uandksound T Series User manual

Beware: To reduce the risk of electric shock, never remove parts of the front cover (or back
cover) that require no user service. Please ask professional maintenance personnel for repairs.
WARNING: To reduce the risk of fire or electric shock. Do not expose the device to rain or
moisture.
An arrow lightning symbol inside an equilateral triangle is used to identify the presence of
uninsulated dangerous voltage in the user's product enclosure. The strength of this voltage is
sufficient to cause a shock hazard to the person.
The exclamation mark in the equilateral triangle is used to enhance the user's printed materials
in the product and contains important operating and maintenance (repair) instructions.
Do not place the device on an unstable cart, stand, tripod, bracket or table. The equipment may
fall over and fall, causing severe physical damage to children and adults causing serious damage
to the equipment. Use only carts, stands, tripods, brackets or tables specified by the
manufacturer or sold with this equipment. Any assembly of the equipment on a wall or ceiling
should follow the manufacturer's instructions and use the assembly accessories specified by the
manufacturer.
Be careful when moving carts and equipment components. An emergency stop, excessive force,
and uneven road surface may cause the cart and equipment components to tip over.
This product complies with the European Union's “Electronic and Electrical Equipment Waste”
regulations. End-of-life products should not be treated as municipal waste. Please refer to local
regulations for proper handling of such products.
1. Construction of state-of-the-art equipment should be connected to a power outlet with good
grounding.
2. When the power plug or device connector is used as a disconnect device, keep the disconnect
device (power outlet) available at all times.
1. Read these instructions.
2. Keep these instructions in a safe place.
3. Pay attention to all warning messages.
4. Follow all instructions.
5. Never use the device near water.
6. Clean only with a dry cloth.

7. Do not block any ventilation holes and follow the manufacturer's instructions for installation.
8. Do not install this equipment near any heat source such as radiators, heaters, stoves, or other
equipment that generates heat, including amplifiers.
9. Do not damage polarized or grounded plugs for safety purposes. The polarized plug has two
pins, one of which is wider. The grounding plug has three pins, of which the wider or third
grounding pin is used to protect the user. If the supplied plug does not fit the outlet, consult an
electrician to replace the original outlet.
10. Protect the power cord, especially the plugs, sockets, and equipment lead-out points from
hi-hats or squeezing.
11. Use only accessories and accessories specified by the manufacturer.
12. Use only cart stands, tripods, brackets or tables specified by the manufacturer or sold with
this equipment. When using the cart, care should be taken to move the cart unit components to
avoid injury from tipping over.
13. Disconnect the power to the equipment during thunderstorms or when unused for long
periods of time.
14. Ask a professional service person for repairs. Any form of equipment damage needs to be
repaired, such as damage to the power cord or plug, liquid ingress or debris into the equipment,
equipment exposed to rain or exposure to moisture, improper operation or equipment falling.
Caution
POUR . VITER LES CHOC ELECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS
LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQUIAU FOND
Beware
To avoid electric shock, fully insert the wide pin of the plug into the wide slot. If an indoor
antenna (whether built-in or separately installed) is used, do not touch any part of the antenna to
the metal parts of the electrical equipment such as electric lights, televisions, etc.
Beware
power cable
Any outdoor antenna must be kept away from all power lines.
Outdoor antenna ground
If the outdoor antenna is connected to the user's tuner or tuner preamplifier, make sure the
antenna system is well grounded to provide protection against voltage surges and static charge
buildup. National Electrical Code 810, ANSI/NFPA No. 70-1984, provides information on the
following aspects: good grounding of the antenna and the supporting structure, grounding of the
antenna lead-in connecting the antenna discharge device, size of the grounding conductor,
antenna discharge The position of the device, the connection to the ground electrode and the

requirements for the ground electrode.
a.Use No. 10 AWG (5.3mm2) copper wire, No. 8 AWG (8.4mm2) aluminum wire, No. 17 AWMG
(1.0mm2) copper-clad steel or bronze wire, or larger diameter wire for ground wire
b. The safety antenna lead-in and the home ground wire should be kept at an insulation distance
of 4-6 feet (1.22-1.83 meters).
C. The antenna discharge device should be installed as close as possible to the position where the
antenna lead-in enters the room.
Cable TV System Installation Instructions: This instruction is used to alert the cable system
installer to the National Electrical Code 820-40, which provides guidance on how to properly
ground, especially when the ground wire is connected to the building grounding system. Near the
wire lead-in point.
Never attempt to repair the device yourself.
Please ask professional maintenance personnel for repairs.
After any maintenance and repair work is completed, the repair shop should be required to
ensure that only the parts that have the same characteristics as the original parts, that have been
authorized by the manufacturer, have passed the routine safety check to ensure that the
equipment is in safe operation. Replacement with unauthorized parts may result in fire, electric
shock or other hazards.
Introduction
Congratulations on purchasing uandksound's products! Welcome to join the growing uandksound
owner family.uandksound's T-series studio-specific monitors are high-precision speakers that
continuously improve the processing of difficult audio. This is also the meaning of these monitor
speakers. They can really restore the sound in the sound material.
The key features and design elements of the T-series monitors make uandksound a "studio
standard." The series uses a very strict design concept, which is very similar to uandksound's
other uandksound products.

The T-Series includes new custom bass and tweeters, side-slanted side panels for improved
acoustic reflection and acoustic short-circuiting, and a new cabinet design that improves
structural integrity and provides an extended bottom end. The slotted sound hole can be greatly
eliminated. Less voice hole. In addition, we offer valuable features and practical features, such as
improved speaker protection circuitry to give users more peace of mind, using new drivers to
expand the frequency response.
The result is this trusted studio-specific reference monitor that delivers clear bass, clear
mid-range, and precise natural treble.
It's a subtle difference in key sound synthesis or the need to capture some special sounds, and
you'll immediately see that the T-series, like yourself, knows the job.
This manual will help you familiarize yourself with the many features of the D-series monitors and
how they operate. We hope that you will spend a few minutes familiar with this manual. Thank
you for choosing uandksound!
Important note: The T-Series monitors were originally packaged in specially designed carton.
Please keep these packaging materials in a safe place to transport or transport monitor speakers.
design concept
The monitor sound system in the studio is a tool that “measures”the sound channel changes in
an auditory manner. Ask an experienced sound engineer who thinks the best studio-specific
monitor speakers should be, basically you will get the same answer. That is "high precision, high
transparency, flat response and true restoration of sound."
Simply put, the electrical signals that the sound engineer wants to enter the monitor can be
reproduced by the mechanical action of the frequency converter, and the quality of the sound
that is desired to be reproduced is not biased or degraded to any degree. Professional sound
engineers rely on monitor speakers to express their sound as different audio media as accurately
as possible to convey their acoustic vision. Technically, this is achieved by a monitor that meets
three key important criteria. Spectrum balance, distortion management and resonance
management.
1. Spectrum balance (sound quality)
Studies have confirmed that the correct spectral balance is very important for studio-specific
monitor speakers.
Frequency balance is defined as
Smooth on-axis response
Smooth octave response

Smooth off-axis response
After years of audition and listening to feedback from top engineers and manufacturers,
uandksound engineers have mastered how to make properly tuned monitors an effective
recording tool.
The T-Series is designed to be as flat as possible to ensure that the sound you hear is the true
sound of the sound material without any rendering or enhancement. You can be confident that
the mix will be precise and phase-consistent.
2. Distortion management
Any loss or addition to the tone signal is distortion, which is present in the speaker itself. The
T-Series has extremely low speaker distortion, which clearly helps to provide a more accurate
sound reproduction.
Different power amplifier distortions, the most common such as intermodulation distortion,
transient love intermodulation distortion and harmonic distortion have also been eliminated.
The effects of physical conditions on the waveform, such as the intimacy and diffraction of the
sound holes, can also cause distortion. The design philosophy adopted by uandksound engineers
is based on the complete elimination of these lossy sound conditions or the minimization of their
impact.
3. Resonance management
Resonance means that after removing the drive source, some objects will tend to vibrate at a
particular frequency point. Resonance also has a crucial impact on the performance of the
speaker. The design element of uandksound is to minimize the resonance of the small drive and
the outer casing.
Design element
New custom tweeters and woofer designs - uandksound has a reputation for designing
high-performance studio-specific monitor speakers. T-series monitors are no exception. We have
specially customized a Kevlar fiber low frequency drive for each module. Kevlar is one of the
strongest, thinnest and hardest materials available for modern speaker cone structures. Kevlar's
special physical properties minimize the possibility of axial and conical fractures of the cone
structure. Both the tweeter and the woofer have a faster attack time. The new tweeter expands
the range and improves distortion.
Anti-Resonance Low-Frequency Expansion Enclosure Design The T-Series monitor enclosures are
made of MDF material, which has a stronger structural integrity than a cabinet made of standard
ABS solid materials. The method makes the strength of the box large, and the MDF also has a
resonance suppression characteristic, which can effectively extinguish the small box resonance.

The new cabinet design offers many benefits - the T-series monitors are manufactured in MDF,
depending on the basic design of the cabinet. The cabinet has an inner and outer partition wall
filled with a lightweight sound absorbing material. Advantages of MDF materials: One advantage
is that the cabinet design can be made with thicker partition walls. The sound absorbing material
located between the inner and outer hard shells serves as a sound insulating material to reduce
the possibility of resonance dry interference. The second advantage is that there are no parallel
partitions inside the cabinet. It is possible to eliminate standing waves and standing wave nodes
that are unfavourable to the internal and external acoustic response of the casing. All of these
features help to eliminate possible interference from the cabinet to the sound of the speaker
system.
The active sub-filter-T series amplifier contains three active filters. (Subsonic, low pass and high
pass). These three filters work together to achieve a seamless integration of the drive
components, ensuring smooth spectral balance.
Bi-amp design - uandksound's amplifier consists of high-fidelity components and a simple and
thorough audio path. The output power is balanced to match the sensitivity of the low frequency
and sorghum drives as well as power management. The T-series monitors use a toroidal
transformer for minimal noise.
Contoured panels - Like other uandksound speaker products, all cabinet zooms and sound holes
are rigorously shaped to reduce diffraction for better detail and stereo sound. The curved panel
reduces off-axis scattering and helps achieve better off-axis audio.
The slotted sound hole and the slotted sound hole reduce the intimacy and diffraction that are
common in poorly designed circular sound holes.
The limit switch can be disabled. The monitor has a limit circuit that provides more powerful
protection. This limit switch is off by default. The limit switch is used to reduce side effects
caused by the power amplifier and or the speaker drive overload. Enabling the limit switch will
greatly reduce the possibility of damage to the small drive. The limit switch can be turned off via
the “Limit Limiting Limit Switch”on the rear panel. It is limited to the use of the monitor
speakers within a reasonable range. The best level of no-audio distortion is determined by the
help of the indicators on the front bezel.

(A) System level adjustment
The input sensitivity is adjusted by an adjustment device that is neatly attached to the rear panel
(counterclockwise to reduce sensitivity). The adjustment range is from Min to Max. The preset
gain is Min, which is sufficient for most situations. Adjustments are usually required only when
the user is using a T-series monitor in a surround sound system and needs to balance the level, or
if the monitor's source is overheated and cannot be adjusted.
(B) High frequency adjustment (T6 only)
The high frequency adjustment is achieved by a 3-position toggle switch located on the rear
panel. The adjustment factor is +1dB, flat, or 1dB, and the upper limit of the high frequency is
2KH. “The commercial preset is flat (the toggle switch is in the middle). The type of adjustment
that should be taken is determined based on the room acoustics to ensure that the monitor has
the proper frequency response.

(B) Low frequency adjustment (T6 only)
This three-speed switch is used to adjust the low frequency response of the monitor. Poor low
frequency components are produced near the wall. Adjust the low frequency adjustment switch
to compensate for the over-amplified low frequency response. The type of adjustment that
should be taken is determined based on room acoustics to ensure that the monitor has the
proper frequency response.
When the monitor speakers are affected by indoor obstacles such as walls and corners, the low
frequency response can be adjusted by the three-speed pull switch. The “all”setting means
“whole space”and provides the strongest low frequency response. The "quarter" setting
means a quarter of the space, providing attenuated low frequency response. The “two-for-one”
setting means “half space”, and its frequency direction should be between no attenuation and
one-quarter space attenuation. The monitor speakers are preset by the manufacturer as “all”
space. More about this setting Please continue to read this document.
(C) Stroke indication limit switch
The limit indicator/limit switch has three set gear positions.
1. The “ON”position indicates that the limit indicator (red) is on and the limit switch is
bypassed. When the red indicator light is on, the amplifier output approaches the limiter value.
The red indicator light flashes occasionally to indicate that the monitor speakers are not damaged.
If the red indicator light is on for a long time, turn down the monitor input signal amplitude to
avoid damage to the speaker. When tracking the over-mixed volume, you can use the appropriate
setting of the limiter indicator to indicate that the monitor may be damaged due to excessive
volume.
2. The “OFF”gear position indicates that the limiter indicator (red) is newly opened and the
current limit switch is bypassed.
3. The "Limited" gear position indicates that the input signal will flow through the limiting circuit
and the signal will be limited when the signal amplitude exceeds a preset threshold. The indicator
light is illuminated when the amplifier is overloaded so that the limit switch is activated. The
duration and luminous intensity of the green indicator light will increase as the limit is increased.
Restriction devices are not recommended for mixing because the limitations on the audio signal
change their audio characteristics. If you do need to use a limiting device when mixing, it is
recommended to turn down the system input amplitude to prevent the audio signal from being
overloaded.

Connection system
Turn on the power
All connections are completed, all controllers and adjustments should be set to a minimum, and
all other equipment should be powered up before the T6 monitor is energized. The power on/off
switch is located on the rear panel.
Audio mute switch
When the switch is placed in the "on" position, the timing circuit will be activated. If the system
does not detect the audio signal, the high voltage power supply will be turned off after about 20
minutes. The low voltage power supply still supplies current. The monitor speakers will unmute
when the signal is detected. If the level of the audio material used is low or the sound is
intermittent, such as game music or surround mix, it is recommended to turn off the auto mute
switch.
Connector
The Neutrik®Combo connector plugs
into the XLR, 1/4" TRS and 1/4" earphone plugs.
Please note that the 2-pin input forward signal
must be connected to the sleeve at the signal
source if an unbalanced connection is used.
This can be done with a suitable wire or adapter.
Install monitor speakers
By definition, near-field reference monitor speakers reduce indoor reverberation. This contrasts
with conventional stereo configurations or large-scale speaker arrays during the recording period.
In the latter two environments, the sound from the speakers passes through the ceiling, walls
and floors, greatly enhancing the sound. Near-field monitors provide great flexibility due to the
reduced sound-to-ear path, making the sound less susceptible to different room environments.
Equally important is the ability to adjust high frequency and low frequency characteristics. It
compensates for the effects of indoor irregular environments and achieves high precision sound.
See the High Frequency Adjustment and Low Frequency Adjustment section of this manual. Note
that these adjustments are only available for T6.
A depressing indoor environment usually requires an increase in high response. Similarly,lowering
the high frequency direction can change the indoor reverberation. The first reflection of the
woofer can be compensated by adjusting the low frequency, whether it is a reflection from the
floor in a common stereo setting or a reflection from a mixing console (when the monitor is
placed on the tuning table bridge).
Placing the monitor near the back wall, side wall or corner enhances the low frequency effect. In
general, if you move the monitor to two or three feet from the wall or corner, the low frequency

reverb will be worse (excluding the mixer's reverb). However, when the speaker can not be
placed in the best position, the use of low adjustment is a solution. We assume that there are
now two different studios, one in the room, the monitor speakers are close to the wall, and in the
other room, they are far from the wall. The same sound effects can be achieved in both rooms by
simply adjusting the low frequency response of each monitor. This method is very useful for
synthesizing in room B based on the sound of the A room.
Placing the monitor in the correct position in the studio is critical to its performance. Primarily,
they are placed in such a position that all of the speakers that are listening to the same level are
completely covered. An effective way to test the audio and video effects of a monitor is to play a
very familiar CD record by listening to the sudden and weak position of the dead angle, adjusting
the angle of each speaker.
Two-channel setting
Near Field Configuration - In the control room, the monitor speakers are often placed on the
tuning bridge or in the near field listening position. The initial position is determined by
measuring a simple equilateral triangle (equal length of the three sides) with its apex at the
center of the listening position (as shown in Figure 1) as a "coverage" for stereo installation. In
this configuration, each of the left and right monitor speakers is placed at an angle of 60 degrees
to the listening position and at the same distance.
Midfield configuration - This configuration method is basically the same as the near field
configuration. (See Figure 2.) The midfield configuration is usually used when the monitor
speakers are large or when the monitor speakers are too large to fit on the mixer's bridge. This
setting gives you a better overall position and better spatial audio and video effects. Make sure
that the height of the woofer is higher than the height of the mixer's instrument bridge.

Bass speaker settings
First determine the best position for the woofer. If possible, the settings shown in Figure 3 work
best, however, this setting may not be feasible for your room. After the monitor speakers are
installed, listen to some audio and video materials that contain low frequency information. If the
subwoofer has a phase switch, adjust it to the highest frequency. Move the switch back and forth
to find the best setting position. Then adjust the low-pass filter of the speaker to work with the
high-frequency of the auxiliary device, and then re-adjust the level of the speaker.
5.1 channel surround sound settings
First place the left front and right front channels at the same distance from the listening position
and at a 30 degree angle to the center channel. The left surround channel (rear) and right
surround channel (rear) should be placed at a 110 degree angle to the center channel. They
should also be equally spaced from the listening position. The subwoofer (providing low-effect)
channels are best placed directly below the center channel as shown in Figure 4. If this is not
possible, place the subwoofer on the left or right side below the center channel. Make sure the
woofer is above the console.

7.1 channel surround sound settings
The 7.1-channel surround sound unit adds two speakers to the sides of the mixing position,
which is very similar to the real surround sound configuration of a movie theater - the difference
is that the cinema usually adds extra side surround sound to compensate for the space length of
the theater.
The left front and right front speakers usually form a wider triangle (related to the mix position)
than the 5.1-channel setting to more accurately replicate the actual effect of the cinema. The
front speakers are not for the central position but from The exterior is directly facing the theater.
This is also the case where the movie sound is mixed. As with the 5.1 surround settings, the
center channel speaker is placed directly in the center position. Similarly, when the subwoofer is
placed directly below the center channel, it works best. If this is not possible, place the
subwoofer on the left or right side below the center channel.
Like the three front speakers, the left and right surround speakers are placed on either side of the
same distance from the mix position. Finally, the left and right rear surround speakers are placed
at the same distance after the mix position. The 7.1-channel surround sound environment is a
completely immersive environment and the best choice for mixing environments, because in a
mixing environment, sound can be felt from front to back from left to right.
After the monitor speakers are placed, you need to adjust the system benefit adjuster for each
speaker to ensure that all channels have the same sound pressure level output at the listening
position. Although this can be done simply by listening to one channel at a time and adjusting the
correlation level, we recommend using a sound pressure level meter and filtering noise （Pink
noise ）to detect each channel separately. Simply read the sound pressure readings for each
monitor and then adjust all monitors to match the lowest sound pressure level reading. The
system level of multi-channel surround sound should now be in balance.

Troubleshooting
Question: If there is no power supply, please check if it is.
・The power plug is properly inserted into the IEC socket and AC power outlet on the back panel
of the unit.
The AC mains voltage matches the system operating voltage requirements (see section on
connecting the system for changing voltages on page 3). If the AC mains voltage is higher than
the voltage selected by the monitor, the fuse may need to be replaced. (See the section on
connecting the system on page 3 for replacing the fuse).
・After the monitor speakers are powered up, the uandksound company logo on the front panel
will be illuminated. If not, turn off the power switch and check the AC power fuse. Never use an
fuse that is larger than the specified amperage. Turn the power switch back on and the power
indicator should be lit.
・If the fuse is replaced due to need, and the fuse is blown again when the monitor is
re-energized, the speaker needs to be returned to the merchant or uandksound for repair.
Question: If you can't hear anything
・Repeat the steps in the troubleshooting section described previously before proceeding.
・Check that all other audio equipment that uses the same AC outlet is still working.
・confirm:
・The audio source cable is connected to the audio output terminal and the monitor speaker.
・System gain adjuster clockwise to maximum (+6dB).
・Signal sources (such as mixing consoles, workstations, CD players, etc.) can be output to the
monitor speakers.
・If one of the monitor speakers is working properly. Replace the audio cable of the normal
working device with the audio input cable that does not work on the monitor. This can be
determined whether it is due to the monitor itself, the faulty cable, or other faults in the audio
system.
・If the monitor is still not working properly, it should be sent back to the purchaser or
Uandksound for repair.
Question: If the monitor speakers suddenly stop working.
・Turn down the monitor speaker volume or turn it off.
・Repeat the steps in the troubleshooting section above before proceeding.
・Carefully check that the rear panel of the amplifier is hot. If the monitor is operating for a long
time with maximum power output, it may cause the device to overheat and the protection circuit
unit will immediately shut down the system.uandksound monitors provide maximum circuit
protection for AC power surges, amplifier overloads, and overheating of the amplifier. Turn off
the monitor and wait for 30 minutes for the back panel to cool sufficiently. Turn the power switch
back on
・Increase the volume and check if the system is working properly.
・If the monitor is still not working properly, it should be sent back to the merchant or
uandksound for repair.

Question: Sound quality is not new
・Repeat the steps in the troubleshooting section described previously before proceeding.
・Disconnect the signal cable from the monitor input. Turn on the power and bring your ear close
to each drive (tweeter and woofer)
Listen for noise (such as a slight snoring or snoring). If there is no sound at all, it is possible that
one or more of the drives (tweeter, woofer or both) have failed. Problems may also exist in other
locations of the electronic device.
・Play some undistorted sound material with low volume. Carefully cover the tweeter (blocking
sound) without touching the diaphragm. Does the woofer emit a clear sound? If there is no clear
tone quality or no sound at all, the woofer will most likely need to be replaced.
・Covering the woofer can mainly listen to the treble of the tweeter. Does the tweeter sound clear?
If there is no clear tone quality or no sound at all, the tweeter may need to be replaced. If you
have a better idea about the cause of the malfunction, please call and tell our maintenance staff.
They will help you determine the best solution for solving the monitor problem. Please call the
maintenance department.
Question: The monitor speakers beep, hum or other high-pitched noise
・These suggestions can help you eliminate the uncomfortable noise emitted by the system.
・Make sure the power cord is tightly connected to the IEC socket on the back of the monitor.
Check that the signal source is connected to the monitor speaker and that the connector is a fully
balanced system. If you connect the unbalanced output to the monitor, make sure the signal uses
pin 2 and pins 1 and 3 are connected to the signal ground. This can be achieved by suitable wires
or fittings.
・All audio equipment should use the same grounding point. Check all other equipment in the
building that use the same AC output.
Such as dimmers, neon lights, TV screens, and computer monitors. These devices should not use
the same circuit.
For the most up-to-date troubleshooting information, please visit our website at
www.Uandksound.com
Please take care of and carefully read the warranty card in the monitor's shipping carton. You
must obtain a “RMA”from uandksound before shipping the equipment back to uandksound: If
there is no such important serial number, the equipment will not be accepted by the company
and will not be repaired.
Shipping instructions
・To be shipped back to uandksound as safely as possible, please use the shipping carton and
initial packaging when purchasing uandksound monitor speakers.
・Uandksound is not responsible for equipment damage caused by packaging negligence during
shipment. Please Purchase insurance for shipment.
・If the monitor speaker has exceeded the warranty period and you wish to obtain a price list

before repairing the product, please call our company.Take the "RMA" serial number. We will not
perform any repairs on the equipment without this serial number.
・Replacement cartons and packaging materials can be used at uandksound Systems, LLC. $26.50
each.
・If you need to replace the parts quotation, please contact your local dealer.
Specifications
Model
T4
T6
Treble unit
1" wire mesh dome NEO
1" wire mesh dome ferrite
Woof unit
4" Kevlar fiber
6" Kevlar fiber
Input type
XLR-1/4” TRS Combo
10k ohm balanced
Pin 1+ bushing = ground
Pin 2+ ferrule = (+) high level
Pin 3+ collar = (-) low level
XLR-1/4” TRS Combo
10k ohm balanced
Pin 1+ bushing = ground
Pin 2+ ferrule = (+) high level
Pin 3+ collar = (-) low level
Adjustmen
t device
System level adjustment
+6dB to -30dB variable
Ground separation
Disengage (open) or ground
(close)
Limiter indicator
Open, close or limit
Automatic mute
Turn it on or off
High frequency adjustment -
invalid / effective
Low frequency adjustment -
invalid / effective
System level adjustment
+6dB to -30dB variable
Ground separation
Disengage (open) or ground (off)
Limiter indicator
Open, close or limit
Automatic mute
Turn it on or off
High frequency adjustment
+1dB, flat, -1dB
Low frequency adjustment
All space (3dB52Hz)
One-half space (-3dB60Hz)
Quarter space (3dB75Hz)
Zoom &
Insurance
Fuse
High frequency: 5 Watts
Low frequency: 30Watt5
2.0A 100VAC 50HZ
2.0A110-120VAC50/60Hz
1.0A220-240VAC50/60Hz
High frequency:30Watts
Low frequency: 60Watt5
3.15A 100VAC 50HZ
3.15A110-120VAC50/60Hz
1.6A220-240VAC50/60Hz
Frequency
response
56Hz-22KHz +/- 2dB
49Hz-22KHz +/- 1.5dB
Maximum
voltage
level
Music: 104dB
Maximum: 107dB
Music: 108dB
Maximum: 111dB
Size
24.5cm H x 15.1cm W x 17.6cm D
34.6cm H x 22.05 cm W x 24.8cm D