Synthesis Technology E330 Multi-Mode VCO User manual

E330 Multi-Mode VCO
www.synthtech.com/eurorack/E330
What is the E330?
The E330 Multi-Mode VCO is a digital audio-rate oscillator with 3 different modes of operation, selected
by a front panel switch. There are 2 parameter controls/CV inputs that vary the behavior of the E330
based on the mode.
The E330 is not designed to be a LFO, the SynthTech E355 Dual Morphing LFO is better suited and
makes a great modulator for driving the E330.
Connecting to the power supply
The E330 uses a standard 16-pin Euro power cable. The -12V is the Red Stripe (Pin 1), and this is
indicated on the pc board. Reverse-supply diodes will prevent the module from damage if the cable is
reversed.
OVERVIEW
The E330 has 2 audio outputs OUT1 and OUT2, which are controlled by MODULATION A and
MODULATION B panel controls, respectively. Depending on the mode selected, these controls will
alter the outputs in different ways.
The 2 CV inputs MOD A and MOD B are summed with the setting of the panel controls, so there is no
attenuation built-in. The input voltage range is -5V to +5V, but in order to use this full-range the
corresponding panel pot must be in the 12:00 (straight up) position, or the CV will be internally limited
to the min or max endpoint(s). It is strongly suggested to use an external attenuator or VCA module to
first attenuate the incoming CVs to get the widest range of possible sounds from the E330.
COARSE and FINE set the output frequency. FM CV input is attenuated by the FM panel control and
summed with the COARSE/FINE settings. 1V/OCT is a tracking 1V/octave CV input (no attenuator).
SYNC input will reset the VCO in all 3 modes, to minimum phase value if the sync signal exceeds 0.45V
(positive-level sensitive).

2-OP FM Mode
2-OP is an abbreviation for Yamaha’s ‘2-operator’ FM synthesis. The E330 generates 2 sine oscillators
and FM modulates one with the other. The modulated result is on OUT 1, while OUT 2 has just the sine
VCO which is modulating the carrier (the audio). The 2 parameters you can control are the Depth of
Modulation (or the ‘Index’) using MODULATION A/MOD A and the ‘Ratio’, which is the ratio of the
frequency of the modulator to the carrier, using MODUALTION B/MOD B.
The Index can vary from 0% (OUT 1 is just a pure sine wave) to over 400% (harmonic sidebands).
The Ratio is a 64-level, quantized look-up table as in the original Yamaha chips, from 0:0 (which means
OUT 2 is muted) to 7.875:1 (OUT 2 is 7.875 times the frequency of OUT 1). The steps are in ratios of
0.125. This allows OUT 2 to ‘track’ OUT 1 as either a sub-harmonic of 1/8th of OUT 1 (a RATIO of
0.125:1) all the way past the 7th harmonic (RATIO of 7.00:1).
OUT 2 can be used in many ways. Common patches are using an external mixer to ‘add back in’ the
harmonics, or using a VCA to modulate OUT 2, then patching it back into the E330’s FM input. This can
create a wild assortment of audio from OUT 1, from gongs and cymbals to white noise bursts. Another
common patch is to apply an envelope to MOD A CV in, which will produce drum sounds.
It is important to note that the internal audio sample rate of the E330 is 41KHz, so if the main audio
out (OUT 1) has high INDEX and/or high RATIO, the sine output on OUT 2 can be aliased which will
result in ‘odd and strange’ waveforms. This may be useful in some situations.
MORPH Mode
MORPH mode generates 2 identical frequencies, but independent waveforms on OUT 1 and OUT 2.
The 32 wavetables used are from the E350 Morphing Terrarium and are listed at the website link at the
top of Page 1. MODULATION A/MOD A selects the wavetable for OUT 1, and MODULATION B/MOD
Bselects the wavetable for OUT 2.
CLOUD Mode
Cloud mode is a 4-oscillator Sine and Saw VCO with variable detuning, called ‘Spread’. This is
equivalent to a subset of the E340 Cloud Generator, without the independent ‘CHAOS BANDWIDTH”
control.
OUT 1 has the Sine VCO and OUT 2 has the Sawtooth VCO. With the 2 MOD controls at ‘0’ and no CV
inputs, the VCOs are a single pitch (‘unison’ tuned). As MODULATION A/MOD A is increased, the 4
frequencies spread apart (‘detune’) to cause beating, which richens the sound. The range of ‘Spread’ is
from very small to very wide.
The second control, MODUALTION B/MOD B, also detunes the 4 VCOs but does so using filtered
noise (similar to the ‘CHAOS’ in an E340). At small settings, this adds a ‘shimmer’ effect to the overall
detuned sound. As the depth is increased, the outputs evolve into a mass of buzzing clusters of audio
(the ‘angry bees’ setting). In general, just a small amount of effect is needed to get the deep ‘detuned
lead sound’. Setting Spread to ‘0’ and Chaos to ‘10’ will generate noise out of both outputs.
General Info
CV Inputs: -5V to +5V, DC to 8KHz.
Audio Output: 9V pk-pk (typical 10V pk-pk max), 41KHz sample rate, 16bits.
Frequency Range (OUT 1): 16Hz to 18KHz (OUT 2) 2Hz to ~21KHz.
Power supply range: +-9V to +-15V
Power supply current (typical): -12V @10ma +12V @ 48ma
1V/OCT trimmer:
There is a trimmer to adjust the VCO scaling to 1V/OCT as needed.