but it is worth repeating them.
POSITION
The console should be located in a convenient space commensurate with the use to which the console
is being put. Ideally a cool area is preferred not in close proximity to power distribution equipment or
other potential sources of interference. Provision should be made for some flat surface surrounding
the console to prevent people using it as a table top.
MAINS VOLTAGE SETTING
The console is shipped with a specified mains voltage setting If the mains voltage is ever changed by
the mains voltage selector at the rear of the external power supply, the mains fuse has to be changed
as well to the rating matching the selected voltage on the label.
THE EXTERNAL POWER SUPPLY SHOULD NEVER BE OPERATED WITH THE MAINS EARTH
DISCONNECTED
Please note that the power supply contains LETHALVOLTAGES and that its rails can produce extremely
large currents which could burn out equipment and wiring if shorted. All testing and servicing should
ONLY be carried out by qualified engineers.
ATTENTION!

CONTENTS.............................................................................................................1
Mono Input Channel ............................................................................................. 2
Stereo Input Channel ............................................................................................ 4
....................................................................................................6
.................................................................................12
................................................................................................ 15
...................................................................................................... 17
...........................................................................................18
...........................................................................................19
...........................................................................................20
MASTER SECTION
CONSTRUCTIONAL DRAWINGS
TECHNIQUE INDEX
CONNECTORS
KING-416 STRUCTURAL
KING-432 STRUCTURAL
KING-424 STRUCTURAL
CONTENTS
1
CONTENTS

3. The HI PASS switch connects the 80Hz hi-pass-filter in the input channel
signal path before the insert point and equaliser.
The KING Mono Channel is equipped with an XLR input, which can be
used for Mic or Line level signal sup to +22dBu. An additional 1/4 inch
jack socket, provides an input for line level signals, which require
protection against accidental 48 volt connection KING The Line input gives
20dB of permanent attenuation to the input signal which will allow the
connection of extreme high line level signals up to +42dBu.
5. The HI MID control gives continuous adjustment of boost and cut from
-15dB to+15dB with a 0dB centre detent.
7. The LO MID control gives con tenuous adjustment of boost andcut from
-15dB to + 15dB with a 0dB centre detent.
9. The BASS control gives continuous adjustment of boost and cut from
-15dB to +15dB with a 0dB centre detent. The bass equaliser acts on 80Hz.
1. The +48V led monitors if phantom power is assigned. The +48V switch for
each channel is placed on the rear-panel of the console. It connects
+48V phantom power to the XLR input connector. This is suitable for a
condenser microphone or DI Box.
2. The GAIN control gives continuous adjustment of the input amplifier gain
from 0dB to +60dB for the Mic input and - 20dB to + 40dB for the Line
Input.
4. The TREBLE control gives continuous adjustment of boost and cut from
-15dB to +15dB with a 0dB centre detent. The treble equaliser acts on
12kHz .
6. The HI MID FREQ control gives continuous adjustment of the frequency
range that the hi mid equaliser acts on from 400Hz to 8kHz with a 1 octave
bandwith.
8. The LO MID FREQ control gives continuous adjustment of the frequency
range that the lo mid equaliser acts on from 100Hz to 2kHz with a 1 octave
bandwith.
10. The EQ switch connects the equaliser in the input channel signal Path.
0
0
+15-15
0
+15-15
2K
8K400
0
+15-15
500
2K100
0
+15-15
25
GAIN
060MIC
-20 -40
LINE
80Hz
12KHz
TREBLE
HI
MID
FREQ
Hz
LO
MID
FREQ
Hz
BASS
80Hz
EQ
ON
OFF
+48V 1
2
3
4
5
6
7
8
9
10
2
MONO INPUT CHANNEL

11. The FX controls give continuous adjustment of the post fader level sent
from the input channel to the FX busses. The level adjustment is from
+10dB to off with 0dB at the centre position of the rotary Control.
13.The AUX controls give continuous adjustment of the level sent from the
input channel to the AUX busses. The level adjustment is from + 10dB to
off with 0dB at the centre position of the rotary control.
AUX1 and 2 can be configured globally for pre- or post-fader operation
by pressing the PRE/POST switch on the appropriate AUX-rail in the master
Section.
12. The MON controls give continuous adjustment of the prefader and pre-
equaliser signal sent from the input channel to the MON busses. The
level adjustment is from + 10dB to off with 0dB at the centre position of
the rotary control.
14. The PAN controls the channel placement within the master stereo or
group mix and has a constant power law. i.e. - 3dB at the centre position
and 0dB or off at either extreme setting.
16. The SOLO switch sends the input channel signal to the PFL /mono-and AFL
/ stereo busses. If the switch is engaged, the mon1/2 meters are
automatically used for solo metering.
18. The FADER gives continuous adjustment of the input channel level from
+10dB to off.
17. The SIGNAL (-16dBu) / PEAK(+16dBu) display monitors the peak signal
level of the pre fader input channel.
19. The 1-2 switch connects the post fader channel signal to the group 1-2
busses via the pan control.
20. The 3-4 switch connects the post fader channel signal to the group 3-4
busses via the pan control.
21. The MAS switch connects thepost fader channel signal to the master
stereo bus via the pan control.
0
+10
8
0
+10
8
0
+10
8
0
+10
8
0
+10
8
0
+10
8
RL
FX 1
POST
FX 2
POST
MON 1
PRE
MON 2
PRE
AUX 1
AUX 2
PAN
MUTE
25
SOLO
PK
SIG
10
5
0
5
10
15
20
25
40
60
80
8
1-2
3-4
MAS
INPUT
0
11
12
13
14
15
16
17
18
19
20
21
15.The MUTE switch mutes the input channel at all points after the insert send,
including all auxiliary Sends.
3
MONO INPUT CHANNEL

17-18
+48V
80Hz
0
+600
0
+20-20
0
+15-15
0
+15-15
0
+15-15
0
+15-15
GAIN
MIC
LINE
TRIM
TREBLE
12KHz
HI MID
3KHz
LO MID
300Hz
BASS
80Hz
EQ
ON
OFF
The KING stereo input channel is equipped with an XLR input which can be
used for Mic or Line level signals up to +22dBu. Two additional1/4 inch
jack sockets, provide an input for Stereo- or Mono Line level signals up to
+28dBu.The stereo channel features the same hi-value microphone pre-
amp as the mono channel. Because the stereo input channel uses
independet circuits for Mic and Stereo Line , it is possible to have all inputs
connected at the same time, without interference.
4. The LINE TRIM control gives continuous adjustment of the stereo input
amplifier gain from -20dB to + 20dB for the Stereo Line input.
6. The HI MID control gives continuous adjustment of boost and cut from
-15dB to +15dB with a 0dB centre detent. The HI MID equaliser acts on
3kHz with a 1.4 octaves bandwith.
1. The +48V switch for each channel is positioned at the rear panel of the
console. It connects +48 V phantom power to the XLR input connector.
This is suitable for a condenser microphone or DI Box.
2. The MIC GAIN control gives continuous adjustment of the input amplifier
gain from 0dB to + 60dB for the Mic input.
3. The HI PASS switch connects the the 80Hz hi-pass-filter in the input channel
signal path right after the mic input amplifier.
5. The TREBLE control gives continuous adjustment of boost and cut from
-15dB to - 15dB with a 0dB centre detent. The treble equaliser acts on
12kHz.
7. The LO MID control gives continuous adjustment of boost and cut from
-15dB to+15dB with a 0dB centre detent. The LO MID equaliser acts on
300Hz with a 1.4 octaves bandwith.
9. The EQ switch connects the equaliser in the input channel signal Path.
8. The BASS control gives continuous adjustment of boost and cut from
-15dB to +15dB with a 0dB centre detent. The bass equaliser acts on 80Hz.
1
2
3
4
5
6
7
8
9
4
STEREO INPUT CHANNEL

10. The FX controls give continuous adjustment of the level sent from the
input channel to the FX busses. The level adjustment is from + 10dB to off
with 0dB at the centre position of the rotary control. The FX controls are
connected post-fader and send the mixed left/right signal to the FX
Busses.
12. The AUX controls give continuous adjustment of the mixed left/right signal
level sent from the input channel to the AUX busses. The level adjustment
is from + 10dB to off with 0dB at the centre position of the rotary control.
AUX1 and 2 can be configured globally for pre- or postfader operation
by pressing the PRE/POST switch on the appropriate AUX-rail in the master
section.
14. The MUTE switch mutes the input channel at all points, including all
auxiliary sends.
11. The MON controls give continuous adjustment of the level sent from the
input channel to the MON busses. The level adjustment is from + 10dB to
off with 0dB at the centre position of the rotary control. The MON controls
are connected prefader, pre equaliser and send the mixed left/right
signal to the MON bus-Ses.
13. The BAL (pan) control is used to balance the relative levels of the left and
right channel signals that are sent to the masters or groups. The control
has a constant power law, i.e. -3dB at the centre position and + 0dB or
off at either extreme setting. If the Stereo channel used as mono input,
the BALANCE (pan) controls the channel placement within the master
stereo- or group mix.
15. The SOLO switch sends the input channel signal to the PFL/ mono and AFL/
stereo busses. If the switch is engaged, the mon1/2 meters are
automatically used for solo metering.
17. The FADER gives continuous adjustment of the input channel level from
+10dB to off.
16. The SIGNAL (-16dBu) / PEAK (+16dBu) display monitors the peak signal
level of the pre fader input channel.
18. The 1-2 switch connects the post fader channel signal to the group 1-2
busses via the bal (pan) control
19. The 3-4 switch connects the post fader channel signal to the group 3-4
busses via the pan control.
20. The MAS switch connects the post fader channel signal to the master
stereo bus via the pan control.
0
+10
8
0
+10
8
0
+10
8
0
+10
8
0
+10
8
0
AUX 1
AUX 2
MON 1
PRE
MON 2
PRE
FX 1
POST
FX 2
POST
STEREO INPUT
+10
8
RL
0BAL
MUTE
17-18
SOLO
PK
SIG
10
5
0
5
10
15
20
25
40
60
80
8
1-2
3-4
MAS
10
11
12
13
14
15
16
17
18
19
20
5
STEREO INPUT CHANNEL

3. The SOLO switch sends the group signal to the PFL / mono and AFL / stereo
busses. If the switch is engaged the mon meters are automatically used
for solo metering
5. The GROUP faders give continuous adjstment of the sub group output
levels from +10dB to off.
1. The PAN controls the group placement within the master stereomix and has
a constant power law i. e. -3dB at the centre position and 0dB or off at
either extreme Setting.
2. The MAS switch connects the post fader group signals to the stereo master
bus via the pan Control.
4. The SIGNAL (-16dBu) PEAK (+16dBu) display monitors the signal level of the
group bus.
RL
0
PK
SIG
10
5
0
5
10
15
20
25
40
60
80
8
PAN
MAS
GROUP1
SOLO
GROUP1
1
2
3
4
5
6
MASTER SECTION

6. The FX SEND control gives continuous adjustment of the FX send output
level from +10dB to off with 0dB at the centre position of the rotary control.
3. The 1-2 switch connects the post fader FX- return left signal to the group 1
bus and right signal to the group 2 bus.
4. The 3-4 switch connects the post fader FX- return left signal to the group 3
bus and right signal to the group 4 bus.
5. The MAS switch connects the post fader FX- return stereo signal to the
stereo master bus
8. The MON controls give continuous adjustment of the pre- fader signal sent
from the Fxreturn channel to the MON busses. The level adjustment is from
+ 10dB to off with 0dB at the centre position of the rotary control.
1. The MUTE switch mutes the Fxreturn at all pointes.
2. The SOLO switch sends the Fxreturn signal to the PFL / mono and AFL /
stereo busses. If the switch is engaged the mon 1 /2 meters are
automatically used for solo metering
7. The FADER gives continous adjustment of the FX- return level from +10dB to
off.
7
0
+10
8
0
+10
8
0
+10
8
0
+10
8
Fx1
MUTE
SOLO
RETURN-ROUTING
1-2
3-4
MAS
Fx1
SEND
Fx1
RETURN
MON 1
PRE
MON 2
PRE
1
2
3
4
5
8
6
7
MASTER SECTION

1. The MUTE switch mutes the monitor send output signal.
3. The MON SEND fader gives continuous adjustment of the monitor send
signal from +10dB to off.
2. The SOLO switch routes the monitor send signal to the PFL/ mono and AFL/
stereo busses. If the switch is engaged, the mon 1/2 meters are
automatically used for solo metering.
MUTE
SOLO
MON 1
10
5
0
5
10
15
20
25
40
60
80
8
MON 1
1
2
3
8
MASTER SECTION
1. The global AUX PRE/POST switch configures the aux bus either in pre- fader
(mon) or post-fader (fx) operation. The LEDs next to the switch provide
indication of status.
3. The MUTE switch mutes the aux send output signal. It does not affect the
aux return.
2. The AUX SEND control gives continuous adjustment of the aux send output
level from +10dB to off with 0dB at the centre position of the rotary
Control.
4. The AUX RETURN control gives continuous adjustment of the stereo aux
return level from +10dB to off with 0dB at the centre position of the rotary
control. The aux return signals are directly routed to the L/R master Busses.
5. The SOLO switch routes the aux send signal to the PFL/ mono and AFL/
stereo busses. Whenever a solo switch is engaged the man 1/2 display is
automatically used for solo metering.
6. The MON controls give continuous adjustment of the level sent from the
aux return to the MON busses. The level adjustment is from +10dB to off
with 0dB at the centre position of the rotary control.
SEND
SEND
MUTE
SOLO
MUTE
SOLO
0
+10
8
0
+10
8
0
+10
8
0
+10
8
MON 1
MON 2
AUX 1
RETURN
AUX 2
RETURN
AUX 1
AUX 2
PRE
POST
PRE
POST
0
+10
8
0
+10
8
1234
56

1. The TAPE inputs provide a feed from an unbalanced phono source to the
stereo master busses or to phones and speakers outputs. The TAPE IN level
control provides nominal adjustment from +20dB to off with 0dB at the
centre position of the rotary control.
3. The MASTERS B rotary control gives continuous adjustment of the masters B
(stereo/mono) output level from +10dB to off with 0dB at the centre
position of the rotary control.
4. By the STEREO/MONO switch the Master B outputs can be configured in two
modes. In STEREO mode the master b outputs are fed with the stereo left
and right mix signals. In Mono mode they are fed with the summed left
and right mix signal.
7. The MUTE switch mutes all signals sent to master and master b outputs.
Only the Tape In signal to masters is not affected by the MUTE switch.
2. The MAS switch connects the TAPE IN signal to the master L/R busses right
after the master mute switch. This allowes i. e.background music during a
show, even when the master mute switch is engaged. The MAS switch
should be off during recording via TAPE OUT.
5. The PRE/POST switch changes the signals sent to the masters b outputs from
pre master fader to post master fader.
6. The BAL control is used to balanced the relative levels of the left and right
master signals that are sent to the masters outputs. The control has a
constant power law, i. e. 0dB at the centre position and +3dB or off at
either extreme Setting.
8. The stereo Fader gives continous adjustment of the left and right mix levels
from +10dB to off.
RL
0BAL
MUTE
MASTERS
10
5
0
5
10
15
20
25
40
60
80
8
MASTERS
0
+10
8
0
+10
8
AUX 1
RETURN
AUX 2
RETURN
PRE
POST
STRREO
MONO
0
+10
8
0
+10
8
LEVEL
MASTERS B
MAS
TAPE
IN
1
2
3
4
5
6
7
8
9
MASTER SECTION

1. The talkback LEVEL control gives continuous adjustment of the talkback
signal from +50dB to off. The talkback input accepts a maximum input
level of +8dBu.
7. The PHONES level control gives continuous adjustment of the level from
+10dB to off at the phones output .
8. The SPEAKERS level control gives continuous adjustment of the signal at the
speakers left and right output from +10dB to off with 0dB at the centre
position of the rotary control.
10. The SOLO control adjusts the incoming solo level before sending it to the
headphones and speaker outputs. The control range is -20dB to +20dB
with 0dB in centre position.
2. The non-latching MON switch connects the talkback mic to mon1 and
mon2 busses.
3. The non-latching AUX switch connects the talkback mic to aux1 and aux2
pre-busses.
4. The non-latching GRP switch connects the talkback mic to all group
busses.
5. The non-latching MAS switch connects the talkback mic to left and right
master busses.
9. The SOURCE switch controls whether the tape in or master signal is present
at the headphones and control room speaker outputs, if no solo button is
engaged.
11. If a solo button is engaged the PFL / AFL switch controls whether the mono
pre fader listen or the stereo after fader listen signal is present at the
headphones and control room speaker outputs.
0
+10
8
0
+10
8
AFL L/R
PFL
SOLO
SOURCE
MAS
TAPE
SPEAKERS
LEVEL
0
+10
8
SOLO
PHONE
LEVEL
MAS
GRP
AUX
MON
30
+50
8
LEVEL
TALKBACK
1
2
3
4
5
7
8
9
10
11
6
6. Whenever a solo button is engaged the SOLO led turns on and the mon
1/2 metering is automatically used as solo meter.
In pfl-mode the mon1 meter displays the signal level in dBu of the selected
solo source at the pre- fader position.
In afl-mode the mon1 (afl-l) and mon2 (afl-r) meters are active and display
the signal levels in dBu in the stereo image at the after- fader position.
10
MASTER SECTION

3. The input for a TALKBACK Microphone is provided via a 3pinfemale XLR
connector. The +48V Phantom power is permanently connected which is
suitable for condenser microphones.
2. The 1/4 inch jack sockets provide stereo outputs for one PHONES. Output
are controlled via the phones rotary control.
4. The MON meters display the post fader peak signal levels of the monitor
outputs. Whenever a solo button is engaged the meter displays the peak
signal levels of the selected pfl or afl solo source.
5. The MASTER meters monitor the peak signal levels of the master outputs left
and right (post Fader).
+16
+12
+9
+6
+3
0
-3
-6
-9
-12
-15
-10
-21
-24
+16 +16 +16
+12 +12 +12
+9 +9 +9
+6 +6 +6
+3 +3 +3
000
-3 -3 -3
-6 -6 -6
-9 -9 -9
-12 -12 -12
-15 -15 -15
-10 -10 -10
-21 -21 -21
-24 -24 -24
12
GROUP
34
GROUP
AFL-L AFL-R
PFL
1 MON 2 MASTERS
LEFT RIGHT
23
4
5
1. A convenient connection for two 12V desk lamps is provided via the 4pin-
female XLR connectors. Thepower rating 5W is the maximum rating per
output and may not be Exceeded.
1
11
MASTER SECTION
6. The groups metres monitor the peak signal levels of the group outputs.
6
PHONE
LAMP
12V/5W 12V/5W

12
CONSTRUCTIONAL DRAWINGS

13
Group1
Group2
Group3
Group4
CONSTRUCTIONAL DRAWINGS

14
CONSTRUCTIONAL DRAWINGS

Features and Specifications
Inputs (total)
Mono-Inputs (Mic/Line) withInserts
Stereo-Line/Mono-Mic-Input Channels
Stereo-Effect-Returns (Line)
Stereo-Tape-Return(Line)
Busses
Subgroups
Aux Pre-Fader (Monitor)
Aux Post-Fader(Effects)
Aux switchable Pre/Post-Fader
Master L/R
Mono-PFL
Stereo-AFL
Outputs
Subgroups (with Inserts)
Aux Pre-Fader (Monitor)
Aux Post-Fader(Effects)
Aux switchable Pre/Post-Fader
Master (with Inserts)
Master B Out
(switchable Mono/Stereo, pre-postFader)
Tape Send (Recording)
Direct Outputs (1/4inch Jack)
Stereo-Headphones
Stereo-Speakers
Size (mm/inch)
Width
Depth
Heights
Weight (kg)
Power Consumption
Mains Voltage
Additional Features
Connector for desklamps
External Power Supply
Accessories
KING-416
30
8
4/4
4
8
490/19.3
568/22.4
194/7.6
14.5
100W
Yes
KING-432
46
24
4/4
4
24
906/35.7
568/22.4
194/7.6
24
150W
Yes
15
TECHNIQUE INDEX
KING-424
38
16
4/4
4
1 left/right
15
4
2
2
2
2
1
2
4 impedance balanced1/4 inch jacks
2 XLR (balanced)
2 impedance balanced1/4 inch jacks
2 XLR (balanced)
2 XLR (balanced)
2 XLR (balanced)
1 Stereo (Phono)
16
2 Stereo-1/4 inchjack
2 impedance balanced1/4 inch jacks
Size (mm/inch)
698 / 27.5
568 / 22.4
194 / 7.6
19.2
120W
220V~240V
2 x 12V/5W(4-Pin XLR)
Yes
External power supply
12V Desk lamp(notincluded)

Input Impedance
Input Gain
Maximum Input Level
CMR at 100Hz
CMR at 1kHz
Frequency Response
(20 to 20kHz)
Noise (20 to20kHz)
System Noise (20to 20kHz)
Distortion at 1kHz
Crosstalk at 1kHz
Output Impedance
Maximum Output Level
Nominal Signal Level
Equaliser Mono Channel
Equaliser Stereo Channel
Mic
Line
Mic
Line Mono Channel
Line Stereo Channel
Line Level Inputs
Mic
Line Level Inputs
Line Mono Channel
Line Stereo Channel
Mic (gain +40dB)
Mic (gain +40dB)
Line
Mic to Mix
(gain + 60dB)
Mic EIN ref. 150ohms
(gain + 60dB)
Summing Noise
(16 channels routedwith faders down)
Line to MixNoise
(16 channels routedat 0dB, pancentre)
Mic to Insert(+ 30dB gain,+ 20dBu output)
Mic to Mix(+30dB gain, +20dBu output)
Channel to Channel
Mix to Mix
Channel to Mix
Fader Attenuation
Switch Rejection
All Line Outputs
Headphones
Master Outputs onXLR
All other Outputson XLR
All Outputs on1/4 inch jacks
Headphones
Mic
Line
Hi Pass Slope
Hi Pass Frequency
Treble Gain
Treble Frequency
Hi Mid Gain
Hi Mid Frequency
Hi Mid Bandwith
Lo Mid Frequency
Lo Mid Bandwith
Bass Gain
Bass Shelving Frequency
Hi Pass Slope
Hi Pass Frequency
Treble Gain
Treble Frequency
Hi Mid Gain
Hi Mid Frequency
Hi Mid Bandwidth
Lo Mid Gain
Lo Mid Frequency
Lo Mid Bandwidth
Bass Gain
Bass Shelving Frequency
2k Balanced
20k Balanced
Continuously variable from
0dB to +60dB
Continuously variable from
- 20dB to+ 40dB
Continuously variable from
- 20dB to+ 20dB
0dB
+ 22dBu
+ 22dBu
+ 42dBu
+ 28dBu
Typ. 75dB
> 85dB
> 45dB
+ 0dB to- 1dB
- 129dBu
- 90dBu
- 86dBu
Typ 0.0007%
0.009%
< - 80dB
< - 80dB
< - 80dB
> 100dB
> 100dB
75 Ohms BalancedSource
To drive 32ohms
32ohms
+ 25dBu
+ 22dBu
+ 22dBu
+ 22dBu/600ohms
- 60dBu to0 dBu
0dBu
12dB / Oct
80Hz
Treble Gain Continuouslyvariable+ 15 dB to - 15 dB
Centre detent =0dB
12k
Continuously variable+15 dB to- 15 dB
Centre detent =0dB
Continuously variable Centrefrom 400Hz to8k
1 Oct.(Q = 1.4)
Continuously variable+ 15 dBto - 15dB
Centre detent =0dB
1 Oct.(Q = 1.4)
Continuously variable+15 dB to- 15 dB
Centre detent =0dB
80Hz
12dB / Oct
80Hz
Continuously variable+15 dB to- 15 dB
Centre detent =0dB
12k
Continuously variable+15 dB to- 15 dB
Centre detent =0dB
3k
1.4 Oct.(Q = 1)
Continuously variable+15 dB to- 15 dB
Centre detent =0dB
300Hz
1.4 Oct.(Q = 1)
Continuously variable+15 dB to- 15 dB
Centre detent =0dB
80Hz
16
CONSTRUCTIONAL DRAWINGS

CONNECTORS
17
KING-432
KING-424
KING-416
POWER SUPPLY OUTPUT SOCKET
Tape IN/OUT
RLIN
LAMP
12V/5W
Input/Output XLR
Pin 1:Ground
Pin 2:Hot
Pin 3:Cold
Lamp out
Pin 1:Chassis
Pin 2:n.c
Pin 3:Ground
Pin 4:+12V
RL
OUT
Ground
Signal
Insert
Tip: Send
Ring: Return
Sleeve: Ground
Input/Output
Tip: Hot
Ring: Cold
Sleeve: Ground
GROUNDED UNGROUNDED
220V
110V
CIRCUIT GND TO CHASSIS SWITCH
VOLTAGE SELECT SWITCH
~110-230V
50-60Hz
CAUTION
RISKOFELECTRICSHOCK
DONOTOPEN
WARNING:TOREDUCETHERISKOFRIREORELECTRICSHOCK
DONOTEXPOSETHISEQUIPMENTTORAINORMOISTURE.
MIXER CONSOLES EXTERNAL POWER SUPPLY
ON
POWER
+48V -17V +17V
1
23
4
5
6
DC OUTPUT TERMINAL
PIN1:+17V
PIN2:-17V
PIN3:GROUND
PIN4:+48V
PIN5:SHIELD
PIN6:SWITCH OUTPUT RELAYS
EXTERNAL POWER SUPPLY
PIN1:+17V
PIN2:-17V
PIN3:GROUND
PIN4:+48V
PIN5:SHIELD
PIN6:SWITCH OUTPUT RELAYS
15
DIRECT
OUT
INSERT
LINE
+48
MIC
32
DIRECT
OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT
INSERT INSERT INSERT INSERT INSERT INSERT INSERT
LINE LINE LINE LINE LINE LINE LINE
+48
MIC +48 MIC +48 MIC +48 MIC +48 MIC +48 MIC +48 MIC
31 30 29 28 27 26 25
DIRECT
OUT
INSERT
LINE
+48
MIC
16
DIRECT
OUT
INSERT
LINE
+48
MIC
DIRECT
OUT
INSERT
LINE
+48
MIC
DIRECT
OUT
INSERT
LINE
+48
MIC
14
DIRECT
OUT
INSERT
LINE
+48
MIC
13
DIRECT
OUT
INSERT
LINE
+48
MIC
12
DIRECT
OUT
INSERT
LINE
+48
MIC
11
DIRECT
OUT
INSERT
LINE
+48
MIC
10
DIRECT
OUT
INSERT
LINE
+48
MIC
9
DIRECT
OUT
INSERT
LINE
+48
MIC
8
DIRECT
OUT
INSERT
LINE
+48
MIC
7
DIRECT
OUT
INSERT
LINE
+48
MIC
6
DIRECT
OUT
INSERT
LINE
+48
MIC
32
DIRECT
OUT
INSERT
LINE
+48
MIC
5
DIRECT
OUT
INSERT
LINE
+48
MIC
4
DIRECT
OUT
INSERT
LINE
+48
MIC
3
DIRECT
OUT
INSERT
LINE
+48
MIC
2
DIRECT
OUT
INSERT
LINE
+48
MIC
117-1819-2021-22
23-24
+48
MIC
+48
MIC
+48
MIC
+48
MIC
LINE/R
MONO
LINE/R
MONO
LINE/R
LINE/R
MONO
LINE/R
LINE/R
MONO
LINE/R
EXTERNAL POWER SUPPLY
STEREO MASTERS
INSTER/R INSTER/L
OUT/R OUT/L
OUT R/MOMO OUT L/MOMO
MASTERS B
FX 2 FX1
MON 2 MON1
AUX 2 AUX 1
AUXILIARY SENDS
AUXILIARY SENDS
TAPE
RLIN
RLOUT
L/MONO L/MONO L/MONO L/MONO
RRRR
OUT/R OUT/L OUT INSERT OUT OUT OUTINSERT INSERT INSERT
SPEAKERS GROUP 4 GROUP 3 GROUP 2 GROUP 1
AUX2 AUX1 FX 2 FX1
STEREO AUXILIARY RETURNS
BALANCED INPUTS AND OUTPUTS:SHAFT/PIN 1=GROUND,TIP/PIN=HOT&+ ,RING/PIN3=COLD& - INSERTS:SHAFT=GROUND TIP=SIND FING=RETURN
LAMP
12V/5W 12V/5W
7
DIRECT
OUT
INSERT
LINE
+48
MIC
24
DIRECT
OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT
INSERT INSERT INSERT INSERT INSERT INSERT INSERT
LINE LINE LINE LINE LINE LINE LINE
+48
MIC +48 MIC +48 MIC +48 MIC +48 MIC +48 MIC +48 MIC
23 22 21 20 19 18 17
DIRECT
OUT
INSERT
LINE
+48
MIC
8
DIRECT
OUT
INSERT
LINE
+48
MIC
DIRECT
OUT
INSERT
LINE
+48
MIC
DIRECT
OUT
INSERT
LINE
+48
MIC
6
DIRECT
OUT
INSERT
LINE
+48
MIC
5
DIRECT
OUT
INSERT
LINE
+48
MIC
4
DIRECT
OUT
INSERT
LINE
+48
MIC
3
DIRECT
OUT
INSERT
LINE
+48
MIC
2
DIRECT
OUT
INSERT
LINE
+48
MIC
19-1011-1213-14
15-16
+48
MIC
+48
MIC
+48
MIC
+48
MIC
LINE/R
MONO
LINE/R
MONO
LINE/R
LINE/R
MONO
LINE/R
LINE/R
MONO
LINE/R
EXTERNAL POWER SUPPLY
STEREO MASTERS
INSTER/R INSTER/L
OUT/R OUT/L
OUT R/MOMO OUT L/MOMO
MASTERS B
FX 2 FX 1
MON 2 MON 1
AUX 2 AUX 1
AUXILIARY SENDS
AUXILIARY SENDS
TAPE
RLIN
RLOUT
L/MONO L/MONO L/MONO L/MONO
RRRR
OUT/R OUT/L OUT INSERT OUT OUT OUTINSERT INSERT INSERT
SPEAKERS GROUP 4 GROUP 3 GROUP 2 GROUP 1
AUX2 AUX1 FX 2 FX 1
STEREO AUXILIARY RETURNS
BALANCED INPUTS AND OUTPUTS:SHAFT/PIN 1=GROUND,TIP/PIN=HOT&+ ,RING/PIN3=COLD& - INSERTS:SHAFT=GROUND TIP=SIND FING=RETURN
LAMP
12V/5W 12V/5W
7
DIRECT
OUT
INSERT
LINE
+48
MIC
8
DIRECT
OUT
INSERT
LINE
+48
MIC
DIRECT
OUT
INSERT
LINE
+48
MIC
DIRECT
OUT
INSERT
LINE
+48
MIC
6
DIRECT
OUT
INSERT
LINE
+48
MIC
5
DIRECT
OUT
INSERT
LINE
+48
MIC
4
DIRECT
OUT
INSERT
LINE
+48
MIC
3
DIRECT
OUT
INSERT
LINE
+48
MIC
2
DIRECT
OUT
INSERT
LINE
+48
MIC
19-1011-1213-14
15-16
+48
MIC
+48
MIC
+48
MIC
+48
MIC
LINE/R
MONO
LINE/R
MONO
LINE/R
LINE/R
MONO
LINE/R
LINE/R
MONO
LINE/R
EXTERNAL POWER SUPPLY
STEREO MASTERS
INSTER/R INSTER/L
OUT/R OUT/L
OUT R/MOMO OUT L/MOMO
MASTERS B
FX 2 FX 1
MON 2 MON 1
AUX 2 AUX 1
AUXILIARY SENDS
AUXILIARY SENDS
TAPE
RLIN
RLOUT
L/MONO L/MONO L/MONO L/MONO
RRRR
OUT/R OUT/L OUT INSERT OUT OUT OUTINSERT INSERT INSERT
SPEAKERS GROUP 4 GROUP 3 GROUP 2 GROUP 1
AUX2 AUX1 FX 2 FX 1
STEREO AUXILIARY RETURNS
BALANCED INPUTS AND OUTPUTS:SHAFT/PIN 1=GROUND,TIP/PIN=HOT&+ ,RING/PIN3=COLD& - INSERTS:SHAFT=GROUND TIP=SIND FING=RETURN
LAMP
12V/5W 12V/5W