Ansr Audio Scan16 User manual

Ansr Audio Scan16 Professional Wireless
Table of Contents
1. Introduction 3
2. Safety 3
3. Environment 3
. Wireless Note 3
5. Quick Start Guide 4
6. Product Description
6.1 Receiver
6.2 Handheld Transmitter Microphone
6.3 Bodypack Transmitter
5
7
7. Setting Up
7.1 Connecting the receiver to power
7.2 Connecting the receiver to an audio mixer or amplifier
7.3 Channel Setup: Auto or Manual
7.4 Inserting batteries into the handheld / bodypack transmitter
7.5 Setting up the handheld transmitter microphone
7.6 Setting up the bodypack transmitter
9
9
9
10
10
10
11
8. Troubleshooting 11
9. Basic Connections 12
10. System Features 14
11. System Specifications 15
12. Microphones 15
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WIRELESS WIRELESS NOTE
FCC STATEMENT
This device complies with part 15 of the FCC rules Operation is subject to the following two conditions:
(1)This device may not cause harmful interference and (2) This device must accept any interference received,
including interference that may cause undesired operation
Notice : The changes or modifications not expressly approved by the party responsible for compliance could
void the user’s authority to operate the equipment
IMPORTANT NOTE: To comply with the FCC RF exposure compliance requirements, no change to the
antenna or the device is permitted Any change to the antenna or the device could result in the device
exceeding the RF exposure requirements and void user’s authority to operate the device
1. Introduction
Thank you for purchasing the Scan16 Professional Wireless Microphone System This PLL
synthesized wireless microphone system operates in an FCC approved UHF band frequency
with 16 selectable channels Please read this instruction manual carefully before operating the
system This manual covers the function and operation of the wireless microphone system
2. Safety
Do not spill liquid on the appliance and do not drop it on a hard concrete floor
Do not place the appliance near heat sources such as radiators, amplifier, or etc
Do not expose it to direct sunlight, extremely dust, excessive moisture, or vibration
Take out the battery from transmitter, if the transmitter will not be used for a long period of
time This will avoid the damage resulting from a defective leaking battery
3. Environment
Do not throw used batteries into a fire or garbage bin with domestic rubbish Be sure to
dispose of used batteries in accordance with local waste disposal rules
When disposing the equipment, remove the batteries, separate the case, circuit boards, and
cables, and dispose of all components in accordance with local waste disposal rules But
really, we know you will not throw this away, we just are required to include a statement on
the environment
. Wireless Notes
Before setting up, make sure that the transmitter and receiver are tuned to the same
frequency
Do not use two transmitters tuned to the same frequency
Use good quality batteries to avoid the damage resulting from a defective leaking battery
Turn the MIC/LINE switch on the rear of receiver to adjust receiver output level to match
input level requirements of an audio mixer or amplifier
While checking sound, move the transmitter around the area where you use the system to
look for dead spots If you find any dead spots, change the receiver position If it does not
work, avoid such places
To avoid interference, do not put the receiver too near metal object and avoid obstructions
between transmitter and receiver
Avoid the interference from TV, radio, other wireless appliances and etc

QUICK START WIRELESS
5. Quick Start Guide
1. Insert fully charged batteries into the transmitter Your Ansr Audio transmitter will
operate on either rechargeable or alkaline batteries
2. Make audio output and power connections as described in Section 7
3. If connecting to a mixer MIC input, set the AW-25 volume to the one o'clock position If
connecting to a mixer LINE input, set the AW-25 volume to MAX position Be sure to
keep the mixer output turned down until ready to test
. Turn on AW-25 receiver by pressing the POWER button for 4 seconds
5. Select operating channel:
Auto scan selection: Press SET/SCAN for 3 seconds to search for the next
interference-free channel Channel display will stop flashing when channel is locked in
Manual selection: Press SET/SCAN for 1 second, channel display will flash Press the
up/down arrows to select channel Press SET/SCAN quickly to lock channel in
6. Turn on your AW-1 handheld or AW-6 bodypack transmitter and select the matching
channel See Section 6 for details
7. After selecting the transmitter and receiver to the same frequency, the RF meter on the
AW-25 front panel will display signal strength For this, more is better
8. Slowly raise your mixer volume to test
9. If setting up additional systems, leave the first transmitter on when using Auto Scan
selection – this way, the second receive r will 'see' the first transmitter and avoid that
channel Follow similarly if setting up additional systems

WIRELESS PRODUCT DESCRIPTION
6. Product Description
6.1 Receiver
The AW-25 receiver is designed for use only with Ansr Audio 16-channel selectable channels
transmitters The receiver operates in UHF 682-697 MHz frequency band with PLL synthesized
control Powered by 12V DC

1. Power: Press for 4 seconds to power the receiver on or off
2. Channel Display: LED channel displays the channel number
3. Button △: When the LED display starts flashing, press this button to change the
channel forward
. Button ▽: When the LED display starts flashing, press this button to change the
channel in backward
5. Set / Scan Button:
Auto Scan: Press 3 seconds to search the next clean channel automatically
Set Channel: Press 1 second to let LED channel display flashing, then press the
channel button or to change the channel Wait LED channel display flashing five△ ▽
times to lock the channel or press SET button for 1 second to lock the channel
6. RF Level Indicators: 5-segment meter glows to indicate RF signal strength The
more segment glow, the stronger the received signal If none of these segments glow,
no signal is being received
7. AF Level Indicators: 5-segment meter glows to indicate audio signal strength The
more segment glow, the stronger the received signal If none of these segments glow,
no signal is being input
8. Level Control: Use this rotary control to adjust the receiver output level to match the
input sensitivity of an audio mixer or an amplifier
9. Antenna: Fixed-length UHF antenna permanently mounted
10. Antenna Position Adjust: For best results, position antennas pointing upward and
away from each other, approximately 45 degrees from horizontal
11. Balanced Output: 3-pin XLR connector provides balanced low-impedance output
12. Unbalanced Output: Unbalanced 6 3mm mono jack audio output for connecting to,
e g , a guitar amplifier
13. Mic/Line Switch: Select output of XLR balanced connector or 6 3ϕ unbalanced phone
jack It can be set for microphone (-20dB) or line-level (0dB)
1 . Squelch Adj. : The squelch adjusts the output level to prevent from the external noise
Setting the squelch too high will reduce the range of the system Set the squelch to
minimum before turning the receiver on
15. AC IN: AC input connector for the supplied AC adapter
16. DC OUT: Connect the supplied cable to the receiver and the transmitter, it takes
around 10 hours to charge the re-chargeable batteries inside the transmitter
PRODUCT DESCRIPTION WIRELESS

WIRELESS PRODUCT DESCRIPTION
6.2 AW-1 Handheld Microphone
The handheld microphone operates in UHF band frequency with PLL synthesized control UHF
16 pre-programmed selectable frequencies to avoid interference Uni-directional dynamic
element provides excellent sound and durability Use 2 x DC1 5V AA size dry or rechargeable
batteries for low operating cost
1. Grille: Protects the microphone capsule and helps reduce breath sounds and wind noise The
grille for the various microphone capsules differ in appearance
2. Low Battery LED: LED indicates battery life status Switching the power to "ON", the LED
flashing once indicates that the transmitter has sufficient power If the LED stays on, it indicates
that the battery has insufficient power and should be changed soon If the status LED fails to
flash, the battery is either dead or not positioned correctly, and you should correct the
positioning or change the battery
3. On/off Switch: Turns transmitter power on and off
. Battery Compartment: Insert two AA dry (alkaline) or rechargeable batteries into the
compartment and make sure that the polarity of batteries is correct
5. Group Selector: Changes transmitter Group setting
6. Channel Selector: Changes transmitter Channel setting
7. Battery Cover: Unscrew to expose battery compartment and Channel selector
8. Charging Input: The inserted rechargeable batteries are charged by using the supplied DC-
plug cable connection to DC out on the receiver It takes up to 10 hours for full charging

PRODUCT DESCRIPTION WIRELESS
5.3 AW-6 Bodypack Transmitter
The bodypack transmitter operates in UHF band frequency with PLL synthesized control UHF
16 preprogrammed selectable frequencies to avoid interference Use 1 5V x 2 AA size dry or
rechargeable batteries for low operating cost
1. Mini XLR connector: Note that any Ansr Audio wireless microphone can be used with the
AW-6 transmitter Never attempt to use a non-Ansr Audio microphone with the AW-6
2. Low Battery LED: LED indicates battery life status Switching the power to "ON", the LED
flashing once indicates that the transmitter has sufficient power If the LED stays on, it
indicates that the battery has insufficient power and should be changed soon If the status
LED fails to flash, the battery is either dead or not positioned correctly, and you should
correct the positioning or change the battery
3. On/Off Switch: Turns transmitter power on and off
. Mic/Line Selector (optional for use with mini XLR connector) : The switch sets the
audio input either to microphone level or line level
5. Antenna: Permanently connected, helical antenna
6. Channel Selector: Changes transmitter Channel setting
7. Gain: The rotary control adjusts the sensitivity of the transmitter’s audio to the level of the
connected lapel microphone or instrument
8. Battery Compartment: Insert two AA size dry (alkaline) or rechargeable batteries into the
compartment and make sure that the polarity of batteries is correct
9. Charging Input: The inserted rechargeable batteries are charged by using the supplied
DC-plug cable connection to DC out on the receiver It takes up to 10 hours for full charging
and the LED of transmitter is flashing all the time

WIRELESS SETTING UP
7. Setting Up
NOTICE: Prior to setting up, please check that the transmitter and receiver are tuned to the
same frequency Two or more transmitters operating in the same frequency can
not be used at the same time and area So for each extra transmitter, please
select a different frequency which can be used simultaneously at local area
7.1 Connecting the receiver to power
Plug the antennas into the TNC socket on the receiver, if the antennas are detachable
and point them upward
Check that the voltage of the supplied AC adapter conforms to the voltage available
(AC110 or 220) in local area Using the wrong AC adapter may cause irreparable damage
to the unit
Plug the feeder cable of the supplied AC adapter into DC IN socket on the receiver Then
plug the AC adapter into a power outlet
7.2 Connecting the receiver to an audio mixer or an amplifier
In order to make sure the sound quality and avoid distortion, please adjust the volume level
according to following instructions
When using a standard audio cable with 3-pin XLR connectors or 6 3ϕ phone plugs to
plug into the MIC IN on the audio mixer or on the amplifier, please turn the Volume Level
Control of the receiver to around 1 o’clock position, the output level for balanced and
unbalanced output is about at 77mV
When using a standard audio cable with 3-pin XLR connectors or 6 3ϕ phone plugs to
plug into the LINE IN on the audio mixer or on the amplifier, please turn the Volume Level
Control of the receiver to around MAX position, the output level for balanced and
unbalanced output is about at 770mV
When select the MIC/LINE switch to “MIC”, please use a standard 6 3ϕ plug cable to
connect the UNBALANCED connector on the receiver rear panel to an unbalanced MIC
input on the audio mixer or on the amplifier,
When select the MIC/LINE switch to “MIC”, please use a standard 3-pin XLR cable to
connect the BALANCED connector on the receiver rear panel to an balanced MIC input
on the mixer or on the amplifier
When select the MIC/LINE switch to “LINE”, please use a standard 6 3ϕ plug cable to
connect the UNBALANCED connector on the receiver rear panel to an unbalanced line
input on the audio mixer or on the amplifier
When select the MIC/LINE switch to “LINE”, please use a standard 3-pin XLR cable to
connect the BALANCED connector on the receiver rear panel to an balanced line input
on the mixer or on the amplifier
Never use the balanced and unbalanced audio outputs at the same time! This may
cause signal loss or increased noise

SETTING UP WIRELESS
7.3 Setting up channel on receiver
Notice: Do not put two or more transmitters operating nearby when setting up the frequency
channel Please keep transmitter at least one meter away from receiver
7.3.1 Manual Mode
Setting interference-free channel by manual operation
Press button “Set/Scan” for 1 second to let LED channel display flashing
Press button or for 2 seconds to change the channel forward or backward△ ▽
Stop pressing button and let LED display flashing five times to lock the setting
7.3.2 Auto-Scan Mode
Setting interference-free channel by auto-scan programmed search
Press button “Set/Scan” for 3 seconds to search the next free-interference channel
automatically The auto-scan system would stop at the next free-interference channel
Stop pressing button and let LED display flashing five times to lock the setting
If user need to set up a multi-receiver system, please keep your previous receiver-
microphone pair power on Then go on to next scanning procedure
7. Inserting batteries into the handheld / bodypack transmitter
Push to open the battery cover and insert batteries into the battery compartment conforming
to the polarity (+)(-) marks The transmitter can not work with incorrectly inserted batteries
When push the ON/OFF switch to “ON” to switch the power on, the LED will flash
momentarily
If the battery has sufficient power, the LED flashes once If the LED stays on, it indicates that
the battery has insufficient power and should be changed soon If the status LED fails to
flash, the battery is either dead or not positioned correctly, and you should correct the
positioning or change the battery
Push back the battery cover to click it shut
7.5 Setting up the handheld transmitter
Use the AC adaptor to connect the DC input connector for on the receiver and check the
frequency
Switch the transmitter and hi-fi appliance (amplifier, tape deck etc ) power on
Adjust the channel setting of the transmitter according to receiver’s channel setting
Test the microphone and adjust the levels on your audio mixer or amplifier

WIRELESS TROUBLESHOOTING
7.6 Setting up the bodypack transmitter
A Connecting a microphone
Open the battery cover Push the MIC/LINE switch to “MIC” and use the supplied screw-
driver to adjust the GAIN at appropriate position
Plug the mini XLR connector of the microphone cable into the audio input connector on the
bodypack transmitter
Switch the transmitter and hi-fi appliance (amplifier, tape deck etc ) power on
Adjust the channel setting of the transmitter according to receiver’s channel setting
Test the microphone and adjust the levels on your audio mixer or amplifier
B Connecting an instrument
Open the battery cover Push the MIC/LINE switch to “LINE” and use the supplied
screwdriver to adjust the GAIN at appropriate position
Plug the 6 3ϕ phone plug of the optional guitar cable to the output jack on the instrument and
the mini XLR into audio input connector on the bodypack transmitter
Switch the transmitter and hi-fi appliance (amplifier, tape deck etc ) power on
Adjust the channel setting of the transmitter according to receiver’s channel setting
Play the instrument for testing and adjust the levels on your audio mixer or amplifier
8. Troubleshooting
Problem Solution
No sound Check the power supply of the microphone and receiver
Check that the transmitter and receiver are tuned to the same
frequency
Check whether the hi-fi appliance is switched on and the
receiver output is connected to audio mixer or amplifier input
Check whether transmitter is too far away from receiver or
SQUELCH control set too high
Check whether receiver is located too near metal object or
there are obstructions between transmitter and receiver
Sound interference Check the antenna location
When using 2 or above microphone sets simultaneously, make
sure that the chosen frequencies are not interfered
Check whether the interference comes from other wireless
microphones, TV, radio and etc
Distortion Check the receiver volume level is set too high or too low
Check whether the interference comes from other wireless
microphones, TV, radio and etc

21 3 54
BALA NC ED
AUDI O OUTP UT
UN BALAN CED
LINE
8/96/7 10/11 L OUTPUT R
SQU ELCH
MIC
12V 500mA
DC ONLY
AC/DC ADAPTER
BASIC CONNECTIONS WIRELESS
9. Basic Connections
Connect the receiver output to the audio mixer or amplifier input, using a standard audio
cable with 6 3ϕ phone plugs Never use the balanced and unbalanced audio outputs at the
same time! This may cause signal loss or increased noise
AUDIO MIXER
LOUDSPEAKER LOUDSPEAKER
AMPLIFIER

POWER
or
RF AF
SET/SCAN
DC OUT
VOLUME
OPEN
WIRELESS BASIC CONNECTIONS
To combine two receivers in a 19” standard rack by using 2 short L type plastics racks (L2)
and 2 metal connecting plates (C1) (Each system includes a L2 and a C1 )
C1
L2
L1
Charging Connecting Diagram
Connect the supplied DC1 5 cable to the receiver and the transmitter, and it takes around
10 hours to charge The LED of transmitter is flashing all the time until charging completed
** Turn transmitter power off when charging **
** AA dry batteries (alkaline) are prohibited for charging **
To mount a receiver in a 19” standard rack by using 2 L type long metal racks (L1)
(L1 is an optional product, so please see your dealer )

FEATURES & SPECIFICATIONS WIRELESS
10. System Features
Operating in an FCC-safe UHF frequency band – 16 operating frequencies over 3 television
channels (49, 50, 51)
Automatically scans upward to the next open frequency at the touch of a button
Switching antenna diversity to ensure the reception quality and avoid dropouts
Super high sensitivity, extremely low noise transmission and reception
Built- in recharging system eliminates battery cost
11. System Specification
Receiver
Carrier Frequency Range : UHF band, 682 375 – 697 125 MHz
Frequency Stability : ±0 005%
Receiving Sensitivity : At 8 dBμV over 80dB S/N ratio
Image and Spurious Rejection : 80 dB minimum
Selectivity : ＞50dB
Modulation Mode : FM
IF Frequency : 1st: 56MHz; 2nd: 10 7MHz
Tone Signal : 32 768KHz
S/N ratio : ＞94dB, at 48KHz deviation and 60dBµV antenna input
AF Response : 80Hz to 12KHz (±3dB)
T H D : Less than1 0% (at 1KHz)
Power Supply : DC 12V ~ 18V
Audio Output : Balanced and unbalanced outputs
(Mic =-20dB / Line = 0dB)
Battery Charging Output: : via included cable
Current consumption : 150mA (Max ) A
Handheld/Bodypack Transmitter
Carrier Frequency Range : UHF band, 682 375 – 697 125 MHz
RF Power Output : 10mW (max )
Oscillation Mode : PLL synthesized, 16Channel selectable
Frequency Stability : ±0 005%
Maximum Deviation : ±48KHz with limiting compressor
Spurious Emission : ＞60dB below carrier frequency
T H D : ＜1% (at 1KHz)
Tone Signal : 32 768KHz
Battery : DC3V (2 x 1 5V AA size batteries ) or
DC 2 4V ( 2 x 1 2V AA size rechargeable batteries)
Battery Charging : via included cable
Current consumption : 110mA at 3V

WIRELESS MICROPHONES
The Ansr Audio AW-6 bodypack transmitter will accept any properly wired Ansr Audio or
Special Projects microphone A wide variety of headworn and lavalier microphones are
available from your Ansr Audio / Special Projects dealer
AM-17 / AM-17T The ultimate in headworn wireless Unlike other single ear head worn
microphones which tend to have difficulty staying in place, the AM-17 incorporates a soft
moldable plastic earpiece which is flexible and can be formed to fit every ear The superior
design of the AM-17 has the boom coming over the ear as compared to other mics in which
the boom comes under the ear and lays against the cheek bone This improved design
provides a counterbalance which keeps the mic in place better than other single ear model
Even wearing eyeglasses or during rigorous movement this mic stays firmly in place For fit,
comfort, price, and quality of sound the AM-17 is the best single ear microphone on the
market today Available in tan or black
AM-1 / AM-1 T Incorporating a 'behind the head' double ear design, the AM-14 features a
flexible 'gooseneck' boom for perfect positioning Lightweight and unobtrusive, the AM-14
offers a precision omnidirectional element for a pure, natural sound Available in tan or
black
AM-15 Built on the same 'behind the head' double ear frame as the AM-14, the AM-15
offers a super-cardioid element for applications where isolation is vital A wide, flat
frequency response and excellent feedback resistance make the AM-15 a favorite for live
sound and stage use Available in black only
SP-H2O This comfortable heavy duty headworn is the industry standard in waterproof /
sweatproof microphones The noise-canceling element provides excellent sound while
resisting feedback A favorite of fitness professionals, the SP-H2O features a unique
replaceable cable Should the need arise, the user can simply remove and replace the
cable, minimizing down-time and cost
SP-7 6 All of the rugged waterproof / sweatproof features of the SP-H2O, but with an
attached cable Comfortable, durable and lightweight, this mic will stand up where other
mics can't
AM-11 This attractive miniature omni-directional lapel microphone has a suprisingly bold
and rich sound for an economically priced unit Almost as small as the sub-miniature AM-18,
the AM-11 is also an excellent choice when replacing your existing lapel microphone
AM-18 When only the best will do, the sub-miniature AM-18 is the right choice The omni-
directional element provides an extended and extremely smooth frequency response The
super small case is designed for minimal clothing and wind noise, making it a favorite for
concealed stage and broadcast use
AM-19 The uni-directional patteren adds excellent performance sound isolation with better
feedback control The three wire circuit design and the high tensile strength cable promote
low contact noise These features make the microphone well suited for professional
broadcasting, speech and lecture, film and video production