Adam F5 User manual

F5 /F7 /SubF
F Series
Operation Manual / Bedienungsanleitung
English / deutsch

2
Please read the following safety instructions carefully before setting up your system.
Keep the instructions for subsequent reference. Please heed the warnings and follow the
instructions.
Caution: To reduce the risk of electric shock, do not open the loud-
speaker. There are no user-serviceable parts inside. Refer servicing to qualified
service personnel.
This product, as well as all attached extension cords, must be connected with an IEC
60320 AC mains power cord like the one supplied with the product.
Never replace any fuse with a value or type other than those specified. Never bypass any
fuse. Always use the correct fuse ratings for the selected mains voltage.
Always switch off your entire system before connecting or disconnecting any cables, or
when cleaning any components.
Do not place this unit on an unstable cart, stand or tripod, bracket or table. The unit may
fall, causing serious injury and/or serious damage. When cart is used, use caution when
moving the cart/apparatus combination.
This product is intended to be used indoors. Do not expose this product to rain or mois-
ture, never wet the inside with any liquid and never pour or spill liquids directly onto this
unit. Please do not put any objects filled with liquids (e.g. vases, etc.) onto the speaker.
Check if the mains voltage selector of the product matches your local mains voltage range
you use. If this is not the case do not connect the loudspeakers to a power source! Please
contact your local dealer or national distributor.
Caution
Risk of electrical shock
Do not open
Risque de shock electrique
Ne pas ouvrier
CAUTION: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT REMOVE BACK COVER OR ANY OTHER PART.
NO USER-SERVICABLE PARTS INSIDE.
DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE.
REFER SERVICING TO QUALIFIED PERSONNEL.
Safety Instructions

3
F-Series Manual / english
Protect the cord from being walked on or pinched.
Always use fully checked cables. Defective cables can harm your speakers. They are a
common source for many kinds of noise, hum, crackling etc.
Always keep electrical equipment out of the reach of children.
Always unplug sensitive electronic equipment during lightning storms.
The monitor should be installed near the socket outlet and disconnection of the device
should be easily accessible.
To completely disconnect from AC mains, disconnect the power supply from the AC
receptacle.
Never use flammable or combustible chemicals for cleaning audio components.
Avoid touching the speaker membranes and do not block the woofer’s ventilation ports.
Never expose this product to extremely high or low temperatures. Avoid exposing the
speaker’s back panel to direct sunlight. Never operate this product in an explosive
atmosphere.
High SPL’s may damage your hearing! Please do not get close to the loudspeakers when
using them at high volumes.
Please note that the diaphragms build up a magnetic field. Do not ply with magnetic items
at close range to the diaphragms.
Assure free airflow behind the speakers to maintain sufficient cooling.
When using the wall mount option, only mount this product onto dry and non-conducting
wood/plaster panel walls. For other wall materials an additional isolation panel is required.
To prevent injury, this loudspeaker must be securely attached to the wall in accordance
with the installation instructions of your wall mount bracket.
Safety Instructions

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Table of contents
Safety Instructions ............................................................... 2-3
1. Introduction ......................................................................... 5
2. Quick Start .......................................................................... 6-7
2.1 Important Information .......................................................... 6
2.2 Connecting the speakers ..................................................... 6
2.2 Connecting the speakers (continued) .................................. 7
3. Speaker Placement .............................................................. 8-9
3.1 Vertical set up ...................................................................... 8
3.2 Horizontal set up ................................................................. 8
3.3 Tweeter at height of ears ..................................................... 8
3.4 The stereo triangle ............................................................... 8
3.5 Surround placement ............................................................ 9
3.6 Stand/Wall mounting........................................................... 9
4. Speaker Adjustment ............................................................ 10
4.1 Controls ............................................................................... 10
4.2 EQ >5kHz ............................................................................. 10
4.3 Level .................................................................................... 10
4.4 EQ <300kHz ......................................................................... 10
4.5 Highpass Filter (80Hz) ......................................................... 10
5. Connecting the Subwoofer .................................................. 11 -12
5.1 Connections......................................................................... 11
5.2 Input .................................................................................... 11
5.3 Output To Satellite ............................................................... 12
6. Subwoofer Placement .......................................................... 13
6.1 Distance to Satellites ........................................................... 13
6.2 Wall/Distance to Walls ........................................................ 13
6.3 Finding the optimum position .............................................. 13
7. SubF Controls ...................................................................... 14-15
7.1 Level .................................................................................... 14
7.2 Low Pass Frequency ............................................................ 14
7.3 Subwoofer Phase ................................................................. 15
7.4 Satellite Filter ....................................................................... 15
8. Trouble Shooting .................................................................. 16
8.1 No or distorted signal .......................................................... 16
8.2 Parasitic noises .................................................................... 16
9. Maintenance ........................................................................ 17
10. Shipping / Packaging .......................................................... 17
11. Environmental Information ................................................... 17
12. EU Declaration of Conformity .............................................. 18
13. Limited Warranty .................................................................. 19
13.1 Terms and Conditions .......................................................... 19
13.2 How to claim ........................................................................ 19
14. Technical Data ..................................................................... 20

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F-Series Manual / english
1. Introduction
Dear customer,
Thank you for choosing an ADAM Audio monitor of the F-Series.
ADAM loudspeakers are built for maximum quality reproduction and audio perfection. With the
F-series you have selected a precise, high-resolution speaker system that allows you to both
evaluate and enjoy audio recordings. This monitor meets highest expectations in sound quality
and craftsmanship.
This manual is intended to provide you with information about your new ADAMs. It contains
important information regarding safety, setting up, handling, and warranty. We suggest
that you read these sections carefully to ensure easy set up and prevent potential problems.
Our F-series nearfield monitors are perfectly suitable for a wide variety of stereo and multi-channel
professional applications including small control rooms, desktops, mobile facilities and post-
production edit bays as well as connection to your favourite mp3-players and gaming consoles …
in other words, in any situation where a combination of no-compromise sound reproduction and
a small footprint is required.
Each loudspeaker of the F-Series consists of a two-way ported active system that uses ADAM’s
proprietary X-ART folded ribbon tweeter ensuring full compatibility with the latest expanded
high frequency resolution media formats along with a bass/midrange cone driver. There is an
individual power amp for each driver with continuous output. The amplifiers of the F5 and F7
models have been optimized for output impedance profiles that are best suited for the associated
drivers.
All models of the F-Range are equipped with a signal sensing circuitry. In order to cut power
consumption to a minimum when not actually in use this circuitry switches the device into a
standby mode when no signal is present at any input for a time longer than approx. 20mins.
The F7 and F5 models have a built-in thermal protection that will mute the output signals in case
internal and back panel temperatures should exceed safe limits.
If you have any questions about this or any other of our products, please don’t hesitate to contact
us – our support team ([email protected]) will be happy to assist you in any matter.
For detailed information concerning ADAM’s technologies and products, complete reviews, and
a list of worldwide ADAM users and studios, please visit our website: www.adam-audio.com
You are invited to share your experience with our products by joining us on Facebook and also,
if you don’t want to miss out on the latest info on ADAM Professional Audio, come and follow us
on Twitter!
We hope very much that you really enjoy your new loudspeakers, and wish you many delightful
hours with them.
The ADAM Audio Team

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2.1 Important Information for set up
After having unpacked your loudspeakers, please allow the system to acclimate to the
temperature of the room for approximately an hour.
It is important to ensure the speakers sit firmly on a solid surface!
We recommend that you retain the original packaging, as it is the best way to guarantee safe
transportation should the need to do so arise.
Please note that the loudspeakers will take some break-in time to achieve optimum sonic
performance.
2.2 Connecting the F5 / F7 speakers
a) Before connecting the loudspeakers to your audio components and the power source make
sure that both the loudspeakers and your audio source are switched off and set the level
controls fully counterclockwise.
b) Connect your sound source or mixing console to the speakers. Use either the RCA
(unbalanced), XLR (balanced) or 1/4” TRS (balanced/unbalanced) connectors. In most
professional applications XLR/TRS will be the typical choice, while RCA is more common in
HiFi applications. Each one of the two loudspeakers has to be connected to one channel of
the sound source. Both RCA and XLR/TRS inputs have the same sensitivity.
Please note:
On the F5/F7 the RCA input takes precedence over the XLR/TRS input. Whenever a cable
is plugged into the RCA input, any signal from the XLR/TRS Input is cut off (but still used for
signal sensing of the Standby Mode). Therefore, best practice is to connect only one single
cable to the input you are actually using.
c) Check if the mains voltage selector of the product matches your local mains voltage range
you use. If this is not the case do not connect the loudspeakers to a power source! Please
contact your local dealer or national distributor. Use the included power cables to connect
the loudspeaker to the AC sockets.
d) Make sure that the line out level (volume) of your stereo is either at a low level or all the way
off. Then, switch on your audio system.
2. Quick Start / Connections

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F-Series Manual / english
e) On the rear panel of the loudspeakers, set the volume at low level and switch on the mains
switch and wait for about 5 secs. The loudspeaker is now in Standby Mode and armed to
automatically switch into Operating Mode as soon a signal is detected at any of the inputs.
f) Turn on your source of music and adjust the volume slowly and carefully until the
loudspeakers switch from Standby into Operating Mode, first using the volume control of
your source. If your audio level is still too low, turn up the speaker’s volume control.
Please note:
After inital mains power-up (via the mains switch) and after a switch-off into Standby Mode,
the signal detector will need about 5 sec. Even with a signal present, the speaker will not
immediately switch back on into Operating Mode.
At the front of the F5 and F7 models you will find two
LEDs next to the ADAM logo that indicate the following
conditions:
GREEN:
Operation Mode, main power is present and speaker is active.
DIM RED:
Standby Mode, meaning the speaker has switched to low power mode with automatic signal
sensing.
BRIGHT RED + GREEN LED:
Overtemperature condition, the speaker stops putting out sound and will wait some minutes
until it cools down to resume operation. The thermal protection will nominally never engage
in normal use but may engage when using high output levels over extended periods of time,
notably together with high room temperatures and high mains voltages.
2. Quick Start / Connections

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Please make sure that there are no obstacles in the way from the monitor to your ears. You
should be able to see the speakers completely.
3.1 Vertical set up
The F-series has been designed for a vertical set up.
The speakers must be positioned on a solid surface
or a stand. Please note that vibrating parts of nearby
objects can mask the sound.
3.2 Horizontal set up
If you choose to use your speakers in hori-
zontal position as indicated below, please
make sure that the set up is mirrored/
symmetrical, i.e. that the tweeters both
face either the outwards or inwards. This
is crucial for a precise stereo signal.
3.3 Tweeter at the height of ears
The Tweeter should be positioned approxi-
mately at the height of your ears. In case
you need to position the speaker in a sig-
nificant lower or higher position, the moni-
tor should be angled accordingly.
3.4 The Stereo Triangle
If the loudspeaker is going to be used for stereo ap-
plications, the optimum listening position should be
at the top of an imaginary equilateral triangle with the
two loudspeakers to be placed at the other two points
of this triangle. The loudspeakers should be aligned
with the listener’s position.
3. Speaker Placement
like
this:
or like
that:

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F-Series Manual / english
3.5 Surround Placement
Speaker positioning for multi-channel stereo purposes is ideally based on a circle with
speakers placed at 0° (Center), 30° (Front Right), 110° (Rear Right), 250° (Rear Left), 330°
(Front Left), with the listener being the circle’s center (Radius between 0.7-2.0 m). This
ITU recommended configuration may vary depending on the purpose of the control room
(music or film). However, it is recommended to create a symmetrical listening position
with the front side and surround speaker pointing to the listener’s ear. The distance to the
surrounding walls should be at least 40 cm to avoid early reflections, which can degrade
the sound.
3.6 Stand/Wall Mounting
On the F5 and F7 speakers you will find two metric M6 (6 mm) strew threads for stand/wall
mounting on the rear side. Further equipment for mounting is also available. Please contact
us for more information.
Please mount these loudspeakers onto indoor dry wood/plaster panel walls only. For other
wall materials an additional isolation panel is required. The rear panel, and thus the wall
mount hardware, is directly connected to the Audio-Ground of the speaker and the source
device. Please keep this in mind when using the wall mount option and DO NOT connect the
rear panel to anything possibly conductive.
3. Speaker Placement

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4.1 Controls
On the rear side you will find controls that allow detailed
fine-tuning of your loudspeakers to your particular room
acoustics and personal listening preferences. The following
tips are intended to assist you at using the controls in the
best manner.
Please note that using the controls may have a great impact
on the overall sound characteristics of your loudspeakers.
We recommend using the controls with utmost care and
only after several audio tests with familiar recordings.
4.2 EQ > 5kHz
The EQ > 5kHz is a shelving filter, which progressively raises or lowers the frequencies
above 5kHz up to ±6 dB (at 20kHz).
4.3 Level
The Level control works for the whole frequency range and lets you adjust the overall vol-
ume of the speaker from -∞ dB to +6dB (+12dB for SubF).
While the speakers are designed to withstand full power operation with normal music sig-
nals there is a slight risk of permanently damaging the tweeter when continuous sine-waves
or other test signals at high power and with frequencies above 2kHz are applied. Be careful
with this kind of anomalous signals.
4.4 EQ < 300Hz
The EQ < 300Hz is a shelving filter, which progressively raises or lowers the frequencies
below 300Hz up to ±6 dB (at 100Hz). When using a subwoofer, you may want to increase or
decrease the sub’s volume accordingly, for a seamless integration with the subwoofer.
4.4 Highpass Filter (80Hz)
If you want to use your F-speakers as satellites in conjunction with
the SubF, it is advisable to cut the low frequencies on your monitors
which will result in improved clarity and dynamic range since they
do not have to deliver large amplitudes. Further, correct phase and
magnitude response of the Sub+Sat combination is assured this
way for a typical setup.
4. Speaker Adjustment

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F-Series Manual / english
5.1 Connections
On the rear side of the SubF you can find two sets of balanced XLR/TRS combo inputs and
unbalanced RCA connectors.
a) Before connecting the subwoofer to your audio components and the power source make
sure that the subwoofer, the loudspeakers and your audio source are switched off and set
the level controls fully counterclockwise.
b) Choose your preferred connection as described under 5.2.
c) Check if the mains voltage selector of the product matches your local mains voltage range
you use and check if the installed fuses have the correct ratings for the selected settings.
If this is not the case do not connect the subwoofer to a power source! Please contact your
local dealer or national distributor. Use the included power cables to connect the SubF to
the AC sockets.
d) Make sure that the line out level (volume) of your source is at a low level. Then, switch on
your audio system.
e) On the rear panel of the SubF, set the volume at low level and switch on the mains switch
and wait for about 5 secs. The SubF is now in Standby Mode and armed to automatically
switch into Operating Mode as soon a signal is detected at any of the inputs.
f) Turn on your source of music and adjust the volume slowly and carefully until the SubF
switches from Standby into Operating Mode, first using the volume control of your source.
Adjust now the bass level to your liking by turning up or down the subwoofer’s volume
control.
5.2 Input
Connect the left and right line-level signal from your signal source
(preamplifier etc.) to the LEFT and RIGHT INPUT jacks. Use either the
combo input for balanced XLR or 1/4“-TRS cables or the unbalanced
RCA input jack.
When using two subwoofers (one for each stereo channel), connect
only the respective channel.
Both the RCA and XLR/TRS inputs have the same sensitivity and are
wired to sum up the inputs of their respective channel.
Note that all four input channels (2x RCA, 2x XLR/TRS) are further
summed together to form the signal to be used by the subwoofer
channel, both for actual sound output and for signal sensing (for the
automatic standby function).
5. Connecting the SubF Subwoofer

12
5.3 Output To Satellite
Connect the LEFT and RIGHT OUTPUT TO SATELLITE jacks to the
inputs of the left and right main powered speakers or the inputs of the
amps powering the main speakers. Again, when using two subwoofers
(one for each channel), connect only the respective channel.
Both the RCA and XLR outputs have the same output level, and do not
apply any gain change to the satellite signal. The output is a buffered
copy of the input (however, a 80Hz high pass filter may additionally
be engaged).
Please note:
The Satellite Outputs are not active (do not carry any signal) when the Subwoofer is in
Standby Mode. This means that when both the Subwoofer and the Satellites are in Standby
Mode, an input signal is needed.
5. Connecting the SubF Subwoofer

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F-Series Manual / english
It is common knowledge that single sources at low frequencies (below about 100Hz) are perceived
as being non-directional under free field conditions, meaning they can hardly be located by the
listener. It is, however, a common misunderstanding that therefore the placement of a mono
(or two stereo) subwoofer(s) does not matter. It does matter. Due to the fact that every room
(geometry, furniture, etc.) is unique, the following descriptions intend to be a first introduction to
the subject. The aim is to assist you tackling the most common problems with subwoofers and
room acoustics, notably interference and standing waves.
6.1 Distance to satellites
In most setups it is advisable to place the subwoofer not too far (preferably less than 2
meters) from the satellites and at about the same distance to the listener to minimize the
chance of Interferences. Interference means the superposition of two or more waves result-
ing in an attenuation/cancellation or enhancement of the specific frequency/frequencies.
Furthermore, big reflecting surfaces in close range of the subwoofer should be avoided if
possible.
6.2 Walls/Distance to walls
Generally, every wall in relative close distance to the subwoofer enhances its sound pressure
by about 6 dB. For instance, placing the subwoofer in a corner of a room will make it about
18 dB louder. It is likely that this will result in an impairment of the precision of the musical
reproduction.
Another problem related to the geometrics of the room concerns the so called
‘standing waves’. These are sound waves being reciprocated between reflecting ob-
jects, so they ‘stand’ (don’t seem to move) in between these objects. The speaker
continues to produce new waves that combines its force with the first wave(s):
a vicious circle that results in local imbalances of the particular frequencies.
6.3 Finding the optimum position
Give it a try! The most important tool for finding the best position for your subwoofer are
your ears. There are two rather easy ways:
You can determine your listening spot first and then compare the sound of the subwoofer
at different positions.
Another option is to place the subwoofer at the listening position and then move around.
Whereever the sound is the best the subwoofer should be positioned.
6. Subwoofer Placement

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Controls for the Sub Level, Sub Filter, the signal phase and the satellite filter are located on the
back panel of the subwoofer. The following tips are intended to assist you at using the controls
in the best manner.
7.1 Level
This controls the Input Sensitivity in a range from -∞dB to +12dB. In order
to accommodate personal taste and any influence of Low Shelf controls
of the satellites (when used), the volume control has a bigger maximum
range than the satellites.
However, keep the level settings for subwoofer(s) and satellites at
approximately the same indicated scale levels, as a starting point. For
example, if the satellite volume control is set to, say, “0dB” (center
position), also use “0dB” at the subwoofer. This equally applies to setups
with either one mono or two stereo subwoofers.
7.2 Low Pass Frequency (Sub Filter)
The upper frequency roll-off of the subwoofer’s output is variable and can
be set to any value between 50 and 120Hz.
In a typical setup with a stereo source, use the following settings:
• set the variable Low Pass Frequency on the SubF to 80Hz
• switch the Satellite High Pass Filter on both the SubF and the satellites (i.e.
HP 80Hz on F5 + F7 models) to 80Hz
• switch the Subwoofer Phase to 0°
• set the level controls on the subwoofer and the satellites to equal dB val-
ues, indicated by the scales around the knobs. If you are using the Low
Shelf controls on the satellites, you may want to increase/decrease sub-
woofer level according to the Low Shelf control’s setting.
In setups using a surround receiver and the like which have their own speaker management,
it is typically best to use the satellites in flat mode (80 Hz highpass not engaged on the satel-
lite rear panel) and to dial in the highest possible cut-off frequency for the subwoofer (120
Hz) on its rear panel.
7. SubF Controls

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F-Series Manual / english
7.3 Subwoofer Phase
With the Phase Switch you can alter the phase of the subwoofer
relative to the satellites. That means to change the polarity of the bass
unit. Depending on the distance between woofer and satellites and
on room acoustics, either 0° or 180° may be the better position. We
recommend to try out what position sounds better within your system,
but in most cases and in conjunction with F5/F7 speakers the phase
switch should be left in the 0° position.
7.4 Satellite Filter
The satellites in a system can be fed full range from the subwoofer
or with a restricted downward range of 80Hz, selectable with a slide
switch on the subwoofer rear panel. If possible, send the main signal
into the subwoofer. Connect your satellites to the subwoofer output,
either via XLR (balanced) or RCA (unbalanced).
When engaging this high pass filter, in many cases clarity and dynamic range of the
speakers can be improved if they do not reproduce very low frequencies since they do not
have to deliver large cone excursions. Further, correct phase and magnitude response of
the combination is assured this way in a typical setup consisting of F-Series components.
Please note that both High Pass switches, on the subwoofer as well as on the satellites,
should be activated for this.
Please note:
At the front of the SubF you will find two LEDs next to the
ADAM logo that indicate the following conditions:
GREEN:
Main power is present and the subwoofer is active.
RED:
Standby Mode, meaning the subwoofer has switched to low power mode with automatic
signal sensing.
7. SubF Controls

16
All ADAM products are designed and manufactured to the highest quality standards. However, if
any problems with your speaker occur, we recommend to proceed as follows:
8.1 Problem: The LED shows normal operation (green) but there is either no or only a distorted
audio signal. If both (all) speakers are affected, the reason can probably be found within the
signal path. If only one speaker is affected, the problem will probably be within this speaker.
a) Check the wiring.
Is the cable defective? Are all cables connected correctly? Please note that a cable plugged
into the RCA input switches off the XLR/TRS input.
b) Check the signal path.
Swap the cables of both loudspeakers. Does the problem change with one of the cables?
c) Connect the monitor as directly to the signal source as possible (please mind the volume!).
Is another part of the signal path (e.g. mixer, subwoofer) defective?
If the answer to all these questions is ‘no’, the problem is being caused by the loudspeaker
with the utmost probability.
If the answer to at least one of these questions is ‘yes’, there will probably be another defec-
tive device within the signal path.
8.2 Problem: You hear parasitic noises (like humming, buzzing, soughing, cracking).
a) Please disconnect the signal cables. If the noises disappear, check the signal path.
b) If the noises can still be heard, check for other electrical devices close to the speakers
(mobile phones, switching power supplies, etc.). If the noise disappears by removing other
electrical devices, they will cause the noise in most cases.
c) Connect your monitor to a different power socket, if possible with an extra fused phase. If
the noise disappears use a different power source.
If after performing tests a) - c) the noise is still audible, it is most likely the speaker causing
it. Please see 13.2 for claiming repairs under warranty.
If you need any further assistance, please do not hesitate to contact one of our service
departments:
USA: usa-inf[email protected]
UK: uk-inf[email protected]
rest of the world: suppor[email protected]
8. Troubleshooting

17
F-Series Manual / english
Please switch the loudspeaker off before cleaning!
Please note that the diaphragms build up a magnetic field. Do not ply with magnetic items
at close range to the diaphragms.
Please make sure that no liquids get inside the cabinet. Do not spray any fluids on the
speaker. Do not use a wet cloth for cleaning.
Do not use flammable or acidic chemicals for cleaning.
Do not touch the membranes of the loudspeakers.
We recommend using a lint-free, damp cloth for cleaning.
The loudspeaker membranes may be dusted using a very soft brush.
10. Shipping / Packaging
In case you have to send your speakers to any other location, it is of vital importance that you use
the original packaging materials. Experience has shown that it is very difficult to avoid damage if
you have to send them without these. ADAM Audio can not be held responsible for damages due
to improper packaging.
If a transport is necessary and the original shipping carton is not available, a new one can be
purchased from ADAM Audio.
11. Environmental Information
All ADAM products comply with international directives on the Restriction of Hazardous Sub-
stances (RoHS) in electrical / electronical equipment and the disposal of Waste Electrical /
Electronic Equipment (WEEE).
For disposal, please consult your local authorities for further information.
9. Maintenance

18
EU Declaration of conformity
According to the EU low voltage directive 2006/95/EU, according to Annex III B of 12. December
2006.
Herewith we declare that the product hereinafter referred to is in conformity to safety and health
requirements of the EU low voltage directive in concept and design and build and in the configura-
tion placed on the market by us. In case of alterations of the product without our agreement this
declaration is no longer valid.
Manufacturer/authorized representative
ADAM Audio GmbH
Ederstraße 16
D-12059 Berlin
Tel.: [phone]
Description of the electronic equipment:
Function: active nearfield monitor; subwoofer
Type/modell: F5, F7, SubF
Year of manufacture: 2012
We declare the conformity with the following directives that additionally apply:
EMC directive 2004/108/EC
EMI Audio /Video DIN EN 55013:2006
EMS Audio /Video DIN EN 55020:2007
EMC Harmonics DIN EN 61000-3-2:2010 EMC Flicker DIN EN 61000-3-3:2009
Electronic security AUDIO/TV
DIN EN 60065:2011 EN 60065:2002 +A1:2006 +Cor.:2007 +A11:2008 +A2:2010+A12:2011
Eco Design Directive 2009/125/EG Standard
EUP Directive 2005/32/EG EUP 2005/32/EG
Year of awarding CE label: 2012
Place / date: Berlin, 08-24-2012
Indication / identity of signatory: Klaus Heinz / CEO
Signature:
12 . EU Declaration of Conformity

19
F-Series Manual / english
ADAM Audio GmbH provides a two year limited warranty for this product.
13.1 Terms and Conditions
This warranty is limited to the repair of the equipment or, if necessary, the replacement of
parts or the product and return shipping within the country of purchase.
This warranty complements any national/regional law obligations of dealers or national
distributors and does not affect your statutory rights as a customer.
Neither other transportation, nor any other costs, nor any risk for removal, transportation
and installation of products is covered by this warranty.
Products whose serial number have been altered, deleted, removed or made illegible are
excluded from this warranty.
The warranty will not be applicable in cases other than defects in materials and/or work-
manship at the time of purchase and will not be applicable:
a) for damages caused by incorrect installation, connection or packing,
b) for damages caused by any use other than correct use described in the user manual,
c) for damages caused by faulty or unsuitable ancillary equipment,
d) if repairs or modifications have been executed by an unauthorized person,
e) for damages caused by accidents, lightning, water, fire heat, public disturbances or any
other cause beyond the reasonable control of ADAM Audio.
13.2 How to claim repairs under warranty
Should service be required, please contact the ADAM Audio dealer where the product has
been purchased.
If the equipment is being used outside the country of purchase, the international shipping
costs have to be paid for by the owner of the product.
Service may be supplied by your ADAM Audio national distributor in the country of resi-
dence. In this case, the service costs have to be paid for by the owner of the product
whereas the costs for parts to be repaired or replaced are free of charge. Please visit our
website to get the contact details of your local distributor.
To validate your warranty, you will need a copy of your original sales invoice with the date
of purchase.
For a complete list of all our distributors, dealers and service centers, please visit our
homepage (www.adam-audio.com).
13 . Warranty

1 = Long term sinusodial amplifier output power for 10 min.; with rated mains voltage, into 3.7R (F5/F7) or 5.2R (SubF), 1% THD
2 = Short term peak amplfier output power for 20 msec.; with rated mains voltage, into 3.7R (F5/F7) or 5.2R (SubF), 10% THD
3 = Volume Control at „0dB“ position delivers same acoustic output level to any ADAM AX series speakers at „0dB“ position.
4 = F5 + F7 models: a cable plugged into the RCA input jack will disable the XLR/TRS input.
5 = For 90dBSPL output @ 1m, free field, volume control fully turned up
6 = No clipping of input circuitry ahead of volume control (Hi Shelf Control centered) and in satellite outputs.
7 = 100Hz...1kHz bandwidth
8 = After switch-on with an input signal of 30mVrms for 1 second
9 = Usable ranges : 90...130V and 180...260V. Note that output powers will scale with mains voltage.
10 = In Standby Mode
11 = In Operating Mode, but idle (without input signal).
12 = Rated maximum with full acoustic output
F5 F7 SubF
Tweeter X-ART X-ART –
Velocity Transfer Ratio 4:1 4:1 –
Woofer 127 mm / 5“ 177 mm / 7“ 203 mm / 8“
Woofer Material Glass Fibre/Paper Glass Fibre/Paper Glass Fibre/Paper
Built-in Amplifiers 2; Type A/B 2; Type A/B 1; PWM
Woofer Channel 1/2 25 W/35 W 60 W/85 W 110 W/150 W
Tweeter Channel 1/2 25 W/35 W 40 W/55 W –
Volume Control 3-∞ to +6 dB -∞ to +6 dB -∞ to +12 dB
High Shelf EQ > 5 kHz ± 6 dB ± 6 dB –
Low Shelf EQ < 300 Hz ± 6 dB ± 6 dB –
Frequency Response 52 Hz - 50 kHz 44 Hz - 50 kHz 30 Hz - 50...120 Hz
Max. Peak Acoustic Output in 1m ≥106 dBSPL / per pair ≥109 dBSPL / per pair ≥107 dBSPL
Inputs 4XLR/TRS, RCA XLR/TRS, RCA XLR/TRS, RCA
Satellite Outputs / Output Gain – – XLR, RCA / 0dB
Input Sensitivity 5220 mVrms (-13 dBV) 220 mVrms (-13 dBV) 110 mVrms (-19 dBV)
Input Impedance 40 kOhms (RCA) /
10 kOhms (XLR/TRS)
40 kOhms (RCA) /
10 kOhms (XLR/TRS)
40 kOhms (RCA) /
10 kOhms (XLR/TRS)
Input Headroom 6> 3 Vrms > 3 Vrms > 3 Vrms
Common Mode Rejection (XLR/TRS Inputs) > 40 dB > 40 dB > 40 dB
Threshold of Automatic Standby Signal
Detector 73 mVrms (-50 dBV) 3 mVrms (-50 dBV) 3 mVrms (-50 dBV)
Hold Time of Standby Detector before
Switch-off 8> 20 min. > 20 min. > 20 min.
Mains Power Supply (User-selectable) 9115 V, 50...60 Hz
230 V, 50...60 Hz
115 V, 50...60 Hz
230 V, 50...60 Hz
115 V, 50...60 Hz
230 V, 50...60 Hz
Power Consumption 10/11/12 <0.5 W / <15 W / 75 W <0.5 W / <15 W / 100 W <0.5 W / <15 W / 150 W
Weight 6.8 kg / 15 lb. 9 kg / 19.8 lb. 9.9 kg / 21.8 lb.
Magnetically shielded no no no
Height x Width x Depth 290 x 185 x 230 mm
11.5“ x 7.5“ x 9“
321 x 225 x 266 mm
2.5“ x 9“ x 10.5“
350 x 250 x 341 mm
14“ x 10“ x 13.5“
Operating temperature 0° C to 40° C
(32° F to 104° F)
0° C to 40° C
(32° F to 104° F)
0° C to 40° C
(32° F to 104° F)
Storage temperature -30° C to 70° C
(-22° F to 167° F)
-30° C to 70° C
(-22° F to 167° F)
-30° C to 70° C
(-22° F to 167° F)
Humidity Max. 90 % not condensing Max. 90 % not condensing Max. 90 % not condensing
14 . Technical Data / Technische Daten