AMS Neve AudioFile SC/X User manual

AudioFile SCX user manual 1Revision 0.91
Jan 2008

CONTENTS
1 GLOSSARY
2 GENERAL INTRODUCTION
AudioFile SCX 2:1
AudioFile SCX Supported Software & Devices 2:2
Structure of this Manual 2:3
Conventions in this Manual 2:4
Cues, Inputs and Tracks 2:5
Cues and Events 2:6
Editing 2:7
Jukebox 2:7
Remote Control 2:7
Edit and Event List Data 2:7
Time Number Entry 2:8
MacroKeys 2:8
AudioFile SCX Control Surface 2:10
Softwheel (Nudge Key) Modes in Cut And Splice 2:12
3 GETTING STARTED
Starting up the AudioFile SCX (Bootup) 3:2
System Setup 3:5
Start a New Session 3:6
Recording a New Cue 3:8
Add a Cue to the Source Stack 3:11
Source Editing 3:13
Adding Events 3:17
Trimming an Edit 3:19
Saving an Event List 3:22
Some Common Functions 3:23
Shutting Down and Turning Off the AudioFile SCX 3:28
4 SETTING UP
Defaults 4:1
Input/Output Configuration 4:11
Miscellaneous Page 4:14
AMS Trandisk Interface Window 4:17
AudioFile++ Window 4:18
AudioFileSCX Controller Window 4:19
User System Maintenance 4:26
Suggested routine backup 4:26
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Hard Disk Environmental Considerations 4:26
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Levels 4:26
5 RECORDING
Recording Level Meters 5:1
Wordclock Reference 5:1
Recording a new Cue (Source recording) 5:2
External Recording with Timecode 5:5
Record While Play (Assembly) 5:5
Sync Recording 5:5
Inputs 5:6
Recording Events Manually 5:6
Multi-Track Recording 5:7
Monitoring 5:8
Punch-in and Overlap 5:8
Programmed Recordings 5:9
Grab Time Key 5:11
Threshold Recording 5:13
Digital Varispeed Record 5:16
ADR 5:17
6 CUT AND SPLICE
Introduction 6:1
Cut and Splice in Source 6:3
Expanded Access in Source 6:16
Cut and Splice in Assembly 6:18
Expanded Access in Assembly 6:38
Cut and Splice Local Defaults 6:46
Error Prompts 6:49
Softwheel (Nudge Key) Modes In Cut And Splice 6:50
7 EDITING
Editing Cues 7:1
Cues and ReelRock 7:4
Editing Events 7:5
TimeFlex 7:9
Some Editing Applications 7:11
Edit Decision List (optional software module) 7:12
8 SYNCHRONISING
Using AudioFile SCX with Timecode 8:1
Playing Against Timecode 8:2
Recording Against Timecode 8:2
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Timecode Output 8:3
SyncRelay 8:3
System Sync Status 8:4
9 MACHINE CONTROL SYSTEM (MCS)
Introduction 9:1
MCS Main Page 9:2
Machine Local Defaults 9:8
Recording 9:14
Transport Controls 9:19
Connections 9:20
10 FILING AND SAVING
Filing Page 10:1
Saving 10:2
Loading 10:4
Using Folders 10:5
Printing 10:6
Backup And Restore 10:9
Exabyte® Backup and Restore 10:9
Backup 10:11
Restore 10:16
11 MEDIA UTILITIES
Media Utilities Page11:1
Catalogue 11:4
OMF Optional Software Module 11:8
12 TRIGGERS
Record Triggers Facility 12:1
Assigning Triggers 12:1
Auditioning Assigned Cues12:1
Deleting Triggers 12:2
Recording Triggers 12:3
Jukebox 12:4
GLOSSARY
Cue
This is a fundamental term in the AudioFile SCX vocabulary and signifies a piece
of digital audio material stored on hard disk. Cues can be created by direct
recording to AudioFile SCX hard disk or by converting other audio formats to
AudioFile SCX Cues. Cues, once erased can never be retrieved unless they
have been backed-up. Recorded Cues are given a default name that can be
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changed. Cues also have a unique identifier, separate to the name, to prevent
problems with duplicate names.
Cue Library
This is the name given to the collection of Cues stored on hard disk. It contains
the raw material, or building blocks, from which the finished work is to be
constructed.
Cue Mark
This is a user defined point of reference in a Cue. There can be any number of
Marks defined for a Cue. A Cue also has two special Marks, the In and Out Point
Marks, that define the current segment of the Cue. Marks are typically used to
quickly select sections of a Cue, synchronise with the Event List and so on.
It is also known as a Source Mark.
Cue Stack
A list of current working source cues. The Cue Stack can be used as a scratch
pad for cue edits before cues or cue segments are used in the Event List. The
Cue Stack is useful for selecting a segment of a cue that is going to be used
several times in the Event List.
Default
A pre-set value that is automatically selected. AudioFile SCX uses a range of
default settings to govern how the system operates.
EMC
Electro Magnetic Compatibility as defined by the European Community Directive
89/336. i.e. a system should neither generate nor be sensitive to electromagnetic
interference (within prescribed limits). See General Introduction - Important
Information for European users.
Event
An Event is a description of how and when a Cue is used and which output
(Track) it is used by. For instance, an Event has a start time, a stop time and a
Cue in point. The Cue in point is where (in the Cue) audio is played from when
the Event starts.
The current Event is displayed in yellow within the Event List; this can be
disabled within the Display Defaults Page.
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Event List
The Event List is the structure for organising Events. Events are ordered
chronologically according to Event start time. Constructing an Event List is called
Assembly (e.g. in Cut and Splice). Event Lists can be saved in named files.
External
Refers to a timecode source which is external to the AudioFile SCX system.
Grab Time
This is a facility that is used to capture a particular timecode value, whether
generated from external timecode or internal clock.
Handle
This is a short period of extra audio that is included at the beginning and/or end
of a cue segment that has been marked automatically. This is useful in
preventing a sudden jump or drop-off in level when marking cues by threshold
levels (e.g. using Strip Silence) or when using Threshold Recording.
HardKey
HardKeys are the dedicated function keys on the AudioFile SCX control surface.
HardKeys have legends that indicate their function.
Internal
The timecode source supplied by AudioFile SCX’s internal clock generator.
Jog
Moving through a video sequence one frame at a time.
LED
Light emitting diode used to display information and label softwheel functions.
List Inpoint
The time reference at the start of an Event, giving its position in the Event List.
List Mark
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A point in an event that is used, for instance, to sync it with a video sequence.
List Outpoint
The time reference at the end of an event.
LTC
Longitudinal timecode.
Mark
Used to identify and record a precise position within a Cue (Source Mark) or the
Event List (Assembly or List Mark).
Merge
This refers to the process of combining an Event List stored on a floppy disk with
the current Event List.
Mute
This term is used to describe a situation where an Event is silenced, usually
because it conflicts with another Event. For example, when there are two or more
sounds occurring simultaneously on the same Track. Events can also be
deliberately muted.
No Slip Mode
The opposite of slip mode whereby the duration of an event is edited while
maintaining the original synchronization. Also called lock mode.
Nudge
To move in small steps of one frame or one tenth of a frame using the Nudge
keys immediately beneath the softwheel.
Offsetting
Taking an event list or part of an event list and shifting the whole selected portion
of events forwards or backwards in time without disturbing their order.
On The Fly
During the process taking place. For instance, creating Marks while a Cue is
playing could be called 'marking on the fly'.
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Ramp
The term used for a fade taking place over a brief timespan. ‘Fade’ refers to a
steady reduction or increase in level that travels from 100% to zero in anything
over 100 milliseconds of duration.
Record Event
Literally a duration of space into which a recording can be made. Record Events
can be prepared in advance of a recording session. Recording automatically
begins at the start point of the Event and ceases at the end point.
Record Data
The identifying information assigned to the Cues in the library. For example, start
time, title etc.
ReelRock
ReelRock provides variable control of the timeline. ReelRock is used when
editing and allows the audio to be monitored as it is edited.
Resequencing
Automatically putting events into chronological order. This happens automatically
when Events are moved, edited, inserted or deleted.
Retake
When a recording has been made but is not satisfactory the same process is
repeated with a ‘retake’.
Ripple
This is when adjustments are made to Events that also move the following
Events. For instance, if an Event is shortened then some or all of the following
Events can ripple forward to maintain continuity.
Shuttle
Moving through a video sequence either forwards or backwards but at a speed
that is either faster or slower than the regular video speed.
Slip Mode
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The opposite of no slip mode (lock). A state where an event shifts along the
timeline when edited but does not lose or gain any material: the duration remains
constant with a change in the start and stop time.
SoftKey
A key whose function changes and is dependent upon the page that is currently
being displayed.
Softwheel
This is a special name for the two rotary controls that select or adjust various
parameters in each of the AudioFile SCX pages. There is an illuminated LED
display that indicates the function of each softwheel as it changes from page to
page.
Splice
To join two recordings together or insert one into another.
Sync Point
A reference point in a piece of recorded material that corresponds with a
particular action in a video sequence.
Timecode
An electronic signal stored with, and as part of, a recording that can be used to
synchronize two pieces together, or to identify frames of video uniquely in a
chronological sequence.
Transport Keys
The keys at the bottom right of the control surface that conform with those on a
conventional tape recorder, fast-forward, play etc, are called the transport keys.
Trigger Keys
The name of the lower row of eight keys beneath the AudioFile SCX screen.
Trim
Make finely controlled adjustments, e.g. trimming the in point of a Cue.
USB
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This is Universal Serial Bus. A “plug and play” computer interface which allows
simple connection of printers and storage devices.
Vernier
This is a fast editing mode for moving the cursor rapidly or for making
adjustments using precise numerical values. Audio is not monitored.
VITC
Vertical interval timecode.
Wordclock
Timing information that is transmitted at the same time as audio to ensure correct
synchronisation between digital devices.
GENERAL INTRODUCTION
AudioFile SCX
AudioFile SCX is the latest model of the very first non-destructive, multi-track,
hard disk recording and editing system: AudioFile. A winner of an Emmy award
or technical excellence, A
AudioFile SCX user manual 10 Revision 0.91
udioFile, and now AudioFile SCX, remains the most
se system of its kind.
al is mainly presented as a reference.
owever, AudioFile SCX will be new territory for many users. If you are among
those users who are new to hard disk editing systems with a dedicated editing
surface then you should follow the guidelines below for finding out about key
f
powerful and easy to u
Information in this Manual
he information in this manuT
H
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AudioFile SCX user manual 11 Revision 0.91
very
inding Information
here are two lists which may help with finding a topic that you are interested in:
his manual is primarily a reference tool and is not designed to be read
quickly.
t the methods described to achieve specific
perations are adhered to as closely as possible.
MS Neve request that users notify their suppliers of any problems they may
ary that the specific operating
onditions under which they occurred are accurately described, key sequences
, S or M system, or a
ewly purchased system. In either case the system consists of a single 4U rack
udioFile SCX incorporates a dedicated computer (with its own screen,
ting the event list.
r
For
stance, a normal PC can have a screen saver, but this would interfere with the
stalling or using unauthorised software or hardware without the permission of
r).
concepts for the AudioFile SCX. You will soon find that AudioFile SCX is
easy and intuitive to use.
F
T
the contents and the index.
T
sequentially. Therefore, use the index (at the back of the manual) to find
information
Using AudioFile SCX
AMS Neve recommend tha
o
A
encounter.
If problems do occur it is absolutely necess
c
are particularly important.
Dedicated Server
Your AudioFile SCX system may either be an upgraded SC
n
mount box with a Spectra control surface.
Integrated Pentium processing sub-system
A
keyboard and trackball) which uses Microsoft Windows XP as a platform for
serving the control surface and manipula
The computer must not be regarded as a general purpose personal compute
(PC) that can be used for applications other than being an AudioFile editor.
in
operation of the AudioFile SCX tasks so a screen saver must not be used.
In
AMS-Neve will invalidate the warranty.
The Studio Controller must not be switched off without following the correct
shutdown procedure (described at the end of the Getting Started chapte
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AudioFile SCX user manual 12 Revision 0.91
pt responsibility for the results of any operations on the
ystem that are not described in this manual or other authorised documentation.
AMS Neve will not acce
s
AudioFile SCX Supported Software & Devices
AMS Neve support distributors and customers supplying their own Third Party
software and devices as long as the following rules are fully observed:-
Third Party Software
Only third party software approved by AMS Neve is installed onto the system
Only the operating system approved by AMS Neve is installed onto the system.
If third party software which has not been obtained through AMS Neve is
installed onto AMS Neve equipment, then this sof
.
tware is not covered by AMS
eve support. Also, if the third party software causes the AMS Neve equipment
ty becomes void for that particular
roblem. AMS Neve reserve the right to remove such software if a site visit is
e circumstances this may require the
d re-installation of the recommended
system and AMS Neve software supplied software only. The system
ft without the third party software installed. The
plus expenses will be chargeable.
e:-
indows XP operating system
tec Opener, Conversion Plus
dobe Acrobat Reader
le & Dehiss
the system in
e recommended way. ined through AMS Neve are fitted to AMS
eve equipment, then they are not covered by the AMS Neve warranty. Also, if
ve equipment to malfunction in any
ay, then the warranty becomes void for that particular problem. AMS Neve
reserve the right to disconnect such devices if a site visit is carried out to rectify a
N
to malfunction in any way, then the warran
p
carried out to rectify a problem. Under som
formatting of the internal boot drive an
operating
will then be tested and le
engineers visit
Currently approved third party softwar
Microsoft W
Syman
MacDisk
A
Winamp MP3
Audacity
CEDAR Declick, Decrack
Synchro Arts VocALign®
mSoft Inc
Nero
Norton Ghost
Third Party Devices
Only devices approved by AMS Neve are installed or connected to
th
If devices which have not been obta
N
third party equipment causes the AMS Ne
w
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AudioFile SCX user manual 13 Revision 0.91
lled or
TRUCTURE OF THIS MANUAL
problem. The system will then be tested and left without the devices insta
connected. The engineers visit plus expenses will be chargeable.
S
asic Information and Getting Started B
and particularly if you are new to hard disk editing
ystems, then you should familiarise yourself with the information in the following
-
are used in this manual and in the context of
sing AudioFile SCX.
eneral Introduction
sed
idely by AudioFile SCX functions).
etting Started
ful
this chapter 'hands-on' as this
ill build confidence and show you how easy it is to use AudioFile SCX.
eference
he rest of the manual provides reference for using AudioFile SCX. If you are a
AL
If you are a new user,
s
chapters of the manual:
Glossary Of Terms
This has definitions of terms as they
u
G
After this discussion of the manual, this chapter gives basic information about the
AudioFile SCX and instructions for editing and using macros (these are u
w
G
This describes how to start up AudioFile SCX and some exercises that are use
for new users. You should attempt to work through
w
R
T
new AudioFile SCX user, then it is recommended that you familiarise yourself
with the Recording and Cut and Splice chapters.
CONVENTIONS IN THIS MANU
tructions for achieving particular tasks are described as individual actions.
ach of these actions is indicated by an arrowhead:
ctions may be followed by descriptions which describe the results.
Instructions
The ins
E
ÎThis is an action. Do me!
A
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Notes
At various points there are notes that describe exceptions, options or provide
other information that is relevant to the current topic. These are shown in italics
next to a writing hand symbol:
AudioFile SCX user manual 14 Revision 0.91
This is a note. Please read me.
the
xt to an instruction and the key
cation is indicated in red. For instance:
Key Locations
The Getting Started chapter uses icons representing the SoftKey locations on
AudioFile SCX screen. The icon will be shown ne
lo
Press the top right SoftKey (exit) until the Main Menu is displayed.
The key location is shown in red so it is easy to see which key to press -
oftKeys are not red on the screen.
ues, Inputs and Tracks
S
Other keys (HardKeys, Transport keys, etc.) do not have their location shown
because they do not change function or legend.
C
ecomes a uniquely
belled Cue. A Cue can be a fraction of a second long or it can extend to the
capacity of the system’s storage medium (subject
the actual duration of Cues, up to 16000 different Cues can be recorded) per
tereo Cues use twice the storage space of Mono Cues.
any particular input can be replayed on any available track
tereo is recorded via available input pairs and these must be both adjacent and
8 tracks can be played out simultaneously and up to 16 inputs can be
corded simultaneously.
ues can overlap on the same track, but only one overlap is permitted per track
at the same time.
AudioFile SCX is equipped with up to 16 inputs for recording and 48 Tracks for
playback.
Any piece of audio information recorded into the system b
la
length of an entire day!
Storage time depends on the
to
attached hard disk.
S
Audio recorded via
(s
odd/even i.e. 1/2, 3/4 etc.).
Up to 4
re
C
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An audio Cue can be re-used numerous times during playback without affecting
available storage time (therefore replay time is not necessarily related to storage
time).
Cues and Events
A Cue is a piece of audio recorded onto hard disk (prior to editing and arranging
It is placed in a Cue Library and automatically given a default title which can be
replaced with a relevant name at any time.
All Cues are recor
).
ded against either an internally or externally derived timecode.
n Event is a description of when and how much of a Cue is played. An Event
as a Start Time and duration and forms part of the Event List. More than one
Event can use the same Cue and/or different parts of the same Cue. Changing
n Event does not affect a Cue it but changes when the Cue is used or which
A
h
a
part of it is used.
The Events shown above (in Figure 2:1) use three Cues called A, B and C which
se a combined audio storage time of 12 minutes.
he left hand group of Events uses all three Cues to give 12 minutes of audio.
racks). This
hows how a Cue (or part of a Cue) can be used at any time by an Event. The
is used. Cue C is used
ice but the audio storage remains constant at 5 minutes.
the right hand group of Events, Cue B has been used three times in
u
T
Notice that Cue C is used by two overlapping Events (on seperate T
s
Event describes when a Cue is used and which part of it
tw
In
succession to create a 12 minute section of audio from a 4 minute Cue. Each
Event is unique but the audio is the same.
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AudioFile SCX user manual 16 Revision 0.91
ent is displayed in Yellow within the Event List; this can be
isabled within the Display Defaults Page.
iew Details
about files, Cues, Events and Defaults.
bout an item
terisk key again to remove the details box.
The current Ev
d
V
Used to view information
To view details a
Place the highlight on or select an item and press the asterisk key.
Press the as
Editing
Editing is accomplished in the Cues And Events and Cut And Splice pages.
The same list of Events is displayed on each page from different points of view.
an
sequenced.
udio Editing
ue Start and End points can be edited easily and non-destructively, allowing a
used several times in an Event List (with a different portion used
ach time).
dit and Event List Data
py disk and a standard printer
ort is used to print all edit data.
ime Number Entry
his can be entered/displayed as timecode or feet and frames.
box is displayed with time fields expressed in hours, minutes and seconds
1:17:24 10.00,
rames),
Time Editing
AudioFile SCX can ‘slip’ Events in terms of timing reference.
By adjusting Event Start Times within the 24 hour clock period an Event List c
be easily re-
A
C
single Cue to be
e
E
Edit and Event List data is saved to a 3.5 inch flop
p
T
T
A
(timecode)
e.g. 0
or (feet and f
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e.g. 035631.23
AudioFile SCX user manual 17 Revision 0.91
ield positions are labelled, HH (hours), MM (minutes), SS (seconds), FR
receding zeros need not be entered).
rrors can be corrected using the UNDO Key.
ber entered into the next time
eld.
Tenths of frames are preceded by a decimal point.
F
(frames), TH (tenths and hundredths of frames).
Numbers fill the box from the right (p
The entry of a decimal point assumes that tenths of frames will follow.
E
The Nudge Keys can be used to transfer the num
fi
The entry of numbers must be confirmed by pressing the ENTER Key on
completion.
MACRO KEYS
A ‘macro’ provides the ability to store and repeat a specific series of actions i.e.
eated
nstead of making numerous key entries only two are required, i.e. the Macro
n required to execute this process is entered from the control
urface and stored in memory.
r on screen
ocess is completed).
Key
nd enter an ID (this can be any single QWERTY or numeric Key).
ow execute the operation desired, then press the MACRO HardKey again and
active until deleted.
a Macro is not saved it will be lost when AudioFile SCX is powered down.
all the steps in an operation.
This facility is particularly useful when an action has to be frequently rep
(i
HardKey and the identification key).
The informatio
s
As a macro is being programmed a MACRO LRN message will appea
(it remains there until the pr
To record a sequence (i.e. to create a Macro) first press the MACRO Hard
a
N
enter a description in the box provided, finally press the SAVE SoftKey.
A Macro remains
Macros can be stored in the control surface memory and to Hard disk.
If
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AudioFile SCX user manual 18 Revision 0.91
acro FilingM
ard disk or from their
cation in the control surface RAM in the Macro Filing Page (via the
ISK/MEMORY SoftKey).
he MACRO SoftKey in the Main Menu accesses the Macro Filing Page.
Existing Macros can be renamed in the Macro Filing Page.
When accessing the Macros from the hard disk the SAVE MACRO SoftKey
becomes the SAVE ALL MACROS SoftKey and LOAD ALL MACROS becomes
LOAD MACRO.
Macro IDs are sorted alphabetically and can be searched for in the same way as
Cues in the Cue Library.
A Macro sequence must only be selected from the page in which it was created.
If a Macro is unintentionally selected from any other page a series of actions with
potentially serious consequences could be initiated.
AUDIOFILE SCX CONTROL SURFACE
Macro IDs and descriptions can be edited from the h
lo
D
T
Screen
Flicker-free, radiation free, TFT display.
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oftKeysS
he function of these keys changes according to the currently selected Mode.
n.
T
In some situations the SoftKeys will either toggle between states or display
different states which can be toggled betwee
Trigger Keys
The “trigger keys” are the lower 8 horizontal softkeys below the screen. The term
“trigg
function of these keys was to “trigger” playback of assigned audio cues.
AudioFile SCX the function of the Trigger keys changes according to the
currentl
er keys” is a historical term which came to be used because the original
In
y selected mode. They often carry a row of related options.
HardKeys
The HardKeys have a permanent (i.e. non-changing) function and are
permanent
QWERTY Keypad
ly labelled accordingly.
This is used to ‘enter’ names, comments etc. and occasionally to confirm an
ction in response to an on-screen prompt.a
Numeric Keypad
These keys are used to enter desired values and the numeric element of prefixes
tc.
first key
ress.
ransport Keys
e
In some situations when entering numeric information (i.e. user defined
preferences) the box in which that selection is entered appears after the
p
T
the transport keys on a traditional tape
corder. ort key on the left can be used as either the GRAB TIME or TAG
ey according to the selected mode.
These function in the same way as
re
The blank transp
k
Status Display
Shows the current status of both the left-hand and right-hand Softwheels (and in
e majority of situations the status of the Nudge keys).th
Softwheels
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) Softw ed to scroll thro
selections, position material and ReelRock audio (see example below).
These (roller bearing heels are us ugh options, make
Nudge Keys
situations these ca ed to execute the sa
Softwheels (see example below).
Dimmed Keys
In many n be us me activity as the
Any key which is dimmed (i.e. displayed in low light) indicates that the associated
nction is not available/active.
y) Modes in Cut And Splice
fu
Softwheel (Nudge Ke
Right Context Left
SOURCE SELECT CUE LIBRARY CUES TO SOURCE
(ON)
SOURCE SELECT POSITION CUES TO SOURCE
(OFF)
SOURCE SELECT POSTION ASSEMBLY
TRIM EDIT – TRIM & VERNIER (IN
ASSEMBLY)
ROCK VARI TRIM & REELROCK (IN
SOURCE)
TRIM MARK TRIM (WITH MARK
HIGHLIGHTED)
ROCK – TRIM & REELROCK (IN
ASSEMBLY)
GETTING STARTED
Ease of Use
This chapter is aimed at users who are new to the AudioFile SCX and aims to
lustrate how easily it can be put to work.
he AudioFile SCX is an easy system to use for working with Cues and
ist to produce a finished piece of work. Sections
. Some of the
asics of these tasks are described, along with instructions, that will familiarise
using the AudioFile SCX.
is recommended to work through the instructions using the AudioFile SCX,
rather than sitting and reading without hands-on experience.
il
T
organising them into an Event L
of audio can be rapidly placed, trimmed, moved and auditioned
b
new users with
It
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