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  9. Yamaha PortaSound PSS-780 User manual

Yamaha PortaSound PSS-780 User manual

YAMAHA
SarlaScuna.
mH
SS-
780
/MUSIC.STIITION
OPERATING
MANUAL
English
Version
INTRODUCTION
Congratulations
on
your
purchase
of
the
Yamaha
PortaSound
PSS-780!
You
now
own
one
of
the
most
sophisticated
portable
electronic
keyboards
available.
Controlled
by
an
advanced
microcomputer,
the
PortaSound
PSS-780
offers
far
more
musical
enjoyment
and
versatility
than
any
other
instrument
in
its
class.
In
fact,
it
gives
you
the
fun
and
functions
of
a
whole
host
of
digital
music
machines,
namely
...
e
An
electronic
keyboard
offering
100
high-quality
preset
voices
using
the
famous
Yamaha
FM
sound
source.
@
A
digital
synthesizer
that
lets
you
alter
any
of
the
preset
voices
to
taste
and
save
up
to
five
of
these
edited
versions.
@
A
versatile
rhythm
machine
using
32
percussion
instru-
ments,
PCM
recorded
for
breath-taking
realism.
With
100
basic
rhythm
patterns
featuring
three
intros/fill-ins
and
one
ending
each,
you
have
an
amazing
400
rhythm
vari-
ations
at
your
disposal.
What's
more,
you
can
even
play
percussion
by
hand
like
a
drummer
and
record
your
own
onginal
Custom
Drummer
pattern.
@
Asophisticated
automatic
accompaniment
system
giving
you
Single
Finger
Chords,
automatic
bass,
chords
and
orchestra,
automatic
Duet
and
orchestration
capabilities.
@
A
simple
but
very
useful
sequencer
offering
unique
mu-
sical
possibilities:
You
can
digitally
record
up
to
five
melodies
and
chord
progressions
each
and
play
them
back
any
time
at
the
touch
of
a
button.
@
A
highly
advanced
MIDI
controller
and
multi-timbral
MIDI
sound
source.
Used
as
a
controller,
the
PortaSound
can
play
a
number
of
external
MIDI
instruments
simul-
taneously
on
various
channels.
As
a
sound
source,
it
will
perform
several
voices
as
well
as
percussion
independently
at
the
same
time.
Read
this
manual
carefully
while
playing
your
new
Porta-
Sound,
and
you
will
be
able
to
make
full
use
of
its
many
fantastic
features
in
no
time.
ABOUT
THIS
MANUAL
One
look
at
your
new
PortaSound
PSS-780
tells
you:
this
is
an
advanced
instrument
with
a
great
variety
of
func-
tions.
Though
this
is
true,
don’t
let
the
large
number
of
buttons
fool
you
—
the
PSS-780
is
actually
very
easy
to
use.
As
you
can
see
from
the
INDEX
ILLUSTRATION
on
p.6,
the
controls
are
all
organized
in
easy-to-understand
functional
groups.
Once
you
get
to
know
them,
you
will
have
no
trouble
operating
your
PortaSound,
making
it
do
exactly
what
you
want
it
to,
To
get
acquainted
with
your
new
keyboard
and
have
fun
with
it
from
the
start,
please
read
PART
I
first.
You
can
then
use
the
INDEX
ILLUSTRATION
to
look
up
information
on
buttons
or
functional
groups
you
are
especially
interested
in
right
away.
Otherwise,
continue
with
PART
II.
This
manual
is
structured
into
three
main
parts.
The
shortest
and
simplest
one,
PART
|
—
GETTING
TO
KNOW
THE
PSS-780,
gives
you
all
the
information
you
need
to
play
your
new
instrument,
making
use
of
its
most
basic
features.
It
also
shows
you
how
you
can
listen
to
the
pre-programmed
DE-
MONSTRATION
song.
The
functions
mentioned
shortly
in
the
QUICK
GUIDE
illus-
tration
of
PART
I
are
explained
in
greater
detail
in
PART
II.
Particularly
if
you
already
have
some
experience
with
digital
keyboards,
the
QUICK
GUIDE
will
enable
you
to
use
these
functions
immediately.
On
the
other
hand,
if
you
are
a
total
newcomer,
reading
the
next
part
will
make
operations
clearer
to
you.
PART
I]
—
BASIC
FEATURES
contains
a
systematic
overall
introduction
of
WHAT
YOUR
PortaSound
CAN
DO,
followed
by
detailed
explanations
of
most
PortaSound
functions.
It
tells
you
all
about
voice
and
style
selection,
effects,
Hand
Per-
cussion,
the
Auto
Accompaniment
features
and
the
Song
Memory.
Each
section
starts
out
with
a
short
Overview
giving
you
a
general
idea
of
the
respective
functions.
You
can
then
try
them
out
right
away
by
following
the
steps
described
under
Operation.
Note
that
in
the
text,
bold
print
indicates
basic
Operational
steps,
while
the
regular
print
below
it
gives
all
the
necessary
explanations.
Therefore,
you
can
simply
follow
the
instructions
in
bold
print
when
you
want
to
get
to
know
a
feature,
and
read
the
details
and
Points
to
Remember
later.
Finally,
PART
HI
shows
you
how
to
use
those
ADVANCED
FEATURES
that
require
a
bit
of
specialized
know-how
—
the
Digital
Synthesizer
section
to
create
your
own
FM
sounds,
and
the
MIDI
functions
for
communication
with
other
MIDI
instruments,
sequencers
and
computers.
CONTENTS
PRECAUTIONS—TAKING
CARE
OF
YOUR
PORTASOUND
..........-.00000+
1
GONTROL
PANELS
pcacinscutcncndaanstaontnreanaaiiauaneess
2
PART
I
QUICK
GUIDE
INDEX
ILLUSTRATION
0...
ccc
ccc
ceeesececneseeeneereseeessceeenessasesersnteeetasenerssnaransees
6
PART
11
BASIC
FEATURES...
eesccsssssnessessssnneeeeessensnnmmeesseennnees
7
WHAT
YOUR
PortaSound
CAN
DO...
ccc
ene
tieeeettaetnersettansensneeents
7
Voices,
Rhythm
and
Auto
ACCOMPANIMENE
..........
sete
eset
tenets
neta
ne
eseestsenenens
7
Headphone
.......cccceccsecccesesesesssesssevseseecseeesseeseseaesenenentrssanesserseresanesscasenseneneranenesenees
8
Connecting
the
PSS-780
to
Your
Stereo...
ns
teen
etree
tennessee
teeneneens
8
VOICE/MELODY
SECTION
..........cecccesccsssscsesseresenesseneeenecssnesseseresnsesnarersesase
senses
8
SELECTING
A
VOICE
....c.ccccccccccccececsceesteeeeeseesseseeecsaeeeenssasnessassestesensnesertiscsscescenanens
8
PITCH
BEND
Wheel
........cccccecccesecstsstetenerscsesssessssrenssensnensreersseaeesnerenenatiseseesenaeees
10
PARAMETER
CHANGE
SettingS
.......cccccccsesesescsesesseereseeserensterssresssesasenarenesessenes
10
TRANSPOSE
[9]
wu.ccceccccseseccecssescsetsessscsssesssessscseenerenenssseesasasecenvenersserasgenerenentee
11
TUNING
(a)
cccccccccccccccceescececcsseessscsesessestscseecssseassenenenssseesesisecnensnersssensesieenerteeeens
11
MELODY
VOLUME
[8]
oc.
cccsssccesccescssescssseceneneneeseeceetenenersnesssinessesesenanssesesanaes
11
RHYTHM
MACHINE
FUNCTIONS
.......0...
ccc
eeteeseseeesesnereeesseseenenenseitneenes
13
STYLE
SELECT—Choosing
the
RAYth
........cccscceeeneetie
teers
rsneeeenresseeerenees
13
RHYTHM
CONTROL
.........
cece
a)
TEMPO
voeececccccccceccescssesscsscsecsecsecseeeeseseeescsessassacsesseseeeaeneesesaersessessassassarseseseeenenesgee
14
BEAT
Display
.......c:cccccccccssssessesccescssscsesscenenerereeecseaenerenersnaeenasenssseneenesseesnsenenenenentg
14
Changing
the
Rhythm
Style
During
Performance...
a
14
HAND
PERCUSSION
ue
ccc
eceereeteeeeeeeenenees
we
15
CUSTOM
DRUMMER
......cccccccecceteeecteescrecaeesseeseeeersesseneetseeesnessertieaersasssteneenseees
16
AUTO
ACCOMPANIMENT
FEATURES
1.0...
ceeeteeteneererieeeetenetaateetnnenes
18
MOD
Biv
scccececeo
iis
ocsteckices
scan
iva
Gicheckbd
ance
iaadabosts
Ainadenves
civesth
tan
aguaineabelassnagediesebesits
18
ORCHESTRATION...........
..
18
A)
Single
Finger
Chords
...........ccseeeeteeree
aw
19
B)
Single
Finger
Auto
ACCOMpaniMeNt
.......-.
eset
teeeestetesereeeetecerttetiees
20
C)
Fingered
Auto
ACCOMPANIMEN
.........
eects
teteeseeeenetenetstntnee
tenets
tatterees
20
DUET...
.ceccccccccsssscecssssccssssssesssssscerssscesensccessssessaconeseversssceaseseendcaeeeestaassnessasetseaassiacneas
21
SONG
MEMORY.
....0..0cccccccccccccccccceeeneeseeecsastsseeesesssessesenseneenesesseretaseatensinesesnsnaes
22
MELODY
Memory
we
CHORD
Memoty
.u..cccccccecceseesestecsessssssiateessssescseseassecenenenenssenerscsensineaeerasserssensnenanenes
24
PART
11
ADVANCED
FUNCTIONS
1.
eseseseeeeeettetmmmeessis
26
DIGITAL
SYNTHESIZER
.....0.....0.0.cccccccce
ccc
cseteceecreeeesneeneeseneenseneenestenereereesaateenersanaes
26
FM
SYNTHESIS
BASIC
COURSE
..0....cceecccscceeeeeseseeeneeeteeeeneteeenteatarree
.
26
1)
Voice
Parameters
and
Values......
..
26
2)
A
Bit
of
FM
Theory.............04
..
26
3)
Creating
SOUS...
cece
cceneneeeeereete
renee
tesenissesesnesenenciseeetetens
aa
27
SYNTHESIZER
PARAMETERS.
........:.cccccssscsceseeetteeeteeereetetsniarseseeesaeneseeteneseeneranes
29
IUD
Di
iscieicecceceeseet
edeasaescevesens
‘
What
is
MIDI?.....
MIDI
MODE
fel
.......0....
Keyboard
Assign
MODE
[22]
Transmitted
Data
..............00
Memory
Bulk
Dump.
Received
Data..........c.cceescseeseeeee
Sound
Source
Mode
[99].................
Transmitted
Data
..........cccececsseeeee
Received
Data
MIDI
RECEIVE
CHANNEL
FILTER
[d]
TRANSMIT
CHANNEL
[8]
Selection
MIDI
CONNECTION
EXAMPLES
PRECAUTIONS
—
TAKING
CARE
OF
YOUR
PORTASOUND
SE
a
I
eT
CSET
ST
Your
new
PortaSound
is
a
fine
musical
instrument
—
and
should
be
treated
as
such.
Handle
it
with
care
and
common
sense,
and
it
will
give
you
years
of
enjoyment.
e
Location
Avoid
exposure
to
direct
sunlight
or
other
sources
of
heat.
Never
leave
it
inside
a
car
where
it
can
get
very
hot.
Vi-
bration,
excessive
dust,
cold,
low
or
high
humidity
can
also
cause
malfunction.
e@
Handling
Avoid
rough
handling.
Don’t
drop
or
jolt
the
PortaSound
as
this
can
damage
the
internal
circuitry.
Pressing
too
hard
on
keys
or
controls
may
lead
to
malfunctions.
When
cords
are
plugged
into
the
rear
panel
jacks,
pay
particular
attention
not
to
apply
excessive
force
to
them
since
this
may
damage
the
terminals.
e
Adaptors
Use
only
the
power
adaptor
described
in
the
POWER
section.
Disconnect
the
AC
adaptor
when
not
using
your
PortaSound.
e
Batteries
+
When
not
using
your
PortaSound
for
long
periods,
be
sure
to
remove
the
batteries
to
avoid
damage
through
battery
leakage.
*
Replace
weak
batteries
before
they
run
down
com-
pletely.
-
Always
replace
all
batteries
with
new
ones.
-
Do
not
use
different
kinds
of
batteries
at
the
same
time.
«In
case
electrolyte
has
leaked
into
the
battery
com-
partment,
wipe
it
off
completely
before
installing
new
batteries.
+
Never
disassemble,
heat
or
throw
discarded
batteries
into
a
fire.
Dispose
of
them
properly.
e@
Cleaning
Clean
the
exterior
with
a
soft,
dry
cloth.
Using
chemical
solvents
will
damage
the
finish.
Interference
Through
Electromagnetic
Fields
Do
not
use
your
PortaSound
close
to
television
sets
or
other
equipment
receiving
electromagnetic
signals
as
this
could
cause
interference
noise
in
the
other
appliance.
Service
and
Modifications
Your
PortaSound
contains
no
user
serviceable
parts.
Opening
it
or
tampering
with
it
in
any
way
can
lead
to
electrical
shock
as
well
as
damage.
Of
course,
any
resulting
damage
will
no
longer
be
repaired
free
of
charge.
Refer
all
servicing
to
qualified
YAMAHA
personnel.
OOo
°o
6900
CONTROL
PANEL
23
ip
&
RP
3b
4a
4b
5
mG
CUSTOM
DRUMMER
BY
THM
CONTROL
SPATE
Fe
ste
17
nie
E
VAMANAvjaimePSS7O0
|
18
19
20a
20b
20c
gi
1
HEADPHONES
AUX
OUT
___DCI9,}2iIN
©
6
dla
POWER
switch
@
TEMPO/PARAMETER
&
VALUE
display
VOLUME
slider
@
VALUE
buttons
AUTO
ACCOMPANIMENT
group
®
VOICE/STYLE
SELECT
group
3a
MODE
selectors
tia
VOICE
switch
3b
ORCHESTRATION
buttons
14b
STYLE
switch
SONG
MEMORY
11ic
Number
buttons
4a
CHORD
bank
selectors
@
DIGITAL
SYNTHESIZER
group
4b
MELODY
bank
selectors
12a
Voice
BANK
selectors
4c
RECORD
button
12b
STORE
button
VOICE
LIST
12c
Synthesizer
Parameter
selectors
STYLE
LIST
12d
DIGITAL
SYNTHESIZER
flowchart
EFFECT
selectors
VOICE/STYLE
number
display

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