6
Fine Frequency control centered
•If the NPN has too much gain with respect to the PNP, sweep of the Freq Adjust trimmer will
show a range of 0hz to >90hz
•On the other hand, if the PNP has too much gain with respect the NPN, sweep of the Freq
Adjust trimmer will show a range of 0hz to 30hz or less, which won’t get you to (required for
Fuzzbass Calibration) 32.7hz. A borderline situation will have the trimmer maxed to get this
frequency, and should be avoided.
On top of this, if the transistors are both very high gain, smaller differences in the gain between them will
be exaggerated in the result.
Ideally you want examples of both NPN and PNP that are in the range of 180 –220 hFE, to yield a sweep
range on the trimmer of (ideally) 0hz –40hz, with 0hz –90hz acceptable. Shifting the window for match
downward (ex: 150 –190) is probably fine, but moving upward from this point, the delta has to reduce,
as the effect of mismatch increases. Just remember that you need to get, with the trimmer maxed, to at
least 40hz, and the wider this range gets, the less granularity there will be setting the base frequency
during calibration.
Worth noting here: the ARP 2600 Service Manual VCO calibration is a bit more forgiving of mismatch in
this location.
PART SUBSTITUTION
If you are fulfilling the BOM yourself, here are some notes regarding part adjustments.
All resistors are ¼ watt through hole types and for the sake of consistency are stated as metal foil 1%.
Synthcube may pack a few in the kits that are 5%, or 1/8 watt, and this is fine. It is assumed that most of
the resistors used in the ARP 2600 were 5% carbon composition types, with probably a small number
either higher precision, or hand selected. Generally you can get away with using carbon comp resistors,
but there are no guarantees, and most carbon comp type resistors have a way of soaking up moisture and
degrading slowly over time. The only resistors dissipating an appreciable amount of wattage are the four
10R units in the Amp section, and the 100R unit preceding the output to the reverb pan. Any others
around the synth should be swappable with 1/8 watt types if you have those on hand.
All Electrolytic capacitors are polarized, and must have 5mm or less diameter and 2mm lead spacing. For
longer life, they should be rated for 105c operation, although only the capacitors on the DC-DC converter
sub-board will be exposed to any significant heat. The 47u units should be rated for 25V operation, and
the rest may be 25V or 50V. You will find the best selection of caps with the correct dimensions will be
rated 50V. The best choice of the 10u caps have 5x7mm dimensions, 105c and 50V rating, and 2mm lead
spacing. If you get caps here that are max 7mm tall, they will fit better on the sub boards. If you have
some caps that meet all these, except are 11mm tall, you can install them on the back sides of the VCO
and VCF cores.
With one exception, all non-polarized caps have 5mm footprint, so try to get units with legs formed to
that. The exception is the two .022u box film capacitors in the Noise and S&H sections, which have 7.5mm
lead spacing. For the sake of consistency and cost, most of the non-polarized capacitors are listed as
MLCC-COG types. There are a few .1u MLCCs that are X7R rated, including the 0805 SMD capacitors on
the VCO cores. Excepting the SMD caps, any of the MLCCs can be replaced with box film types if you have